Scale generator

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Swivel legs with Locking Pin fit around other equipment

Weight: 0.6kg (1.4lbs)

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Plateau (closed-hole) keys or open-hole (French model) keys?
A: Most student flutes feature plateau keys because they're easier to play. Open-hole flutes feature a small hole in the center of each key and are used by the majority of professional players because they make it easier to produce tonal nuances. Some teachers prefer students to start on open-hole flutes since they'll probably want to play open hole eventually anyway.

Body material—nickel silver, silver, or a combination of the two?
Nickel silver is very durable and more resistant to denting than silver, yet it still produces a nice tone. For this reason, student flutes usually feature nickel silver on the head, body, and footjoint.

The headjoint is the heart of a flute's tone production and the logical place to start upgrading a flute. A sterling silver headjoint produces a warmer and richer tone while improving the flute's response. For this reason, many intermediate models feature a silver headjoint with a nickel silver body and footjoint.

Most professional flautists use flutes made entirely of silver because they provide warm, rich tone with clean, crisp response. An all-silver flute requires careful handling and so is usually not the best choice for a young student. Some professionals play all-gold flutes, but their price is prohibitive for the majority of players.

Silver plating or nickel plating?
The most popular plating for flutes is silver. Silver's pale luminescence is more beautiful than nickel, though it does require regular polishing to maintain its beauty. Nickel is a more affordable plating and is very durable, but it can become slippery, especially if the student has sweaty hands. In rare cases, nickel can cause allergic skin reactions.

Gold-plated lip plate?
B: Gold plating is hypo-allergenic and it also provides a bit of "traction" for the bottom lip, helping with fast passages. It adds a touch of elegance to a flute's looks as well.

C footjoint or B footjoint?
C: The C footjoint has a range to low C while the B footjoint's playing range extends a half-step lower to low B. It is rare for flute music to include a low B, but a low B cannot be played at all with a C footjoint. Flutes with B footjoints should include a "gizmo" key (auxiliary high C facilitator), without which it is very difficult to play a high C.

The G key-offset or in-line, what's the difference?
D: The G key is controlled by the ring finger of the left hand. Offsetting this key from the rest makes it much easier to finger, particularly for small hands. Until recently offset G keys have been found almost exclusively on plateau (closed-hole) student model flutes. But today many open-hole flutes are configured with an offset G key in order to make it easier to cover the hole.

Other options
A curved headjoint is available on some student flutes. This feature has the effect of placing the lip plate inches closer to the keys so that small students can reach the keys without straining.

The split E mechanism makes playing the high E easier without requiring any relearning of flute fingering. Split E flutes are almost always configured with offset G keys.

Some manufacturers offer the D# roller on select flutes. This enhancement makes it easier to slide the little finger of the right hand from D# to C#, C, and B.

Putting it all together

A student flute will typically feature a silver-plated nickel silver headjoint, body, and footjoint with offset plateau keys and a C footjoint. Occasionally instructors will request an open-hole model and/or a flute with the split E mechanism.

Intermediate, "performance," "step-up," or "conservatory" flutes are usually configured with a silver headjoint. Typically the body and footjoint are either silver or silver-plated nickel. Very often these flutes feature open-hole keys and a B footjoint. Though in-line G keys are more common, more and more players are choosing offset G keys in intermediate flutes.

The sky's the limit when it comes to the features of professional flutes. However, they generally come with open holes and a silver headjoint, body, and footjoint. Many professional flutes are handmade to very tight tolerances for maximum performance.

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I am standing at the baggage claim, crowded with grumpy travelers pushing for their luggage. The conveyer belt is at an alarming angle and seems to be running way too fast. I can�t make my way to the front. All of a sudden dozens of huge heavy wood crates start careening down the belt. I see my guitar dwarfed by them, and I cry out involuntarily as a particularly large crate falls on my guitar. The usually noisy baggage claim area becomes painfully silent as we all hear the horribly distinctive sound of a musical instrument, designed to transmit sound, transmitting its own death as it is reduced to splinters. I wake up in my hotel bed, a cold sweat permeating the sheets, mattress liner, mattress, and box spring. Oh thank God, it was just a dream.

How do we do it? Traveling with our beloved instruments is a nightmare. Should you check it or try to carry it on? Here are some tips to help you and your guitar survive your next flight.

CHECKING YOUR GUITAR

If you are going to check your guitar in baggage, be prepared to lose it. I have lost my guitar six times, and once it was missing for more than a month. So far I've been lucky: my guitar has always made it back to me, like those pet stories, "We lost old Sparky in Nebraska, but she caught up to us in Hong Kong." I only travel with guitars that I am emotionally prepared to lose. I can't tell you how much stress that has removed from my life.

Pad the peghead. One of the most common injuries to checked guitars is broken pegheads. Even in most good cases, the peghead is not supported. If a case is dropped, the weight of the tuning gears can snap the peghead right off. This happened to one of my guitars. Pack the peghead securely on all sides with T-shirts, socks, and other soft articles of clothing, or buy a case with padded peghead support. Crumpled newspaper or magazine pages will work well in a pinch, too. Just make certain that the peghead is wedged into the case so that it can't move in any direction if the guitar case is dropped.

Loosen the strings. On an average steel-string guitar, the strings pull 150 pounds of pressure. You won't want that kind of pressure on your guitar�s neck while it is getting heaved around by sumo baggage handlers. Taking the tension off will also reduce the risk of snapped pegheads.

Choose the strongest case you can afford and/or carry. I've heard many musicians recommend Calton cases. They come in bright colors, which makes it less likely that someone will walk off with your guitar by mistake, and they have a good arch over the face of the guitar that gives the case more strength. Flight cases (usually triangle-shaped fiberglass cases) are also very good, but they are bulky and heavy. Sadly enough, I know many musicians who have developed tendon injuries not from playing their instruments but from carrying heavy cases. Generally, the heavier the case, the better the protection, so you will have to find a balance. Even the toughest cases, however, are not indestructible. One airline managed to spear a forklift right through the best case a musician friend of mine could find.

Pack your instrument and case in a cardboard shipping box. You can usually get one of these boxes for free from a music store, but you will have to get the box in advance since most stores don't get daily shipments of guitars. When I pack my guitar, I throw all my clothes and an empty duffel bag around the case for padding. The great thing about this method is that it makes your guitar so awkward and bulky that the baggage handlers have to handle it gently by default. The obvious problem with this system is that the box is awkward and bulky for you as well, and you end up taking a big empty box on tour with you for your return flight.

Once, when I wasn't using this method, I saw a baggage handler throw my guitar case over a baggage train where it landed miraculously headfirst on the conveyor belt. The baggage handler jumped up and down ecstatically at the sheer beauty and accuracy of his throw, while from inside the airplane I was screaming inaudibly and pounding on the airplane window. Of course when I checked my guitar the airline made me sign a waiver saying that any damage they inflicted on my instrument was my responsibility. Had I packed my guitar in a shipping box, I would have saved myself a $250 repair bill.

When you get to your destination, go directly to the baggage claim area to get your guitar. I once coincidentally ran into guitarist Nina Gerber as I deplaned and stood talking at the gate for ten minutes while my guitar went around and around the baggage claim carousel. Pretty soon my guitar was the only thing left, and when no one was looking someone stole it. Through some clever detective work on the part of the airline, I got my guitar back, but not until after I had played the festival.

CARRYING YOUR GUITAR ON BOARD

If you plan to try to carry your guitar on board, get a great gig bag, one that you can wear on your back. That way your guitar is pretty much hidden by your body so that when you saunter on by the ticket takers they may miss your guitar entirely. Find a bag that isn't too bulky but offers some protection. I use gig bags by Blue Heron and Reunion Blues. They use a foam similar to backpacking insulate, which is very dense and offers good protection. Gig bags don�t need as much padding as regular cases because they aren't subjected to baggage handlers. And because they are so light and comfortable, you�re not always setting them down, so they don�t get knocked about and are less likely to get stolen.

When you make your reservation, find out what the airline�s policy is for carrying guitars on board and what type of carrier the airline uses. Make sure you are not flying on an L10-11. TWA flies a lot of those. They have tiny overhead compartments that will not hold a guitar. The 700 series (e.g., 737, 747), the airbuses, and the DC-10s are generally fine. But, whether or not there�s room for your guitar on board, many airlines are now refusing to allow passengers to carry them on. A friend of mine used to disguise her guitar (in its gig bag) in a hanging wardrobe bag. It worked for her a few times, but now she just uses a heavy flight case and checks her guitar. In the past, I have had especially good luck with Northwest, Alaska, and Delta, but airlines are getting more strict about carry-ons all the time. When I fly overseas, I check both guitars through baggage. Most overseas carriers won�t allow you to bring your guitar on board. I also have insurance for my instruments that covers airline damage and loss.

When you fly on tiny commuter planes, you will have to relinquish your guitar, but you can watch the baggage person put it in the hold yourself, and at the end of the flight you pick it up right outside the plane, so it doesn't go through the maze of conveyor belts. I have never had a problem on these little flights.

Don't push the airlines. If you are attempting to carry a guitar on board, don't bring a lot of other carry-ons. Many people have to share limited space. I have seen musicians carry on needless extra stuff and act indignant when they get called on it. A friendly positive attitude and gentle persistence will generally get you and your guitar taken care of in the best possible way.

I always fill in the customer survey cards in the in-flight magazines and tell the airline that I am flying them because they have always been great about letting me on board with my guitar in a gig bag. Airlines cater heavily to business customers, and I remind them that we musicians are business customers, too. I always try to be friendly and polite, especially if I am carrying a guitar, so that airline workers will like accommodating musicians.

Bon voyage!

As part of the Goals 2000: Educate America legislation, National Standards for the Arts have been published for the four fine arts - dance, music, theater, and visual arts. These standards specify what students should know and be able to do by graduation from high school in each of the four arts with a specialization in one of them.

Content Standard 1: Singing, alone and with others, a varied repertoire of music

MUSIC--THE EXPERIENCE OF A LIFETIME:
This music unit from Core Knowledge is meant to address musical themes throughout the school year. Singing, speech, movement, and instruments are all used to teach beat, tempo, rhythm, pitch, coordination, sequencing, and more.

BULLETIN BOARDS FOR THE MUSIC CLASSROOM:
Music teachers will surely appreciate the various creative ideas for bulletin boards at this site.

MUSIC IDEAS AND ACTIVITIES:
Seven musical activities are addressed to students aged 5 to 11. Writing music, rhythm, and singing are all covered.

MUSIC APPRECIATION UNIT:
This unit for primary grades explores musical components, instruments, and composers. Note the first two linked resources have new URLs:

Help your students especially string students explore the power of music in their lives. If they are able to see The Music of My Heart, ask them to pay attention to the music played by students in the movie--it ranges from "Twinkle" to the Offenbach "Can-Can" and the Bach Double Concerto. Ask the students which pieces in their current repertoire are their favorites, and see if they can identify the musical and technical challenges of those pieces. And engage in a classroom discussion and homework assignment. The lesson idea here is mostly for upper-elementary (4th or 5th grade) students, but could easily be adapted for middle-level students:

Procedures
1. Lead a class discussion on the ways that music contributes to the school. Accept any reasonable answers and note them on the board, encouraging the students with suggestions as necessary. You will probably come up with something like:

2. Lead a second discussion on the ways that students make individual, musical contributions to the school. You may end up with a list including:

3. Finish with a discussion on the ways that music study contributes to each student. You may find students volunteering that:

4. Using any of the facts listed on this poster, tell the students some of the other ways that music study helps them grow. Tell them that in the movie, The Music of My Heart, a group of kids in New York experience many of the same benefits from music education that your students have just listed. Ask a student volunteer to record all of the class suggestions from the board, adding the important facts that you bring into the discussion.

5. Ask students to spend a week researching ways that music is played and contributes to their family and community. Specifically, assign each student the task of interviewing at least three individuals (parents, relatives, neighbors) for whom music is important asking:

6. In a later class session, ask students to present their reports orally. Once again, note them on the board. Combine the results of these reports with the notes from the earlier class dicussion in a class publication that can be presented to parents, administrators, and other decision-makers in the community.

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Though born in Poland, Chopin spent the last half of his life in Paris, arriving there in 1831. In Paris, he came to know the novelist George Sand, and was her lover for a time.

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Counting and notes in music

First Example: the A minor scale

Lets for example take the A minor scale. Which consists of the following notes.

A B C D E F G A

Every note in music is transcribed by a note A to G, try to think of them as names, and then simply starts over again with the A so you could go up or go down and you would get:

... F G A B C D E F G A B C D E F G A B C D E F G ...

But this is a scale and does not use all the notes available. It uses both half notes and whole notes in a certain order. To understand this we have to look at all the notes available and have to wonder about what is in between the notes. Some might think this is a deep ocean and are afraid to dive in. Well this certainly is not the case. After this lesson you should be able to understand how this works and it should make all the music theory lessons available sooooooooooo much easier.

In western music notes next to each other are a half note apart. If you would take the C-D interval these notes would be one whole note (two halves) apart because there is a note in between them.

But since there is no name for this in the alphabet we have to use symbols to describe the notes in between. There are two symbols used to do this, the sharp notated as # and the flat written as b.

The sharp symbol: #

The sharp symbol is defined as the symbol that "increases" the note by a half

# means: play half note higher ( +half )

This means that every time you want the describe the note one half high you would write a sharp symbol (#) behind it.

So if you would have a C# it would mean you would have the note which is an half note higher than the C. So now you could write the note in between the C and the D as C#

Try to think of this note in two ways.

1) C# = (C sharp) name for the note in between the C and the D 2) C# = the C note moved up an half ending up at the note in between the C and D

But there is also another way to describe or name this note

The flat symbol: b The sharp symbol is defined as the symbol that "decreases" the note by a half. The symbol looks like a small en italic b letter. b means: play half note lower ( -� )

Every time you want the describe the note one half lower than a certain note you would write a flat symbol (b) behind it.

So if you would have a Db you would mean the note one half lower than the D. So you also could write the note in between the C and the D as the Db which would give us:

As with the sharp try to think of this note in two ways:

1) Db (D flat) name for the note in between the C and the D 2) Db: the D note moved down an half ending up at the note in between the C and D

There are two exceptions. The E - F and the B - C. There are no notes in between these notes! So remember these!

B - C = �

E - F = �

Don't even try to understand this, it is simply defined this way. If you would normally count numbers this way 1 - 2 - 3 - 4 - 5 -6 you also wont think why something is called a 2 or a 5. You simply understand the logic behind it and that there are halves between them.

In music it is a little bit more difficult and certain notes have simply been given a name A to G and back to A again. As I said before try to think in names and not in numbers. So for some reason the notes next to each other and only an half apart are named B and C.

Just to mention a few things you might come across and so you won't wonder if you are reading it right. What do you think this means?: C## No, it's not a typo, but it could have been. Confused?

Lets try to remember the basic rule of the sharp symbol: # means: play half note higher ( +� ) And now you have two of those sharps. So if you remember how this works you simply move up two halves and you end up at the D again.

Why would anyone want to do this you ask? Some people like to make life difficult I guess. Another explanation would be that sometimes certain notes have to be written in a way that it is clear that a certain note is moved up a half. If you would write "D" you would only know which note it would be. If you would write "C##" you would now this is a C# moved up a half.

Don't be two worried by this and don't loose a good nights sleep over it, it just a way of notation. Of course it works the other way around to, a Dbb would be a D moved down two halves and you would end up at the C again.

Now if you do want to loose a good nights sleep try to figure this one out ;)

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Ibanez GB15 George Benson Signature Series Hollowbody Electric Guitar Transparent Red

Take it from the best!

George Benson took jazz guitar to a whole new level. With Ibanez, he took THE jazz guitar to a new level as well. From the inlaid ebony bridge and tailpiece to the binding on the top, back, fretboard, peghead, and even on the F-holes, this is one amazing guitar. Its looks are further enhanced by a sunburst multi-ply pickguard, distinctive pearl bi- and tripartite fretboard inlays, and floral peghead inlay. Maple on the back and sides provides crisp projection that's mellowed by the carved solid spruce top. 2 Super 58 humbuckers deliver a warm, fat signal suited to the liquid stylings of GB himself and the neck dimensions are his optimum formula for free movement and ease of play.

Ibanez GB200 Electric Guitar Features:

* GB neck dimensions * Maple back and sides * Carved spruce top * Ebony bridge, tailpiece, and fretboard * Two Super 58 humbuckers

Ibanez GB200 Electric Guitar Includes:

* hardshell case

You can imitate and emulate, but that old solidbody will never provide the pure jazz tones you're leaning toward. Make your archtop a sure winner. Order today.

Ibanez GB10 George Benson Hollowbody Electric Brown Sunburst||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|georfredhan||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23335558||||||George Frederic Handel||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||||||

Pieces of his that are particular favourites of mine are his organ concerti, his Water-music and Fireworks-music, and the Messiah. The latter is probably his most famous work. It is a huge choral piece that includes the well-known Hallelujah Chorus.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ghsstrings||item.||page.||guitstrin1||||||||GHS Strings||||elguit1 guitstrin1||Electric Guitars > Guitar/Bass Strings > ||||||||||||||||0||1||0||0||||||||GHS Strings ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibdrumhar||item.||page.||drumsticks||||||||Gibraltar Drum Hardware||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Free Shipping on Gibraltar Drum Hardware ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibacguit||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23339709||||||Gibson Acoustic Guitars||||acin||Acoustic Instruments > ||||||||Gibson Acoustic Guitars||||||||0||1||0||0||||gibsonser||||Browse all Gibson Acoustic Guitars

Gibson 2017 J-45 Standard Slope Shoulder Dreadnought Acoustic-Electric Guitar Vintage Sunburst

Gibson 2017 Hp 415 Cex Acoustic-Electric Guitar Natural

||||Gibson SONGBIRD,Gibson SONG BIRD DELUXE,Gibson J180EC,Gibson DOVEARTIST, Gibson WORKING MUSICIAN 45||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibsonbanjos||item.||page.||banjos1||||||||Gibson Banjos||||acin banjos1||Acoustic Instruments > Banjos > ||||||||||||||||0||1||0||0|||||||| Browse Gibson Banjos

Gibson Custom Les Paul Custom Electric Guitar Wine Red
One-piece mahogany neck. Carved maple top. Warm-toned mahogany body. 24-3/4" scale. Ebony fingerboard. 22 frets. Figured acrylic block inlays. Gold hardware. 490R neck humbucker with Alnico II magnets. 498T bridge humbucker with Alnico V magnets. Nashville Tune-O-Aatic bridge with stopbar tailpiece. Metal tulip tuners. Body, neck, and headstock binding. 1-11/16" nut width. Includes Gibson Custom Shop hardshell case.

Gibson Custom VOS SG Custom Electric Guitar with Maestro Tremolo Classic White
Solid mahogany body. Gold hardware. ABR-1 bridge with Maestro tremolo tailpiece. One-piece mahogany neck with long neck tenon. 22-fret ebony fingerboard. Pearl block inlays. Single-ply white neck binding. 1960 slim-taper neck profile. 24-3/4" scale length. 1-11/16" nut width. Holly headstock veneer. Vintage tulip tuners. '57 Classic humbuckers. 2 volume, 2 tone, and 3-way selector switch controls. Vintage Reissue .010 strings. Includes Custom Shop case, certificate of authenticity, and custom care kit..

Gibson Custom Les Paul Custom Figured Electric Maple Guitar In Trans Purple Trans Purple Maple Fingerboard

Gibson Custom Custom Shop Standard Electric Guitar (Trans Red) Trans Red||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|giesgu||item.||page.||gibson||||||||Gibson ES Guitars||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||Gibson ES Guitars||||||||0||1||0||0||||||||

Gibson Custom Es-339 Semi-Hollow Electric Guitar W/ 30/60 Neck

Gibson Custom Es-335 Dot Left-Handed Electric Guitar

Gibson Custom ES-335 Dot Figured-top Electric Guitar with Gloss Finish 00199711
Classic semi-hollowbody design. Dual '57 Gibson humbuckers. Thin tapered '60s neck. Rosewood fingerboard. Nickel hardware. Grover tuners. ABR-1 Tune-O-Matic bridge with stopbar tailpiece. Separate volume and tone controls with 3-way switch.

Gibson Custom ES-165 Herb Ellis Electric Guitar 00565702
Plain laminated maple top. Curly laminated maple back and sides. One-piece mahogany neck. Solid maple center block. Rosewood fretboard. BJB floating pickup. Split parallelogram inlays. Multi-ply top binding. Single-ply binding on back, fretboard, and headstock. Single volume knob on pickguard. Gold-plated hardware. Grover keystone tuners. 175-style tailpiece. ABR-1 bridge. 175-style neck profile. 24-3/4" scale. 1-11/16" nut width.

Gibson Custom ES-335 Dot "Fat Neck" Reissue Electric Guitar Antique Cherry*
Figured or Plain (ebony finish only) laminated maple top, back, and rims. 16"W x 20"L x 1-3/4"DS. Single-ply binding on top and back. Nickel hardware. ABR-1 bridge, stopbar tailpiece. 1-piece mahogany neck. 22-fret rosewood fingerboard. Pearloid dot inlays. Single-ply neck binding. 1950s rounded neck profile. 24-3/4" scale length. 1-11/16" nut width. Fiber headstock veneer. Grover kidney tuners. '57 Classic humbucking pickups. 2 volume, 2 tone, 3-way selector.

Gibson Custom 1963 ES-335 Historic Block Reissue Electric Guitar A36053
Plain laminated maple top, back, and rims. Solid maple center block. One-piece mahogany neck with extended tenon. 22-fret rosewood fingerboard. Holly headstock veneer. '57 Classic humbuckers. 1960 slim-taper neck profile. Lightweight aluminum stopbar tailpiece. ABR-1 bridge. Single-ply cream binding on top, back, fretboard, and headstock. Vintage tulip tuners. Pearloid bar inlays. 2 volume knobs. 2 tone knobs. 3-way selector. 24-3/4" scale. 1-11/16" nut width.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibsonfinishes||item.||page.||gibson||||||||Gibson Finishes||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||Gibson Guitar Color Chart||||||||0||1||0||0||||||||The NEW Gibson 2014 Memphis Collection - from $1,399

Gibson USA Finishes

For over 100 years, the unique look of a Gibson has been as vital to the Gibson mystique as the sound of a Gibson.

The very first Gibson guitars stood out in a crowd by the very presence of a finish color. A flash of ebony, deep orange or rich red mahogany meant "The Gibson" had taken the stage.

Today's Gibson finishes bear the same classic status as Gibson's guitar models, paying tribute to Gibson's historic past while setting new standards for the future. The dusky Cremona brown sunburst, introduced on the top-of-the-line Style 5 models in 1922, has evolved into today's Vintage Sunburst. The deep cherry stain and cherry sunburst finishes that turned heads in the '50s live on as Heritage Cherry and Heritage Cherry Sunburst. The warm aura of a vintage guitar is embodied in an Antique Natural or Honey Burst finish. New models continue to add new finishes, such as deep translucents or colors inspired by gemstones and natural formations, to the Gibson tradition.

From Ebony to Alpine White, from Glacier Blue to Fireburst, from the Everglades to Sequoia, every Gibson finish makes a Gibson guitar look as impressive as it sounds.

Alpine White	Amethyst	Antique Natural	Bullions
Cherry	Classic White	Country Gentleman Brown	Dark Wine Burst

Ebony	Emerald	Everglades Green	Ferrari Red
Fireburst	Glacier Blue	Heritage Cherry	Heritage Cherry Sunburst

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Gibson Firebird Non-Reverse Limited Edition Electric Guitar Ferrari Red||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibguitcas||item.||page.||gibson||||||||Gibson Guitar Cases||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||1||0||0||||||||

Gibson Sg Hardshell Case

Gibson Hardshell Case For Es339 Black

Gibson J-200 Guitar Case

Gibson Case For J-45 Acoustic

Gibson Es-335 Reissue Custom Shop Case

Gibson Es Series Hard Case

Gibson Custom Shop Logo Les Paul Guitar Case||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname13||item.||page.||gibson||||||||Gibson Guitar Sale||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||1||0||0||||||||Gibson Angus Young Signature SG Blemished Item GC Price: $2,278.53 - $2,619.00

Gibson Melody Maker Electric Guitar Blemished Item GC Price: $399.00

Gibson Limited Run Series Eye Electric Guitar GC Price: $1,498.00 ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibson||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23342765||||||Gibson Guitars||||elguit1||Electric Guitars > ||||||||Les Paul, SG, Flying V, Nighthawk, Explorer...

Gibson, Top Quality Pro Guitars Gibson celebrated 100 years of inspired musical instrument design and production in 1994. Then and now, Gibson products offer an unbeatable combination or performance and value for any musical purpose. Continuing in the tradition of providing "American Guitars - Built by American Musicians" each Gibson is an investment in your musical future, and an example of one of the greatest traditions in music history.||||||||0||1||0||0||||gibsonhistory gibsonfinishes gibsernum gibcusshopgu lespaulseries sgseries gibguitcas gibhisser flyingvseries lefhangibgui gibmemguit gibcsser gigu20mo gicugu noname13 giesgu gifigu gime20||||

Browse all Gibson Guitars at zZounds

Gibson Les Paul Tribute 2018 - Solid Body Electric Guitar Faded
Honey Burst Vintage White Pearl Pickguard

Gibson Les Paul Standard Hp 2018 Electric Guitar Cobalt Fade

Gibson Sg Faded 2018 Electric Guitar Worn Bourbon Black Pickguard

Gibson 2017 Les Paul Traditional T Electric Guitar Antique Burst

Gibson Les Paul Tribute T 2017 Electric Guitar Satin Gold Top

Gibson 2017 Les Paul Custom Special Electric Guitar Wine Red

Gibson Custom Zakk Wylde Signature Les Paul Electric Guitar Bull's Eye
The most recent Custom Shop version of this unique guitar combines the best aspects of Zakk's Signature Bullseye Les Paul (unfinished maple neck, EMG pickups) with a maple fingerboard and super-bad Camouflage ... see more

Gibson Custom 1959 Es-335 Historic Dot Reissue Vintage Sunburst
Historic 1959 ES335 Dot. Having filled a gap in the market with the introduction the Thinline Series in 1955, Gibson was then faced with the challenge of creating a model with thinline looks and solidbody ... see more

||||gibson, les paul, epiphone, explorer, sg, lp standard, les paul custom, joe perry gibson, gibson hollow body, gibson usa, Gibson Flying V '67,Gibson Flying V '98,Gibson Explorer Gothic,Gibson ES335 Block, Gibson Les Paul Classic ,Gibson Les Paul Double Cut Plus||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gigu20mo||item.||page.||gibson||||||||Gibson Guitars 2007 Models||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibhisser||link.||||gibson||||||||Gibson Historic Series||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibsonhistory||item.||page.||gibson||||||||Gibson History||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||History of Gibson Guitars||||||||0||1||0||0||||||||Browse all Gibson Guitars

By the time Gibson began work on its first electric guitar, the company had a 40-year tradition of quality and innovation to uphold. The first Gibson electric had to be nothing less than the best electric guitar the world had ever seen.

In the spring of 1935, Gibson enlisted musician Alvino Rey to help develop a prototype pickup with engineers at the Lyon & Healy company in Chicago. Later that year, research was moved in-house, where Gibson employee Walter Fuller came up with the final design.

Gibson introduced the distinctive hexagonal pickup on a lap steel model in late 1935. The pickup was installed on an F-hole archtop guitar, dubbed the ES-150 (ES for Electric Spanish), and the first one shipped from the Gibson factory in Kalamazoo, Michigan, on May 20, 1936.

Was the ES-150 the best electric guitar that guitarists in 1936 had ever seen? Jazz musician Charlie Christian, who would establish the electric guitar as an instrument with its own unique voice, thought so. Sixty years later, the Gibson ES-150 is still known as the Charlie Christian model, and some jazz players consider the ES-150's "Charlie Christian" pickup to be the best jazz pickup ever made.

The ES-150's success was a double-edged sword, establishing Gibson as the foremost maker of electric guitars but at the same time challenging Gibson to top this monumental achievement. After a production break for World War II, Gibson did just that.

In the years after World War II, the electric guitar came of age and Gibson entered a golden of age of innovation. The P-90 pickup, introduced in 1946, gave guitarists new power and versatility. Under the aggressive leadership of company president Ted McCarty, Gibson debuted two new concepts in 1949 with the ES-5, the first three-pickup guitar, and the ES-175, the first guitar with a sharply pointed cutaway bout.

The advent of the solidbody electric guitar posed a new challenge for Gibson. Like the ES-150 in 1936, Gibson's first solidbody electric had to uphold Gibson tradition while going a step beyond all other guitars of its kind. A carved contoured top harkened back to the very first Orville Gibson instruments of the late 1800s, and a gold finish signified a value above all others. With the endorsement of the most popular guitarist of the time, Gibson introduced the Les Paul Model in 1952. The Les Paul quickly grew into a family of four models-the Junior, Special, Standard and Custom-all of which would become Gibson classics. Gibson's top models sported McCarty's new tune-o-matic bridge, which was introduced on the Les Paul Custom in 1954 and is still the standard Gibson electric guitar bridge. In 1958 McCarty debuted not one, but two radical new ideas-a semi-hollowbody electric and a group of exotic, futuristic solidbodies. The ES-335 was an instant success, combining traditional archtop styling with modern, solidbody construction. The Flying V, Explorer and Moderne proved to be decades ahead of their time.

Gibson pushed on into the 1960s with two more bold, modern solidbody lines-the double-cutaway SG models of '61 and the reverse-body Firebirds of '63. By the time the McCarty era ended in 1965, a foundation of classic models had been laid that would carry Gibson through the rest of the century.

The home of Gibson electric guitars today is "Gibson USA," built in 1974 in Nashville specifically for the production of Gibson's Les Paul guitars. Although the entire guitar industry went through a slump in the late '70s, the spirit of innovation remained strong at Gibson. In response to a growing demand for vintage stylings, Gibson tapped its rich history and reissued the dot-neck version of the ES-335 in 1981 and the flametop sunburst Les Paul in 1982. At the same time, two legendary guitarists joined Gibson- B.B. King in 1980 with the Lucille model and Chet Atkins in 1982 with his new concept of a solidbody acoustic guitar.

Gibson world headquarters moved to Nashville in 1984 with the closing of the Kalamazoo plant. The financially troubled company was rescued in January 1986 by Henry Juszkiewicz and David Berryman, and the new owners quickly restored Gibson's reputation for quality as well as its profitability.

Today's Gibson electric guitars represent the history as well as the future of the electric guitar. The models whose designs have become classics-the ES-175, ES-335, Flying V, Explorer, Firebird, SGs and Les Pauls-are a testament to Gibson's wide appeal, spanning more than four decades of music styles. Gibson's close relationship with musicians is manifest in endorsement models from King, Atkins and jazz greats Howard Roberts and Herb Ellis, plus new Les Pauls made to the personal specifications of rock stars Jimmy Page and Joe Perry. In 1994, Gibson's Centennial year, the new Nighthawk model won an industry award for design, setting the stage for a second hundred years of Gibson quality and innovation.

Brought to you by Gibson Musical Instruments and the Gibson Internet Services Department. Copyright 1997 Gibson Guitar Corp. 1818 Elm Hill Pike, Nashville, Tennessee 37210 USA. All rights reserved.

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Hal Leonard 50 Years Of The Gibson Les Paul Book||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibman||item.||page.||mandolins1||||||||Gibson Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||||||Browse all Gibson Mandolins||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibmemguit||item.||page.||gibson||||||||Gibson Memphis Guitars||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibsernum||item.||page.||gibson||||||||Gibson Serial Numbers||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||1||0||0||||||||

Gibson Serial Number Lists

Download and read the PDF files below.

Gibson Serial Number Information
Gibson Electric Guitar Descriptions from the Blue Book of Guitars
Gibson Acoustic Guitar Descriptions from the Blue Book of Guitars

Epiphone Serial Number Information
Epiphone Electric Guitar Descriptions from the Blue Book of Guitars
Epiphone Acoustic Guitar Descriptions from the Blue Book of Guitars

All Gibson Products

Hal Leonard 50 Years Of The Gibson Les Paul Book||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gibsonser||item.||page.||gibacguit||||||||Gibson Songwriter Series||||acin gibacguit||Acoustic Instruments > Gibson Acoustic Guitars > ||||||||||||||||0||1||0||0||||||||
Gibson Songwriter Deluxe Standard Acoustic-Electric Guitar Antique Natural

Gibson Songwriter Deluxe Koa Acoustic Guitar Natural

Gibson Songwriter Deluxe Studio Acoustic-Electric Guitar Antique Natural Gold Hardware ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|chipcasforch||item.||||tarchilguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23344780||||||Gig Bag for Children's Guitar||cg-90||acin tarchilguit||Acoustic Instruments > Tara Children's Guitar > ||19.990||39.990 ||19.990 ||||||||||1||1||1||0||||||||Our most economical bag. This DuraGuard bag comes with 6mm of high-density padding, yet is priced economically. The DuraGuard exterior is made to last through years of use, and is well-stitched so it won�t fall apart at the seams. It has one large sheet music pocket which can fit more than just music, and it comes with a well placed handle and shoulder strap.

Provides protection for child sized guitars.Available in both 1/2 and 3/4 sizes.||Size: 1/2 3/4||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gigbagformie||item.||||axlmielgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23352796||||||Gig Bag For Mini Electric Guitars||CG90M||elguit1 johnsonguitars axlmielgu||Electric Guitars > Johnson Guitars > AXL Mini Electric Guitar > ||29.990||39.990 ||29.990 ||||||||||1||1||1||0||||||||This gig bag hold mini electric guitars. It features backpack straps, 12mm padding and accessory pockets.

This gig bag will protect any kids sized electric guitar.||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saglgukitt||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23360812||||||Gladiator GL-121 T-STYLE Electric Guitar||GL-121-VGR||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||189.990||295.990 ||189.990 ||Gladiator T Style Electric Guitar||||||||0||1||1||0||||||||
The Guitar Industry has never seen such accurate detail, authentic finish colors or attractive prices in finest reproductions of Classic, Vintage electric guitars! These new Gladiator GL-121 models have everything it takes to please collectors, Pro players and amateurs.
Basswood body
Canadian maple bolt-on neck with maple fingerboard and adjustable truss rod
Distinctive peghead shape with bevelled edge to match body color
Vintage-style single coil pickups by Wilkinson
Three-way pickup selector switch
Three-ply, mint/black/mint pickguard
Vintage-style, nickel-plated closed gear tuners
Traditional chrome plated 3-saddle bridge
Available 3-tone sunburst, vintage green and vintage white

||Color: "SonicBlue" "Vintage Green" "Vintage White"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glibstelgu||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23382880||||||Gladiator IB Style Electric Guitar||GI-281-MBK||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||259.000||395.000 ||259.000 ||||||||||0||1||1||0||||||||Gladiator GI-281 electric guitar...for Rock Music�s Newest Sounds�there�s nothing better than a new Gladiator! With ultra-modern styling of body and neck, you have a choice of high-gloss or the popular matte solid color finishes. Powerful pickups and available locking nut on select models let you play like the pros!

Contemporary-styled basswood hardwood body
Superfast bolt-on Canadian maple neck
24-fret rosewood fingerboard with perloid dot position markers
Deluxe locking tremolo and nut
One volume and one tone control with knurled metal knobs
Die-cast sealed gear tuning machines
Chrome-plated hardware
3-way pickup selector switch
Two high-output Wilkinson� humbucking pickups
Available in metallic black, metallic blue, and vintage green

||Color: "Metallic black" "Metallic blue" "Vintage green"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glcllpstelgu||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23402632||||||Gladiator Classic LP-J Style Electric Guitar||GG-065-2TS||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||189.000||275.000 ||189.000 ||||||||||0||1||1||0||||||||Gladiator is proud to introduce a full line of Vintage guitar repros that are not only extremely accurate but amazingly affordable as well! The Classic LP-J Style solid-body electric is offered in models with single or double cutaway bodies, one or two pickups and a wide selection of Classic solid colors as well as authentic Sunburst finishes. The slim, fast-action necks feature a new, distinctive peghead shape�styled in the best Vintage Tradition!

Perfectly contoured mahogany body
Fast-action bolt-on mahogany neck
22-fret rosewood fingerboard with 628mm scale length and perloid dot position markers
Two-way adjustable truss rod
1 Single-coil ceramic pickup
1 volume, 1 tone control with "speed" knobs
Authentic 3-ply b-w-b laminated pickguard
Authentic vintage chrome-plated tailpice with built-in intonation adjustment
Available in 2 tone sunburst, arctic white, and black
||Color: "2 tone sunburst" "Arctic white" "Black"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glelgu||item.||page.||elguit1||||||||Gladiator Electric Guitars||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||saglgukitt glelgus glelgusgst glcllpstelgu glibstelgu gllpstelgu glviselpgu||||Chris B's Music is a Gladiator Guitar Dealer.

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Stupid Deal of the Hour: A new deal every hour from 6 am to 6 pm PST..||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gllpstelgu||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23423139||||||Gladiator LP Style Electric Guitar||GG-051||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||209.000||295.000 ||209.000 ||||||||||0||1||1||0||||||||The legendary LP-Style is a guitar Icon familiar to every guitarist�young or old. Gladiator offers an entry-level LP-Style at an amazingly low price�yet the quality and value are World Class�as befits any Gladiator guitar! This model features a perfectly contoured, bound basswood body and a bolt-on maple neck with rosewood fingerboard and the familiar trapezoidal position marks. With two powerful humbucking pickups, quality chrome-plated metal parts and a choice of custom color finishes, our Modern Series LP-Style guitars offer style, quality and value that the competition just can�t match!

Perfectly contoured bound basswood body
Bound bolt-on maple neck with rosewood fingerboard and trapezoidal position markers and 22 frets
Cream colored pickguard
Adjustable truss rod
24 3/4 inch scale length with 22 frets
2 powerful ceramic humbucking pickups with chrome-plated covers
2 volume controls, 2 tone controls and a 3-way switch
Chrome-plated, sealed gear tuners
Traditional Chrome-plated tailpiece and adjustable bridge assemblies
Available in antique white, black and dark red sunburst

||Color: "Antique white" "Black" "Dark Red Sunburst"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glelgus||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23432111||||||Gladiator S Style Electric Guitar||GL-011||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||125.000||179.000 ||125.000 ||Gladiator GL-011 Electric Guitar||||||||0||1||1||0||||||||
The Guitar Industry has never seen such accurate detail, authentic finish colors or attractive prices in finest reproductions of Classic, Vintage electric guitars! These new Gladiator GL-011 models have everything it takes to please collectors, Pro players and amateurs.
Basswood body
Canadian maple bolt-on neck with rosewood fingerboard and adjustable truss rod
Distinctive peghead shape with bevelled edge to match body color
Three Vintage-style single coil pickups
Three-ply, white/black/white pickguard
Five-way pickup selector switch
Modern-style, chrome-plated sealed gear tuners
Traditional chrome plated tremelo bridge with six cast saddles
Available 2-tone sunburst, black and red

||Color: "2 Tone Sunburst" "Black" "Red"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glelgusgst||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23454608||||||Gladiator SG Style Electric Guitar ||GG-276-BGW||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||309.000||495.000 ||309.000 ||Gladiator SG Style Electric Guitar||||||||0||1||1||0||||||||The Gladiator SG Style Electric Guitar is a faithful reproduction of this classic fifties Blues Machine! This SG style Gladiator electric guitar is authentic, beautiful and it plays like a dream�all at an affordable price you won�t believe for such quality! Powerful pickups, slim neck and easy action in this beauty!

Select slim light double-cut mahogany body with low profile set-neck construction
White bound rosewood fingerboard with pearloid trapazoid shaped inlays
Polished nickel-silver frets
Two-way adjustable truss rod
Wilkinson� humbucking pickups with black rings
3-ply b-w-b pickguard
Seperate and labeled volume and tone controls for each pickup
3-Way pickup selector switch
Vintage-style tuners with green plastic buttons
Chrome-plated adjustable bridge and stop-style tailpiece
Available in arctic white, burgundy wine, and black

||Color "Arctic white" "Burgundy wine" "Black"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glviselpgu||item.||page.||glelgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23475579||||||Gladiator Vintage Series LP-Style Guitar||GG-258||elguit1 glelgu||Electric Guitars > Gladiator Electric Guitars > ||599.000||975.000 ||599.000 ||||||||||0||1||1||0||||||||The finest Luthiers at Gladiator wanted to see how close they could get to a perfect reproduction of the iconic LP-Style guitar-and these superb Vintage Series guitars are the result! On the Gladiator GG-258 every curve and body contour of the original mahogany body is faith-fully copied, along with the traditional bound, highly-flamed maple carved top and cream-colored plastic pickguard. The set-in, 1-piece mahogany neck is just the right shape and contour, and the tuning machines with green Keystone buttons are true to the original. 2 Wilkinson humbucking pickups and three authentic sunburst choices make this Gladiator a sure winner!

Perfectly contoured cream bound mahogany body with highly flamed, solid maple carved top and 1-piece set-in mahogany neck
Cream bound rosewood fingerboard with perloid trapazoid-shaped inlays and polished nickel-silver frets
Two-way adjustable truss rod
Two Wilkinson humbucking pickups with cream rings
Single-ply cream pickguard
Seperate volume and tone controls for each pickup
3-Way pickup selector switch
Vintage-style tuners with green plastic buttons
Chrome plated adjustable bridge and stop-style tailpiece
Available in brown sunburst, cherry sunburst, and dark red sunburst

||Color: "Brown Sunburst" "Cherry Sunburst" "Dark Red Sunburst"||||||||||||||0||||||||||||||||||||Gladiator||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glasviolbow||item.||page.||strinin||||||||Glasser Bows||||strinin||Stringed Instruments > ||||||||Glasser Bows Violin Bows, Viola Bows, Cello Bows||||||||0||1||0||0||||glasfibviolb1 glas44fibhor glas44fibsyn glasfibviolb2 glasfibviolb3||||Glasser stringed instrument bows offer excellent quality for any instrument.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glas44fibhor||item.||page.||glasviolbow||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23487933||||||Glasser Fiberglass Cello Bow w/ Horsehair||401H||strinin glasviolbow||Stringed Instruments > Glasser Bows > ||64.990||100.000 ||64.990 ||Glasser Cello Bow||||||||1||1||1||0||||||||Glasser 401H Fiberglass Cello Bow with Horsehair.

Fiberglass cello bow with horsehair. Fiberglass bows are a good alternative to inexpensive wood bows. They are more durable, will not warp, and perform adequately for beginning students

||Size 4/4 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||Glasser||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glas44fibsyn||item.||page.||glasviolbow||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23493491||||||Glasser Fiberglass Cello Bow w/Synthetic Hair||9715||strinin glasviolbow||Stringed Instruments > Glasser Bows > ||59.990||89.500 ||59.990 ||||||||||0||1||1||0||||||||Glasser Fiberglass Cello Bow w/ Synthetic Hair

Fiberglass cello bow with synthetic processed horsehair. Fiberglass bows are a good alternative to inexpensive wood bows. They are more durablw, will not warp, and perform adequately for beginning students||Size 4/4 3/4 1/2||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glasfibviolb3||item.||page.||glasviolbow||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23499049||||||Glasser Fiberglass Viola Bow w/ Genuine Horsehair||303SH||strinin glasviolbow||Stringed Instruments > Glasser Bows > ||59.000||90.000 ||59.000 ||Glasser 303SH Viola Bow w/ Horsehair||||||||1||1||1||0||||||||Glasser Fiberglass Viola Bow with horsehair. Round stick with half lined frog, nickel silver winding, imitation lizard grip.

Properly balanced unbreakable bow is excellent for student use.
Half lined frog with genuine horsehair.||Size 4/4 3/4||||||||||||||0||||||||||||||||||||Glasser||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glasfibviolb2||item.||page.||glasviolbow||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23504607||||||Glasser Fiberglass Viola Bow w/ Horse Hair||301H||strinin glasviolbow||Stringed Instruments > Glasser Bows > ||49.990||70.000 ||49.990 ||Glasser 301H Viola Bow||||||||1||1||1||0||||||||Glasser Fiberglass Viola Bows make an excellent choice for a replacement viola bow. Our fiberglass viola bows offer students a good alternative to inexpensive wood bows, since they are more durable and will not warp.

Properly balanced unbreakable bow is excellent for student use.
Half lined frog with horse hair.||Size 4/4 3/4||||||||||||||0||||||||||||||||||||Glasser||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|glasfibviolb1||item.||page.||glasviolbow||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23510165||||||Glasser Fiberglass Violin Bow w/genuine horsehair||201H||strinin glasviolbow||Stringed Instruments > Glasser Bows > ||44.990||65.000 ||44.990 ||Glasser Fiberglass Violin Bow w/genuine horsehair||||||||1||1||1||0||||||||Glasser 201H fiberglass violin bows have been America's most popular bow for years!

Used by many school orchestra programs and students as their first bows, Glasser violin bows are known for quality, durability and playability. Glasser bows are more resilient and responsive than cheaper wood bows, with better construction which prevents bow hair from falling out easily and correct weight and balance.

The bow stick is made out of fiberglass, a synthetic material with wood-like characteristics. Fiberglass allows the bow to be manufactured with consistency and retain its shape and resiliency over time. In addition, it is very durable, which of course is perfect for beginners and students. Genuine horse hair produces a bigger sound and enhances playability compared to synthetic hair.||Size 4/4 3/4 1/2 1/4 1/8 1/16 1/10||||||||||||||0||||||||||||||||||||Glasser||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|goga19vihoan||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2065563||||||Golden Gate 1920s-Style Vintage Hook and Nut Set||P-44||acin banjos1||Acoustic Instruments > Banjos > ||24.950||24.950 ||||1920s-Style Vintage Banjo Hook and Nut Set||||||||1||1||1||0||||||||1920s vintage reissue style with flat hooks and 1/4� hex nut. These hooks are designed to fit a grooved tension hoop. This perfect vintage repro hook & nut set is nickel-plated.

Nickel-plated, reissue banjo bracket hook & nut sets

Fit most vintage and modern banjos

1920's vintage reissue style with "flat" hooks and 1/4" hex nut

Fits grooved tension hoop
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatmodman||item.||page.||mandolinparts||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23520563||||||Golden Gate A Model Mandolin Tuners-Nickel||M-120||acin mandolins1 mandolinparts||Acoustic Instruments > Mandolins > Mandolin Parts > ||19.990||19.990 ||||||||||||1||1||1||0||||||||GOLDEN GATE A- MODEL MANDOLIN TUNERS- NICKEL

Golden Gate� mandolin tuners include all necessary screws, bushings, etc., for immediate installation
Nickel plated with white plastic buttons
Fixed buttons||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatmodman1||item.||page.||mandolinparts||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23553835||||||Golden Gate A Model Mandolin Tuners-Nickel||M-124||acin mandolins1 mandolinparts||Acoustic Instruments > Mandolins > Mandolin Parts > ||69.990||69.990 ||||||||||||1||1||1||0||||||||Golden Gate A model mandolin tuners include all necessary screws, bushings, etc., for immediate installation
Nickel plated and embossed with a delicate engraved design
Replaceable white plastic buttons||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gogadeabshac||item.||page.||banjocases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23586282||||||Golden Gate Deluxe ABS Hardshell Case for Resonator Banjo||CP-1530||acin banjos1 banjocases||Acoustic Instruments > Banjos > More Banjo Cases > ||79.950||99.950 ||79.950 ||||||||||1||1||1||0||||||||This resonator banjo case offers excellent protection for your banjo.

Rugged ABS molded plastic
Padded plush velvet interior
Sturdy metal valance all-around
Roomy accessory pocket
Durable tolex exterior for padded durability
Best quality hinges, latches and handles
||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gogadewohaca||item.||page.||banjocases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23598040||||||Golden Gate Deluxe Wooden Case for Open Back Banjo||CD-1535||acin banjos1 banjocases||Acoustic Instruments > Banjos > More Banjo Cases > ||109.950||149.950 ||109.950 ||Openback Banjo Case 11"||||||||1||1||1||0||||||||
Exclusively from Saga Musical Instruments, Golden Gate musical instrument cases continue the tradition of making high-quality, durable, and affordable cases by offering a new line of Deluxe Vintage� cases designed for the professional player, but with the beginner�s budget in mind. Every feature has been hand-selected to assure that these cases are as beautiful to look at�as they excel at effectively at protecting even the most expensive vintage instruments. Available for Dreadnaught, Dobro/Classic, Gitane-style, F-model mandolin, 5-string resonator banjo, and open-back banjo with the characteristic �bump� design. Look to Golden Gate for all your instrument transport and protection needs.
Quality 5-Ply, all wood construction throughout
Arched top
The exterior is covered with the highest-quality black tolex for a high-end look and a lifetime protection against of wear and tear
Top-quality gold-plated hardware that closes securely time after time
Smooth working hinges with one lockable latch
An instrument cavity that is protected by a thick layer of foam padding of varying densities carefully positioned where it matters most
The shaped interior is lined in Green crushed velvet to complete the deluxe vintage look

||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatdelabs||item.||page.||mandolincases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23612422||||||Golden Gate F Model Mandolin Case||CP-1520||acin mandolins1 mandolincases||Acoustic Instruments > Mandolins > Mandolin Cases > ||89.950||119.950 ||89.950 ||Hard-shell Case for F Mandolins||||||||1||1||1||0||||||||Molded ABS construction with metal valance around top and bottom. The interior has a padded, plush velvet lining with roomy accessory pocket and turdy handle, hinges and latches.

* Rugged ABS molded plastic * Padded plush velvet interior * Sturdy metal valance all-around * Roomy accessory pocket * Durable tolex exterior for padded durability * Best quality hinges, latches and handles

||||||||||||||||0||||||||||||||||||||Superior||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatfmodma||item.||page.||mandolinparts||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23615964||||||Golden Gate F-Model Mandolin Tuners-Gold||FM-3||acin mandolins1 mandolinparts||Acoustic Instruments > Mandolins > Mandolin Parts > ||34.950||34.950 ||||Golden Gate F-Model Mandolin Tuners-Gold||||||||1||1||1||0||||||||Golden Gate F model mandolin tuners include all necessary screws, bushings for immediate installation. Conventional grearing Gold plated Pearloid buttons Sold as a set||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatmanbri2||item.||page.||manbrid||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23650281||||||Golden Gate M-201 Mandolin Bridge-Ebony/Nickel||M-201||acin mandolins1 manbrid||Acoustic Instruments > Mandolins > Mandolin Bridges > ||12.950||12.950 ||||||||||||1||1||1||0||||||||Golden Gate mandolin bridges can be custom fit to almost any arched-top mandolin. Two small knobs adjust height and simplify string action adjustments.

Traditional 1920's 2-foot design

Made of Ebony with nickel plated height adjustment knobs

Compansated bridge saddle
||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatmanbri1||item.||page.||manbrid||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23666506||||||Golden Gate Mandolin Bridge- Ebony/Gold||M-202||acin mandolins1 manbrid||Acoustic Instruments > Mandolins > Mandolin Bridges > ||14.950||14.950 ||||||||||||1||1||1||0||||||||Golden Gate mandolin bridges can be custom fit to almost any arched-top mandolin. Two small knurled knobs adjust height and simplify string action adjustments.

Traditional 1920's 2-foot design

Made of Ebony with gold plated height adjustment knobs

Compansated bridge saddle
||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatmanbri||item.||page.||manbrid||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23681685||||||Golden Gate Mandolin Bridge- Rosewood/Nickel||M-200||acin mandolins1 manbrid||Acoustic Instruments > Mandolins > Mandolin Bridges > ||10.950||10.950 ||||Replacement Mandolin Bridge||||||||1||1||1||0||||||||Traditional 1920's 2-foot design
Made of Rosewood with nickel plated height adjustment knobs
Compensated bridge saddle||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gogareflforb||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2123318||||||Golden Gate Resonator Flange for Banjo||P-25||acin banjos1||Acoustic Instruments > Banjos > ||49.950||49.950 ||||Resonator Flange for Banjo||||||||0||1||1||0||||||||A vintage, 1930s style one-piece nickel-plated zinc-alloy banjo flange plate. Designed to fit most vintage and modern bluegrass banjos that utilize a one-piece flange.

1930s style

Single-piece flange plate

Nickel-plated zinc alloy

Perfect for new builds or vintage restoration

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gogavihareba||item.||page.||banjocases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23693321||||||Golden Gate Vintage Hard Case for Resonator Banjo||CV-1530||acin banjos1 banjocases||Acoustic Instruments > Banjos > More Banjo Cases > ||89.980||119.950 ||89.980 ||||||||||0||1||1||0||||||||
Multi-ply wood core formed exactly like the sides of a guitar
Durable textured black tolex exterior
Characteristic red stripe surrounds the perimeter of case top
Arched-top construction for added durability
Top quality, vintage-style nickel-plated hinges and latched
Leather handle
Burgundy padded plush interior with neck support and accessory pocket
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gogawastbata||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2187490||||||Golden Gate Waverly Style Banjo Tailpiece||p-110||acin banjos1||Acoustic Instruments > Banjos > ||25.950||25.950 ||||Waverly Style Banjo Tailpiece||||||||1||1||1||0||||||||One of the most popular styles of banjo tailpieces, currently used by most domestic makers. Allows adjustment of string tension for desired tone and is made from nickel-plated steel for a lifetime of service.

A reissue of the popular "Waverly" model tail piece found on vintage models

Triple nickel-plated brass

Accommodates loop-end strings

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|goldtonebanjos||link.||||banjos1||||||||Goldtone Banjos||||acin banjos1||Acoustic Instruments > Banjos > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|goldtonguitars||item.||page.||acin||||||||Goldtone Guitars||||acin||Acoustic Instruments > ||||||||Low prices and fast shipping on Goldtone Guitars
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
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Gold Tone Weissenborn Sm Solid Mahogany Top Acoustic Guitar

Gold Tone Weissenborn Lm Mahogany Acoustic Guitar||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gongs||item.||page.||cymbals||||||||Gongs||||cymbals||Cymbals > ||||||||||||||||0||1||0||0||||baogong10 baogong1334 chaogong tiprgo||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gregbendesby||item.||page.||acin||||||||Greg Bennett Design by Samick||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gracgu||item.||page.||acin||||||||Gretsch Acoustic Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||||||

Gretsch Guitars G6040MCSS Synchromatic Cutaway Acoustic-Electric Guitar Natural

Gretsch Guitars G6040MCSS Synchromatic Cutaway Acoustic-Electric Guitar Natural

Gretsch Guitars G400 Synchromatic Acoustic Guitar Brown Sunburst
The Gretch G400 Synchromatic Acoustic Guitar has selected rock maple back, sides and neck; fine-grained spruce top; finished in hand polished dark brown lacquer with sunburst shadings, the Synchromatic revitalizes the rich history of acoustic guitars.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gretschdrums||item.||page.||drumsticks||||||||Gretsch Drums||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Browse all Gretsch Drums

Gretsch Drums Renown 57 5-Piece Shell Pack with Throne

Gretsch Drums New Classic Euro 4-Piece Shell Pack

Gretsch Drums 125th Anniversary 4-Piece Jazz Shell Pack||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gretschguitars||item.||page.||elguit1||||||||Gretsch Guitars||||elguit1||Electric Guitars > ||||||||Gretsch Guitar Store||||||||0||1||0||0||||||||Browse all Gretsch Guitars

Gretsch Guitars G6199 Billy-Bo Jupiter Thunderbird Electric Guitar

Gretsch Guitars G5425 Electromatic Jet Club Electric Guitar Silver

Gretsch Guitars G6121-1955 Chet Atkins Solid Body Electric Guitar

Gretsch Guitars G5655T Electromatic Center Block Electric guitar Georgia Green

Gretsch Guitars G6128t-Dsv Duo Jet With Fixed Arm Bigsby Black

Gretsch Guitars Reverend Horton Heat G6120rhh Electric Guitar Vintage Maple Stain

Gretsch Guitars G5135ps Patrick Vaughn Stump Stump-O-Matic Electromatic Cvt Electric Guitar Pewter With Black Competition Stripes
From the heart and soul of guitarist and frontman, Patrick Stump of the multi-platinum selling and award winning band, Fall Out Boy, comes the Gretsch G5135-PS Patrick Vaughn Stump Signature Corvette Guitar. The vision Patrick had in mind was a versatile solidbody guitar capable of discharging not only classic biting Gretsch tones but also an array of thick, fat, colorful, bombastic sonic blasts at the flick of a switch. It took the genius mind of Tom "TV" Jones to develop the circuit design that brought Patrick's dream guitar to life.

Gretsch Guitars G5122 Double Cutaway Electromatic Hollowbody Electric Guitar Black

Gretsch Guitars G6118 Anniversary 2-Tone Green
First created in 1958 in celebration of Gretsch's 75th anniverary, its 2-tone smoke green color was taken from that era's Cadillac. Reissued in 1993 to celebrate Gretsch's 110th anniversary, it features a laminated rock-maple neck, ebony-stained rosewood fingerboard, black headpiece with pearl inlay, multiple body binding, laminated maple body, dual high-sensitivity Filter Tron� adjustable pickups, and a Gretsch "G" tailpiece. Includes hardshell case.

Gretsch Guitars G6120sh Brian Setzer Hot Rod Purple
TV Jones designed Hot Rod humbuckers crank out that fiery, edgy Setzer tone and work well with the V-style Bigsby vibrato. Adjustable bridge with ebony base, bound and ebonized rosewood fretboard with thumbnail inlays, and chrome hardware including a chrome headstock plate identifying it as a Hot Rod add up to extremely sharp looks.

Gretsch Guitars G6120tm Chet Atkins Hollow Body Electric Guitar
With its eye-opening tiger flame maple top, sides and back, the G6120TM is a real stunner. Features include a 16"-wide, 2.5"-deep full hollow body, rock maple neck, ebony fingerboard with Neo-Classic thumbnail inlays, dual High Sensitive Filter'Tron� pickups, Grover� Rotomatic� machine heads, Adjusto-Matic� bridge, and Bigsby� B6G vibrato tailpiece.

Gretsch Guitars Junior Jet Ii Black
Electromatic Series. Single-cutaway. Solid mahogany body. Bolt-on mahogany neck. Adjustable truss rod. Rosewood fretboard. 22 frets. Chrome hardware. 2 Gretsch Mini Humbucking pickups. 3-way pickup switching. Master volume and tone controls. Compensated Wrap-Around bridge. Vintage-style tuners. G-Arrow knobs. Black pickguard with Gretsch logo. Black headstock. Vintage strap buttons.

Gretsch Guitars G6128tcg Duo Jet Cadillac Green
Chambered mahogany body. One-piece mahogany neck. Arched laminated maple top. Rosewood fingerboard. Vintage wide-block position markers. Grover Sta-Tite tuners. Dual DynaSonic single-coil pickups. 3-way pickup switch. Neck, bridge, and master volume controls. Master tone control. Synchro-Sonic bridge. Bigsby B3G vibrato tailpiece. Gold-plated hardware. Aged fingerboard and headstock binding. Multiple aged body bindings. Black headstock overlay. Inlaid pearloid Gretsch logo on headstock. Silver plexi pickguard. Arrow control knobs. Knurled strap retainer knobs. Adjustable truss rod.

Gretsch Guitars G6131t Power Jet Firebird Electric Guitar Red
Professional Collection Series. Single-cutaway body. Arched laminated maple top. Semi-hollow mahogany body. 1-piece mahogany neck. 2 TV Jones Power'Tron pickups. Bigsby vibrato 3-position switch. Volume1, volume2, master volume controls, and master tone switch. Ebony fretboard. Neo Classic "Thumbnail" inlays. Chrome hardware. Grover Sta-Tite die-cast tuners. Bound fingerboard and headstock. Multiple body binding. Inlaid pearloid Gretsch logo on headstock,. Silver plexi pickguard,. Knurled strap retainer knobs,. Schaller straplocks,. Adjustable truss rod. . .

Gretsch Guitars G6120SSLVO Brian Setzer Signature Nashville Guitar Light Vintage Maple Stain
16" full hollowbody. Laminated flamed maple top, back, and sides. 1959-style trestle bracing. 2-piece rock maple neck. Bound ebony fretboard. TV Jones Classic pickups. Pinned rosewood-based Adjusto-Matic bridge. Gretsch Bigsby vibrato tailpiece. Nickel-plated hardware. 3-way pickup selector switch. Master tone switch. Master and individual pickup volume controls.

Gretsch Guitars G6136LBP Brian Setzer Black Phoenix Guitar JT08072376 ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gudeprvica||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2267_790574||||||Guardian Deluxe Professional Violin Case||CV-050||strinin||Stringed Instruments > ||119.990||159.990 ||119.990 ||Guardian CV-050 Deluxe Professional Violin Case||||||||1||1||1||0||||||||Guardian professional violin case has features normally seen on higher priced cases. Thick padding, hygrometer, tube storage and multi-ply wood exterior will insure your violin is protected.

MULTI-PLY WOOD ARCHTOP

GREY TWEED EXTERIOR

ROYAL PURPLE VELVET LINING WITH GOLD BROCADE

THICK SUSPENSION PADDING

TUBE STORAGE FOR EXTRA STRINGS

4 BOW HOLDERS

3 ACCESSORY POCKETS

4/4 VIOLIN SIZE ONLY

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guhabaca||item.||page.||banjocases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23718313||||||Guardian Hardshell Banjo Case|| CG-020-J||acin banjos1 banjocases||Acoustic Instruments > Banjos > More Banjo Cases > ||84.990||113.990 ||84.990 ||Guardian Hardshell Case for 5-string Banjos||||||||1||1||1||0||||||||These Guardian hardshell banjo cases combine all the necessary elements for a high-quality, reliable case that provides excellent protection for your instrument. They are made with 5-ply cross-laminate woods that can stand up to a great deal of pressure. The exterior has a well-secured, tolex-type covering. The neck piece is screwed in for years of use.

We line the interior with a soft foam that keeps the guitar well protected and firmly in place. These cases are a fantastic value at their low price. They come with a limited lifetime warranty.

Total Length-40.25"

Body Length-14"

Lower Bout-14"

Depth-5.25"
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Tweed hardshell cases are constructed from 5-ply cross laminate woods and covered in a luggage grade tweed that gives it a classic look. The electric guitar and bass cases are designed to fit most everyone�s axe. They have an extra padded lid for a snug fit, and come with spring loaded latches and padded covered ends. These tweed cases are perfect for vintage and new instruments.

The shaped cases are built with an arched top for better protection. The interior has over an inch of padding around the sides and comes in a plush red lining. We�re confident that our cases represent an extraordinary value at their unprecedented low price!

5-Ply Wood Construction � Authentic Tweed Covering � Plush Deep Pile Lining � Heavy-Duty Gold Plated Hardware � Lifetime Warranty

Total length 40.75"

BODY LENGTH 14"

LOWER BOUT 13.5"||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guvimaca||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2267_814249||||||Guardian Violin and Mandolin Case||CV-032-M||strinin||Stringed Instruments > ||134.990||179.990 ||134.990 ||Guardian VIOLIN & MANDOLIN CASE||||||||1||1||1||0||||||||This hard case by Guardian holds a 4/4 violin and a mandolin. Save space and carry both instruments securely.

COMFORTABLY FITS 4/4 VIOLIN & MANDOLIN

MULTI-PLY WOOD ARCHTOP

DURABLE BLACK CANVAS EXTERIOR

BLACK VELVET INTERIOR

THICK SUSPENSION PADDING

HOOK-AND-LOOP ENCLOSURES

TUBE STORAGE FOR EXTRA STRINGS

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Guild D-20 Dreadnought Acoustic Guitar Natural

Guild D-120Ce Acoustic-Electric Guitar Natural

Guild Jumbo Junior Maple Acoustic-Electric Guitar Natural||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitampbuygu||item.||page.||elguit1||||||||Guitar Amp Buying Guide||||elguit1||Electric Guitars > ||||||||Buying Guide for Guitar Amps||||||||0||1||0||0||||||||While there are a wide variety of guitars out there with numerous variations of pickups and woods, there are basically three types of guitar amps:

Tube or Valve amplifiers � original amps used since the dawn of electric guitars. Tube amps, by the nature of their technology, introduce a warm distortion to the sound that is pleasing to most guitarists.

Solid State Amplifiers � Solid-state amps use transistors for their preamp and power section. They require little or no maintenance, are lighter to transport and produce a very clean tone.

Hybrid Amps � These amps usually combine a tube preamp with solid-state power section to provide the warmth and �musicality� of tubes with the durability and lightweight of solid-state. There are some manufacturers which combine both tubes and solid-state technology in the power amp itself. Hybrids have been very effective in bridging the gap between solid-state and tube amplifiers.

Configurations � Guitar amps come in a variety of different sizes and two basic configurations:

* Combos � short for �combination� are amplifiers that combine the speaker and the amplifier in one box. These amps come in two different styles: open back and closed or sealed back. The closed back combo produces more low-end than an open back. * Separate Amp Head and Speaker Cabinet � The amplifier and speaker cabinet are in two separate cabinets. This allows you to combine different enclosures with different amp heads. You can also add multiple speaker cabinets to an amp head for more volume and coverage. (* To avoid damage, this should only be done following the amp manufacturers recommendations) Divided into two separate units, is also more convenient to transport.

Deciding what configuration is right for you depends on where you plan on playing. If you�re doing small club dates, teaching or you�re a student yourself, a combo would most likely do the job for you. If you do a lot of outdoor gigs and big rooms and auditoriums, you�ll probably do well with a basic 4x12 (four 12� speakers) cabinet with a separate amp head (known as a Half Stack). Two 4x12 cabinets stacked on top of each other with the head on top is commonly known as a �Full Stack�.

Think carefully about how and where you�ll be using the amp before you make your decision.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitampcov||link.||||ampbestsellers||||||||Guitar Amp Covers||||elguit1 ampbestsellers||Electric Guitars > Amp Best Sellers > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitarar||item.||page.||guitar||||||||Guitar Articles Archive||||guiten guitar||Guitar Encyclopedia > Guitarist Articles > ||||||||||||||||0||1||0||0||||||||Guitar.com is one of the premier guitar sites on the web, with a wealth of informative articles, artist interviews, music news, online lessons and reviews. We are excited to present this series of helpful articles for all musicians.

05/24/00 A Name by any Other Tool: The Epic Clarity of A Perfect Circle by Sandy Masuo

05/17/00 Ranting and Raving: Joe Satriani's Quest for Evolution (Part 2) by Adam St. James

05/10/00 Fire up your Engines: Joe Satriani, the Master of Creation, Strikes Again (Part 1) by Adam St. James

05/03/00 Interstellar Overdrive: No Doubt Blasts off with Return to Saturn by Jon Wiederhorn

04/26/00 Albert King and Johnny Copeland by Jas Obrecht

04/19/00 Band Bonding: Cooler Heads Prevail by David Simons

04/12/00 Ask the Experts by Vegas

04/05/00 Calm, Cool and Collected: Daily Life at the Collective Soul Hit Factory, by Bob Gulla

03/29/00 The Eyes Have it:Third Eye Blind come on strong with new album and guitarist by Jane Ganahl

03/22/00 Angus Young's Rockin' Roots by Jon Wiederhorn

03/15/00 Carlos Santana: Alive in the Supernatural by Jim Deplume

03/08/00 David Gilmour: Welcome to His Machine by HP Newquist

03/01/00 Primus: Antipop, Pro-collaboration by Sandy Masuo

02/23/00 Band Bonding: Cooler Heads Prevail by David Simons

02/16/00 Stevie Ray Vaughan: The Real Deal by Ken Micallef

02/09/00 Meredith Brooks' Gear by Adam St. James

02/02/00 Textural Ecstasy: Tricks of the Trade with Live's Chad Taylor by John Wiederhorn

01/26/00 Weighing in on Hendrix: Looking Back at Rock's Greatest Legend by Sean McDevitt

01/19/00 Get Inside the Blues with B.B. King by Joe Rosenthal

01/12/00 Alternate Picking 101: Let's Get Picky by Douglas Baldwin

01/05/00 Left of Center, Wangling your Whammy by Debra DeSalvo

12/29/99 Tips & Tricks for Great Acoustic Tracks Building Powerful Parts by David Simons

12/22/99 The Do's & Don'ts of Recording Acoustics by Rich Tozzoli

12/15/99 Gigs that pay--and Where to Find Them by David Simons

12/08/99 Acoustic Health: Keeping Humidity In Check by Dave Rubin

12/01/99 Tube Burnout: Is it Time to Re-tube Your Amp? by Adam St. James

11/24/99 Don't Demo to Death! by David Simons

11/17/99 The Big Daddy of Alternate Tunings by Debra DeSalvo

11/10/99 NIN: Solidifying The Fragile by John Pecorellis

11/03/99 Time for a Tune-Up? by Adam St. James

10/27/99 Lubing Your Electric by Dave Rubin

10/20/99 Electric Wars: Archtop vs. Solid-Body by Dave Rubin

10/13/99 Ask the Experts

10/06/99 Learning to Crawl: A Female Rock Odyssey by Brenda Kahn

09/29/99 Get the Signal? by Emile Menasch�

09/22/99 How to Buy an Acoustic by Pete Prown

09/15/99 How to Buy an Amplifier by Pete Prown

09/08/99 How to Buy an Electric by Pete Prown

09/01/99 Preparing for the Gig by Michael Gelfand

08/25/99 The Guitar Insider: Limp Bizkit by Jon Wiederhorn

08/18/99 The Guitar Insider: Ryan Shuck of Orgy by Jeffrey L. Perlah

08/11/99 The Guitar Insider: Kirk Hammet's Metalligear by Jon Wiederhorn

||||guitar articles, musicians friend, tech tips, amp articles, guitar faq, wiring guitars, repairing amps||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitbuytip||item.||page.||guiten||||||||Guitar Buying Tips||||guiten||Guitar Encyclopedia > ||||||||A good place to start||||||||0||1||0||0||||||||Some Things to Look for in Purchasing a Guitar

If you have any questions about buying a guitar
email us today.

When buying your first guitar, you should distinguish whether you are going to purchase an electric or an acoustic guitar. The big question we hear at Chris B's is whether or not a beginner should start on an acoustic guitar or an electric one. There are several differences:
1..An acoustic guitar does not need to be plugged into an amplifier, thus it does not require as much of an investment
2..The style of music to be played has a lot to do with this choice in types of guitars
3..If you plan on playing rock music, your learning progress would benefit most by purchasing an electric guitar and amplifier, rock music is more suited to be played on an electric guitar.
4..If you want to just learn how to strum a few chords..an acoustic is fine..plus..it is very portable, able to be played just about anywhere without the need for electricity.
Price is always a factor..

A beginning acoustic package could run from $149 - $500. A beginning electric package could run from $299 - $700.

One of the most important parts of the electric guitars sound are the pickups. The pickups are what allow an electric guitar to be amplified through a guitar amplifier. There are many different types but the two most popular styles of pickups are:

1.Single Coil - Known for a thinner sound, think more of a bluesy sound.

2.Humbucker - Known for a fatter sound, more of a crunchy, heavy metal sound.

3.An electric guitar, such as the Ibanez GAX 70 is a good choice, it has both types of pickups, thus offering a wider variety of sound choices within one guitar.

A factor in determining the quality of an electric guitar is the type of wood used for the body of the guitar. Less expensive guitars may use poplar, as opposed to a more expensive guitars which may use alder, basswood, Mahogany or Ash. The type of wood affects the tone and the look of the instrument.

Some electric guitars offer Tremelo systems or whammy bars. These systems can help the musician be very creative, yet some of the systems can be very complex and hinder the beginners ability to change guitar strings or tune the instrument.

For good quality starter electric guitars check out our Johnson Electric Guitars

ACOUSTIC GUITARS Important factors in the sound of an acoustic guitar are the type of wood used and the body size. A larger body size will usually produce a fuller tone. A small body acoustic will usually have a pick up and be intended to be used amplified through a speaker system.

Spruce is a common wood used for the top of an acoustic guitar. A solid top will age better than a laminate top (pieces of wood glued together to form a guitar top.). Common woods used for the back and sides are rosewood and mahogany. These are harder woods and help project the sound through the sound hole. A good example of quality woods used in an acoustic guitar is the Takamine line A great example of a budget friendly solid top acoustic is the
Johnson JG615 Series Guitar

Probably the biggest difference between a $300.00 guitar and a $1,000.00 guitar, is craftsmanship. More time and care is taken to build a more expensive guitar. The playability, sound, and look, should reflect this.

Buy a guitar that feels comfortable, sitting and standing. The strings should not be too far off of the fretboard; Easy to play. This ease of play is known as the action. The guitar should also be able to give you the sound of the music style you wish to play. This makes learning easier, more fun, and more rewarding. The most important thing to consider is how the instrument feels to you You do not have to buy the most expensive guitar on the planet, or the most widely known name brand. While higher quality guitars will be more pricy, a beginner who feels comfortable with an entry level guitar should stick with it..more money is not going to make a better player!

Of course, you could always try building your own do it yourself guitar kit
GUITAR AND BASS AMPLIFIERS

When buying your first guitar or bass guitar amplifier, budget, size and sound are probably the biggest determining factors in your purchase.

Most manufacturers have a complete line of amplifiers, starting from entry level unit combinations (combo) to full size double stacks (2 separate speaker enclosures with the amp on top). Solid state (transistors vs. tubes) are most common choices and affordable at all levels. The sound a person s is the determining factor between these two choices.

Guitar amp size usually starts with an 8" speaker and a 15 watt power amp, "all in one" unit (combo). The amplifier control section should have channel switching (clean to distortion by pressing a switch or a gain & master volume control that can be overdriven for distortion). The amp should have at least 3 tone controls (Bass-Mid-Treble) to obtain a variety of sounds. A headphone input is also a useful feature, especially if you live in an apartment or like to practice late at night.

Bass amps are more simple in design. Usually they have a volume control and 3 tone controls. Entry level are usually 20 watts with an 8" speaker. I recommend going with a larger model, as bass needs more wattage and a bigger speaker to "kick out" a good sound.

If you are jamming or going into a band you should be shopping in the 50 watt & up with a 12" speaker range. Bass players should be looking at 50 watts & up with a 12" - 15" speaker (and a graphic EQ if available).

Price-wise, guitar amps at the entry level will start at about $99.00 & up. Bass Amps slightly higher at $119.00 & up.

In short, determine your budget & size requirements. Choose the one that sounds and feels right for you.

GUIDELINES FOR FIRST TIME BASS GUITAR BUYERS

Buying your first instrument can be a difficult task. You're not sure what to look for, how much to spend, and on and on. Here are a few tips to ease your pain.

First, have a budget in mind before you go into the stores, so that you won't be dazzled by the flash and splendor of the "SPGX5000VR"!!!. With today's instruments you should be able to find a good, playable instrument for between $250 & $500.

Second, look for simplicity. Basses with tons of controls and gold hardware add to the price and are a distraction from the goal...to learn to play bass guitar. Watch for easy to understand control layout and straight forward hardware (tuning keys and bridges).

You will run across two different types of pickups, the single coil & the hum canceling

Single coils are usually about 2 cm wide by 9 cm long and offer a brighter sound. Hum canceling pickups are made up two coils each 3 cm wide by 6 cm long. They are set up in a staggered side by side format and produce a darker, beefier sound.

Third, ask the salesman about the materials the bass is made from i.e., the woods for the neck and body. Some $250 range instruments have bodies made from plywood that don't produce as nice a tone as many solid wood basses do. The neck of the bass is the shaft where a player presses the strings down against metal bars called frets to produce different notes and sometimes chords. Necks are typically made of maple wood and their fretboards may be either maple (known for a brighter sound) or rosewood (known for a mellower tone).

Finally, avoid obscure brand names no one has heard of unless there are undeniable good qualities that show you that the instrument is an excellent deal. Recognized brand names will help you when either you decide to upgrade because you're getting so good! And you want to trade your bass in or you decide bass isn't for you and you want to sell the instrument.

With all this in mind, make sure that the instrument is comfortable to play, hold, wear on a strap, etc. Don't be afraid to ask the salesman to correct things like strings that are too high off the fretboard or buzzing, rattling frets. If you've noted these points you should come away with a great first bass and ential for a lot of enjoyment.
Best Selling Kids Acoustic Guitars
Best Selling Kids Electric Guitars
Best Selling Electric Guitars
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Buy Cables from DiMarzio, Fender, Horizon, Hosa, Live Wire, Mogami Monster Cable, Musician's Friend, Planet Waves, Pro Co||||spectraflex braided cables, rapco cables, hosa, guitar cable||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|chipguitcas||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23754574||||||Guitar Case||||accessories||Accessories > ||||||||Guitar case
Laminated chipboard frame conforms to the shape of today's popular guitars, bass, banjos...etc... Covered with grained vinyl, flannel lined. Inside pocket for storage. Great protection for the price.
||||||||0||0||1||0||Music > Instruments and Equipment > Guitar and Bass > Parts and Accessories > Cases and Bags||||||Click to order Guitar Case||Type: "Electric" "Acoustic" "Bass" "3/4 Guitar" "Jumbo Guitar" "12 String" Banjo "Tenor Banjo" Mandolin "Bari Uke" "V Style Guitar" "Explorer Style Guitar"||guitar cases, chipboard cases, bass case, acoustic guitar case, 3/4 size case for guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitchorfint||item.||page.||guiten||||||||Guitar Chord Finder...Cool Tool!||||guiten||Guitar Encyclopedia > ||||||||Type in the Chord Name It shows the fingering.||||||||0||1||0||0||||chordtheory||||

JavaScript Guitar Chord Chart

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Acoustic Guitar Workshop
Online lessons in the art of fingerstyle and acoustic blues. Free ezines, tab, mp3's and more...".
The Ultimate Online Guitar Tutor
AUCTIONS
Ebay
A very busy site that always has hundreds of guitars on the auction block at one time. Some great bargains to be had... but be careful... it's addictive!
BASS
Gibson Basses
From the Chris B's website, browse Gibson Bass guitar photos and descriptions.
How to Buy the Right Bass
From the Bass Player website, an excellent article on what to look for, and what not to look for, when buying a new bass.
Lessons and Tips
From Harmony Central, a series of downloadable lessons on bassline construction, slapping, and tapping bass techniques.
Scales on the Bass
Brought to you by Aaron Scher, an assortment of different scales written out for bass, in both tab and standard notation.
Tabworld
Huge tab site

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Action
The height of the strings above the fret board.
Alternating bass
A style of playing where the right hand alternates between two or more strings.
Arpeggio
A chord played one note at a time.
Bar
A sub division of time in music.
Bar line
A vertical line which shows the end of a bar of music.
Bass-strum style
A right hand technique which involves picking a bass note then strumming the rest of the chord.
Beam
A horizontal line which shows two eighth or sixteenth notes belonging to the beat shown on the bottom of the time signature.
Beat
A sub division of time usually felt as the pulse within a piece of music.
Body
The main part of a guitar (not the neck).
Chord
A group of three or more notes played simultaneously.
Chord chart
A diagram which shows a chord progression.
Chord progression
A sequence of chords played one after another.
Count in
A count at the start of a piece of music to show when to start and how fast to play (usually the top number on the time signature).
Double bar line
Two vertical lines which show the end of a section or piece of music.
Sheet Music Plus has the largest sheet music selection on the Internet, so visitors are sure to find what they want. Whether it's Bach or Beatles, a search here finds more results than anywhere else... period.

Down stroke
Right hand movement from top to bottom.
Eighth beat
A beat half as long in time as a quarter beat.
Electric guitar
A guitar which can be electrically amplified (usually with a solid body).
Fingerstyle
A right hand technique which involves using some or all your right hand fingers.
Flat
Lower in pitch.
Four/four time
A time signature of four quarter beats in one bar of music.
Fret board
The front side of a guitar neck which contains the frets.
Frets
The vertical metal bars on a guitar fret board.
Fretting
Placing a finger next to a fret.
Guitar tablature
A system of reading and writing guitar music (abbreviated to TAB).
Half beat
A beat twice as long as a quarter beat.
Harmonize
To bring two or notes together in harmony.
Harmony
Two or more notes sounding simultaneously.
Headstock
The part of a guitar situated on the end of the neck which houses the machine heads.
Machine heads
Used for tuning up each string and housed on the headstock (sometimes referred to as tuning heads or tuning keys).
Melody
A succession of musical notes played one after another (usually the most recognizable tune of a song).
Neck
The part of a guitar which houses the fret board.
Nylon string guitar
An acoustic guitar which has three nylon strings.
Open
A string played with no left hand fingers fretting any note.
Pickups
An electromagnet housed underneath the strings on an electric guitar which produces a signal to be amplified by a guitar amplifier.
Plectrum A small triangular shaped piece of plastic used for striking the guitar strings with the right hand.
Quarter beat
A sub division of time in music twice as long as an eighth beat.
Repeat sign
Two dots placed before a double line indicating the repeat of a section of music.
Rhythm
A sequence of events played with the right hand on a guitar which gives a piece of music a distinct beat.
Rhythm notation
A system of reading and writing music which shows rhythm.
Sharp
Higher in pitch.
Shuffle
A rhythm of which each main beat is divided into three smaller beats (prominent in blues music).
Sound hole
The hole in the front of an acoustic guitar body from which the sound is projected.
Steel string guitar An acoustic guitar which has all steel strings (usually four wound and two plain ones).
Stem
The vertical line in music or rhythm notation which appears above or below a note or rhythm.
Strap
Used to hold the guitar while in standing position.
Strumming
A technique where the right hand plays the noted of a chord simultaneously either with down or up strokes.
Swing
A rhythm in music in which the down beat is felt slightly longer than the up beat (sometimes called a shuffle).
Tempo
The speed of a piece of music.
Three/four time
A time signature of three quarter beats in one bar of music.
Three quarter beat
A beat which is one and a half times as long as a half beat.
Tie
A curved line which shows two notes of the same pitch joined together and played as one with the time value of both.
Time signature
A sign at the beginning of a piece of music (looks like a fraction) which shows how many beats in each bar (top number) and how long each beat lasts (bottom number).
Truss rod
A curved metal bar implanted into the neck of a guitar used to adjust the amount and direction of bend in the neck.
Twelve/eighth time
A time signature of twelve eighth beats in one bar of music.
Up stroke
Right hand movement from bottom to top.
Waist
Part of the body of a guitar which is smallest in dimension from top to bottom.
Whole beat
A beat in music which lasts for a whole bar in music with a time signature of four/four.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitidandap||item.||page.||acguittipand||||||||Guitar ID and Appraisal||||acin acguittipand||Acoustic Instruments > Acoustic Guitar Tips and Tricks > ||||||||Appraising a Guitar How to ID a Guitar||||||||0||1||0||0||||13edblboofel||||Browse all Electric Guitars

Browse all AXL Guitars

There are many reasons for determining the precise age of your used guitar. The most important one is probably pricing the instrument appropriately when you�re looking to sell it. Prices for certain vintage models vary by thousands of dollars depending on whether it�s a 1963, for example, or a 1964. You�ll also need to know exactly what your guitar is worth for insurance purposes.

One of the most valuable and often overlooked resources to help you identify and appraise guitars is your local used instrument dealer. It�s so important to establish a working relationship with these folks. While it may be tempting to call every store in the area in order to save a few dollars when you�re shopping for something, developing a loyalty to one or two shops pays off when you need service that goes beyond a simple purchase. While most shops charge a fee for an official appraisal, it may take an experienced retailer only a second to realize that your old Epiphone is actually a Nova 390, produced from 1976 to 1980 in the company�s short-lived Japanese factory. The shop employee may be glad to look up the approximate value of your ax in a book and give you an opinion about what it�s worth. But if you randomly drop by a store that you�ve never been to before and ask for this kind of help, they might not take the time to look carefully at what you�ve got.

LEARNING THE HISTORY

If you want to educate yourself to identify guitars, the first step is to become familiar with the histories of some of the larger companies. In recent years, more and more books providing information on the major guitar manufacturers have become available, and they�re a great place to start. There are some basic questions to ask. When did the company start building guitars? Where were the guitars manufactured? Did the company move in the course of its existence, and did it move its production overseas? Did the model in question change drastically during the years of production? For example, Gibson�s J-200 started out with rosewood back and sides and fairly standard X-bracing in the late 1930s. It was changed to maple back and sides (except for a few rosewood examples) and a double-X bracing pattern in the �50s. Yet another double-X bracing pattern was used during the �70s, and then a more Martin-like scalloped X-bracing was adopted when the model was reintroduced in the late �80s. These are all differences that would be difficult for the uneducated eye to notice, yet they drastically affect the guitar�s sound and value.

At the very least, these books will identify the time period during which the guitar in question was produced, basic information that will, for example, keep you from paying a premium for a "1960s Martin HD-28" (you�ll know that this model wasn�t introduced until 1976). Sometimes you can narrow down even further the time period in which your guitar was built because of a certain distinguishing feature. For example, a volute or scroll at the back of a Gibson headstock usually indicates that the instrument was built between 1974 and 1981 (although some appeared as early as 1969).

Another thing that the trained eye will immediately be able to pick up on is whether an instrument was built in the U.S. or imported from one of the many low-end Asian manufacturers. When I worked in retail, a customer once walked in with a Ventura archtop for sale. Convinced that he had a guitar that was built in the U.S. in the �50s, he stormed out after I told him what I�d be able to offer him for it. Even if I hadn�t known that Venturas were made in Japan during the �70s (which was confirmed by a quick look in the Vintage Guitar Price Guide), I knew as soon as he opened the case. It was mostly the guitar�s thick finish that gave it away, complete with lacquered neck-to-body joints and drips through the f-holes. The wimpy hardware was another dead giveaway that this guitar was neither domestically made, as he thought, nor a high-quality import. The best place to gain this kind of familiarity is at your local music store�s used-and-cheap section; the more guitars you inspect, the more experienced you�ll be.

One of the biggest roadblocks in identifying a guitar can often be the serial number. These numbers are frequently inconsistent or missing from reference books. In many cases, a serial number by itself is about as useful as a phone number with a missing digit. Few companies have consistently used the same system of numbering during their entire existence (Martin is among those that have). For example, Gibson began using an eight-digit number in 1977. The first and fifth digits indicated the year of production (8XXX2XXX meant it was built in 1982). If you tried to apply this formula to a serial number on an older Gibson, or even a newer vintage reissue (which sometimes use "vintage" serial numbers) you�d be making a big mistake.

REFERENCE BOOKS

So, how does one go about accurately identifying a used instrument? Probably the publication most often referred to is Gruhn�s Guide to Vintage Guitars. Written by George Gruhn (of Gruhn Guitars in Nashville) and Walter Carter, the guide is a must-have for identifying older American-made guitars. Organized into brands, general information, serial numbers, specific features, and model designations, the book identifies most major-brand guitars of the past and offers meticulous descriptions and a wealth of helpful photos. It offers little or no information on smaller makers, budget instrument makers, and recent entries into the guitar market.

Although designed to give approximate values for vintage instruments, the Vintage Guitar Price Guide is also quite useful in identifying instruments. While it doesn�t describe each model�s features in detail, it does provide a company history for most of the makers included. The book�s many photos can be very helpful, and the general listings, which include many off-brands, are among the most complete available. As with all price guides, the dollar amounts shown are to be taken with a grain of salt, but having even a vague idea of an instrument�s value will make you a more savvy buyer or seller.

Another excellent resource is the Blue Book of Guitars. This hefty book probably represents the most complete compilation of information on guitars that have not yet reached vintage status. It�s one of the few books that lists instruments made by companies such as Kay and J.B. Player and by individual luthiers such as Dave Maize and Steve Klein. Besides retail price information, the book includes brief descriptions of most companies and models listed, as well as a unique section on grading the condition of an instrument. In a color section, a variety of guitars are pictured front and back, showing a range of possible conditions--from 20 percent (poor) to 100 percent (new).

You can also join guitar-related newsgroups on the Internet, but beware of advice from uneducated participants posing as guitar experts. Of particular interest to acoustic guitarists are rec.music.makers.guitar.acoustic, rec.music.makers.guitar.jazz, and rec.music.classical.guitar. You might also check out rec.music.makers.guitar and alt.guitar.

These resources and the others in the Acoustic Guitar Owner's Manual should help you on your way to becoming a guitar expert. All you need is hours and hours of paging through every available book on the subject, countless weekends spent at guitar shops and vintage instrument shows, a careful examination of all of your picking buddies� axes, and (let�s face it) the purchase of a lemon or two.

Excerpted from Acoustic Guitar magazine, October 1998, No. 70.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitinvid||link.||||||||||||Guitar Instruction Videos||||||||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitmaintip||item.||page.||guiten||||||||Guitar Maintenance Tips||||guiten||Guitar Encyclopedia > ||||||||Tips to keep you in tune! How to tune a guitar How to change guitar strings||||||||0||1||0||0||||||||
GUITAR MAINTENANCEFor anyone who notices that your strings wear out prematurely because maybe you have sweaty hands or if you just want your strings to last longer, I've noticed that washing and drying my hands thoroughly before playing really lengthens the life of my strings.
Also, wipe off your strings when you're done.
HOW TO READ TABTablature has 6 staffs, 1 for each string on the guitar. Each staff should either have a dash or a number on it. If there is a dash, you play nothing on that string. If there is a number, you should play the corresponding fret number.
For the full article visit G Man's Guitar Tips
STORING A GUITAR
Remove some but not all of the tension from the strings, clean & polish the guitar, and then put a little lemon oil on the fret board. Put the guitar in its case and store it where it won't get too warm, cold, or humid and won't get bumped around. A good place is an interior closet.
STRING CHANGES
When changing guitar strings, it is best to change them one at a time starting with the thickest. This keeps the tension on the instrument and you will have less trouble getting it in tune because the guitar doesn't have to stabilize again.
TUNING YOUR GUITAR
I'm afraid I break convention on tuning your guitar by using the old 5th fret method. Unless your guitar has perfect intonation, and it probably doesn't, it will only get you in the ballpark.

What I suggest is using an electronic tuner, pitch pipe, or piano, etc.

Sometimes you need to do a quick check and you don't have time to use these things. You have to see very quickly during a performance or something which string is giving you trouble. This is my way that works very well for me, even if the guitar doesn't have the most accurate set up in the world.

Realize please that this is the method to use AFTER the regular tuning is done. These pitches will sometimes be an octave or two higher than the lower string being checked. The lower strings should NOT be overly ened to get to the same octave as the note being played on the 'High E' or other higher string. This is a fine tuning pitch check in different octaves with the exception of the 'B' string.

It's usually pretty easy to tell if your first or 'High E' string is in tune by listening to other instruments or if playing solo, in tune with yourself, and the intonation on most guitars is usually pretty accurate on that string because of the small diameter so I start with that one.

First, play a 'B' on the 'High E' string to check your 'B' string.

Second, play a 'G' on the 'High E' string to check your ' ' .

Third, play a 'D' on your 'High E' string to check your 'D' string.

Fourth, play an 'A' on your 'High E' string to check your 'A' string.

Lastly, play the 'High E' string open and check your 'Bass E' string.

If you have time, one last check for an even better fine-tuning...

Very quickly after some practice of course, play some octaves:

Play 'G' on your 'High E' string to check the ' ' once more.

Play 'D' on your 'B' string to check your 'D' string.

Play 'A' on your ' ' to check your 'A' string.

Lastly, play 'E' on your 'D' string to check your 'Bass E' string.

This may seem complicated reading it for the first time but after you struggle through it once or twice, you'll see it's very easy. The positions are very easy to remember. I figured this method out before I could even read music for the guitar. Each check only takes me about 3 - 6 seconds.

Also another tuning tip:

When you tune a guitar string, always start below the d note and tune up to pitch not down to pitch. This will help prevent the string from going flat during play.

Thanks to Bob at Guitar man Acoustic Guitar Tips for permission to use the above tips...he has a great site full of info.
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There comes a time in the life of a steel-string guitar when the years of string tension have finally distorted the geometry of the instrument beyond what a simple adjustment of the action can fix. (You�d get bent, too, if you had to carry 150 to 180 pounds of tension around for 30 or more years!) As the various pieces of wood that make up the top, sides, and back of the guitar slowly deform, the string action rises ever higher, until the guitar gets to the point where reducing the height of the bridge and/or saddle is no longer a reasonable way to regain playability. That�s when it�s time to get a neck reset. Many acoustic guitars are built with a bit of "extra" bridge and saddle height so a luthier can compensate for the distortion by lowering the saddle and/or shaving down the top of the bridge. Most steel-string acoustic bridges are about 1/4 to 5/16 of an inch high, with the saddle protruding about an eighth of an inch. If the action can be made right without deviating too far from these measurements, then you might be able to avoid a neck reset without compromising tone.

The string tension generally results in at least two visible effects: the guitar�s top bellies up around the bridge, and the neck-to-body angle changes. In extreme cases, the top�s upper bout can also start to cave in. A certain degree of top belly is considered normal for older steel-strings. Many of the best prewar Martins, for example, look a bit pregnant. I�ve heard it said at bluegrass festivals that older instruments that don�t have a bit of bulge just don�t have the tone either. There may be some truth to this statement, since a guitar that doesn�t distort over time is probably overbuilt. But what we�re really concerned with here is neck angle, and that is where we have the opportunity to make corrections, including compensation for top belly.

TO RESET OR NOT TO RESET

How do you know if a neck reset is indicated? I�ve seen a lot of guitars get diagnosed for resets that, in my opinion, weren�t necessary. I tend to work on the conservative side of things: if the action can be made decent without shaving the bridge too low, I try to avoid the reset. It�s kind of like making a call for angioplasty versus a heart bypass operation--either way it�s a big deal, but one method is a bit less invasive.

If your guitar does need a neck reset, this repair is definitely in the "don�t try this at home" category. Neck resets are standard procedure for the truly qualified luthier, but you don�t want someone doing his first reset on your vintage dreadnought!

Although 95 percent or more of neck resets are executed to correct for bellying and forward neck shift, the occasional reset is called for to correct the opposite condition, where the action is too low even with a very high bridge. This sometimes happens when an old guitar made for Hawaiian lap-style playing, like a Roy Smeck or a Martin Hawaiian, is converted to Spanish style. But let�s assume for now that the neck resets are to solve the problem of an action that�s too high on an instrument whose bridge is too low.

Done right, a neck reset will not only dramatically improve the playability of your precious instrument, but can also bring out the tone of the guitar. This is because as the guitar ages, the tonal properties of the wood get better while the neck-angle-to-body geometry gets worse. When you reset the neck, you can have the best of both worlds--great aged wood and proper geometry.

How does a reset affect value on a vintage instrument? First, a good neck reset done by an experienced luthier can be virtually undetectable on guitars whose necks and bodies were lacquered before final assembly. Second, a reset can make the difference between a great playing instrument and a wall hanger. As far as "vintage value" goes, I would much rather have a 1938 Martin herringbone D-28 with a good reset than the same guitar with a shaved bridge and bad action. I think that most vintage guitar dealers would agree with me on this. Steel-string guitars, as we know them, have barely been around for 100 years, so we are just now seeing the effects of age and use on them. Violinists are used to the idea that their instruments need rebuilding every now and then, and guitarists finally seem to be coming around to that attitude.

To determine whether or not a guitar needs a reset, I put a straightedge on the top of the frets and slide it down to the bridge. If there is no drastic rise in the fingerboard between the 12th and 16th frets, the straightedge should just about graze the top of the bridge ahead of the saddle or hit it no more than about .015 inches below its top. (This applies only to unmodified bridges and assumes that the bridge height was correct for the type of guitar in question.) If the straightedge meets the bridge any lower than this, the instrument probably needs a reset.

If you sight the tops of frets 1�14 and see that an imaginary line following that sight line will land in the body of the bridge, then yes, you need a neck reset. Some repair techs will pull frets, plane the fingerboard, and refret to try to take care of fingerboard rise, but this is only effective in mild cases and does not affect neck-to-body angle, which may also be incorrect.

Neck reset techniques have come a long way in the past 25 years, and luthiers share techniques freely. Gone are the days of guitar-making secrets passed down to the few and withheld from the many. If you bring your guitar in for a reset, here�s what will probably happen to it.

DOVETAILED NECK

On guitars with dovetail neck joints, I take out the 15th fret or whichever fret is right over the dovetail joint. The fret should be heated to make removal easy and to avoid fingerboard chip-outs.

If the neck was joined to the body before finishing (which is common with Gibsons, Guilds, and Gibson-made Epiphones, for instance), the finish needs to be carefully cut at the sides of the heel in order to allow the neck to slide free. This is a tricky procedure that makes it much harder to do inconspicuous resets on guitars made this way. Martin, Santa Cruz, and Larriv�e guitars, among many others, have their necks glued on after finish, making resets much easier to hide.

The next step is gently heating the part of the fingerboard that�s over the body to soften the glue joint with the top. Applying lemon oil to the fingerboard will help transfer the heat through the board and prevent excessive drying and cracks. The idea here is to preserve the structural integrity of the fingerboard by not having to cut through a fret slot. I then loosen the fingerboard over the body by carefully slipping in a sharpened blade that looks much like a very thin, wide oyster knife. A bit of spray-on dry lubricant makes this step go easier.

Next, two holes are drilled through the fret slot down into the dovetail area. A basketball pump needle attached to a tube and steam source (I use a cappuccino steamer) introduces steam into the dovetail joint. The steam heat softens the glue in the dovetail, allowing the neck to be removed from the guitar�s body.

There are a number of ways to actually remove the neck. I use a specially made jig that clamps to the guitar�s body and has a screw that bears against the heel cap. After an average of two to five minutes of steam, the neck is ready to slide off, usually clean as can be. If there is any chipping of wood in the dovetail, I glue the pieces back immediately with aliphatic resin glue. Then I clean out any old glue, because new glue wants to stick to wood, not old glue.

I then carefully recut the surface of the neck heel that contacts the sides of the body on a taper from just under the fingerboard (where nothing is generally taken away) to the heel cap, establishing a new angle for the neck to be set to. This is usually done by hand, though luthier Steve Crisp has designed a clever jig into which the neck can be clamped with a tilting table to guide an offset router, which perfectly recuts the surface of the heel. Either way, the new angle is cut and then the dovetail is shimmed with veneers and refit to match the dovetail in the body.

BOLT-ON NECK

Many modern builders, Bill Collings, Dana Bourgeois, and Bob Taylor included, have chosen to bolt on the necks of their guitars, both as a manufacturing convenience and a way to make future neck resets much easier on the guitar and the luthier. As Taylor has pointed out, with a traditional dovetail joint, eight surfaces have to match up perfectly; while with a bolt-on, the number is four, and only two of these have to be shaved to change the neck angle.

To reset a bolt-on neck, you only have to free the fingerboard and then release two bolts, which are usually hidden under a label on the neck block. Then it�s just a matter of shaving the heel surface to get the new correct neck pitch and rebolting the neck while regluing the fingerboard to the top. Here too, the Crisp jig makes short work of cutting a new surface.

Whether your guitar has a dovetailed or bolted-on neck, a reset will generally change the plane of the fingerboard where it makes the transition from neck to top. If the fingerboard drops off drastically at the neck joint, it may be necessary to install a tapered shim to raise its end, and bound fingerboards complicate the procedure. If the fingerboard takes a rise over the body, the fingerboard will need to be planed level. Many repairers will not even do a reset without also doing a refret in order to correct the fingerboard surface, especially in the neck joint area. Sometimes we get lucky and no refret is needed, but don�t be surprised if your luthier calls for the full job.

This area of the fingerboard over the guitar�s top is problematic for many traditionally built acoustic guitars, and a number of modern instruments, such as the Martin D-1 and Steve Klein�s guitars, attempt to beef up the support of the top under the fingerboard to alleviate these problems. Bob Taylor has written about how humidity changes can cause havoc in the neck-to-body fingerboard transition; the top rises and falls as it expands and contracts in response to the rise and fall of ambient humidity. The fingerboard extension, being glued to the top, rises and falls too, and this can cause the action to go up and the strings to fret out at the same time. Try to keep your guitar safe from drastic humidity changes, and understand that if you have your action set up in either very high or very low humidity conditions, it will probably change drastically. Thus it is best to reset a neck under humidity conditions of around 43 to 48 percent.

After your guitar�s neck has been reset and the instrument has been set up, you should experience the best of both worlds: the playability of a new neck angle and the sound of well-aged tonewood. Enjoy it.

Excerpted from Acoustic Guitar magazine, November 1997, No. 59.

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Beginner Guitar Lessons
• Stringing Your Guitar
• Tuning Your Guitar
• Memorizing the Fretboard
• Tips on Buying a Guitar
• Why I Started to Play Guitar
• Cleaning Your Guitar

• Basic Major Chords (C,A,G,E,D)
• Other Major Chords in Barre Form
• Basic Minor Chords (Am,Em,Dm)
• Other Minor Chords in Barre Form
• Moving Open Chords to Barre Form
• Dissecting an E Minor Chord
• Strumming Technique
• Hammer-Ons and Strumming
• Suspensions and Strumming
• How Chords are Constructed
• How Chords Move Vertically

• The C Major Scale
• The A Minor Scale
• The Chromatic Scale
• Mastering the Fingerboard
• Alternate Picking I
• Alternate Picking II

• 12-Bar Blues: What is it?
• Basic Blues Shuffle
• Basic Fingerpicking

Intermediate Guitar Lessons
• Alternate Picking I
• Alternate Picking II
• Practicing Your Scales
• String-Skipping Exercise
• Hammer-On and Pull-Off Technique
• Basic Bends
• Introduction to Slides
• Double Stops

• Creating Chord Progressions I
• Creating Chord Progressions II
• Substitutions in Chord Progressions
• Grunge Songwriting
• How Chords are Constructed
• How Chords Move Vertically
• Inversions of Major Chords
• Rock Chordal Ideas

• Major Pentatonic Scale
• Playing Pretty with the Major Pentatonic
• Minor Pentatonic Forms
• Minor Pentatonic Scale Patterns
• The Chromatic Scale
• Modes of the Major Scale
• Modes and the Minor Scale
• Harmonic Minor Scale Basics

• Blues Rhythm Guitar I
• Blues Rhythm Guitar II
• "Blackbird" Fingerpicking
• Right-Hand Tapping Basics

Advanced Guitar Lessons
• Stevie Ray Vaughan Licks I
• Stevie Ray Vaughan Licks II
• Stevie Ray Vaughan Theory
• Jimi Hendrix Licks I
• Jimi Hendrix Licks II
• Eric Clapton Style Acoustic Blues
• Albert Lee Licks
• Eric Johnson Licks
• Scott Henderson Licks
• Robben Ford Licks

• String-Skipping Pentatonic Patterns
• Paganini: Caprice #5
• 30+ Insane Shred Licks
• Some Advanced Metal Solos

• "Maple Leaf Rag" by S. Joplin
• "The Easy Winners" by S. Joplin

• Soloing Using Extended Arpeggios
• Soloing with 7th Chord Sequences
• Soloing over "All The Things You Are"
• Several II-V-I Licks
• Minor Chord Bop Licks
• Chord Soloing Using 4ths
• Diminished Licks Over an E7 Groove

• Albert Lee Licks
• Pedal Steel Simulator Licks

Beginning Bass Lessons
• Tuning Your Bass
• Tips on Buying a Bass
• Learning the Neck
• Learning to Read
• Your First Bass Line

• Proper Hand Position
• Basic Warm Up
• Right Hand Technique

• Your First Scale
• Major Scales
• Minor Scales
• What's After Scales?

• Basic Rock Bass
• Basic Rock Bass II
• Basic Boogie Woogie
• Disco Octaves
• Easy Ska

• Your First Bass Line
• Barney Miller Line
• Instant Funk
• Learning To Jam

Intermediate Bass Lessons
• Finger Workout
• Improve Your Reach
• More Left Hand Technique
• Keep Learning the Neck
• See the Fingerboard
• Single String Workout
• The Spider Exercise

• Developing Good Time
• Soloing

• Breaking Down Triads
• Whole Note Study
• Modes of the Major Scale
• Tensions

• How To Practice Fretless
• Intonation Practice
• More Intonation Sstudies

• Things To Remember Walking
• Let's Go For a Walk
• Learning a Tune
• Tunes You Should Know
• More On How To Walk

• 16th Notes
• 16th Notes II
• 16th Notes III

• The Jazz Blues
• Bossa Nova
• Basic Shuffle
• Pumping Metal Lines

Advanced Bass Lessons
• Advanced Slapping
• Triad Study
• Triad Study II
• 8 Note Scales
• Inversions
• Melodic Minor Modes

• Advanced Listening
• Deep Thoughts

• Giant Steps
• Melodic Minor Workout
• Jazz Blues Workout
• Bach's Prelude No.1 In C Major
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TONEWOOD OPTIONS Of the two common tonewoods used for guitar bodies, rosewood and mahogany, which one generally produces better balance, sustain, and clarity?

If everything else in a guitar is equal, guitar builders generally agree that rosewood provides more sustain and bass than mahogany. Mahogany is usually credited with yielding better clarity and separation of notes. Which wood offers better balance in a small guitar is largely a personal call; players who prefer more bass will probably choose rosewood, and those who like more treble or brightness may choose mahogany. A rosewood Brand X might have more clarity and separation than a mahogany Brand Y, while delivering more bass and sustain as well. Yet some guitarists may have a playing style that makes Brand Y the better-sounding guitar. Factors like interior bracing and wood thickness have more to do with a guitar�s sound than the species chosen for the back and sides. Then there�s the fact that wood of the same species varies from one tree to another and even within the same log. Solution? Go play lots of guitars, trust your ears, and don�t pay too much attention to the preferences of others.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitarvideos||link.||||guiten||||||||Guitar Videos||||guiten||Guitar Encyclopedia > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitwirsys||item.||page.||elguit1||||||||Guitar Wireless Systems||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Guitar Wireless Systems
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Wood is one of the largest determining factors of a guitar�s sound and longevity. Specific woods used to build guitars, acoustic and electric, are called tone woods. Tone woods have resonant properties that other woods do not. For example, oak is a beautiful and strong wood, but it has no resonant properties, which would not be best for guitar building.

Alder
We find that alder has the richest tone, characterized by lots of fat low-end, well defined mid ranges and a lot of sustain. Alder is a light wood, which makes it more comfortable for lengthy gigs. It is one of the original woods used for solid body guitars. Although other manufacturers use woods like poplar and basswood, they are considered alder substitutes.

Solid Alder
Alder is a fairly light and incredibly resilient wood that is a favorite amongst electric guitar makers. It is a close-grained wood with a naturally light tan color. Alder is mostly used for electric guitar bodybuilding because of its full sound, great sustain and density. It is a porous wood that takes quite well to a variety of finishes. This gives the guitar a richer sound because the solid wood soundboard can vibrate more freely and thoroughly.

Spruce
Spruce is the most commonly used wood on acoustic guitar soundboards. The soundboards on acoustics are generally made of tightly grained spruce. Naturally yellow in color, spruce is a lightwood that has a very high degree of resonance, so it is a perfect match for acoustic guitars.

Solid Spruce
Solid spruce refers less to a difference in the wood than to how it is actually cut for the guitar. Laminate spruce soundboards are built as layers of cross-grained wood glued to each other. Solid spruce soundboards consist of one piece of wood running all the way through. This gives the guitar a richer sound because the solid wood soundboard can vibrate more freely and thoroughly.

Canadian Sitka Spruce
Canadian Sitka Spruce is a harder to find, more expensive variety of spruce. It has a light yellow color and is also used for acoustic guitar soundboards. It gives guitars a bigger more resonant sound, flush with crisp highs. It also improves with age more than other types of spruce.

Mahogany
Mahogany is a moderately dense and very durable wood. It is commonly used for the backs, sides and necks of acoustic guitars. It is sometimes used on electric guitar bodies and necks. Because it is very sonorous and durable, mahogany is also used in banjos, resonators, ukuleles and acoustic guitar soundboards. It is lighter than maple and specifically provides acoustic guitars with great sustain. Mahogany also provides great weight balance between the neck and the body of an acoustic. It is reddish-brown in color and is incredibly strong and resonant, giving the guitar big, beautiful tones.

Maple
Maple is a strong and extremely dense, heavy wood. It is excellent for guitar necks and bodies because it can handle an inordinate amount of string tension. Maple has a bright and crisp tone and is used on flamenco guitars as well as some electrics. It has a wide variety of exotic grains that show up quite well when finished. Flamed maple is a very popular and brilliant looking exotic type of maple. �Flamed� refers to the rippling, or curls of the grain of wood that run across the body. Flamed maple in generally �book matched,� which means that the body is made of two half pieces of a single cut piece of maple. This gives the guitar even weight, look and tone throughout the body.

Nato
Nato wood, also known as Eastern Mahogany, is a reliable, strong wood used on guitar necks. It is a value-priced wood used more for beginner instruments. However, it still embodies all of the properties of more commonly used mahogany.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitstrin1||item.||page.||elguit1||||||||Guitar/Bass Strings||||elguit1||Electric Guitars > ||||||||GHS Strings Martin Strings DR Strings Fender Strings Ernie Ball Strings||||||||0||1||0||0||||marguitstrin ghsstrings||||Guaranteed Lowest Prices on Guitar Strings
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Nowhere else is it so easy to find exactly what you want, and save. Experiment with the Search Tool Select "Electric Guitar" for Instrument. "Steel" for Material. And click Find it! Over 100 sets found. Want a more precise search? Select among brands such as D'Addario, Ernie Ball, Fender, Charlie Stringer, DR, Augustine, La Bella, Ken Smith, S.I.T., Savarez, C. F. Martin, GHS and Rotosound. Or enter your own search words, like "acoustic bass" or "high tension classical". 1,427 string choices mean you get exactly what you want, at guaranteed low prices.

Ever searched from store to store for one thing, but had to settle for something else that wasn't quite right? Don't compromise. Whether you play guitar or bass, banjo or ukulele, use the choice our huge selection gives you to get the exact strings that fit your musical instrument needs. Enter our Guitar Strings Homepage ||||Martin MSP3100, D'Addario EJ16,Martin MSP3200, Yamaha FB13,D'Addario EZ920,Electric Guitar Strings' D'Addario EXL110,Ernie Ball 2221,Ernie Ball 2223, D'Addario EXL120,GHS GBL 10 to 46 Extra Light Boomers ,Bass Strings,Vinci 4 string bass strings,Vinci 5 Sring Bass Strings,Fender 9050 Stainless Flatwound,GHS ML3045||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitar||item.||page.||guiten||||||||Guitarist Articles||||guiten||Guitar Encyclopedia > ||||||||Joe Satriani..More||||||||0||1||0||0||||ericjohnson ibcusrev guitarar korn||||

By Matt Blackett

Walking up to Joe Satriani's beautiful San Francisco home, it's hard not to be struck by how well this guy has done for himself. But for all the hype, accolades, and accomplishments, at the heart of it all is someone who is obviously more concerned with playing guitar than the trappings of stardom.

His home studio is a small, neat room with a fairly modest collection of gear: an old Strat, two chrome Ibanez guitars, and a Music Man bass. Photos of B.B. King, Jimmy Page, and an autographed shot of Jimi Hendrix were put up by Satriani the fan, while Satriani the teacher proudly displays photos of his students Steve Vai and Primus' Larry LaLonde. Then, there are the pictures of Satriani the guitarist, showing him with Mick Jagger and Deep Purple -- his most famous sideman gigs -- and jamming with Brian May. Finally, there is ample evidence of Joe Satriani the instrumental-guitar phenomenon: seven platinum records.

And although Satriani can't help but sound like himself, he's always striving for something new and different. For example, on his new album, Engines of Creation [Epic], he abandoned the formula of past successes and recorded sans band, speaker cabinets, and microphones. Displaying a verbal and physical intensity that cloaks a mellow, thoughtful personality, Satriani talked to GP about why he adopted new recording methods, the differences between his various albums, and why he's the luckiest guy around.

What's different about Engines of Creation?

We had a rule: no mics and no speakers. These were monumental things to push aside, because I love the sound of speakers and mics. But I knew I had to get rid of certain things in order to get into a totally new space. On Surfing with the Alien and The Extremist we spent hours experimenting with microphones and mic placement, and that meant we had to compromise the time and energy we put into other aspects of the project.

Was the absence of mics and speakers the main difference?

Yeah, but it certainly wasn't the only difference. We got rid of the band, and we made the bass and drums sound like they weren't coming from humans. Sometimes we'd make them sound really tiny and non-threatening, as opposed to a record like The Extremist, where the drums came first and the guitar tones had to be thin to make room for these big drum sounds. This time around, the sonic space available for the guitars was huge. That freed me up -- I didn't feel like I had to overplay for people to notice the guitar.

How did you track the guitars?

We used Palmer Speaker Simulators. That was the interface for all the amps. We'd go out of the Palmer into a Neve mic pre and then into Pro Tools.

Does working with Pro Tools change things for you?

It allows me to be creative without worrying about the sequence of creativity. It's a big relief, because if I'm messing around and something cool happens eight bars too late, no problem -- we just move it. From there it was [producer] Eric Caudieux's job to respond technically to our collective desire to be as different -- and as strange -- as possible.

Let's talk about some of that strangeness. What's going on in "Borg Sex"?

The whole idea behind that song is to have this sexy groove with a dialog between a male and a female Borg. To give them different attitudes I chose different frequencies -- low for the male, high for the female. I also used separate scales, with the female staying in key and the male being more atonal. I created the voices by plugging my guitar into an Electro-Harmonix Micro-Synth and a Moogerfooger ring modulator.

How did you get the other weird sounds in that song?

The main part of the verse was done with a Hafler Triple Giant. It's a nasty, angry, unforgiving amp. I also used a Fulltone Ultimate Octave pedal.

Did you use a Whammy pedal in the bridge section?

I went through the Ultimate Octave into one Whammy pedal set for an octave up, and then into another Whammy pedal set for an octave down. I was also playing octaves on my guitar, so there's an enormous amount of octave information in that section. It's pretty nasty -- that's why we didn't mix it too loud.

How did the slide part on "Champagne" come about?

I played the original melody on synth and Eric said, "You're going to play that on guitar, right?" I told him I had tried, and it just didn't work. That melody is supposed to sound effervescent -- like champagne bubbles going up your nose. When I played the melody on guitar, the tune just fell apart. It was really depressing. Eric suggested I play slide on it and that was even worse -- like two cats being strangled. Then I realized that I didn't have to play the melody on guitar, even though that's what I've always done. So as a goof, I picked up this Danelectro guitar and played a slide-guitar accompaniment, but I let the synth carry the melody. It came together in two passes.

The two-handed section after the slide part is kind of a departure.

There's a story behind that. In the beginning, there was no middle part to "Champagne." Then Eric reminded me of this two-handed piece I'd written back in 1988, and suggested using it for a bridge. I told him that it was in a totally different tempo and he said, "Don't worry, I'll take care of it. Just play it and come back later." When I returned, he had put this really fast jungle rhythm under it, and that made the two sections work together.

There's yet another movement with the Mixolydian solo section.

I felt like the song needed something simple to balance it out, so I came up with that G-F-C progression, and I laid a solo over it with my chrome Ibanez through a Fender Bassman.

You're fluent in a lot of exotic-sounding scales. How does it feel to play a more "normal" scale?

No scale is more important than another. That's the payoff for working really hard to become a well-rounded musician -- the knowledge that everything is equal. And learning how to play a "simple" solo is just as hard as learning how to play something that sounds really complicated.

How many guitars are on "Devil's Slide"?

Two -- the chrome Ibanez through my Marshall 6100 head, and my '58 Strat on the neck pickup through a SansAmp PSA-1.

Are those EBow tracks in the breakdown?

No, that's feedback. Even though I said we didn't use any speakers for this record, we did something kind of tricky on that section. I was playing my chrome guitar into the Marshall and the Palmer, and we ran the signal out to a Pignose that we set up on a stand. I stood about 3" away from the speaker and got great feedback at a really low volume.

How did you do those huge chords in "Flavor Crystal 7"? They're distorted, but the overtones don't clash.

That's a combination of things. First, I'm using a guitar with the Buzz Feiten system on it. Then I layered parts with my Strat, which has regular intonation. I've always felt that was the coolest way to use the Feiten system -- blended with conventionally tuned guitars. You just get more that way. I used three different tones: the Bassman, the SansAmp, and my Wells amp, and sometimes I would play just one string. It all added up to a massive, beautiful sound.

Did you always use an amp, or did you ever track a dry, direct tone and process it after the fact?

On the song "Slow and Easy," I played the melody with the most horrible tone -- like plugging into the back of your stereo or something. I came back a couple of days later and Eric had put a really unusual plug-in on it that created that oboe-like sound. That was the only time we totally bypassed anything guitar-like and laid something down that was devoid of any gain structures.

What were the demos like for these songs?

Well, I've always made the worst sounding demos -- especially if you compare them to, say, Steve Vai's, which are perfect. Mine often have a slightly dated sound to them because of my gear -- a Kurzweil K2000 and an Alesis HR-16 drum machine.

Did any of the demo tracks make it on the album?

The melody on "The Power Cosmic Pt. I" was taken from my demo. When I got down to Eric's house in L.A., I found I couldn't play the melody. I could remember it and everything, but I couldn't pull it off to my satisfaction -- or to Eric's. We both knew the song wouldn't work unless the melody had all the emotion of the demo. So, even though the original part was tracked with a Zoom onto a cassette, I mixed it to DAT and gave it to Eric. It took a lot of work because the frequencies were pretty weird. It wasn't until the mastering stage that the tune finally came together.

When you recorded that song for Guitar Player's Soundpage in 1988 it didn't even have a melody.

That's true. I remember that Soundpage session -- it almost gave me tendinitis! I never should have written it! Back then it was just a performance piece with all the hammered arpeggios. I'd always been uneasy about putting a melody over it. I think my pride was getting in the way, because I'd have to relegate the most impressive part -- the arpeggios -- to a supportive role. I'm really happy with the way it turned out, though.

Do you have a hard time letting go of your demos?

Glyn Johns [producer/engineer on classic Who and Rolling Stones albums] once told me, "You have to come to grips with the fact that sometimes the demo is the best version of a song you'll ever record and just get over it." The album version won't be the same as the demo, but that doesn't mean it's worse. Arrangements never end. Every time you perform, you can change some little thing you didn't like on the recording. The recorded version is not the end-all, and not realizing that can really strangle the attitude in a session. This is something that I've had to learn. I definitely freaked out while I was doing Surfing. I thought it would be the last record I'd be allowed to make, so it had to be perfect.

Engines of Creation is almost all drum loops. Does that make you play differently than you would with a live drummer?

Yes and no. I'll give you an example: I recorded the song "Cool #9" [Joe Satriani] with an Alesis HR-16 drum machine, and I played one way. Then I recorded it with three separate drummers, and I played differently with each of those guys. So, to answer your question, it is a different feel to play with loops, but no more so than when you play with a new drummer.

There was a time when you were the best guitarist no one had ever heard of. Who's that guy now?

I like to mention people who I think deserve attention, but some of them might not want me to talk about them. They don't want to be known for being a guitar monster because of the backlash against that sort of thing.

Aside from the players you always mention -- such as Hendrix -- who do you like?

Look at the wall here -- Jimmy Page, Brian May, Pete Townshend, Robert Fripp -- they're all great. As for newer guys, Tom Morello has a mix of dedication and irreverance that's really priceless.

What do you think it's going to take to keep the guitar vital in this day and age?

Great songs. No one style or album can kill an instrument. It's comforting to point to something other than a lack of creativity as causing an instrument's -- or a style's -- demise. But that's misdirected. If someone comes up with something innovative and creative, everyone will listen to it -- no matter what instrument it was played on. I don't think people are as opinionated as the press would have us believe.

What can guitar magazines do to help?

There are factors at a magazine that are at odds with each other. For instance, there might be a guitarist who plays really well, but there's no story there. Or, someone rises to a huge level of popularity and can't really play. It's frustrating. I'd like to see guitar mags focus on people who are really trying to play, but I realize it's a collaborative effort. If I'm not doing anything that the public finds interesting, I don't deserve to be recognized. It goes both ways.

How do you view the players out there in the trenches -- like guitarists in Top 40 bands?

I used to be that guy, and I felt lucky to have work. That's how I paid for strings and music books. I was glad I didn't have to flip burgers. I'll tell you, though -- I started doing landscaping because I got to the point where I couldn't stand doing Top 40. But you've got to find work, and that's not the worst job you could have. You're still playing music to make people happy. For that period, I think you've made the world a better place.

After all that you've been through, are you happy with your place in the industry?

I am overjoyed. I can't believe that I got here on the simplest dream of just doing what I do. I don't take one bit of it for granted. When I played with Mick Jagger -- which was one of the coolest gigs ever -- I didn't feel as if I could really express myself. Don't get me wrong -- I'm always happy to play with great people. But it's not the same as being given the freedom to make a solo album like Engines. And they've given me that freedom nine or ten times in a row. It's amazing. I get paid to be myself.

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The ap Huw Manuscript - Facsimile and other information about this Welsh collection of harp tablature dating from the late 16th and early 17th century.
The Celtic Harp Page
CharmCityHarp
The Electric Harp Column
Enchanted Harp - Sales of pedal harps, folk harps, and accessories.
Folk Harp Builder - Roger Muma Musical Instruments - (London Ontario) Custom Harp Design; Lessons, Music, Kanteles.
Gaelic Harps & Harpers in Ireland & Scotland - A history of harps.
harfen - A German harp site.
The Harp Page - The Harp Page
HarpLore Australia - Sales of Harps, Sheet Music, Recordings, Accessories, Gifts and cards.
Harps by Wm. Rees - Harps custom built for lovers of all things Celtic, Irish, Scottish, Welsh also a Renaissance Psaltery; Harp Troubleshooting, Care and extensive Harp Resources.
Heartland Harps
Pilgrim Harps - (UK) makes harps; harp hire; sheet music, books, CD's. Worldwide service
Roman Harp Company - is a manufacturer of pedal harps and a publisher of music for the harp.
Trad@Harp - traditional Irish harp site - Celtic harp and harpers; harp festivals and summer schools; harp magazines and organisations; irish harp bulletin board.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|harps||item.||page.||acin||||||||Harps||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||kihawica liha8stkn mihatm29st bahabi12st piha19st||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hardyneldrum||item.||page.||eldrum||||||||Hart Dynamics Electronic Drums||||drumsticks eldrum||Drum Kits > Electronic Drums > ||||||||Guaranteed Lowest Prices on Hart Dynamics Electronic Drums
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What do you look for in headphones? There are many models to choose from, but your planned use should greatly narrow your choices. Sound quality, of course, is important to all; but for some, big bass is a must where others prefer open, full-range reproduction that emphasizes overall accuracy. Other factors include isolation, comfort, weight, portability, fit, etc. Are you needing good headphones for casual listening, to plug into a portable player of some kind? Or are you looking for a set of studio-worthy reference headphones for monitoring recordings? The following discussion of the different types of headphones and their applications will give you the basic knowledge you need to choose the right headphones for your purpose. SPECIFICATIONS What they tell you and what they don�t

The best way to evaluate headphones is by listening to them. Put on some acoustic guitar music�you�ll easily hear the difference between good and not so good. But two headphones that sound very different often will have similar specs. Probably the easiest and most useful spec is the price. In general, quality and performance relate well to price. Driver size is an important spec, especially if you want big bass. Typically, the larger the driver, the greater its ability to reproduce bass frequencies. Specs such as frequency range, sensitivity, etc., may be helpful to knowledgeable buyers deciding between high-end headphones, but not especially helpful for a less knowledgeable buyer choosing among lower-end headphones. A more helpful way of choosing among brands is to compare customer reviews on our website and look for reviews on harmonycentral.com. Sweetened vs. flat frequency response

When you listen to the same material through different headphones, you�ll hear differences that are due in part to "sweetening." Sweetening refers to the EQing of the headphones to make the music sound better. In open-backed headphones, for instance, the bass frequences may be emphasized to counter the natural leakage of bass through the open back. Most general-listening, consumer headphones are sweetened in some way. There are two common sweetening modes: Free Field (FF) and Defined Field (DF). The first simulates an open listening environment without reflection, and the latter simulates an enclosed listening environment such as a room. For critical listening such as monitoring a mix, you don�t want any sweetening at all, but rather a flat frequency response that lets you compare and set levels precisely. TYPES OF HEADPHONES AKG M80 are circumaural with a semi-open back. AKG M80 are circumaural with a semi-open back.

Circumaural: This type of headphone can be closed or open-backed. The term circumaural refers to how it cups your ear. Its padding encircles the ear and forms a seal. These headphones are usually comfortable, and closed-back models provide isolation from external sounds and keep the headphone sounds from leaking out. A circumaural design is a good choice for recording applications and for DJs who need to monitor music in loud environments.

Supra-aural: Headphones of this design are similar to circumaural headphones, except that instead of encircling the ear, they rest on it. Usually these headphones are lighter and therefore more comfortable. But since they do not seal as well as circumaural headphones, they are not as isolating. The Nady QH 560 is both open-back and supra-aural. The Nady QH 560 is both open-back and supra-aural.

Open air: Also referred to as "open-back," these headphones can be either circumaural or supra-aural, but the back of each earpiece is open, allowing sound to escape freely in both directions. Because they are non-isolating, they are not a good choice for recording studio applications. If used by a singer, for example, the headphone sound can leak and be picked up by the microphone and influence the tonality of the final recording. Their positive quality is an open, airy sound that isn�t fatiguing to the ears, which makes them a good choice for general listening.

Semi-open: This type of headphone, as the name suggests, falls between a fully open design and a closed-back design. While some sound leakage can occur, there is less than with an open-back design. Semi-open headphones usually offer a realistic stereo field, low distortion, and extended low-frequency response. They are often used for recording where there are no open microphones to pick up resonance from them. The Sennheiser HD 280 closed back design minimizes sound leakage or intrusion. The Sennheiser HD 280 closed back design minimizes sound leakage or intrusion.

Closed or sealed: These are the most isolating type of headphone. The backs of the earpieces are completely closed, which, along with an effective seal around the ear, prevents sound from passing in either direction. This design is especially good for monitoring in loud environments, and for use in recording because they keep sound from leaking out and being picked up by microphones. They also tend to have strong bass response, so DJs mixing dance music like them. On the downside, they can cause ear fatigue after use for extended periods.

Portable headphones: These are the open-air, lightweight, foam ear pad headphones used with portable players of various sorts. Often the ones that come with players are cheap and you may want to replace them with better quality headphones of a similar kind. They are light which makes them ideal for active wear, and the better ones can sound fantastic. Because they allow you to hear external sounds such as that runaway garbage truck bearing down on you, they are suited for use during activities where awareness of your environment is important.

Earbuds: Earbud headphones offer the ultimate in portability and light weight. They have no headband or foam pads that rest on the ears. They simply fit into the ear and form a seal that isolates the sound so that only you hear it. The better earbud-type headphones are hard to beat for sound quality, which is remarkable for such small drivers.

Noise-canceling headphones: As many commuters know, listening to music while traveling by car, train, or airplane is made difficult by the general level of background noise. For critical listeners, this can be frustrating because it blurs the nuances of the music. Noise-canceling headphones are designed to remove the background noise. They do this by means of phase-canceling technology.

Wireless headphones: There are a number of wireless headphones available. The advantage of having no cable is obvious. You�re free to roam as you listen. There are three basic types: infrared, RF, and digitals. Infrared models have a shorter reception distance and require line-of-sight orientation to the base unit transmitter. The RF models transmit further and will work through walls, but noise and sound quality can be an issue. Digital wireless converts signals to a digitally encoded signal, then the headphones convert it back to analog. This type is more noise-free than infrared and RF but more expensive. They also require power for the transmitter and battery power for the headphones. Stanton DJ Pro 300 Single-Side Headphone Stanton DJ Pro 300 Single-Side Headphone

DJ headphones: There are quite a number of headphones intended for DJ use. These are usually circumaural closed-back headphones designed for isolation. Many are standard two-cup headphones, but DJs also use single-sided headphones with just one cup. This allows them to hear a mix and the room simultaneously. Typically DJ headphones are louder so they can be heard over high ambient sound levels. BASIC THINGS TO CONSIDER Fit and comfort

Comfort is important. Any headphone will feel fine if worn briefly, but when worn for long periods, many become uncomfortable. Wear the headphones for at least 20 minutes before deciding about comfort. The larger the ear cups the better when selecting closed-back, circumaural headphones. For headphones that rest on your ear, smaller is better, and fabric padding or leather can soften the pressure.

Weight is a factor in long-term comfort: in most cases lighter headphones are more comfortable. For long listening periods, the super-light portable headphones with foam pads are ideal.

The headband also influences comfort. Most headphones use a hanging style headband, but behind-the-neck styles are also available. Earbuds dispense with the strap entirely, so are more comfortable in that regard. Whatever the type of headband, you want it to be adjustable. Another feature for enhancing comfort is the rotating cup, especially on over-the-ear phones. You can adjust them to your head to reduce leakage and increase comfort. Portability

Usually portability isn�t an issue: for active listening you get the lightweight portables designed for that purpose, while the heavier closed-back circumaurals are usually used for studio work and don�t do much traveling. These days, however, laptop computers and compact interfaces have made on-location recording more popular. This application requires closed-back, sealed-cup headphones that are bulkier. Fold-up designs are more portable and protect the headphones in transit. It�s wise to have some sort of case for your recording headphones if they are to travel. Durability

You want your headphones to last. Unfortunately, durability often equates with heavier weight. Light headphones can be sat on or snapped in half more easily. You just have to be careful with them and put them in a protective case when they�re not on your head. If they are fold-ups, check out the hinges to see how strong they look. Are the cables substantial or thin and delicate? If you are buying higher priced headphones, find out if replacement parts are available. It�s a lot cheaper to replace a cable or the ear pads than to replace an entire set. Cables

Basically, you want a cable with enough length for your situation, but it is best to avoid an exceptionally long cable because it can negatively effect sound quality by lowering volume and introducing noise, as well as becoming more easily tangled. A decent pair of headphones will likely have a shielded cable which counters noise. If you buy headphones with too short of cable, you can always add an extension, but you should be careful to get an extension cable of equal quality to the cable from the headphone. You should also add the length you want with a single cable rather than two shorter ones, as multiple connections can degrade the signal.

Another consideration is single-sided or double-sided cables. Single-sided have internal circuitry to carry the signals to the appropriate ear pieces. Most consider one-sided designs preferable, as the split type can become tangled too easily.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hersaxcarkit||item.||page.||incarkit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_23998013||||||Herco Saxophone Care Kit||HE108||schoolbanin inren incarkit||School Band Instruments > School Band Instruments > Instrument Care Kits > ||14.990||14.990 ||||||||||||1||1||1||0||||||||This Saxophone care kit includes:

Cork grease

Neck cleaner

Swab

Mouthpiece brush

Key oil

Polishing cloth
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Wilwerk slide oil

Flexible cleaner

Swab

Mouthpiece brush

Spitballs

Polishing cloth
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Wilwerk Valve Oil

Brass mouthpiece brush

Valve casing brush

Valve protector

Flexible cleaner

Polishing cloth

Tuning slide grease

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Cork grease

2 thumb rest cushions

Swab

Mouthpiece brush

Key oil

Polishing cloth

Bore oil

Cotton brush swab
||||||||||||||||0||||||||||||||||||||Herco||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|alsaxstan||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24017049||||||Hercules Alto/Tenor Sax Stand||DS530B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||30.950||44.990 ||30.950 ||Hercules Alto/Tenor Sax Stand||||||||1||1||1||0||||||||The Folding Yoke holds your Alto/Tenor saxophone securely on the stand

Adjustable backrest accommodates both Alto and Tenor sax

2 extra peg holes on the legs lets you store other instruments without using extra floorspace.

Swivel Legs with Locking Pin fit around other equipment

Weight: 1.1 kg (2.3lbs)

Folded size: 310x135mm (12.2x5.3")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|konandmeybas||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24054923||||||Hercules Bass Clarinet / Bassoon Stand||DS561B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||71.950||102.990 ||71.950 ||Hercules Bass Clarinet / Bassoon Stand||||||||1||1||1||0||||||||Bass clarinet / Bassoon stand

Multi-functional yoke and base rest allow you to place the instrument facing towards or away from the stand, for easier access

Base rest securely holds the bass clarinet even with the floor peg extended

Lever height adjuster positions the yoke to accommodate different bass clarinet and bassoon placements

Swivel Legs with locking pins fit around other equipment

Peg hole on leg lets you store another instrument without using extra floorspace

Height: 670-1010 mm (26.4-39.8�)

Weight: 2.27kg (5lbs)

Folded size: 630x150mm (24.8x5.9")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|heclgust||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24089790||||||Hercules Classical Guitar Stand||GS454B||accessories||Accessories > ||41.950||59.950 ||41.950 ||||||||||0||1||1||0||||||||Guitar stand made for classical guitars.

Classical stand accomodates necks between 28mm to 54mm

Auto Grip System yoke

Comfort Grip

Specially Formulated Foam

Height: 950-1185mm (37.4-46.6")

Weight: 1.9kg (4.2lbs)

Base radius: 310mm (12.2")

Load capacity: 15kg (33lbs)

Folded size: 710x190mm (27.9x7.5")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kmfrhost||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24098809||||||Hercules French Horn Stand||DS550B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||30.950||44.990 ||30.950 ||Hercules French Horn Stand||||||||1||1||1||0||||||||French Horn stand

All-in-one design is easy to pack and carry

Quick locking pins on the base function easily and lock securely

Specially Formulated Foam on the yokes and backrest

Weight: 0.9kg (2.1lbs)

Folded size: 280x95mm (11x3.7")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hegustwiadba||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24104443||||||Hercules Guitar Stand with Adjustable Backrest||GS412B||accessories||Accessories > ||52.950||75.990 ||52.950 ||Hercules Guitar Stand with Adjustable Backrest||||||||1||1||1||0||||||||Hercules single guitar stand with adjustable backrest. This guitar stand holds acoustic, electric and bass guitars. Hercules stands provide a solid display stand for your instrument.

Auto Grip System yoke

Comfort Grip

Folding Backrest

Specially Formulated Foam

Height: 855-1075mm (33.6-42.3")

Weight: 1.7kg (3.7lbs)

Base radius: 320mm (12.5")

Load capacity: 15kg (33lbs)

Folded size: 710x155mm (27.9x6.1")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|heinstgudist||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2323944||||||Hercules In Store Guitar Display Stand||GS526B||accessories||Accessories > ||119.990||171.990 ||119.990 ||Hercules Stand for 6 Guitars||||||||1||1||1||0||||||||Hercules In Store Guitar Display Stand holds up to six guitars. Use in home or for retail purposes.

6 folding Auto Grip System yokes

Suitable for store display

Folding Backrests

Specially Formulated Foam

Height: 1500-1900mm (59-74.8")

Weight: 5kg (11lbs)

Base radius: 530mm (20.9")

Load capacity: 40kg (66lbs)

Folded size: 1070x172mm (42x6.8")||||||||||||||||0||||||||||||||||||||Hercules ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|delkeystan||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24114521||||||Hercules Single Braced Keyboard Stand||KS110B||accessories||Accessories > ||55.950||79.950 ||55.950 ||||||||||1||1||1||0||||||||Hercules Single Braced Keyboard Stand with EZ-LOK system automatically locks the stand into one of five height settings.

Round and square 25.4mm (1") steel tubing for strength and support

Height: 530-990mm (20.9-39")

Weight: 3.7kg (8.1lbs)

Load capacity: 80kg (176lbs)||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|heistforacgu||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24124857||||||Hercules Stand for Acoustic Guitar||GS601B||accessories||Accessories > ||36.950||53.990 ||36.950 ||Acoustic Guitar Stand||||||||1||1||1||0||||||||Hercules compact guitar stand for acoustic guitars. Goes where you go and fits in most gig bag pockets. Quickly sets up and tears down.

istand� for acoustic guitar

Compact size fits inside most gig bag pockets

Durable injection-molded construction

Metal core for stability

Base radius: 290x230mm (11.4x9")

Weight: 0.9kg (1.9lbs)

Folded diameter: 205mm (8")

Yoke length: 130mm (5.1")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hetrgust||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24167519||||||Hercules Triple Guitar Stand||GS432B||accessories||Accessories > ||99.950||144.990 ||99.950 ||Guitar Stand for 3 Guitars||||||||1||1||1||0||||||||Hercules Triple Guitar Stand features 3 folding Auto Grip System yokes. This guitar stand will hold three instruments safely and securely. Excellent quality in a triple guitar stand.

Comfort Grip

Folding Backrests

Specially Formulated Foam

Height: 905-1130mm (35.6-44.5")

Weight: 2.9kg (6.38lbs)

Base radius: 430mm (16.9")

Load capacity: 30kg (66lbs)

Folded size: 760x135mm (29.9x5.3 ")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|upbasstan||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24209057||||||Hercules Upright Bass Stand||DS590B||strinin||Stringed Instruments > ||69.950||98.990 ||69.950 ||Hercules Double Bass Stand||||||||0||1||1||0||||||||Double Bass stand

Easy access of your instrument and bow

Strong and solid construction

Two locking pins

Specially Formulated Foam on all possible contact points to protect your instrument

Ideal for display and on stage use

Bow hook

Height: 900m (35.4")

Weight: 3.4kg (7.5lbs)

Base radius: 500x600mm (19.7x23.6")

Load capacity: 50kg (110lbs)

Folded size : 685x900mm (27x35.4")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violinstand||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24248156||||||Hercules Violin Stand||DS571BB||strinin||Stringed Instruments > ||40.950||58.990 ||40.950 ||Folding Violin Stand||||||||0||1||1||0||||||||Violin/viola stand made from lightweight aluminum.

Auto Grip System holds your instrument securely

Bow rest

Specially Formulated Foam

Folds compactly for easy carrying

Carrying bag included

Height: 445-680mm (17.5-26.8")

Weight:0.59 kg (1.3 lbs)

Base radius:250mm (9.8")

Folded size: 455x85mm (18x3.3")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hihatstands||item.||page.||drumsticks||||||||Hi Hat Stands||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0|||||||| Browse all Hi Hat Stands ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hihats||link.||||cymbals||||||||Hi Hats||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|higendelguit||item.||page.||elguit1||||||||High End Electric Guitars||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||||||High End, Rare, Custom Shop Electric Guitars

Browse Private Reserve Guitars||||Gibson 1968 Les Paul Custom Figured Top Guitar,Fender Custom Shop 50th Anniversary 1954 Stratocaster Guitar,PRS Guitars McCarty Hollowbody 1 Guitar with Piezo System,Gretsch G7593 White Falcon 1,Gibson Zakk Wylde Signature Les Paul Electric Guitar,Gibson 1960 Les Paul Reissue Guitar,Gibson Wes Montgomery Guitar,Gibson 1965 Firebird VII,Gibson 1958 Les Paul Plain Top Custom Authentic Guitar Left-Handed,Gibson 1959 Les Paul Standard Guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hisofibguit||item.||page.||ibanez2000||||||||History of Ibanez Guitars||||ibanez2000||Ibanez 2018 > ||||||||A Short History Of A Company With A Long History||||||||0||1||0||0||||||||

Browse all Ibanez Electric Guitars
Ibanez Bass Guitars

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Ibanez

A Short History Of A Company With A Long History

If you wanted a total history of Ibanez you�d have go back to 1908 when a company named Hoshino began as a sheet music store and later music products distributor in Nagoya Japan.

If you wanted a little less completeness than that you�d go back about forty-five when Hoshino began distributing a Spanish guitar named Ibanez. Or perhaps you�d simply go to the Mid 60�s when Hoshino, who by that time had purchased the rights to the Ibanez name, began shipping incredibly funky looking guitars to the United States, many of which were actually sold in department stores.

But for most of us, Ibanez pretty much begins almost 30 years ago, when Hoshino opened an office near Philadelphia, PA for more efficiently distributing Ibanez guitars to the United States. Most of those guitars were Ibanez� famous high quality (but very inexpensive) copies of just about everything�you name it, we probably made a version of it. At that time many American instruments were going through an unfortunate period of increasing prices with decreasing quality, and these copies hit a ready market.

But the people with Ibanez weren�t content with just copying and Ibanez began making their own designs: the solid body Artists (played by Bob Weir of the Dead) the Iceman (first made famous by Paul Stanley of KISS and the George Benson guitars, the first jazz boxes designed for higher volume stage playing. Many of these "first" Ibanez guitars continue to increase in value and a good number are now highly prized collector�s items.

By 1976, the Ibanez copy era officially came to an end when one of the major American guitar manufacturers--no longer amused by the copiers�successfully sued the highest profile copier, Ibanez. But by that time it didn�t matter�Ibanez had already left the copies behind and was fast becoming an innovative guitar company in its own right.

By the mid-80�s with the interest in instrumental rock guitar on the rise, Ibanez collaborated with players such as Steve Vai, Joe Satriani and Paul Gilbert and brought out the JEM, JS, RG and S models. Today, present day versions such as these models still considered the standard in hard rock and instrumental rock guitars.

As well known for its jazz guitars as it is for rock, Ibanez has an impressive line of jazz boxes including the aforementioned George Benson models, two Pat Metheny models, and most recently, the new John Scofield signature semi-acoustic.

One final note...Ibanez is also one of the top selling bass companies in the world (in many places the top selling bass). Ibanez first drew attention in the 70�s and 80�s with its neck-thru Musician basses with active electronics. Today, Ibanez offers the huge number of 4, 5, and 6 basses in the Soundgear as well as the basses of the future, the luthite-bodied Ergodynes.
Browse all Ibanez Electric Guitars
Ibanez Bass Guitars

Ibanez Acoustic Guitars

Backbeat Books The Ibanez Electric Guitar Book - A Complete History Of Ibanez Electric Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hisoftakguit||item.||page.||takguit||||||||History of Takamine Guitars||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||||||||||0||1||0||0||||||||Nestled at the base of Takamine Mountain in Sakashita, Japan, Takamine Guitars have over 40 years of history dedicated to innovation and improvement to the art and craft of guitarmaking. What first began as a small family business has evolved into one of the leading guitar manufacturers In the world, depended upon by some of the best players and biggest names in the music industry.

So what's the deal? Why are there so many Takamine players? We'd like to think that it's because we've earned your respect. Takamine has made technological advancements that have surpassed other guitar makers. Takamine prides itself in their dedication and loyalty to fine luthiership and it is shown through each Instrument the company makes.

Takamine had its early beginnings while guitar playing and music was gaining popularity in Japan during the early 60's. As their business grew they saw the need to develop their skills and attract design and manufacturing talent. One of the most important additions to the company was one Mr. Mass Hirade.

Hirade joined Takamine in 1968, and made great improvements upon design and build quality, and set forth with his staff to energize and strengthen the business. The factory began producing their world class "Classical" that to this day still carry the Hirade name. Through Hirade's dedication and commitment to Takamine, he was able to begin an overseas trading business in 1975. Takamine Guitars were able to reach out to guitar players around the world. Takamine was finally placed in the hands of musicians who had only heard about their great sound and fine craftsmanship.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hofnerbasses||item.||page.||electricbass||||||||Hofner Bass||||electricbass||Electric Bass > ||||||||Hofner Bass Guitars||||||||0||1||0||0||||||||Browse all Hofner Bass Guitars

Hofner 500/2 Club Bass Guitar Sunburst
Select German spruce top, back and sides from flamed maple. Maple-beech-maple neck. 22-fret bound rosewood fretboard. Mother-of-pearl dots. Machine heads: Hofner 61/73B (4 individual). Hofner 72/20B ebony bridge with movable saddles. Hofner 62/30 trapeze brass tailpiece. Hofner 65/CB-P floating celluloid pearl pickguard. 2 Hofner 511B "Staple" humbuckers. Hofner A2-B control panel with 2 volume controls, 2 on/off switches, and rhythm/solo switch for volume boost. Nickel-plated hardware. Antique-brown sunburst finish.

Hofner H500/2 Club Bass LTD Dark Violin
Select German spruce top, back, and sides from flamed maple. Maple-beech-maple neck. 30" scale length. 22-fret bound rosewood fretboard. Zero fret. Mother-of-pearl dots. Machine heads: Hofner 61/73B (4 individual). Hofner 72/20B ebony bridge with movable saddles. Hofner 62/30 trapeze brass tailpiece. Hofner 65/CB-P floating celluloid pearl pickguard. 2 Hofner 511B "Staple" humbuckers with Cavern-era spacing. Hofner A2-B control panel with 2 volume controls, 2 on/off switches, and rhythm/solo switch for volume boost. Hand-applied dark violin varnish finish. Nickel-plated hardware.

Hofner 5000/1L Deluxe 4-String Electric Bass Guitar Left-Handed Natural
Selected German spruce top, back and sides of selected flamed maple. 1-piece maple neck. Ebony fretboard, 22 frets. Abalone double dots. Machine heads: Hofner 61/73B (4 individual). Hofner 72/20B ebony bridge with movable metal saddles for perfect intonation and string spacing. Hofner 62/30 trapeze tailpiece, brass. Hofner 65/36-B floating celluloid pickguard, black. 2 Hofner 511B "Staple" humbucking pickups. Hofner A2-B: Control panel with 2 volume controls, 2 on/off switches, rhythm/solo switch for volume boost. Gold-plated hardware. Full body binding. Natural finish.

Hofner 500/1 Vintage '63 Violin Bass Guitar Sunburst
Select German spruce top, back, and sides of flamed maple. Maple-beech-maple neck. Rosewood fretboard with 22 frets. Mother-of-pearl dots. Scale: 30" (76cm). Neck width at nut: 1-5/8" (42mm). Machine heads: Hofner 61/73B (4 individual). Hofner 72/20B ebony bridge with movable metal saddles for perfect intonation and string spacing. Hofner 62/30 trapeze brass tailpiece. Hofner 65/36-P floating pearl celluloid pickguard. 2 Hofner 511B "Staple" humbucking pickups. Hofner A2-B control panel with 2 volume controls, 2 on/off switches, and rhythm/solo switch for volume boost. Nickel-plated hardware. Antique-brown sunburst finish

Hofner Icon Series Vintage Violin Bass Sunburst
This affordably priced violin bass from the maker of the original features a real spruce top and beautiful flamed maple back and sides. The semi-hollow body and set neck will give you the warm, round tones that made the original famous. Rosewood fretboard.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hoh32piankey||item.||page.||melodicas1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24286829||||||Hohner 32 piano key melodica||S32||acin melodicas1||Acoustic Instruments > Hohner Melodicas > ||42.990||55.000 ||42.990 ||Hohner Piano Melodica||||||||1||1||1||0||||||||Hohner S-32 piano-style melodica.

This is the latest addition to the Hohner Melodica family and offers a range of more than two and a half octaves to play soprano and alto. The 32 keys start on the F below middle C, which is ideal for both beginners and professionals. Deluxe carrying case, mouthpiece and instructions are included.||||||||||||||||0||||||||||||||||||||Hohner ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hohnerbanjokit||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24297364||||||Hohner Banjo Kit||HB25||acin banjos1||Acoustic Instruments > Banjos > ||259.000||389.990 ||259.000 ||||||||||0||1||1||0||||||||Our HB25 Banjo package offers the novice player a solid instrument that will perform for years.

The HB25 package includes a Gigbag, Strap, and Pitch Pipe.

Banjo features a walnut resonator, mahogany neck and rim. Rosewood fingerboard w dot inlay. Chrome machines, Remo coated head.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hohd40con||item.||page.||concertinas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24427875||||||Hohner D40 Concertina||d40||acin concertinas||Acoustic Instruments > Concertinas > ||199.990||249.990 ||199.990 ||Hohner D40 Concertina||||||||0||1||1||0||||||||This imported concertina from Hohner provides a diatonic scale with 20 buttons and 40 reeds. It features an elegant Italian design with a mahogany finish, and comes in the key of GC. Both beginners and experienced players will enjoy the instruments simple notation, affordability, and rich sound. Includes soft side zippered case.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hofime||item.||page.||melodicas1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24441828||||||Hohner Fire Melodica||32F||acin melodicas1||Acoustic Instruments > Hohner Melodicas > ||69.990||95.000 ||69.990 ||Hohner Fire Melodica||||||||1||1||1||0||||||||Hohner Fire Melodica. The melodica is full of expressivity and incredibly easy to play. Its piano keyboard is one of the most widespread and easiest ways to articulate melodies and harmonies. Rhythm and dynamics are directly controlled by your breath, naturally ebbing and flowing right through you.

Fire Melodica provides the maximum range of emotion and expression. The frictionless keyboard and easy response make rapid phrases and complex rhythms second nature. With fresh designs and innovative colors, HOHNER, inventor of the melodica, once again sets the standard for the melodica of the future.||||||||||||||||0||||||||||||||||||||Hohner ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hohha3diatac||item.||page.||accordions||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24531967||||||Hohner HA-3100 Diatonic Accordion Matte Black||3100GB||acin accordions||Acoustic Instruments > Accordions > ||369.950||499.950 ||369.950 ||||||||||0||1||1||0||||||||The accessible Hohner HA-3100 Panther GCF Diatonic Accordion shares many of the quality features of Hohner's step-up diatonics with a lower price tag. New double-strap brackets. 31 treble keys. 12 bass/chord buttons. 2 sets of treble reeds. Plays in G, C, and F. The Hohner HA-3100 Accordion is 12"H x 7-1/2"D and weighs 9 lbs.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|homakit||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24535433||||||Hohner Mandolin Package||HMA||acin mandolins1||Acoustic Instruments > Mandolins > ||189.990||289.990 ||189.990 ||Hohner Mandolin Package||||||||0||1||1||0||||||||Hohner Mandolin package includes A style mandolin, gig bag, strap and pitch pipe. Available in Transparent Red and Vintage Sunburst. This is a great starter mandolin package.

Hohner HMA mandolin features a select spruce top, bound mahogany body and fingerboard and chrome geared machines.||Finish: "Vintage Sunburst" "Transparent Red"||||||||||||||0||||||||||||||||||||Hohner||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hohmelpian||item.||page.||melodicas1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24673499||||||Hohner Melodica Piano||936||acin melodicas1||Acoustic Instruments > Hohner Melodicas > ||269.950||399.950 ||269.950 ||Hohner Melodica Piano||||||||0||1||1||0||||||||The Melodica is so easy to play that many educators use it for teaching the rudiments of harmony, chord formation, theory, and for choral work. You can play chords and single notes, sharps and flats just like a piano, but within a smaller range.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|melodicas1||item.||page.||acin||||||||Hohner Melodicas||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||hohmelpian hoh32piankey hopialme hofime hoocme horedme||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hoocme||item.||page.||melodicas1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24679786||||||Hohner Ocean Melodica||320||acin melodicas1||Acoustic Instruments > Hohner Melodicas > ||69.990||95.000 ||69.990 ||||||||||1||1||1||0||||||||Hohner Ocean Melodica has emotion and expression - the two primal forces of music. A good music instrument leads you directly to them. The Ocean model Hohner melodica is such an instrument � full of expressivity and incredibly easy to play. Its piano keyboard is one of the most widespread and easiest ways to articulate melodies and harmonies. Rhythm and dynamics are directly controlled by your breath, naturally ebbing and flowing right through you.

Ocean Melodica provides the maximum range of emotion and expression. The frictionless keyboard and easy response make rapid phrases and complex rhythms second nature. With fresh designs and innovative colors, HOHNER, inventor of the melodica, once again sets the standard for the melodica of the future.||||||||||||||||0||||||||||||||||||||Hohner||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|hopialme||item.||page.||melodicas1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24687749||||||Hohner Piano Alto Melodica||927||acin melodicas1||Acoustic Instruments > Hohner Melodicas > ||119.990||157.950 ||119.990 ||||||||||0||1||1||0||||||||Professional quality.

An advanced virtuoso instrument similar to the Piano 28 Melodica, except this model plays the alto range. Its 27 piano keys start with F below middle C and extend up more than 2 chromatic octaves. Comfortable left-hand strap and deluxe carrying case included.

Hohner HM-27 Piano Melodica Alto Features:

* 27 piano keys * Begins at F below middle C and extends up more than 2 chromatic octaves * Includes hand strap and deluxe carrying case||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|horedme||item.||page.||melodicas1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24694926||||||Hohner Red Melodica||s32r||acin melodicas1||Acoustic Instruments > Hohner Melodicas > ||49.990||60.000 ||49.990 ||||||||||0||1||1||0||||||||This Red Hohner Melodica is a fascinating wind instrument, easy to learn and powerfully expressive. Played like a piano, it is so compact that you can take it with you anywhere. Producing single notes or chords, the Melodica is both a solo and orchestral instrument, blending beautifully with other instruments. Whatever the music you like-from classical to rock -the Melodica will add its own personality, a unique and captivating sound.

Includes mouthpiece and case.||||||||||||||||0||||||||||||||||||||Hohner||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|holel||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24702676||||||Hollowbody Electrics||||elguit1||Electric Guitars > ||||||||Jazzboxes by Guild, Ibanez, Washburn...||||||||0||1||0||0||||besselholbod||||Browse all Hollowbody Electrics

Epiphone Limited Edition Wildkat Royale Electric Guitar Pearl White

Epiphone Limited Edition Riviera Custom P93 Electric Guitar Wine Red||||hollowbody guitars, jazzbox, archtop guitar, washburn archtop, gibson chet atkins, ibanez gb10, ibanez artist, as200, artist guitar, d'angelico guitars||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|holtrom||link.||||trombones||||||||Holton Trombones||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|holtontrumpets||item.||page.||trumpets||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24705367||||||Holton Trumpets||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||Holton Student, Step-Up and Pro Trumpets||||||||0||1||0||0||||||||Browse all Holton Trumpets||||Holton T602C,Key of C trumpet, Collegiate, monel valves, 11.66 mm (.459 inch) bore, HT3571-7C mouthpiece, Key of Bb trumpet, MF Horn, 1st slide U-hook,Holton T101,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|homeaudiovideo||item.||page.||musicsoftware1||||||||Home Audio/Video||||musicsoftware1||Recording/PA/Software > ||||||||CD Players CD Recorders Cassette Decks Mini Disc Amplifiers / Receivers Record Players Speakers / Subs Clock Radio / CD||||||||0||1||0||0|||||||| ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howmicwor||item.||page.||219mormic||||||||How Microphones Work||||accessories 219mormic||Accessories > Microphone Home Page > ||||||||||||||||0||1||0||0||||||||

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A Comprehensive Guide to the different types of microphones and how they work
courtesy of: www.audio-technica.com
Simply put - it's a transducer
Like phono cartridges, headphones and loudspeakers, the microphone is a transducer -- in other words, an energy converter. It senses acoustic energy (sound) and translates it into equivalent electrical energy. Amplified and sent to a loudspeaker or headphone, the sound picked up by the microphone transducer should emerge from the speaker transducer with no significant changes.

While there are many ways to convert sound into electrical energy, we'll concentrate on the two most popular methods: dynamic and condenser. These are the types of microphones most often found in recording studios, broadcast and motion picture production, home hi-fi and video recording, and on stages for live sound reinforcement.
Dynamic Microphones
Comparison of microphone types to loudspeakers may help you more readily understand their operation. Dynamic microphones can be considered as similar to conventional loudspeakers in most respects. Both have a diaphragm (or cone) with a voice coil (a long coil of wire) attached near the apex. Both have a magnetic system with the coil in its gap. The difference is in how they are used.

With a speaker, current from the amplifier flows through the coil. The magnetic field created by current flowing through the voice coil interacts with the magnetic field of the speaker's magnet, forcing the coil and its attached cone to move back and forth, producing sound output.
Like a speaker 'in reverse'
dynamic microphone operates like a speaker "in reverse." The diaphragm is moved by changing sound pressure. This moves the coil, which causes current to flow as lines of flux from the magnet are cut. So, instead of putting electrical energy into the coil (as in a speaker) you get energy out of it. In fact, many intercom systems use small speakers with lightweight cones as both speaker and microphone, by simply switching the same transducer from one end of the amplifier to the other! A speaker doesn't make a great microphone, but it's good enough for that application. Dynamic microphones are renowned for their ruggedness and reliability. They need no batteries or external power supplies. They are capable of smooth, extended response, or are available with "tailored" response for special applications. Output level is high enough to work directly into most microphone inputs with an excellent signal-to-noise ratio. They need little or no regular maintenance, and with reasonable care will maintain their performance for many years.
Condenser Microphones
Condenser (or capacitor) microphones use a lightweight membrane and a fixed plate that act as opposite sides of a capacitor. Sound pressure against this thin polymer film causes it to move. This movement changes the capacitance of the circuit, creating a changing electrical output. In many respects a condenser microphone functions in the same manner as an electrostatic tweeter, although on a much smaller scale and "in reverse."

Condenser microphones are preferred for their very uniform frequency response and ability to respond with clarity to transient sounds. The low mass of the membrane diaphragm permits extended high-frequency response, while the nature of the design also ensures outstanding low-frequency pickup. The resulting sound is natural, clean and clear, with excellent transparency and detail.
Two Basic Types
Two basic types of condenser microphones are currently available. One uses an external power supply to provide the polarizing voltage needed for the capacitive circuit. These externally-polarized microphones are intended primarily for professional studio use or other extremely critical applications.

A more recent development is the electret condenser microphone (Fig.2). In these models, the polarizing voltage is impressed on either the diaphragm or the back plate during manufacture, and this charge remains for the life of the microphone.
The Big Difference - Less Noise
Due in part to their low-mass diaphragms, condenser microphones are inherently lower in handling or mechanical noise than dynamic microphones. For all of its electret condenser designs, Audio-Technica has elected to apply the polarizing voltage, or fixed-charge, to the back plate rather than the diaphragm. By doing this, a thinner material may be used for the diaphragm, providing a considerable performance advantage over electret microphones of conventional design. Many Audio-Technica microphone diaphragms, for example, are only 2 microns thick (less than 1/10,000th of an inch)!
Smaller in Size and Weight
Condenser elements have two other design advantages that make them the ideal (or the only) choice for many applications: they weigh much less than dynamic elements, and they can be much smaller. These characteristics make them the logical choice for line - or "shotgun" - microphones, lavaliers and miniature microphones of all types.

Attempts at miniaturizing dynamic microphones result in greatly reduced low-frequency response, overall loss in acoustic sensitivity, and higher mechanical or handling noise.
Phantom Power for Condenser Microphones
While the electret condenser microphone doesn't need a power supply to provide polarizing voltage, an FET impedance matching circuit inside the microphone does require some power. This may be supplied by a small low-voltage internal battery or by an external "phantom" supply.
Delivering DC Volatage where needed
Phantom powering is a technique which delivers a DC voltage to the microphone through the same shielded two-conductor cable that carries the audio from the mic. The phantom power may be supplied either by the mic mixer or from an external supply that is "inserted" into the line between the microphone and mixer input. For phantom power to function, the line between the power supply and the microphone must be balanced to ground, and uninterrupted by such devices as filters or transformers which might pass the audio signal but block DC. Phantom power also requires a continuous ground connection (Pin 1 in the XLR-type connector) from the power supply to the microphone. The supply delivers positive DC voltage equally to both signal-conducting leads, and uses the shield as a return path, or negative. Balanced-output dynamic microphones are not affected by the presence of phantom power, since there is no connection between the shield and either signal lead and, therefore, no circuit for the DC voltage.
Pure Condensers
Phantom power supplies are available in various output voltages ranging from as low as 9 volts up to 48 volts. They may be designed to operate from AC line voltages or from internal batteries.

Externally polarized or "discrete" condenser microphones seldom have internal battery power. Instead, a phantom power source is used to provide both the polarizing voltage for the element and to power the impedance converter. This type is sometimes called a "pure condenser."
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Introduction into MIDI HOW MUCH FOR JUST THE MIDI? By Eric Lipscomb (BITNET: LIPS@UNTVAX). This article appeared in the October 1989 issue of North Texas Computing Center Newsletter, "Benchmarks". [*** Edited 10/95]

Computer retailers are hearing about it. Music store sales people are buying and selling it. Musicians and students are talking about it. Professional writers are publishing articles about it. Entire magazines are devoted to it. Students at the Massachusetts Institute of Technology are receiving large grants to research it. Joe "Keys" Manzotti uses it when he plays with his band at the Holiday Inn on weekends. Just what IS this MIDI thing anyway?

MIDI stands for Musical Instrument Digital Interface and has been the rage among electronic musicians throughout its six year existence. It is a powerful tool for composers and teachers alike. It allows musicians to be more creative on stage and in the studio. It allows composers to write music that no human could ever perform. But it is NOT a tangible object, a thing to be had. MIDI is a communications protocol that allows electronic musical instruments to interact with each other.

A Method, Not An Object All too often I have seen misinformed customers browsing through a music store: "Where do you keep your MIDIs?" "I'd like to get a MIDI for my home computer." "I need to get two MIDIs so they can talk to each other, right?" Explaining to customers that they cannot just get a MIDI becomes frustrating to the salesman. Fortunately, the average consumer is learning more about the concept of MIDI through articles such as this one. To have a complete understanding of how MIDI works, though, one should learn its history.

The Saga of MIDI The combined advances and cost-efficiency in synthesizer technology caught the music world by storm. At times, a musician could not get a new synthesizer home before it had been outdated by a new product. One major factor in the increased popularity in synthesizers, and the increased push for research and design of these units, was the development of new sound generation methods. Musicians were creating new and different sounds worldwide. Eventually, the musical world began to recognize the synthesizer as a legitimate musical instrument. Musicians were physically limited, though, because they had only two hands. Popular and avant-garde performers alike desired to "layer" their new sound creations, to play two sounds together to create a "larger" sound. Though this was possible to some extent in a multi-track recording studio, layering could not be realized on the road. A few synthesizer design technicians from different manufacturers then got together to discuss an idea they shared. Surely, they said, there had to be a way to play one keyboard and have another one sound simultaneously. They jotted a few notes, considered a few options, and scuttled back to their design labs to create this communication method.

They revealed their results at the first North American Music Manufacturers show in Los Angeles in 1983. The simple demonstration connected two synthesizers, not manufactured by the same company, with two cables. A representative from one company then played one of the synthesizers while an amazed audience heard both sound. The process was then reversed to demonstrate the two-way nature of the communication. Other variations were illustrated, and the rest is music history.

The Method of MIDI Much in the same way that two computers communicate via modems, two synthesizers communicate via MIDI. The information exchanged between two MIDI devices is musical in nature. MIDI information tells a synthesizer, in its most basic mode, when to start and stop playing a specific note. Other information shared includes the volume and modulation of the note, if any. MIDI information can also be more hardware specific. It can tell a synthesizer to change sounds, master volume, modulation devices, and even how to receive information. In more advanced uses, MIDI information can to indicate the starting and stopping points of a song or the metric position within a song. More recent applications include using the interface between computers and synthesizers to edit and store sound information for the synthesizer on the computer. The basis for MIDI communication is the byte. Through a combination of bytes a vast amount of information can be transferred. Each MIDI command has a specific byte sequence. The first byte is the status byte, which tells the MIDI device what function to perform. Encoded in the status byte is the MIDI channel. MIDI operates on 16 different channels, numbered 0 through 15. MIDI units will accept or ignore a status byte depending on what channel the machine is set to receive. Only the status byte has the MIDI channel number encoded. All other bytes are assumed to be on the channel indicated by the status byte until another status byte is received.

Some of these functions indicated in the status byte are Note On, Note Off, System Exclusive (SysEx), Patch Change, and so on. Depending on the status byte, a number of different byte patterns will follow. The Note On status byte tells the MIDI device to begin sounding a note. Two additional bytes are required, a pitch byte, which tells the MIDI device which note to play, and a velocity byte, which tells the device how loud to play the note. Even though not all MIDI devices recognize the velocity byte, it is still required to complete the Note On transmission.

The command to stop playing a note is not part of the Note On command; instead there is a separate Note Off command. This command also requires two additional bytes with the same functions as the Note On byte. Most people are confused at first by this approach to Note On and Note Off, but after further thought they realize the necessity of the structure.

Another important status byte is the Patch Change byte. This requires only one additional byte: the number corresponding to the program number on the synthesizer. The patch number information is different for each synthesizer, and the standards have been set by the MIDI Manufacturers Association (MMA). Channel selection is extremely helpful when sending Patch Change commands to a synthesizer.

The SysEx status byte is the most powerful and least understood of all the status bytes because it can instigate a variety of functions. Briefly, the SysEx byte requires at least three additional bytes. The first is a manufacturer's ID number or timing byte, the second is a data format or function byte, and the third is generally an "end of transmission" (EOX) byte. There are a number of books that have been written on the topic of System Exclusive messages, so this article will not deal with it further.

The INs and OUTs of MIDI The closest most people ever care to get to the heart of the MIDI interface are the three 5-pin ports found on the back of every MIDI unit. Labeled IN, OUT, and THRU, these ports control all of the information routing in a MIDI system. The IN port accepts MIDI data, data coming "in" to the unit from an external source. This is the data that controls the sound generators of the synthesizer. The OUT port sends MIDI data "out" to the rest of the MIDI setup. This data results from activity of the synthesizer, such as key presses, patch changes, and so on. The THRU port also sends data out to the MIDI system, but not in the same manner as the OUT port. The data coming from the THRU port is an exact copy of the data received at the synthesizer's IN port. There is no change made to the data from the time it arrives at the IN port to the time is leaves the THRU port (which is a very, VERY small amount of time). MIDI makes use of special five conductor cable to connect the synthesizer ports. Curiously though, only three of the conductors are actually used. Data is carried through the cable on pins 1 and 3, and pin 2 is shielded and connected to common. Pins 4 and 5 remain unused. Not just any cable will suffice for the exactness of the MIDI system, either. MIDI cable is specially grounded and shielded to ensure efficient data transmission. This means that MIDI cable is a little more expensive than standard 5-conductor cable, but reliable data transmission is absolutely necessary for MIDI.

The length of the cable is critical as well. MMA specifications suggest an absolute maximum cable length of 50 feet because of the method of data transmission through the cable. The entire length of a MIDI chain (discussed below) is unlimited, however, provided that none of the links are longer than 50 feet. The optimal maximum length for cable is about 20 feet, and most commercially manufactured cable comes in five to ten foot lengths.

MIDI Chains and Loops A MIDI chain describes a series of one-way connections in a MIDI setup. The elemental chain is a single-link chain. The MIDI OUT port of one device is connected to the MIDI IN port of a second. In this configuration, a key pressed on the first unit will cause both units to sound. Pressing a key on the second unit, however, only causes the second unit to sound. Many instruments may be chained together using a series of single links to connect the units. In this case, the OUT of the first unit is connected to the second, the THRU of the second is connected to the IN of a third, and so on. If all the units are set to receive on the same channel, pressing a key on the first one will cause all the units to sound. Pressing a key on any of the other units will only activate the sound of that unit. A MIDI loop is a special configuration of a MIDI chain. The single element loop is made of two interconnecting links. This was the configuration used in the debut of the MIDI system. The OUT port of the first unit is connected to the IN port of the second, and the OUT port of the second is connected to the IN port of the first. In this case, as described earlier, a key pressed on either unit causes both units to sound, provided they are on the same channel. A MIDI feedback loop does NOT exist here, as the data going into the second unit from the first is not duplicated in the OUT port of the second going back into the first. Here, we have two one-way links connected, not a multi-link chain.

MIDI loops connecting several devices using all three ports can become complex very quickly. As a brief example, imagine four synthesizers named A, B, C, and D for convenience. A's OUT is connected to B's IN and consequently to C's IN via B's THRU. B's OUT connects to D's IN, whose THRU connects to A's IN. A key pressed on A sounds A, B and C. A key pressed on C sounds C and C alone. A key pressed on B sounds B, D, and A, while a key pressed on D sounds D only. C does not sound when B is pressed because there is no direct connection between B and C, and B's note, which does route through D, does not route through A into C because A's THRU is not connected to C, or anything else for that matter. A note played on A does not sound on D for the same reason. You get the idea.

Computers and MIDI Computer manufacturers soon realized that the computer would be a fantastic tool for MIDI, since MIDI devices and computers speak the same language. Since the MIDI data transmission rate (31.5 kBaud) is different from ANY computer data rate, manufacturers had to design a MIDI interface to allow the computer to talk at MIDI's speed. Apple Computers, with the Macintosh and Apple ][ series, and Commodore were the first companies to jump on the MIDI computer bandwagon [pun intended]. Roland designed an interface for the IBM series of compatible computers a few years later, and Atari designed a completely new computer, the ST series, with fully operable MIDI ports built in. Today, there are many different interfaces available for almost all types of computer system. As great as the number of available interfaces may be, the availability of software packages is almost beyond belief. Virtually everything that can be done via MIDI has a software package to do it. First came the sequencers. Based on a hardware device that simply recorded and replayed MIDI data, the software sequencer allowed the computer to record, store, replay, and edit MIDI data into "songs." Though the first sequencers were somewhat primitive, the packages available today provide very thorough editing capabilities as well as intricate synchronization methods, such as MTC (MIDI Time Code) and SMPTE.

Various patch editors and librarians are also available for computers. These programs allow the user to edit sounds away from the synthesizer and often in a much friendlier environment than what the synthesizer interface offers. The more advanced librarians permit groups or banks of sounds to be edited, stored on disk, or moved back and forth from the synthesizer's memory. They also allow for rearranging sounds within banks or groups of banks for customized libraries. These programs are generally small and can be incorporated into some sequencing packages for ease of use. On the other hand, each synthesizer requires a different editor/librarian since internal data formats are unique for each. Some packages offer editor groups for a specific manufacturer's line as some of the internal data structure may be similar between the units. But, there is not yet a universal librarian that covers all makes and s of sound modules; it would just be too large.

Computers in MIDI Chains Basically, the computer functions the same as any other unit in a MIDI chain or loop. Most interfaces have the same three ports as other MIDI devices. The computer's main job in a chain, though, would be as a MIDI data driver, meaning it would supply the MIDI data for the rest of the chain. Very rarely is a device connected to the IN port of a computer MIDI interface except to provide input for synchronization signals or data to edit. Even more rare is a connection to the computer's THRU port, although it can be used. In this scope the implementation of MIDI channels is most effective. The computer can send data out on all 16 MIDI channels simultaneously. For example, sixteen MIDI devices, each set up for a different MIDI channel, could be connected to the computer. Each unit could be playing a separate line in a song from the sequencer, creating an electronic orchestra. This implementation is being used more and more in today's music scenes: the recording studio, major orchestras, opera, and film scoring.

References Arnell, Billy. "McScope: System." Music, Computers, and Software, April 1988: 58-60. Conger, Jim. C Programming for MIDI. Redwood City: M & T Books, 1988.

Cooper, Jim. "Mind Over MIDI: Information Sources and System-exclusive Data Formats." Keyboard October, 1986: 110-111.

Enders, Bernd and Wolfgang Klemme. MIDI and Sound Book for the Atari ST. Redwood City: M & T Books, 1989.

Matzkin, Jonathan. "A MIDI Musical Offering." PC Magazine 29 Nov. 1988: 229+.

Peters, Constantine. "Reading up on MIDI for the Novice and the Pro." PC Magazine 29 Nov. 1988: 258.

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ABOUT THE AUTHOR: Eric Lipscomb is a Vice President of the International Electronic Musicians User's Group, an organization devoted to the advancement of knowledge about MIDI and other aspects of electronic music In his spare time he writes for and performs with the comedy group "Green Chili Burp and the Aftertaste."
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuyclar||item.||page.||clarinets||||||||How to Buy a Clarinet||||schoolbanin inren clarinets||School Band Instruments > School Band Instruments > Clarinets > ||||||||||||||||0||1||0||0||||||||The Clarinet is a woodwind instrument and is featured in a variety of musical styles such as classical, concert bands, Dixieland and Jazz.

In the clarinet family there are different models such as the contra-alto and bass clarinets, but the most common is the Bb (B-flat) clarinet.

This is the instrument usually played by beginner clarinetists performing in marching bands and stage bands.

For the purpose of our Buyers Guide, this is the clarinet we�ll be concentrating on.

Student clarinets are designed for the beginner and meant to provide an excellent start for the first years of playing.

Once a student is established, and is learning the fundamentals of good playing, it is important to provide them an instrument that will continue their musical growth. All of our intermediate level clarinets feature grenadilla wood bodies and excellent keywork.

Designed and constructed with the professional musician in mind, these excellent clarinets find favor among the serious students as well.

Our site has a wide selection of clarinets all backed by our full warranty and lowest price guarantee.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuyflute1||item.||page.||flutes||||||||How to Buy a Flute||||schoolbanin inren flutes||School Band Instruments > School Band Instruments > Flutes > ||||||||||||||||0||1||0||0||||||||Not all flutes are created equal. The staff at Giardinelli would like to guide you through all of the available options and configurations to help you choose the right instrument for your needs and your budget.

How To Select your Flute Plateau (closed-hole) keys or open-hole (French model) keys? A: Most student flutes feature plateau keys because they're easier to play. Open-hole flutes feature a small hole in the center of each key and are used by the majority of professional players because they make it easier to produce tonal nuances. Some teachers prefer students to start on open-hole flutes since they'll probably want to play open hole eventually anyway.

Body material�nickel silver, silver, or a combination of the two? Nickel silver is very durable and more resistant to denting than silver, yet it still produces a nice tone. For this reason, student flutes usually feature nickel silver on the head, body, and footjoint.

The headjoint is the heart of a flute's tone production and the logical place to start upgrading a flute. A sterling silver headjoint produces a warmer and richer tone while improving the flute's response. For this reason, many intermediate models feature a silver headjoint with a nickel silver body and footjoint.

Most professional flautists use flutes made entirely of silver because they provide warm, rich tone with clean, crisp response. An all-silver flute requires careful handling and so is usually not the best choice for a young student. Some professionals play all-gold flutes, but their price is prohibitive for the majority of players.

Silver plating or nickel plating? The most popular plating for flutes is silver. Silver's pale luminescence is more beautiful than nickel, though it does require regular polishing to maintain its beauty. Nickel is a more affordable plating and is very durable, but it can become slippery, especially if the student has sweaty hands. In rare cases, nickel can cause allergic skin reactions.

How To Select your Flute Gold-plated lip plate? B: Gold plating is hypo-allergenic and it also provides a bit of "traction" for the bottom lip, helping with fast passages. It adds a touch of elegance to a flute's looks as well.

How To Select your Flute C footjoint or B footjoint? C: The C footjoint has a range to low C while the B footjoint's playing range extends a half-step lower to low B. It is rare for flute music to include a low B, but a low B cannot be played at all with a C footjoint. Flutes with B footjoints should include a "gizmo" key (auxiliary high C facilitator), without which it is very difficult to play a high C.

How To Select your Flute The G key-offset or in-line, what's the difference? D: The G key is controlled by the ring finger of the left hand. Offsetting this key from the rest makes it much easier to finger, particularly for small hands. Until recently offset G keys have been found almost exclusively on plateau (closed-hole) student model flutes. But today many open-hole flutes are configured with an offset G key in order to make it easier to cover the hole.

Other options A curved headjoint is available on some student flutes. This feature has the effect of placing the lip plate inches closer to the keys so that small students can reach the keys without straining.

The split E mechanism makes playing the high E easier without requiring any relearning of flute fingering. Split E flutes are almost always configured with offset G keys.

Some manufacturers offer the D# roller on select flutes. This enhancement makes it easier to slide the little finger of the right hand from D# to C#, C, and B.

Putting it all together A student flute will typically feature a silverplated nickel silver headjoint, body, and footjoint with offset plateau keys and a C footjoint. Occasionally instructors will request an open-hole model and/or a flute with the split E mechanism.

Intermediate, "performance," "step-up," or "conservatory" flutes are usually configured with a silver headjoint. Typically the body and footjoint are either silver or silverplated nickel. Very often these flutes feature open-hole keys and a B footjoint. Though inline G keys are more common, more and more players are choosing offset G keys in intermediate flutes.

The sky's the limit when it comes to the features of professional flutes. However, they generally come with open holes and a silver headjoint, body, and footjoint. Many professional flutes are handmade to very tight tolerances for maximum performance.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuyflute||item.||page.||whenshoulist||||||||How to Buy a Flute||||schoolbanin inren whenshoulist||School Band Instruments > School Band Instruments > When Should I Start? > ||||||||How to Buy a Flute Flute Buying Guide||||||||0||1||0||0||||||||How to Buy a Flute
by Mark Thomas

Other Types of Microphones
There a number of ways to translate sound into electrical energy. Carbon granules are used as elements in telephones and communications microphones. And some low-cost microphones use crystal or ceramic elements that are generally OK for speech, but are not seriously considered for music or critical sound reproduction.

One other type sometimes found in recording studios is the ribbon microphone. It is a form of dynamic mic, with a thin metallic ribbon (which serves as both voice coil and diaphragm) suspended between the poles of a magnetic circuit. While it is capable of excellent performance, the ribbon element must be protected against high acoustic pressures or wind, since it is relatively fragile. For this reason, ribbon microphones are rarely seen in sound reinforcement applications or non-studio recording.

Ribbon microphones are often designed to respond to sound from both the front and back, and are sometimes used when a bidirectional pickup pattern is required - which brings us to the next major microphone classification.
One of the most popular instruments in the world, the flute is played by people of all ages and skill levels. Flute repertoire is extensive: the instrument is used in school band programs, symphony orchestras, flute choirs, jazz ensembles, and as a solo instrument. Popular, classical, jazz, and even rock music has been either written or transcribed for the instrument.
Many people are unaware that the concert, or C flute is the best-known member of a family of related instruments played in the same manner. The flute family consists of the piccolo, E flat, concert, alto, and bass flutes. The concert flute is the instrument of choice for beginners.
Beginner school bands usually introduce the flute in the fourth or fifth grade. It is important for young players to be large enough to reach the keys without straining the neck or hands. For an eager student whose reach is not sufficient, flutes with curved headjoints are available; many flute manufacturers offer a beginner model instrument featuring both a standard and a curved-style headjoint. The curved headjoint makes it possible for a young flutist to hold the instrument without having to reach beyond his or her capabilities at first. As the student grows, it is a simple matter to change over to the traditional, straight headjoint. Be sure to check with your local music dealer, band director, or flute teacher when deciding whether to purchase the extra headjoint option; the initial cost is nominal. Purchasing a regular flute and discovering later that the student really needs the curved head necessitates the purchase of the curved headjoint and another case as well.
FLUTE HISTORY

An ancient Chinese flute, the "tsche," played in about 2637 BC, is believed to be the earliest transverse flute (an instrument held horizontally). Made of bamboo, both sides were closed, with a mouth-hole in the middle. Flutes have been made of glass, wood, ceramic, brass, and even human and animal bones. Gradually, improvements over the crude designs were made, keys were added, and attempts were made to improve the pitch and sound of the instrument. It is to the genius of Theobald Boehm of Munich (1794-1881), a flutist, composer, and inventor, that we owe credit for the modern flute used today.
The flute as we now know it was conceived in 1846. After many experiments with the tube itself, and the size and position of the toneholes in relation to it, Boehm produced the modern flute. It had a parabolic, or tapered headjoint, a cylindrical body, and large toneholes covered by keys. He experimented with almost every material available. In 1847, he introduced his first flutes made of silver and German silver (a white alloy of copper, zinc, and nickel.) At this time, the wooden flute was still preferred by players over metal instruments, and remained so until the early 20th century. It is interesting to note that, although the flute is thousands of years old, the instrument we know today was developed within a period of approximately 50 years, and was chiefly the work of one person, Theobald Boehm.
IS THE FLUTE DIFFICULT TO LEARN?

Most anyone, with practice, can learn to play the flute: the instrument described as being most closely related to the human voice. It is important to learn proper breathing techniques and breath support at the onset of playing so that a proper embouchure (lip formation) can be developed. Most teachers suggest that only the flute headjoint be used at first when attempting to make initial sounds. The headjoint must vibrate in order for the sound to be produced; if a student is unable to make a sound with the headjoint, putting the instrument together will not help. Some dizziness is common during the early stages of playing: this happens because beginner players have to learn the proper combination of embouchure [mouth] opening and air stream. This will go away as breath control is learned and is nothing to worry about. Keeping a chair handy and reminding the student to place his head between his knees until the feeling goes away is all that is necessary. Since the flute is held across the body and not in front, it is difficult to see where the fingers are to be placed. It is recommended that one hold the flute in front so the new player can see correct finger placement without having to blow at the same time. Practicing finger combinations without worrying about sound production can help a student to develop the proper "feel" for the keys.

CHOOSING THE PROPER INSTRUMENT

The regular concert flute (C flute) comes in "one-size-fits-all." Unlike the violin, there are no graduated sizes to fit students as they grow. The entry-level flute has the same size finger placement as the professional model. Most young players, however, do not experience insurmountable problems. As mentioned earlier, the young student who has difficulty reaching the keys because of the instrument's length should start with a flute that offers a curved-style headjoint. This headjoint positions the flute body and keys within the reach of smaller players. As the young flutist grows, a change to the regular straight headjoint can be made. The band director or flute teacher can assist parents with this decision.
FLUTE FINANCES

Flutes vary in price, depending upon the model and material. It is extremely important for the beginner student to have a high-quality, entry-level instrument. Nothing will discourage a new player more quickly than an instrument that even a professional flutist can hardly make play. Buying a used instrument or "bargain basement" flute without consulting a professional flutist is ill-advised, as you may be wasting your money. Badly made flutes encourage early student dropouts from band programs.
Most good entry-level flutes are priced in the $600 range for a plateau (closed-hole) model. French models (open-hole) cost approximately $150 more. Originally, the open-hole flutes designed by French flutemakers was thought to produce a better sound and also to offer opportunities for using "trick" fingerings for trills and improving pitch of some notes [by pressing the key and leaving the hole in the center of the key open]. Many teachers feel that starting a player on the open-hole model helps to provide discipline with regard to finger placement as well. While not necessary, it is something to consider for all but the smallest players.
"Step-up" flutes range in price from $1,200 to $3,000, depending upon the amount of precious material used. These flutes may have sterling silver headjoint and/or tube with silver plated keys; many have a hand-cut embouchure (mouthpiece). Professional models range from $5,000 to $30,000, with pricing dependent upon options and whether the flute is made of sterling silver, solid gold, or platinum.
For many beginners, a good alternative to outright purchase is the rental-purchase plan. Most rental programs allow for part or the entire rental fee to apply towards the purchase price when you eventually buy the flute.
WHERE TO BUY YOUR FLUTE

There are many options available for purchasing new flutes: your local music store, a mail-order music company, a shop specializing in flutes, or someone selling a used one. When making your decision, first consider the availability of service. Buying your instrument from a local dealer that has a fine flute repair person is important, as repairs and key/pad adjustments are needed from time to time. If you choose to use a mail-order company, inquire about their repair operation and if any is available locally. Shipping an instrument back to a mail- order company for repair work can be costly and take a great deal of time. Have a qualified flute repair person thoroughly check over any used instrument you may be considering. WHAT TO LOOK FOR IN A FLUTE

Entry-level flutes are made from nickel silver and are then silver plated, although a few are nickel plated. Most players prefer the less slippery silver plated models. Ribbed construction is recommended, as post and key mechanisms can be fastened to the rib [a strip of metal attached to the tube] and not directly on the body tube itself. Rolled tone hole flutes offer a better pad-seating surface than the straight, faced only, tone holes. The three sections of the flute should fit together snugly, but not overly tight. Spring-wire tension should be even, so all keys have the same balanced feel under the fingers. A flute that requires a different amount of strength to push each key can contribute to bad technique; these should be adjusted before purchase.
It is most important to be certain that all pads cover the tone holes properly and without air leaks. Leaking, out-of-adjustment pads and keys make any flute unplayable. Finally, the flute headjoint is critical to the sound of the flute. Fortunately, most first-line manufacturers offer good headjoints on their beginner models today. A good flute outfit consists of the instrument, case, and cleaning rod. Some manufacturers include a soft cleaning cloth.
CARE AND MAINTENANCE

All musical instruments require maintenance from time to time. Have your authorized flute repair person check the flute over at least once a year. Pads may require some adjustment to insure a proper seal and may occasionally need replacement. Key oiling should only be administered by an expert, as excess oil will cause keys to become sluggish.
Every flutist should wipe off the outside of the instrument when daily practice has been completed. A soft cloth such as an old, lint-free cotton flannel (not polyester) or specially designed silver cleaning cloth should be used. The inside of the tube should also be swabbed out by inserting a cloth through the slotted end of the cleaning rod that is provided with the flute [do not use the same cloth_an old, soft cotton handkerchief works well]. Clean the inside of all three flute sections. Most music stores sell flute cleaning swabs that may be used instead of the cleaning rod.
Health note: if a student has a cold or other virus or bacteria, it is advisable to swab out the inside of the instrument with some rubbing alcohol or other disinfectant so that he does not re-infect himself. Do not, however, spray the instrument _- simply dampen the cleaning cloth and run the swab through all three sections of the instrument. Use an alcohol pad to clean the lip plate.
HAVE FUN
Playing the flute can be a very joyful experience, and is something that can (and should) be done throughout a lifetime. Keep playing after graduation from school; do not relegate the flute to the attic! Let the flute, with its vast music repertoire, be your companion as you take life's journey. Remember that the flute is played by males and females of all ages. There is something for everyone when it comes to playing the flute, whether you play in the school band or orchestra, a community orchestra, an adult flute choir, or simply serenade your cat in your condo. Play the flute _ you'll be glad you did!
Mark Thomas is founder and honorary life president of The National Flute Association (NFA), is professor of flute at the University of North Carolina at Charlotte, where he also directs the university flute choir. A recitalist, soloist, conductor, and clinician, he has appeared in 20 foreign countries and 49 states. He has been on the faculties of The American University, George Washington University, The University of Notre Dame, Indiana University at South Bend, National Music Camp at Interlochen, and Sewanee Summer Music Center, and has lectured at many universities and conservatories. Thomas has numerous published flute works, including the Mark Thomas Flute Method series. He has served as board member of National Public Radio, board President of the Elkhart County Symphony Association, and as artistic design consultant to several leading flute manufacturers. Thomas can be heard on Golden Crest and Columbia Records.

Editor's Note: "How to Buy a Flute" is the fourth in a series of instructional guides on the history and use of musical instruments. SBO grants permission to photocopy and distribute the article to both students and parents.||||flute for sale, buying a flute, how do i buy a flute, beginning flute, gemeinhardt, yamaha flutes, artley, selmer, flute rentals||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuysax||item.||page.||whenshoulist||||||||How to Buy a Saxophone||||schoolbanin inren whenshoulist||School Band Instruments > School Band Instruments > When Should I Start? > ||||||||Sax Tips||||||||0||1||0||0||||||||How to Buy a Saxophone
by Ralph Bowen

The saxophone is perhaps the most widely heard solo instrument of the wind family in popular and jazz music. It has a singing quality with a rich middle register, commanding low register, and an exciting and colorful extended range. Young saxophonists can enjoy performing in many large ensembles including concert, jazz, and marching bands as well as wind ensemble. Although not a regular member of the orchestra woodwind section, orchestral composers occasionally score for one or more saxophones, and sometimes incorporate a saxophone quartet. There is also a good body of concerto repertoire for the saxophone.
The study of the saxophone inevitably involves learning soprano, alto, tenor and baritone. Most players, however, choose to establish a recognizable solo voice on only one of these. Additionally, saxophonists often double on clarinet and flute in order to open up more opportunities for employment.

HISTORY

Invented in the 1840s by Adolphe Sax of Brussels, Belgium, the saxophone is the most recently developed member of the woodwind family. It is a hybrid instrument with a key system based on the Boehm fingering system c.1832, as is the case with the clarinet, oboe, and flute. The saxophone has a conical bore like an oboe, a reed and mouthpiece like a clarinet, and a metal body (brass) like the brass family of instruments.
THE SAXOPHONE FAMILY

1. Sopranino Eb
2. C Melody Soprano C
3. Soprano Bb
4. Alto Eb
5. C Melody C
6. Tenor Bb
7. Baritone Eb
8. Bass Bb
9. Contrabass Eb
10. Subcontrabass Bb

1, 3, 4, 6, 7, & 8 are most commonly used. 1 & 8 are used mainly in orchestral and wind ensemble works, less so in jazz and commercial music. 2 & 5 were used mostly in the earlier part of the 20th century for players who did not wish to transpose. Piano or violin parts could be read with greater ease, for instance.
Classical saxophonists include Marcel Mule, Guy Lacour, Daniel Duffayet, Eugene Rousseau, Donald Sinta, and Fred Hemke. James Houlik is one of the very few classical saxophonists whose specialty is the tenor saxophone.
In the jazz world, soprano saxophonists include Sidney Bechet, John Coltrane, Wayne Shorter, Jane Ira Bloom, and Sam Newsome. Alto saxophonists include Benny Carter, Johnny Hodges, Charlie Parker, Cannonball Adderly, Ornette Coleman, Anthony Braxton and David Sanborn. Tenor saxophonists include Lester Young, Stan Getz, John Coltrane, Sonny Rollins, Dave Liebman, and Michael Brecker. Lastly, baritone saxophonists include Harry Carney, Pepper Adams, Gary Smulyan, Gerry Mulligan, and Cecil Payne.
The saxophone quartet is a popular ensemble among both jazz and classical performers with a substantial collection of repertoire available. Quartets provide a wonderful learning experience for the developing saxophonist. Professional quartets include The World Saxophone Quartet, The Amherst Saxophone Quartet, The 29th Street Saxophone Quartet, and Prism.

IS THE SAXOPHONE DIFFICULT TO PLAY?

Unlike the flute and clarinet, the saxophone is very accommodating in the early stages of musical development. Within the standard range, notes respond easily, even with the most undeveloped embouchure _ the position of the lips in producing a tone _ and breathing technique. The saxophone is not as prone to "squeak" like the clarinet or sound airy and flat like the flute in the beginning. Soon thereafter, however, much attention need be given to the development of good posture, support, relaxation, hand position, breathing, embouchure, articulation, and manual dexterity. With all of these components functioning independent of one another, it should come as no surprise that the saxophone demands a great deal of concentration, as is the case with all musical instruments.
Beginners often have difficulty producing the low notes or "bell tones" and the high notes or "palm keys." The extended range or "altissimo register" should not be explored until the player has a firm grasp of proper breathing, embouchure, and tone production.
Essential to learning any instrument is development of the inner ear, or aural perception of sound. Having a reference in one's inner ear as to what to strive for in terms of tone and interpretation can be the most important motivation for any player. Having an aural reference such as a CD recording or concert performance, like a picture, is worth a thousand words. Daily adjustments made through trial and error in order to improve embouchure, breathing and articulation are often motivated simply by a sound or aural image in one's mind. It is therefore imperative that the developing player listen to and watch as many masters of the saxophone as possible in order to make progress.
BUYING YOUR FIRST INSTRUMENT

The traditional starting place for the beginning saxophonist is with the alto saxophone. This is in part due to the fact that that vast majority of classical saxophone literature is written for the alto. Additionally, the alto requires slightly less air than does the tenor, and the smaller key scale often fits more comfortably in a young person's hands. Further, the angle of air flow as well as the embouchure required to play alto is very much transferable to all of the saxophones. These points do not, however, preclude a beginner from starting on tenor or baritone saxophone. With proper guidance, repertoire and technique can be adapted to all of the saxophones. Consult your local music store, school music teacher, or private teacher for suggestions on which brands and models to try. See if your private teacher would mind trying out a few instruments on your behalf.
STUDENT, INTERMEDIATE, AND PROFESSIONAL SAXOPHONES

Generally, student horns play well, but lack features and craftsmanship of professional instruments. As you move from a student horn to an intermediate horn and then finally to a professional instrument, major differences will become apparent.
STUDENT HORNS

A great deal of effort has been taken by many manufacturers to produce student instruments that are both affordable and musically satisfying to play. Most student horns produce a pleasant tone with considerable ease and feel relatively comfortable in the beginner's hands. In the case of a younger student, check to make sure that he or she does not have difficulty closing keys, especially the "spatula" keys. A student horn is a good way to go if you or your child's commitment is questionable. After three or four years of good use, a move to a better instrument can be made, possibly facilitated at least in part by a trade-in of your student horn.
INTERMEDIATE HORNS

As you can imagine, the intermediate horn is a little easier on the pocketbook, yet it has some features that resemble a professional horn. The key work feels similar that of a professional horn, yet it may not produce quite the same quality of tone. Intermediate horns usually lack the hand work found on professional models.
PROFESSIONAL HORNS

Response, intonation, and tone quality are greatly improved with a professional instrument. Great care is taken in designing the tube through experimentation with different metal alloys, their weight and thickness. The design and placement of tone holes and posts is given much consideration, using silver solder in many cases. Adjustment screws and adjustable felt bumpers are also included on professional horns. Much more hand work is done as is the case with hand-hammered keys and hand-engraving. Also, choices with respect to finish become available. These include clear or colored lacquer, and silver and gold plating. Professional horns in general, feel more comfortable and substantial in one's hands. Finally, the resale value of a professional horn usually is quite satisfactory.
LACQUER VS. PLATING

The standard finish for a saxophone is clear lacquer, however, different colored lacquers are now available. The color of the lacquer does not significantly affect the sound, but plating can. Silver-plated instruments, purchased for the most part by military and marching bands, produce a slightly brighter tone than lacquered horns. Gold-plated horns have a warm, heavy sound and can cost considerably more.
NEW VS. USED

A used saxophone is a viable option to purchasing a new instrument. For a similar amount of money, a jump can be made from a new intermediate instrument to a used professional instrument, for instance. Be sure to check the used instrument for dents (recent and repaired)and re-soldering, as well as the condition of the pads. The pads should feel soft and appear to fill up the key cup to its edges. Also, ask if the horn has been re-lacquered. A re-lacquered horn is not necessarily a bad thing if you are happy with it. It could, however, affect the resale value of the instrument down the road. You might find used student horns at your local music store, perhaps an instrument that was rented out for the school year. Often, both used instrument dealers and local music stores offer a basic warranty with the purchase of a used instrument.
PICKING A MOUTHPIECE, LIGATURE, AND REED

Beginners should start on a hard rubber mouthpiece with a small tip opening and low baffle. After deciding on a mouthpiece, try out some ligatures. Look for one that holds the reed in place while not compressing it at the sides. A "reverse" ligature, one with the screws on top is best. It is important to pick a good-quality reed, since it is the reed which triggers the vibration of sound within the instrument. Beginning students are, however, often careless with their reeds, so reed care accessories are recommended. Teaching a beginner to simply put the mouthpiece cap on will prevent destruction of the reed, not to mention the mouthpiece.
ACCESSORIES

A sturdy neck strap or harness is a must. For reed care, a reed case, knife, trimmer, and re-surfacer are most helpful. A mouthpiece pouch protects the mouthpiece while in the case. A swab is good for keeping the tube clean. A music stand, method books, and a good selection of CDs will get things started.

WHERE TO BUY

There are a few options available when purchasing a saxophone: your local music store, a mail-order service, or private party selling a secondhand instrument. Each has its benefits, but important things to consider are price, quality, and service. Improper maintenance and accidents can lead to potential problems, such as damaging dents and dings which can affect more than just the looks of the instrument. You may want to choose a music store with a repair person on-site or, if you purchase from a mail-order service, it would be wise to have a repair shop available to you locally.

Canadian-born saxophonist Ralph Bowen is a member of the jazz faculty at Rutgers University, New Brunswick, N.J., where he is currently the coordinator of the jazz department, director of the Jazz Ensemble, and professor of saxophone and music theory. He has performed or recorded with Freddie Hubbard, Wynton Marsalis, Branford Marsalis, Dennis Chambers, Ron Carter, Michel Camilo, Lou Rawls, Horace Silver and other leading artists. His album Free Trade received the 1994 Juno Award for Best Canadian Jazz Album of the Year.
||||how to buy a sax, beginning saxophone, sax rentals, tips for buying a saxophone||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuytrom1||item.||page.||trombones||||||||How to Buy a Trombone||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||1||0||0||||||||The Trombone is a member of the Brass family. It is a simple, yet unique instrument in that it uses a slide to change from note to note, rather than valves. There are 3 basic types of trombones: Tenor, F-Attachment Tenor and Bass.

There are also specialty trombones such as the Valve and Alto. For students, the most common is the Tenor. This is the trombone most commonly used for concert and marching bands.

When choosing a step-up instrument, players sometimes option to move to an F-Attachment model. In our Buyers Guide, we will show you the differences between the various levels and how they affect price and performance.

The Tenor Trombone is the most basic of the trombone family with no tubing inside the main section. The bore (inside diameter) of a student trombone is around .500�, which is considered a �small bore�. This is important for a beginner, as it doesn�t take a large amount of air to produce a good tone.

Student These trombones are machine made and designed to be inexpensive and durable. They play well, but forego the craftsmanship and high-end materials found on intermediate and professional models. A student model is commonly a Tenor model with a small bore. Most are made of Yellow Brass, although there are some student models that are manufactured from Rose Brass.

Intermediate These trombones are machine made and designed to be inexpensive and durable. They play well, but forego the craftsmanship and high-end materials found on intermediate and professional models. A student model is commonly a Tenor model with a small bore. Most are made of Yellow Brass, although there are some student models that are manufactured from Rose Brass.

Professional These trombones are machine made and designed to be inexpensive and durable. They play well, but forego the craftsmanship and high-end materials found on intermediate and professional models. A student model is commonly a Tenor model with a small bore. Most are made of Yellow Brass, although there are some student models that are manufactured from Rose Brass.

More Info

The F-Attachment Trombone features a trigger that is sometimes referred to as an �F trigger�, or an �F-rotor�. When this trigger is engaged, it activates extra tubing within the main loop on the bell section of the trombone. This makes the horn longer and lowers its tuning from �Bb� to �F�. Until the trigger is engaged, the trombone plays just like a standard Tenor. The Bell

There are 3 different types of material used in making a brass instruments bell. Each material has a distinct influence on how the instrument will sound.

* Yellow Brass � This is the most common brass used in making brass instruments. It produces a rich, full sound. Most student horns are made of Yellow Brass

* Rose Brass � Also referred to as Red Brass or Gold Brass, this produces a darker, warmer tone in comparison to Yellow Brass. Most intermediate horns are made of Rose Brass.

* Silver/Nickel or Sterling Silver � Used primarily for professional instruments and some intermediate. It produces a very rich sound.

Browse all Trombones||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuytrom||item.||page.||whenshoulist||||||||How to Buy a Trombone||||schoolbanin inren whenshoulist||School Band Instruments > School Band Instruments > When Should I Start? > ||||||||Tips for Trombone How to Buy a Trombone||||||||0||1||0||0||||||||How to Buy a Trombone
By Roger M. Verdi

Many young people say they are attracted to the trombone because "it looks like fun." Well, it is fun! The only brass or wind instrument that has a slide to change pitches, the trombone is an entertaining and rewarding instrument for young and old alike. It is also extremely versatile. Trombones are found in wind bands, orchestras, marching bands, jazz and rock bands and other chamber ensembles. Most school music programs will give a young trombonist plenty of opportunities to perform.
BACKGROUND

The trombone is the middle instrument in the brass family, functioning one octave below the trumpet and one octave above the tuba. Trombones also have their own family and come in a variety of sizes. Young students begin on a basic B-flat tenor trombone, the instrument most often found in bands and orchestras. There is a lower relative to the tenor trombone called the bass trombone. Bass trombones have extra tubing with one or two thumb-operated rotor valves, and a larger bell. Frequently, a bass trombone is used as the lowest member of a trombone section. Another member of the trombone family is the E-flat alto trombone, a higher-pitched cousin sometimes found in orchestras. Tenor trombones may also have an f attachment, extra tubing with a thumb- operated rotor similar to bass trombones. This extra tubing preserves the basic tenor trombone while providing the option of additional lower register. Valve trombones _ i nstruments with trumpet-like piston valves _ do exist, but are seldom used and considered a rarity. Tenor trombones also come in different sizes. Wider-dimensioned or large-bored i nstruments provide a darker, fuller sound, while small-bored instruments provide a brighter, clearer sound. For all the variety of the trombone family tree, all students should start out with the basic B-flat tenor trombone, and pursue other options after a period of study.

THE TROMBONE FAMILY

The trombone is the middle instrument in the brass family, functioning one octave below the trumpet and one octave above the tuba. Trombones also have their own family and come in a variety of sizes. Young students begin on a basic B-flat tenor trombone, the instrument most often found in bands and orchestras. There is a lower relative to the tenor trombone called the bass trombone. Bass trombones have extra tubing with one or two thumb-operated rotor valves, and a larger bell. Frequently, a bass trombone is used as the lowest member of a trombone section. Another member of the trombone family is the E-flat alto trombone, a higher-pitched cousin sometimes found in orchestras. Tenor trombones may also have an f attachment, extra tubing with a thumb- operated rotor similar to bass trombones. This extra tubing preserves the basic tenor trombone while providing the option of additional lower register. Valve trombones _ instruments with trumpet-like piston valves _ do exist, but are seldom used and considered a rarity. Tenor trombones also come in different sizes. Wider-dimensioned or large-bored instruments provide a darker, fuller sound, while small-bored instruments provide
IS IT HARD TO PLAY?

The trombone is a middle-range instrument. Its sound, while full and large, does not have the forceful prominence of the trumpet. However, the trombone's middle-register status does not limit the instrument to accompaniment lines _ trombones do have solo or feature parts. Trombonists, like all brass instrumentalists, must therefore develop an embouchure or correct lip formation, to produce a tone and move from high to low registers. Under the guidance of a qualified teacher, a student will produce a tone and play a few notes at the first lesson. With continued instruction and about half an hour of practice a day, most students will progress rapidly. As noted earlier, many young people say the trombone slide looks fun. Some others say it looks hard. Valves do seem like a more efficient means of changing notes. A trombonist must move the slide several inches as quickly as a trumpet player depresses valves. In practice, however, most students learn to move the slide in a quick and fluid manner. The trombone slide has seven positions, each position giving a series of notes depending on embouchure tension. As a student develops pitch recognition, he or she learns correct slide placement, not unlike a string player learning where to place fingers on a fretless fingerboard. Students who listen to recordings and live performances of slide trombonists in both the jazz and classical arena will hear musicians whose skill often surpasses that of valve instrument practitioners. With proper instruction and a serviceable instrument, most students progress rapidly and find the trombone not hard, but rewarding and fun.
BUYING YOUR FIRST TROMBONE

The staff of any reputable musical instrument store can assist ou in purchasing your first trombone. The director of the school music program as well as private teachers will certainly have opinions as to brand and instrument features. If possible, it is useful to have a teacher or experienced player present while selecting an instrument.
Student, intermediate and professional trombones

Most major instrument manufacturers offer a line of instruments for the beginning student. These instruments are priced in the $600 range. An intermediate instrument might cost $900 to $1,000 while a professional model will run $1,400 or more. A parent shopping for an instrument may ask why the extreme price range or question the difference in student and professional models. Student instruments are designed for student use. While serviceable and adequate for the young player, student instruments do not have the superior craftsmanship found in professional model instruments. It is advisable that young students begin with a basic student model. The essentials of slide, bell and mouthpiece are all included in good working order and should provide a young student years of pleasure. If a student possesses a high level of interest after two or three years of study, the purchase of an intermediate or professional instrument is advisable. Professional trombones show greater craftsmanship and produce a more refined sound then student model instruments. As noted earlier, even the basic tenor trombone will come in different bore sizes and designs. As a student progresses, the type of music he or she is interested in will dictate what type of professional instrument to buy. For instance, a student interested in jazz might favor the brighter sound of the narrow-bored trombone. A student pursuing orchestral music might prefer the broader sound of the large-bored instrument. Often professionals will own several trombones and make changes depending on what type of music they are called on to perform. As always, the help of both private teacher and music director is critical in selecting the right instrument.
NEW VS USED

Buying a used instrument is another option in selecting a trombone. The instrument's one moving part, the slide, should be checked first and most carefully. Small dents to the exterior of the slide may severely hamper its operation. The inner slide, plated with chrome, may also show corrosion and wear. Dents in the bell section are not as critical, but may affect the sound and be costly to remove. The condition of the instrument's finish or lacquer should also be considered, as it is the instrument's protection against corrosion and rust.
PICKING A MOUTHPIECE

Most student instruments are equipped with a beginner-sized mouthpiece, generally marked 12C. This is usually adequate for the beginner. Generally as a student grows and progresses, changing to a larger-size mouthpiece is recommended. All students are different, and as always the advice and guidance of a qualified teacher is recommended.
WHAT ELSE DO YOU NEED?

These accessories will get you started.

1. Slide cream. Most music stores will offer a specially formulated cream for use on trombone slides. This is superior to oil which can lead to sluggish slide movement.
2. Mouthpiece brush, and cleaning snake. Frequent cleaning of the instrument will keep it in good working order.
3. Method books, recommended by your teacher or band director, are available at most music stores.
4. A portable folding music stand.
WHERE SHOULD YOU PURCHASE YOUR TROMBONE?

Most new instruments will come with a manufacturer's warranty. This implies that the instrument may need repair work, either from accidental damage or manufacturer's defect. Many instrument retailers have a repair and maintenance shop. Buying from a retailer offers this convenience.
Buying from a mail-order company is also an option. If you choose this option it is advisable to investigate whether there is a qualified repair shop in your area. It is also possible to buy from a private seller. In this case it is advisable to check all parts of the instrument, and make certain there is a technician in your area qualified to service the instrument. Above all, Have fun!
The performance of music is meant to be fun, so enjoy it! The trombone, a unique and enjoyable instrument, will provide students with years of pleasure. Participation in musical organizations is great fun at all levels. Playing the trombone, an instrument found in nearly all musical settings, is a great way to enjoy participating in a wide array of musical activities.
Roger Verdi is a free-lance performer and teacher in the New York area. He currently performs with the Modern Brass Quintet, New Philharmonic of New Jersey, and Opera Northeast. He is adjunct professor of trombone at Kean University.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuytrum||item.||page.||whenshoulist||||||||How to Buy a Trumpet||||schoolbanin inren whenshoulist||School Band Instruments > School Band Instruments > When Should I Start? > ||||||||Tips for Trumpet Trumpet Buying Guide||||||||0||1||0||0||||||||Make it part of your regular routine
Because your piston valve instrument is a precision piece of equipment, proper care and maintenance should become a regular routine before and after playing.
Flush the Entire Instrument
Once a month, flush out the entire instrument. Remove the mouthpiece and tuning slides. Unscrew top and bottom valve caps, and remove valves from casings. Flush interior of instruments with lukewarm water-never hot. Scrub the bore and tubing with a bore brush, rinse with cold water and drain thoroughly. (Care should be taken in the use of soap-never use detergents on lacquered finishes.) Dry valve casing with a cotton flannel cleaning cloth. Use your bore brush, as well, to periodically remove particles of dirt in slides or tubing.
Clean the Valves
Clean the valves and valve casings frequently when the instrument is new. Use a cleaning rod to guide the cloth through the valve casing, making sure the end of the rod is completely covered with the cloth. Then use a pumping action, or simply pull the cloth back and forth in the casing. Use the cloth only to clean the portholes on valves. Do not use your cleaning rod for cleaning portholes, as their corners are sharp and easily dented.
Valve Oil
Apply valve oil freely (3 to 4 drops) to each valve piston and return to its casing. (Look for and match each valve number on each valve.) Wipe off excess oil. Approved valve oils include UMI Valve Oil #4101 and Conn Formula 3 for monel pistons (#314) or plated pistons (#315).
Slide Grease
Apply tuning slide grease to tuning slides before reassembling the instruments. Wipe off excess. UMI Slide Grease comes in a squeeze tube (UMI #4106) or a lipstick style tube (UMI #4206).
Use a polishing cloth after each use
After playing, use a polishing cloth to wipe off perspiration and fingerprints. To return finish to its fine luster, rub briskly. DO NOT use a lacquer polish cloth on plated finishes.
Instrument Polishes
Instrument polishes are recommended to bring out the high luster your new instrument was born with. Some include a tarnish inhibitor to keep your instrument looking like new.
Clean your mouthpiece
Clean your mouthpiece at least once a week, brushing out the inside with the mouthpiece brush and warm soapy water. Rinse with cold water and dry. After each use, you should rinse the brush thoroughly. Remove the mouthpiece and place it in a mouthpiece pouch when not in use.

||||buying a trumpet, beginning trumpet, how do i learn trumpet, trumpet rentals, brass for sale, step up trumpets||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtobuytrum1||item.||page.||trumpets||||||||How to Buy a Trumpet||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||||||||||0||1||0||0||||||||The Trumpet is the highest voice in the Brass family. Within the Trumpet family there�s the Cornet, Flugelhorn and several specialty instruments such as �C� trumpets and Piccolo trumpets (Mainly used in symphony orchestras and chamber ensembles.) For students, the most common is the Bb (B-flat) Trumpet. This is the horn that is most commonly used for jazz, concert and marching bands. In our Buyers Guide we will show you the differences between the different levels and how they affect price and performance.

Student These trumpets are machine made and built for economy and durability. They play well, but don�t have all the high-end features and craftsmanship found on intermediate and professional models. Most student horns are made with a two-piece bell as opposed to a one-piece. While this affects sound and projection, it also makes for a more affordable instrument. A student horn should fit the bill for most players for the first 2 to 3 years.

Intermediate After 2 to 3 years, a player should consider moving up to an intermediate level trumpet. There are 2 different types of intermediate horns:

* Student horns with added features such as 1 st valve slide/thumb hook, deluxe cases, silver plating and adjustable 3 rd valve slide stops. These features improve durability and tuning.

* Intermediate trumpets based on comparable Professional horns built with less expensive manufacturing techniques that affect resonance, looks and intonation.

Professional These are high-end instruments made with the finest materials and craftsmanship. Features such as one-piece bell, stainless steel pistons and heavy or lightweight versions are features usually found on pro horns. A professional trumpet is worth the investment for a long-term player of any age.

More Info

Valves

The player pushes down on the Valves or �valve pistons� to sound different notes. They are the main moving parts of a trumpet. The ease and accuracy with which the valves operate, plays a major role in the quality of the horn.

The valves on a student instrument are usually Nickel-plated. They are hard, durable and tolerant of infrequent cleaning. They are made with slightly looser tolerances so they should always move freely as long as they are regularly cleaned and oiled.

Many intermediate horns feature valves made from Monel�. Monel is an alloy that is softer than nickel plate. It�s very resistant to corrosion and it �wears in� for a very comfortable feel. Professional horns are usually made with either Monel valves or Stainless Steel.

The goal is to have valves play quickly and smoothly. This is the result of valves having been properly �lapped� (Polished and honed for a smooth, close fit). Intermediate horns often have hand-lapped valves, which means an expert has performed this finish work by hand to assure perfect function. Finish

All trumpets are made of brass, but most are commonly available with a lacquer or silver plated finish. There are three main types of finish for brass instruments:

* Lacquer � A lacquer finish is sprayed on and then baked in an oven to cure it. A coat of lacquer slightly darkens the sound. All levels of trumpets are available in lacquer finish. * Silver-plating � This finish is applied by dipping the instrument into a tank of silver. It�s more durable than lacquer and slightly brightens the sound. * Gold Plating � This finish slightly darkens the sound and is found on professional instruments only.

CALL TOLL FREE 877 712 4747
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Turn up your Strat� (or any guitar equipped with standard single-coil pickups) and you get a certain amount of hum and buzz, especially if playing under flourescent lights or near anything that creates a strong electromagnetic field. If you find this sound hideously irritating, as many do, you might consider a guitar with humbucking pickups. That's the extreme alternative...sort of like throwing the baby out with the bath water, because you get rid of the hum problem, but you also get rid of that twangy, out-of-phase tone that single-coils get. The classic Fender tone, as it could be described.

One way to beat the problem (still fairly radical) is to go active. With an active preamp system in your guitar and a set of such pickups as Duncan Live Wiires, you cure the problem.

But there is yet another solution, short of trading in your guitar or routing it out to make room for humbuckers or active electronics. There is a group of pickups designed to be hum-cancelling or "bucking," but which retain the essential single-coil sound. Seymour Duncan makes several. The "Classic Stack" has the dual coils of a humbucker, but they are stacked so that the pickup has the dimensions of a single coil. It also retains the sound of a single coil, but without the hum. Their Vintage Rail pickup is another that accomplishes the same mission, single-coil sound without the hum. Another pickup that is growing in popularity is the DiMarzio Virtual Vintage.

Fender� itself has several new designs that you can use as pop-in replacements on your Strat�. These are Lace Sensors and Vintage Noiseless. Most of the Lace Sensors get a humbucker sound, but the Gold is designed for a vintage tone, a glassy, bell-like sound with crisp highs. Even closer in tone to your vintage single coils are Fenders new Vintage Noiseless pickups. In this case, Fender's noiseless technology has very successfully minimized the noise while retaining the tone.

This isn't an exaustive list, but long enough to show you that there are alternative ways to keep your single-coil equipped guitar "as is" vintagy, but with sweet silence, rather than buzz, between the notes.

Browse all Guitar Pickups||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtoplba||item.||page.||noname4||||||||How to Play the Bagpipes||||acin noname4||Acoustic Instruments > Bagpipe Shop > ||||||||What you need to Start Learning Bagpipes||||||||0||1||0||0||||||||To start playing the bagpipes we suggest beginning with a Bagpipe Practice Chanter.

The practice chanter is a good introduction before buying a full set of Highland bagpipes. The bagpipe practice chanter is more portable, easier to play and easier to play in tune than a full set of bagpipes.

A Learn bagpipe book or cd can also assist a beginner.

When you are ready, we suggest the Rosewood Bagpipe Set here on our site. It is affordable and will provide the beginner a quality instrument to learn on.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtoraismus||item.||page.||forparents||||||||How to Raise a Music Lover||||onmusles forparents||Online Music Lessons > For Parents > ||||||||||||||||0||1||0||0||||||||
Brought to you by the National PTA
by Stephen F. Zdzinski

Going the Extra Step
Another important way that parents can contribute to their child's music education is to become active in music parent support groups. While many of these groups have a major focus on fund-raising for the school's music program, these groups also can serve other functions.
For example, music parent organizations can

Educate other parents and the public at all levels about the benefits of the school music program
Provide support services to the music program
Serve as advocates for the continuation of music programs in times of budget crises
With the obvious benefits that children receive from music study, give it a try. Help your children appreciate music, and provide opportunities for them to play a musical instrument. It may just be music to your ears!
Excerpted from the November 1999 issue of Our Children, which is the official magazine of National PTA.

Music Education Online
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Browse Electric Guitars from Ibanez, Fender, ESP...

For Guitar Setups in Rhode Island call us
401 943 2520

How do I set up my guitar?
Getting to know your guitar better is a wonderful thing and will help you out in the long run. Here is a step-by-step procedure for an easy, do-it-yourself set-up. Just as with every project, the first thing you will need is a good set of tools. Make sure you have the following:

new set of strings (ones that you plan on using regularly)

electronic tuner

metal yardstick or long straight edge

wire cutters

capo

Allen key (1/4" or 5/16") or nut driver

small ruler 1/16" Increments

automotive feeler gauges (.002-025)

Step 1. Changing Your Strings

It is very important to change your strings on a regular basis, and when you do it is equally important to always use the same gauge strings (the thickness of your string will affect fret buzz). String gauge is a personal preference. Most solid body guitars come with light gauge strings from the factory (.009-.042). Most jazz guitarists prefer a little thicker gauge (.010-.046). Of course, Stevie Ray used (.013-.056), so you really should try playing on different gauges until you find the strength you like. As the strings get thicker, tone improves, but they get harder to bend.

OK, let’s string up the guitar:

This technique is designed for guitars without locking nuts (the devices that lock down strings, usually on floyd rose systems). Starting with the low E string first, take the string and run it through the bottom of the tailpiece over the saddle and up the neck through the tuning post. Then, take your hand and hold it under the string to create a small amount of slack, and thread your string through the post so that it faces up away from your guitar. Bend the string in toward the middle of the guitar and wrap it under itself, and pull out towards you. Take the string and pull it back over itself and twist around the post. This technique is called the in, under, over, and around technique. Now tighten up your string and stretch it out to prevent it from going out of tune

Step 2: Checking the Straightness of the Neck

There will hopefully come a time when you should be able to look down the neck of your guitar and eyeball its curve. However, at this time we will us a little assistance from our friendly straight-edge ruler. Run your ruler along the length of the guitar, resting it on the frets (not the strings). Do this on both sides to make sure your neck is not twisted. You want your neck to have an ever so slight curve inwards. Guitar engineers refer to this curve as giving your neck some "relief." You should have a very slight gap between your neck and your straight edge. If your neck curves away from the strings you may have a problem and you should take it to an authorized repair shop to have it checked out.

Step 3: Adjusting the Truss Rod

First, remove the truss rod cover, usually located at the top of the neck (but sometimes at the bottom). Adjusting the truss rod is a very delicate task - make sure you only turn it a quarter turn at a time (baby steps). Take your capo and place it over the first fret. Now hold down the lowest string at the last fret. With your feeler gauge check the distance between the string and the 8th fret. The measurement should be approximately .010". If this measurement is greater than .010" you will have to tighten your truss rod by turning the Allen wrench clockwise (this will pull the string closer to the guitar). If your neck is too convex, you will have to turn your Allen wrench counter clockwise (this will raise the strings). When making this adjustment take your time and only turn it a quarter of a turn at a time. Then let your guitar settle for a bit and retune it. Remember that it can take a guitar a little time to adjust to the new changes. The most important part about this step is to not overdo it. Some guitars require an adjustment one or twice a year if they are exposed to changes in the weather.

Step 4: Setting Your Intonation.

Setting your intonation is a very important part of playing in tune. Your guitar may be in tune on the first 12 frets, but when you get past the 12th fret and strike a chord it may sound terrible. If this occurs, you will know that you need to set your intonation. To do this, you will need to have a bridge that has adjustable saddles. Usually there will be screws on the bottom of the bridge that adjust the saddles forward or back, away from the top of the guitar. Take your tuner and plug it in. Start on the low E string and check the 12th fret harmonic (the note just above the fret), and the actual twelve fret E note. These should be the same. If they are not you will need to adjust the distance. If the twelfth fret tone is higher than natural octave overtone, then lengthen the string by moving the saddle back towards the tailpiece. If the twelfth fret tone is lower than the octave overtone, then you will have to shorten the string length and move the saddle up toward the top of the guitar. Repeat this step for the rest of the strings, and you should have a fairly well intonated guitar. If you are a perfectionist, you can take your guitar into a repair shop that has a strobe tuner for even better accuracy.

Step 5: Adjusting the Height of Your Guitar.

Players with a light touch can usually get away with lower action, while heavy players may need more height to prevent rattles. Start by measuring the distance from the bottom of the string to the first fret. This will help you determine whether the nut slots have been cut to the proper depth. If this measurement does not match up or come close to spec, you should take your guitar in to have this done. The string height at the twelfth fret will determine if your saddle should be raised our lowered. Here are the some standard specifications for electrics.

1st fret treble side - 1/64"

1st fret bass side - 2/64"

12th fret treble side - 3/64"

12th fret bass side - 5/64"

The most important thing is that the string height is comfortable for you and that you do not have any fret buzz. If you have a couple of guitars try these procedures on the least precious one first and then attempt it on your treasure. I hope this helps.

Browse Electric Guitars from Ibanez, Fender, ESP...

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Seat the child (or yourself) so that the knees are bent at a ninety degree angle. The instrument should rest such that the upper rim of the cello body rests on the sternum (breast bone), and the left knee contacts the curve below the lower bout corner. The C string (the lowest string) peg should be near the left ear, with the neck a few inches away from the shoulder, and the left hand able to reach both ends of the fingerboard with ease.

We suggest full size for adults, call or e mail for help sizing children. Remember, we always offer top trade in value when moving up to the next size instrument.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|howtotun12st||item.||page.||howtotune||||||||How to Tune a 12 String guitar||||guiten howtotune||Guitar Encyclopedia > How to Tune a Guitar > ||||||||How do you Tune a 12 String Guitar?||||||||0||1||0||0||||topse12stgu||||

How do I tune my 12-string guitar?

Answer: First, I'm going to quickly touch upon tuning a 6-string guitar to standard tuning (E-A-D-G-B-E, from lowest to highest). The easiest way to do this is to use an auto-tuner. If you've never used one of these, they're great! You simply plug in (or use the built-in mic for acoustic instruments), turn on, and tune to the correct pitch one string at a time. Usually a different color indicator tells you when you are in tune, and what note you are tuning to. Loosen the tension of the string if you are sharp, and tighten if it is flat.

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Click here. If you do not have a tuner and are playing by yourself, you can simply tune all strings relative to your low E string (the 6th or thickest string). Hold your finger down right behind the 5th fret of the low E string and pluck it along with the next string in line (the A string). If they do not sound the same, then the 5th string (A) is either too high or too low in pitch. Adjust the A-string until the 2 notes match. Listen for the pulsating sound. The faster the pulse, the more out of tune it is. Do this until there is virtually no pulsating and the notes are the same. Don't be discouraged if it takes you a while. Your sense of pitch will develop as you gain more experience.

Now do the same for the next string. Hold your finger right behind the 5th fret of the A string (like you did with the E-string) and pluck it along with the next string (4th or D string). Adjust until those two notes are the same. Repeat these steps for all strings except the B string (2nd thinnest and 2nd string). To tune this one you are going to need to hold down the 4th fret of the G-string (3rd string) to tune the B-string. The procedure is the same, with the exception of the fret.

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Click here. Once you have completed tuning all strings, go back and check them all to make sure they are still in tune. Make adjustments as necessary. You should now be able to play a decent-sounding chord (provided you've learned a few).

Tuning a 12-string guitar requires pretty much the same procedure as tuning a 6-string, you just have twice as many strings. If you take a look at the neck, you'll notice that all of the strings seem to be grouped in pairs. Standard tuning is still E-A-D-G-B-E, low to high. The difference is that there are two E's, two A's, two D's, two G's, two B's and two E's. The four lowest pairs of strings are tuned an octave (same note, higher or lower pitch) apart with the lighter gauge string one octave higher than the heavier string next to it. The two highest pairs of strings (B and E) are actually tuned to the same pitch. In other words, the two B's are tuned to the same pitch as each other, and the two high E's are tuned to the same pitch.

The easiest way to tune a 12-string is to deal with each pair individually. Pluck the larger (lower) string of a pair and tune it to pitch using an auto tuner. Once it is the pitch desired, strike both stings of the set. Adjust the lighter string until both sound the same note (but an octave apart), or until the display on the tuner says both are the proper note. Repeat these steps until all strings are tuned. Go back through all of them one more time just to make sure they didn't shift out of pitch while you were tuning the others. Voila!

If you don't have a tuner, I strongly suggest purchasing one. You can still tune by ear as mentioned above. Remember to make sure that the two strings that make up each pair are tuned to one another before you move on to the next pair.

If you are thinking about adding a 12 string guitar to your arsenal-check out the

Johnson 12 String Acoustic Guitar

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It's true--you can play a lot of great music without knowing how to tune a guitar. But guitars naturally go out of tune as you play them for a while. And if your guitar-tuning friend isn't around when your guitar starts to go sour, you're stuck! It doesn't matter how much great music you've mastered--it'll sound like madness and confusion on an out-of-tune guitar.

Fortunately for beginning guitar players, guitar tuning is a pretty easy skill to master. And it'll improve your ear (your listening skills) which will become increasingly important as you progress with the guitar.

You could also select a Digital Guitar Tuner to make things a bit easier.

Note: This 2torial is for acoustic and electric guitars, except those electrics with Floyd Rose whammy bars, in which case you're on your own.

What are notes in tune? No notes are actually wrong--they just might not work together for a particular instrument or style of music. Classical Indian musicians play notes that are bizzarely out of tune compared to Western music; yet those notes are entirely correct within that tradition.

With the guitar, in tune means that all strings have the proper tension in relation to one another. The proper tension produces the correct pitches, or sounds. These pitches sound good when the relationships are correct, and they sound dissonant (noisy and disorderly) when they're not.

You probably have one of three types of guitars: a standard steel-stringed folk guitar, a nylon-stringed classical guitar, or some variety of electric guitar.

All of these types have six strings, and the strings arranged in size from thickest to thinnest, with the thickest on the top. Confused? If you hold the guitar on your lap horizontally, the thickest string should be closest to the ceiling. The strings are often numbered one to six, with six referring to the thickest string.

Frets are the thin strips of metal that are inlaid on the wood of the fretboard, and the number you have will vary a bit, depending on your guitar. Folk guitars have clearance (you can play notes) to 14 frets, classical guitars to 12, and electrics have up to 24 frets. Frets are numbered one to 12 (or 14, etc.) starting from the head-end of the guitar neck.

Tuning pegs: these are six small, metal mechanisms located on the head of the guitar (which is located at the end of the long, skinny neck). They're responsible for changing the tension of the strings.

Interestingly, the main skill for tuning a guitar is to listen and identify notes that are not in tune. By listening for the out-of-tune notes and then adjusting the tuning pegs, you can tune those unwanted notes out of existence.

What does "out of tune" sound like? Two strings that are similar in pitch, but not in tune, do something interesting. When two out-of-tune notes are plucked one right after the other, the resulting sound is wavering and wobbly. Think of it as a siren that's yelling "I'm out-of-tune, I'm out-of-tune!" Why this happens is a short lesson in the physics of sound waves, which you might not want right now, but you should understand this image:

You start the tuning process with the sixth string (the thickest one). Here you have two options. Relative tuning is suitable for the beginner guitarist, or for the intermediate guitarist who's feeling a bit lazy. Concert, or absolute tuning, is for more experienced guitarists who are playing with other musicians, or for the very keen beginner guitar player. Actually, concert tuning isn't much more difficult to do, but if a beginner should avoid taking on too many challenges and possibly becoming frustrated.

Relative tuning

This method doesn't use an external source to certify that, for example, the sixth string is vibrating at exactly the right speed.

Instead, you pick a tone that sounds and feels good. It should be a nice deep tone, but listen for the signs of excessively low string tension. If a string is too low, it'll rattle on the frets or make a buzzing sound. If you hear that, tighten up the tuning peg for the sixth string until you hear the pitch rise and the buzz disappear.

If the string is difficult to press down, or heaven forbid, the tuning peg is difficult to turn, you've overtightened the string and you need to loosen the tension. If you've overtightened the string, loosen the string slowly or the sudden change of tension may cause the string to break.

Concert tuning:

With concert tuning you use a separate device to determine the absolutely correct tone for that string, no matter what guitar you play with or where you are in the world. Examples of such devices are tuning forks, pitch pipes, or a piano that is in tune.

Let's say you're using a tuning fork. Take a look at it and see what letter is written on it--usually A but sometimes E. You'll be producing a tone with the tuning fork and matching the string to that tone. Use an A tuning fork to tune the 5th string, or an E fork for the sixth string.

Strike the fork on some firm but soft-edged surface, like your knee. (You never want to strike a tuning fork on something rigid like a bookshelf or a chair leg--that'll eventually ding up the tuning fork and impair its tone.)

Quickly do these two actions: place the base of tuning fork (not the forked part) on the guitar just by the strings. You should hear the sound of the tuning fork resonate in the guitar. Very soon after that, play the string that matches the pitch of the tuning fork. If it's an A fork, you're tuning the 5th string with it. Afterwards you'll go on to tune the 6th string by matching it with the 5th string. If it's an E fork, tune the 6th string, and tune the rest of the strings as you would with relative tuning.

And most important! Any time you try to match two tones (one which is correct and the other which isn't) start the out-of-tune string lower than the tuning fork's tone. That is, loosen the out-of-tune string until it's lower (much lower, if you're not sure you're going in the right direction) than the correct tone. You should always arrive at the right tone from below (by tightening a string that's too loose) and not from above (by loosening a string that's too tight).

In this step you'll learn the pattern for tuning the strings that will work for almost all of the strings. The one exception, the 2nd string, is discussed in Step 5.

Assuming you have a good tone with the 6th string, you're ready to begin the actual tuning process. You're going to match the tone of the 6th with the tone of the 5th, and you'll do this by playing the same note on each string, one after the other. This is where you listen for the wave--the wavering, wobbling sound tells you that the two sound waves aren't together and aren't in tune.

For concert tuning: if you have an A tuning fork, you'll fret the 6th string on the 5th fret as shown in the diagram below--but you'll adjust the 6th string's tuning peg, instead of the 5th string's peg. This will match the 6th string to the 5th string.)

Which two notes do I compare? you may be wondering. Place your non-dominant hand's index or middle finger on 5th fret of the 6th string. You don't, however, put your finger exactly on the fret--it should be just behind the fret on the side closer to the head of the guitar (i.e., further away from you.)

Using your dominant hand's thumb (or a guitar pick) play the 6th string at the 5th fret. Very soon after that, play the 5th string open--no fingers on any fret. Listen to the two tones. Hear the wave? The wobbly sound?

Now what? Amazingly, the slightly obscure theory in Step 2 has a very practical application to guitar tuning. Try to change the 5th string to match the sound of the 6th string--you can do this by playing the notes with your dominant hand, and then very quickly reaching over to adjust the 5th string's tuning peg. Listen now for the speed of the wavering sounds. If the waves seem to speed up, you're putting the string even further out of tune. If you hear the waves slow down, you're getting closer to the right pitch. Once you hear the waves slow down and gradually disappear, you've got it. Well done!

And most important! Any time you try to match two tones (one which is correct and the other which isn't) start the out-of-tune string lower than the string that's in tune. That is, loosen the out-of-tune string until it's lower (much lower, if you're not sure you're going in the right direction) than the correct one. You should always arrive at the right tone from below (by tightening a string that's too loose) and not from above (by loosening a string that's too tight).

Repeat this process with the 4th and 3rd strings. Once the 5th string sounds good, fret it at the 5th fret, and play the 4th string open. Again, listen for the waves and adjust the 4th string's tuning peg to match the sounds. Keep going to tune the 3rd string: fret the 4th string on the 5th fret, and play the 3rd string open, and match the sounds. You'll tune the first string the same way: fret the 2nd string on the fifth fret and playing the first string open (but hold off on that for now).

For concert tuning: if you have an A tuning fork, you'll fret the 6th string on the 5th fret as shown in the diagram above--but you'll adjust the 6th string's tuning peg, instead of the 5th string's peg. This will match the untuned 6th string to the tuned 5th string.)

While tuning the second string is different than what you've done so far, it's actually a simple process.

What's the difference? When you tune the 2nd string, you have to fret the 3rd string on the 4th fret (not the 5th, as you have been doing), and play the second string open, and adjust the 2nd string's tuning peg. It's that easy. And remember--any time you try to match two tones (one which is correct and the other which isn't) start the out-of-tune string lower than the string that's in tune. You should always arrive at the right tone from below (by tightening a string that's too loose) and not from above (by loosening a string that's too tight).So, loosen the out-of-tune string until it's lower (much lower, if you're not sure you're going in the right direction) than the correct one.

Listen again for the speed of the wavering sounds. If the waves seem to speed up, you're putting the string even further out of tune. If you hear the waves slow down, you're getting closer to the right pitch. Once you hear the waves slow down and gradually disappear, you've got it.

The final string: Tune the first string by fretting the 2nd string on 5th fret, and play the first string open. Match the two tones, and you're done. Due to the laws of music theory and the limitations of guitar construction, a guitar cannot be tuned perfectly to every chord at the same time. To tune it perfectly to one chord will make the guitar slightly out of tune in another chord, although not offensively so. For this reason, try out your tuning skills in a chord that you might be playing in the near future, or just an open chord that you find easy to play, like the major chords of A, C, D, E, or G.

Choose a chord you'd like to play, and slowly play each note successively.

Hear any sour notes? If something doesn't sound right, play all of the notes of the chord again, and identify which notes are the bad apples.

Fix the bum notes. Play the whole chord again, and quickly reach over with your dominant hand (which has just strummed the chord) to the tuning peg of the out of tune string. Give it a quick twist down to loosen the string, and turn it back up with the chord still ringing. You should hear the note match with the rest of the chord as you bring it up to the correct pitch. If it still doesn't sound right, repeat this action as necessary.

Here's an alternate posture for tuning to a chord: Push the guitar across your lap so that the head is closer to your body. It'll be easier to adjust the tuning peg right after you play the chord.

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he Hughes and Kettner Tube Factor Overdrive Pedal delivers incredible tube tone! Getting great sound out of a tube is no secret, just feed it lots of power and it will scream. That’s why the H&K Tube Factor Overdrive Pedal runs upwards of 300 volts to the internal tube circuitry and on-board 12AX7A.

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The Hughes and Kettner Red Box Classic is a world-famous guitar direct box - you'll never have to mic a guitar speaker again! The Red Box converts your amp's Line Out or Speaker Out(!!) signal into a balanced, frequency-compensated signal that you can feed direcrly into a mixer.

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HUMIDIFYING A GUITAR

What is the best way to humidify my guitar?

Before making the decision to humidify an instrument, it is important to make sure that the surrounding environment is indeed dry enough to make this step necessary. Radio Shack sells a humidity and temperature gauge for $25�$30, which can be put into your guitar case or mounted adjacent to wherever your guitars are normally stored. Look at it every day for a week. Ideally the room would be at 45�50 percent RH with a temperature of 65�70 degrees Fahrenheit.

The point is that you can�t do this by the seat of your pants. If you don�t know how dry it is, you can�t very well decide whether or how best to humidify. Some people throw half potatoes into their cases to humidify their guitars. Others make their own humidifiers out of sponges and plastic soap dishes with holes drilled into them. Commercial humidifiers range from tubular rubber and sponge inserts to plastic-enclosed porous clay tubes. The goal of all of these objects is to evaporate their stored water over a period of days.

If you leave your guitars outside their cases, you will need to humidify the room or the whole house. Inside the case, any commercially available humidifier will do a good job. For a very dry instrument you will need to keep the case closed for a number of days to allow the humidifier to do its work. Please remember to keep an eye on the Radio Shack gauge, so you�ll know whether you�re over- or under-humidifying. Otherwise you�re flying blind, and it�s easy to damage your instrument by going too far in either direction.

Also keep in mind that the greatest damage is usually caused by radical changes in the guitar�s environment. While temperature fluctuations might lead to finish crackling and crazing, which�although often permanent�is relatively harmless, extreme changes in humidity are most often responsible for structural damage.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg1620x||item.||page.||ibanezrgseries||||||||Ibanez RG1620X||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG1620X||||||||0||1||0||0||||||||Ibanez RG1620X
Ibanez Prestige guitars are crafted of premium woods by our most experienced luthiers using the perfect blend of New World technology and Old World craftsmanship. Identifiable by the Prestige logo, Prestige models feature necks with the comfortable rounding found previously in vintage instruments broken in by years of dedicated playing.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg2120x||item.||page.||ibanezrgseries||||||||Ibanez RG2120X||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG2120X||||||||0||1||0||0||||||||RG2120X||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg350dx||item.||page.||ibanezrgseries||||||||Ibanez RG350DX||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez - RG350DX||||||||0||1||0||0||||||||

Ibanez Rg350dx Electric Guitar White

For 2003, the RG guitar line - the unchallenged standard in hard and heavy rock guitars -- gets a massive infusion of high tech hardware and upgrades. The classic RG550 and RG570 models (now RG1550 and RG1570) reach new levels of lethal with the addition of Prestige necks and the new Edge-Pro tremolo system. Many deluxe and standard models have been upgraded with the new Edge-Pro II tremolos. The 2003 lineup offers every kind of instrument needed by the heavy rocker: 6 and 7-string models, neck-thru and bolt-on axes, double locking and standard trems and an equally wide range of prices.

Series Features: For over 15 years, the undisputed standard in guitars for the hard rock player.

Pickups and pickup placement provide the hard-edged cutting tone needed for heavy rock.

24 fret thin, flat and fast Wizard and Wizard II necks. Rounder Ultra necks available on RGT3120 neck-thru-body models.

Wide assortment of bridges: Hard tail, synchronized trems and the new Edge-Pro and Edge-Pro II double locking tremolo systems.

RG350DX Features: Wizard II neck -- 25.5 scale neck is 2mm thicker than the super-thin, super-flat Ibanez Wizard.

Maple neck material

Basswood body -- Basswood is a comparatively lightweight wood, which makes it very comfortable for extended playing. With a good balance of highs and lows, basswood is right in between alder and mahogany in sound character. . . .

The Ibanez RG350MDX Electric Guitar takes the RG series further into the metal zone. Many players have selected the Ibanez RG as their weapon of choice for visiting sonic mayhem on the metal masses. With the right choice of pickups, flat and fast bolt-on neck and double-locking trems, the RG has dive bombed and crunched its way to classic status. Though it rocks heavy, this electric guitar is made of comparatively lightweight basswood, which makes it very comfortable for extended playing. With a good balance of highs and lows, basswood is between alder and mahogany in sound character. 24 jumbo frets and a fast Wizard II neck offer easy playing for leads and rhythm, and an Edge III bridge offers great tremolo control.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg370dx||item.||page.||ibanezrgseries||||||||Ibanez -RG370DX||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG370DX||||||||0||1||0||0||||||||
Ibanez RG370DX Electric Guitar White

Ibanez RG370DX Electric Guitar Blue Haze

The Ibanez RG370DX electric guitar's pickups and pickup placement provide the hard-edged cutting tone needed for heavy rock. Since 1987, many players have selected the Ibanez RG as their weapon of choice for visiting sonic mayhem on the metal masses. With the right choice of pickups and flat, fast necks, the RG has crunched its way to classic status.As heavy as it rocks, the RG370DX guitar is made of basswood, a comparatively lightweight wood, which makes it very comfortable for extended playing. With a good balance of highs and lows, basswood is right in between alder and mahogany in sound character. 24 jumbo frets offer easy playing for leads and chording and the Edge III tremolo bridge lets you divebomb all night long.

Ibanez RG370DX Electric Guitar Black ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ib20namrel||item.||page.||ibanez2000||||||||Ibanez 2002 NAMM Releases||||ibanez2000||Ibanez 2018 > ||||||||||||||||0||1||0||0||||||||
Ibanez - JEM7VSBL

January 20, 2002 One of the big draws of the Hoshino booth at the 2002 Winter NAMM show was the new Steve Vai Model JEM Signature Model, the JEM7VSBL in Sparkle Blue finish. The new model is the second JEM to feature the more traditional sound of an alder body (most JEM's have been basswood).

"Thanks to the loyal legions of Steve Vai JEM fans, there's already a buzz about the guitar," said Paul Specht of Hoshino Communications. "The guitar is almost an instant collector's item because some of these people own every one we've ever made--and what's even more impressive they've all got serious chops themselves. Now that's a customer base we're proud to have."

January 21, 2002 2002 will see the debut of a new Ibanez Joe Satriani Signature Model guitar. With the modern, comfortable curves of Satriani�s aerofoil shaped guitar accentuated by the new Champagne Gold finish, the guitar promises to be a show stopper. But the guitar features more than good looks. It has something that guitarists have wanted Ibanez to make for a long time: a fixed bridge with the tuning stability of the Ibanez Edge locking tremolo system. �The FXEdge is a fine piece of design,� commented Bill Reim, Hoshino�s Marking and Advertising VP. �You�ve got all the tuning technology of the Edge combined with full tone and sustain of a fixed bridge. And it�s on the Joe Satriani model, which is an example in its own right of a great design yielding superior playability and sound. The two together are simply an unbeatable combination.� The Joe Satriani JS2000 features a body of basswood and an Ibanez Prestige neck that�s an exact digital rendering of the neck on Joe Satriani�s favorite guitar.

January 19, 2002 Ibanez adds a new model to its signature basses, the new K5 5-string, which was designed in tribute to Korn bassist, Fieldy. The K5 is equipped with a number of high-end features such as a padauk/mahogany body for heavy tone, active pickups and the Vari-Mid EQ which allows the players to create any kind of bass tone. Yet the price is less than $1000.00. The bass also features a silk-screened "Fieldy" signature on the headstock as well as a special K5 12th fret inlay.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ib20basguitn||item.||page.||ibanezbass||||||||Ibanez 2006 Bass Guitar New Models||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||Browse all Ibanez Bass Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ib20newmod||item.||page.||ibanez2000||||||||Ibanez 2006 New Models||||ibanez2000||Ibanez 2018 > ||||||||Ibanez ARX Models SZ Models RVX ICX||||||||0||1||0||0||||||||

Ibanez Exotic Wood EW20QMEBBD Cutaway Acoustic-Electric Guitar Natural

"Sound and playability are the two most important components in an instrument. But very few will deny that a standout visual aspect enhances your performance. The EW20QMEBBD was designed for the player who is looking for a completely new and different voice. Features include quilted maple top, back and sides, B-Band electronics, 12th fret pearl inlay and more!"

Ibanez RG2620CBK Electric Guitar Cubed Black Pewter

"The Ibanez RG series is the weapon of choice for visiting sonic mayhem on the metal masses. The RG2620 features DiMarzio IBX humbuckers, Edge Pro tremolo system, Basswood body, and much more!"

Ibanez S470DXQM Electric Guitar Red Viking

"The S470GN's classic Ibanez S body design pumps out fat mahogany tone-without the fat mahogany size or weight. Features a mahogany body, 3 pc. maple neck, IBZ pickups, tremolo system, S Special inlay, and more!"
||||Ibanez 2006, new ibanez models, ibanez arc, ibanez arx, ibanez namm||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ib20newmo||item.||page.||ibanez2000||||||||Ibanez 2007 New Models||||ibanez2000||Ibanez 2018 > ||||||||||||||||0||1||0||0||||rg8gu s77gu je20anstvais 20anrg ibmimoguam||||
Ibanez RGT42FXQM Electric Guitar Trans Gray Burst

Ibanez RGT42FXQM Electric Guitar Mystic Sea Green Burst

Ibanez RGT42FXQM Electric Guitar Trans Gray Burst

The Ibanez RGT42FXQM Electric Guitar has a mahogany wing body with a quilted maple top and a 5-piece maple/walnut neck with rosewood fretboard. Neck-thru construction means excellent response and sustain. Ibanez INF open coil humbuckers, 3-way pickup switch.

Ibanez EWC30ASERLG EXOTIC WOOD SERIES Acoustic-Electric Guitar Natural

There are a lot of guitars to choose from. The Ibanez EWC30ASERLG EXOTIC WOOD SERIES Acoustic-Electric Guitar is different. Singular in looks and sound because it's made from exotic figured ash. The grain patterns are striking. It's amazing to find an exotic wood guitar in this price range.For faithful reproduction of acoustic tone, a B-Band UST pickup is paired with the Ibanez SRTn preamp with notch filter and an onboard tuner. Tune anytime, anywhere. You'll also be ready for whatever connections are available; the EWC30ASERLG is equipped with balanced 1/4" and XLR outputs.Paired with the fine wood are high-end cosmetic appointments also found on guitars costing much more: an abalone rosette, Ibanez chrome die-cast tuners and a natural high-gloss finish. If you've been holding back on an acoustic guitar purchase because you haven't found the right features at the right price, your wait is over.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ib20newmo1||item.||page.||ibanez2000||||||||Ibanez 2009 New Models||||ibanez2000||Ibanez 2018 > ||||||||||||||||0||1||0||0||||||||
Ibanez RG5EX1 Left-Handed Electric Guitar Gray Pewter

Ibanez RG5EX1 Left-Handed Electric Guitar The left-handed Ibanez RG5EX1 electric guitar has a basswood body with a bound 24-fret, 3-piece Wizard II neck for fast and effortless shredding....

Ibanez RG3550MZ Prestige Electric Guitar Galaxy Black As the RG Prestige history continues to be written, players have demanded new specs, new finishes and new thrills. In 2009, Ibanez has responded with a host of new models. These guitars are all made in Japan by our finest luthiers and have the fast, flat Prestige necks, drop-dead good looks and double-locking trems, plus new finishes, maple fretboards and new pickup configurations featuring DiMarzio(R) Air Norton(TM), True Velvet(TM) and Tone Zone(R) pickups.

New for 2009: Fast, flat and thin 5-piece Maple/Walnut Super Wizard Prestige necks (RG3620Z, RG3570, RG3550MZ). Edge Zero bridges with ZPS3 spring system (RG3620Z, RG3570, RG3550MZ) and Edge Pro bridges (RG1550, RG1527).New Roadster Orange Metallic finish on RG3550MZROM. New DiMarzio Air Norton, True Velvet and Tone Zone pickups on RG3620, RG3570Z, RG3550MZ.

Ibanez RGA42FM Electric Guitar Transparent Red Burst

A fixed bridge RG with active EQ and pickups? Sounds too powerful to be true. Ibanez has them for 2009. The new RGA42FM features a striking Transparent Grey Burst finish, 3-piece Maple Wizard II neck, active EQ and LoZ active pickups. The Transparent Grey Burst finish RGA42FM features an Active Mid-Cut EQ switch for a tone the cuts like a meat cleaver.

Ibanez RG120 Left-Handed Electric Guitar Black

Ibanez RG120 Left-Handed Electric Guitar This RG120 model was made just for lefties. It features a thin, flat, fast-playing neck, rosewood fretboard with 24 jumbo frets; an RG-style deep... New Product! Item Ships Free! Buy New: $229.99||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanez2000||item.||page.||index||||||||Ibanez 2018||||||||||||||Ibanez guitars,Ibanez basses News You Can Use 1/1/2018||||||||0||1||0||0||||ib20newmod are7strinbet noname1 doubedser olpic ibsernumchar ibanezartcore ib20namrel 20ibnamrel 20sumnamibre winternamm2004 20winnamnewr ibacelguit hisofibguit ibstringaug ibdismod20 ib20newmo ibougu ib20newmo1||||Ibanez has a lot in store for 2013 including the Ibanez Premium Rg950qm, Grg120bdx, Signature Models and S8 Series 8-String.

Browse all Ibanez Guitars
||||ibanez, rg7420, korn, rg7421, ax series, ibanez 2000 s series, double edge guitars, gax, munkey, limp bizkit, ax7221, ibanez, hoshino, prestige guitars, verdine white||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaccas||item.||page.||noname5||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24708796||||||Ibanez AC100C Case||AC100C||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||Ibanez AC100C Acoustic Case||||||||0||1||1||0||||||||
Ibanez AC100C Classical Guitar Hardshell Case Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibacelbas||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24727044||||||Ibanez Acoustic Electric Bass||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez Sage Series Sgbe110 Acoustic-Electric Bass Guitar Antique Natural

Ibanez Aeb10e Acoustic-Electric Bass Guitar W/ Onboard Tuner||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibacelguit||item.||page.||ibanez2000||||||||Ibanez Acoustic Electric Guitars||||ibanez2000||Ibanez 2018 > ||||||||||||||||0||1||0||0||||||||
Ibanez G Series G480ECENT Classical Acoustic-Electric Guitar Natural

Ibanez Exotic Wood Series EW50MPSE Acoustic-Electric Guitar Natural

Ibanez Exotic Wood Series EW20SGE Acoustic-Electric Guitar Natural

Ibanez Exotic Wood Series EW40CBE Acoustic-Electric Guitar Natural ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibacguit3||link.||||ariabanjos||||||||Ibanez Acoustic Guitars||||acin ariabanjos||Acoustic Instruments > Aria Guitars and Banjos > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibacguit1||link.||||ibelguit||||||||Ibanez Acoustic Guitars||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname5||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24739019||||||Ibanez Acoustic Guitars||||acin||Acoustic Instruments > ||||||||Ibanez acoustic guitars. AE Series, Artwood Series, MASA Series, Daytripper, Performance Series...||||||||0||1||0||0||||aeseries artwoodseries ibdayminguit masaseries talmanseries perser ibacjam ibpfcas ibaccas ibsagu||||Browse all Ibanez Acoustic Guitars

Ibanez Sage Series Sgt120 Dreadnought Acoustic Guitar

Ibanez Jampack Ijv50 Quickstart Dreadnought Acoustic Guitar Pack Natural

Ibanez Sgt120lnt Sage Series Left-Handed Acoustic Guitar Natural

Ibanez Performance Series Pc15 Grand Concert Acoustic Guitar Vintage Sunburst

Ibanez Performance Series Pf1512 Dreadnought 12-String Acoustic Guitar Natural

Ibanez Performance Series Pf15 Dreadnought Acoustic Guitar With Case Vintage Sunburst||||ibanez, ibanez acoustic, tcy10, aw200vv, masa series, ae series, dtma, dtme, daytripper, jam pack, ijp1, ijpbk, ga series, performance series, artwood series, artwood, aw100, aw200nt, pf5nt, pf5ms, tcy15, aeg10, ae18, aef30, jx70, acoustic guitars, dreadnaught, travel guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibacguit||link.||||elguit1||||||||Ibanez Acoustic Guitars||||elguit1||Electric Guitars > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibacjam||item.||page.||noname5||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24741416||||||Ibanez Acoustic JamPack||||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||Everything you need to play guitar! Ibanez's famous Jam Pack with a quality acoustic guitar, gig bag, picks, instructional book, and more!||||||||0||1||1||0||||||||
Ibanez JamPack Solid-Top Acoustic Guitar Pack Natural High Gloss

IN STOCK FOR IMMEDIATE SHIPPING
Ibanez acoustic guitar package
A large body dreadnought guitar that offers full tone both plugged and unplugged is simply the beginning of this fantastic pack. This is the finest guitar that Ibanez has ever offered with a Jam Pack.

Furthermore, you still receive all the great accessories that a Jam Pack offers, including gig bag, electronic tuner, instructional book and DVD, chord chart, strap, an extra set of strings, picks, and an accessory pouch.

Ibanez JamPack IJV50 Quickstart Dreadnought Acoustic Guitar Pack Natural ||||ibanez jampack, guitar starter package, beginners guitar, ibanez, acoustic guitar christmas special, ibanez pf5, artwood guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaef18||item.||page.||aeseries||||||||Ibanez AEF18||aef18||acin noname5 aeseries||Acoustic Instruments > Ibanez Acoustic Guitars > AE Series > ||||||||||||||||0||1||1||0||||||||
Ibanez Hardshell Case for AEF30 and AEF18 Acoustic Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaefacguitt||item.||page.||aeseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24791952||||||Ibanez AEF18 (Transparent Violet Sunburst)||aef18tvs||acin noname5 aeseries||Acoustic Instruments > Ibanez Acoustic Guitars > AE Series > ||||||||Ibanez AEF18 (Transparent Violet Sunburst)||||||||0||1||1||0||||||||
Ibanez Hardshell Case for AEF30 and AEF18 Acoustic Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaef1812||item.||page.||aeseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24793311||||||Ibanez AEF1812||AEF1812||acin noname5 aeseries||Acoustic Instruments > Ibanez Acoustic Guitars > AE Series > ||||||||||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaef30||item.||page.||aeseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24824576||||||Ibanez AEF30||aef30||acin noname5 aeseries||Acoustic Instruments > Ibanez Acoustic Guitars > AE Series > ||||||||||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaeg10||item.||page.||aeseries||||||||Ibanez AEG10NETNG Nylon String||AEG10NETNG||acin noname5 aeseries||Acoustic Instruments > Ibanez Acoustic Guitars > AE Series > ||||||||||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibamharcas||item.||page.||ibanezcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24858720||||||Ibanez AM50C Hardshell Case||||elguit1 ibelguit ibanezcases||Electric Guitars > Ibanez Electric Guitars > Ibanez Cases > ||||||||Ibanez AM50C Hardshell Case||||||||0||1||1||0||||||||Ibanez hard shell guitar case for AX, GAX, and Artist series guitars

Ibanez AM50C Guitar Case Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezamps||item.||page.||elguit1||||||||Ibanez Amps||||elguit1||Electric Guitars > ||||||||Ibanez Amps||||||||0||1||0||0||||practiceamps whatsizeamp ibgtdxramp ibaneztb15r ibaneztb25r ibaneztb225c ibaneztb50r||||Guaranteed Lowest Prices on Ibanez Amps
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Ibanez Tsa112c Tube Screamer 80W 1X12 Guitar Amp Cabinet
This nicely priced Ibanez Tube Screamer guitar amp cabinet features 80W power handling, with a 12" Celestion Seventy 80 speaker. The result is loud, balanced sound that cuts through the mix with plenty of full, meaty guitar tone. The Seventy 80 is one of Celestion's most popular speakers. It is an adaptation of the Classic Lead, offering a pleasing lift in the upper frequency spectrum, solid bass, and plenty of midrange. Built with rugged Ibanez craftsmanship, this guitar speaker cab is sure to last for many years, and is one enclosure that's able to stand up to the toughest conditions of heavy gigging.1x12" speaker enclosureCelestion Seventy 80 Speaker80W power rating8 Ohms impedance

Used Ibanez Tbx65r Guitar Combo Amp
The Ibanez TBX65R Guitar Combo Amp, with its 65W 12" speaker has enough power to smoke the house.

Ibanez Ibz-10 Tone Blaster Amp
Features 3-band EQ, switchable gain, headphone out, and a 6" speaker in an open-back cab.

||||amps, guitar amps, ibanez, music stores, musical instruments for sale, guitar store, ibanez basses, music retailer, ibz10, hoshino||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibarcser||item.||page.||ibelguit||||||||Ibanez ARC Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez ARC Series at Guaranteed Lowest Prices||||||||0||1||0||0||||||||

A deluxe version of the ARC100.

A killer value! The ARC300DVS features the same classic single-cutaway style mahogany body dressed up with a flamed maple top, more elaborate fretboard inlays, and a dark violin sunburst finish. Set Artist neck, Gibraltar 3 bridge, and 2 powerful Ibanez humbuckers serve up singing sustain, steady tuning, and fat tone.

Ibanez ARC300DVS Electric Guitar Features:

* Classic styling * Mahogany single-cutaway body * Artist series set neck * Rosewood fretboard * Body and neck binding * Block inlays on fretboard * Dual humbucking pickups * Gibralter 3 bridge * Brown sunburst finish||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezartcore||item.||page.||ibanez2000||||||||Ibanez Artcore||||ibanez2000||Ibanez 2018 > ||||||||Ibanez Artcore Series||||||||0||1||0||0||||ibarafrev||||Ibanez Artcore Series

PRESS RELEASE
Ibanez RG420K Features GK-2 Pickup System
July 24, 2001
The RG420GK combines the the Ibanez RG with Roland, the first name in sophisticated guitar synthesis. Now, performing and recording guitarists can cover it all…from heavy rock to hip hop to extra-dimensional excursions through the cosmos—all at a price that’s amazingly down-to-earth.

The RG420GK features the signature RG contoured basswood body, powerful V7 and V8 pickups capable of cutting through the most brutal mix and the Roland GK-2 synthesizer drive pickup for accessing midi and Roland’s revolutionary V-Guitar technology.

List - $999.99

Available Finish - BK Black

Body Material - Basswood

Neck Material - Maple

Neck Type - Wizard II/25.5" Scale

No. Frets/Type - 24/jumbo frets

Fingerboard - Rosewood

Inlay - Pearl dot

Bridge - Lo-TRS

H/W Color - Cosmo Black

Neck Pickup - V7 with ceramic magnet

Bridge Pickup - V8 with Alnico magnet

Other Special Features - Roland GK-2 Synthesizer Drive Divided Pickup

Case - M100C

Case List $129.95

Ibanez Artcore AG75 Electric Guitar Brown Sunburst

Ibanez Ag95qa Artcore Expressionist Series Electric Guitar Dark Brown Sunburst
Ibanez Artcore AM53 Semi-Hollow Electric Guitar Flat Sunset Red

Ibanez Artcore As7312 12-String Semi-Hollow Electric Guitar Transparent Cherry

Ibanez Artcore Series Af75tdgiv Hollowbody Electric Guitar Ivory||||TM71SVT,AF75TBS,Ibanez artcore, artcore, new ibanez guitars||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibarafelguit1||item.||page.||ibarser||||||||Ibanez Artcore AF75 Electric Guitar Product Reviews||||elguit1 ibelguit ibarser||Electric Guitars > Ibanez Electric Guitars > Ibanez Artcore Series > ||||||||||||||||0||1||0||0||||||||
Ibanez Artcore Af75 Hollowbody Electric Guitar Trans Red Sunburst

classy cat from Northern CA Experience: I own it Background: Active Musician Style of Music: Alt, metal, rock, ethnic Product: Ibanez Artcore AF75 Electric Guitar Jun 12, 2006 - I bought this guitar at my local music store, mostly because I loved its looks and clean tone. Truth be told, I found that it buzzed a little bit because of the plastic pickgaurd -- I removed it, and it's given me no trouble since. I reccommend, for this one, D'Addario strings (I know not how to spell!) and Bigsby vibrato. It sounds like a Gibson, it honestly does. It looks absolutely gorgeous -- wherever I take it, I get compliments from everyone, the alt. rockers, the metalheads, the jazz players, girls, etc. on its looks. This is a gorgeous guitar, great to play right off the shelf, and even better to tweak with.

bryan from Orlando, FL Experience: I own it Background: psuedo active musician Style of Music: acoustic-esque chill music amongst other stuff Product: Ibanez Artcore AF75 Electric Guitar May 27, 2006 - I've had this guitar for a few years now, I play it non-stop, and I have NEVER had any sort of problem with it! This guitar is amazing, and out of the guitars I own, it is my favorite to play. The tone is great, the action is great (after a MINOR ajustment) it stays in tune EXTREMELY well, I love it. I would recomend this guitar to anyone, you won't be dissapointed! I still get compliments about it.

Leo from madison Me. Experience: I own it Background: hobby Style of Music: classic rock ,jazz, progressive Product: Ibanez Artcore AF75 Electric Guitar Apr 19, 2006 - I got the orange sunburst, i like it alot, nice and lite ,lots of tone hard to belive you can get this from a guitar costing 320 bucks, action is sweet and low right out of the box i like the big head stock . imagine that looks and quality. if you think you may be intrested in this guitar go try it you will buy it trust me you will. Good luck

Ibanez Artcore Af75 Hollowbody Electric Guitar Brown Sunburst||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibarafelguit||item.||page.||ibarser||||||||Ibanez Artcore AFS75T Electric Guitar Product Reviews||||elguit1 ibelguit ibarser||Electric Guitars > Ibanez Electric Guitars > Ibanez Artcore Series > ||||||||||||||||0||1||0||0||||||||Ibanez Artcore AFS75T Electric Guitar Product Reviews

Braun740 from Ohio Experience: I own it Background: Active Muscian, Audio Engineer Style of Music: Jazz, Punk , Surf ..Art Rock Product: Ibanez Artcore AFS75T Electric Guitar May 27, 2006 - I was down at the store to buy a Gretsch Electromatic.. I played it, was not into the feel. Then I picked up a Telecaster, again no good for me. As soon as the salesman put this baby in my hands I was off. With the flick of a switch this thing can go from a sweet woody tone monster to an all out rocker.. they should charge twice as much for, but I am glad they dont.

Issueman 17 from sylavania ohio Experience: I own it Background: musical artist Style of Music: ska (jazz rock)/punk Product: Ibanez Artcore AFS75T Electric Guitar May 23, 2006 - This guitar is amazing. I have been playing guitar for 10 years and have played a few guitars in my day and this by far was the best. I love this because I am in a ska/punk band and this is perfect for this. I can go from jazzy to punk rock as easy as 123. This is just an amazing guitar. Wow.

Deasel98 from Hamilton, ON Experience: I own it Background: Active Musician Style of Music: Hard Rock Product: Ibanez Artcore AFS75T Electric Guitar May 21, 2006 - Just got my AFS75T. Based on the reviews I had read, I expected a great guitar for the price, and thats exactly what I got. The sound is great (especially the clean tones). The only downside I have noticed is that it goes out of tune fairly easily (I'm used to using a Floyd Rose, so going out of tune is new to me). A set of locking tuners should fix this. The finish is beautiful. I don't know how this guitar can be available for such a low price..

Oscar from Riverside, CA Experience: I own it Background: Hobbyist/Active Musician Style of Music: Psychobilly, Punk, Ska, Oi!, Oldies, Irish Product: Ibanez Artcore AFS75T Electric Guitar May 17, 2006 - I have owned this guitar for just over three years now. I'm still thrilled with it's looks, value, but most importantly, it's performance and sound. This guitar has a very comfortable neck and great action. Its pickups are great and sound great, no matter what setting, clean or distorted. This guitar is easily better than the Gretsch Electromatic series in every way possible, and is less than half the price. Even the tremelo is better. This is a great guitar if you want a hollow or semi hollowbody, but don't want to pay for one of the high end Gretsch guitars.

Ibanez Artcore AFS75T Electric Guitar Transparent Red ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibarafrev||item.||page.||ibanezartcore||||||||Ibanez Artcore AFS75T Review||||ibanez2000 ibanezartcore||Ibanez 2018 > Ibanez Artcore > ||||||||||||||||0||1||0||0||||||||The first time I laid eyes on the AFS75T Musician's Friend sent me to review, my mind was instantly filled with images of flaming metallic hot rod paint jobs, drag strips, blues bars, black leather jackets, patent leather shoes, and lots of hip shaking. It's impossible, if you've grown up playing guitar in America, not to be overcome with these visions. The hollowbody electric guitar is part of our national culture, responsible for the birth of the electric blues, rock 'n' roll, and rockabilly. Without the electric guitar, who knows where we'd be musically? The AFS75T is extremely reminiscent of both the six-string paintbrushes that early electric guitarists used to color the musical landscape, and the attitude that infected people worldwide. It has all the class and style of a '57 Chevy, especially with the deep, stunning, practically liquid lightning blue paint job adorning the model I received. I've also seen the red number and it smokes, too, which tells me getting your hands on a nice one is no accident, it's just Ibanez's typical high standards shining through. Smooth cruisin' The finish and fit, in my humble opinion, make this guitar giggable straight out of the case. Most people, myself included, will automatically change the strings (nice and easy to do even with the Bigsby-style trem, by the way) to their preference, so I'm not really counting the strings, even though they are fine. The action and intonation are delicious and the neck delivers nice, effortless playability thanks to well-set frets and a refined, well-leveled fretboard. The neck profile is practically perfect, too, especially if you're used to more modern neck shapes. Wrap your fingers around this well-dressed piece of mahogany and you'll instantly be comfortable with the slender C profile. There's just enough meat to fill up your hands without killing your need to speed.

The paint job is perfectly polished and nicely accented by the thick, vintage-style binding around the entire body, F-holes, neck, and headstock. Ibanez's efforts to make this baby shine don't stop there, though. The polished bone nut, pearl block inlays, bridge, knobs . . . heck, even the pickguard, clearly show the quality assurance guys at Ibanez are dedicated to their task.

What's under the hood? There's some interesting guitar technology at play here. Technically this isn't your average thinline hollowbody or semi-hollowbody-not the way we're used to thinking of them. Instead of putting a big block of wood down through the middle of the body, Ibanez developed a special bracing pattern for the top that cuts down on feedback and adds sustain while retaining more authentic hollowbody sounds. Acoustically, the AFS75T is well-balanced with woody overtones and bright character courtesy of the specially braced laminated maple top and metal bridge saddles. If you think of the acoustic tone of an instrument as its sonic foundation, then we're off to a good start here.

The way this guitar is voiced-clear, with a healthy bite and midrange body-Ibanez has clearly distilled a lot of guitar knowledge into an instrument that's half the price it should be. And although the visuals scream rock, this axe sings with a lot of versatility and individuality. Don't get me wrong, with the rear pickup engaged this is a rock machine dead set on the task. The sound is gutsy, crisp, and practically begs for overdrive. But I was surprised by how much things changed when I flipped to the neck pickup and played with the tone control. Strong yet mellow tones flourish up there, and they shine through the clean channel on a decent tube amp. With a little reverb? Heaven. The point of this is that instead of planting this guitar firmly in either jazzbox or rock territory, Ibanez simply went out and made an instrument that is the best it can be, suitable for whatever you want to do with it.

The hefty old-school Ibanez trem is flat-out fun. Sturdy, retro, and smooth-movin', it harkens back to the time when vibrato used to be a much gentler affair. Not until Leo Fender came along with his new-fangled tremolo unit did vibrato become the "wham-bam, thank you, ma'am" experience that it is today. The Ibanez unit will still give up the goods but you have to spend some time with it, discovering its disposition, sweet-talking it a bit, and figuring out the way it likes to be treated. It takes a little more effort, but the results are twice as nice.

No sticker shock here The best part of the Artcore? Its price. It brings a lot to the table for a minimum investment. For those looking to take their first trip down the quarter mile, this is your green light. Even drag strip veterans will find themselves itching to climb behind the wheel and punch the gas, and the AFS75T will punch right back.

Ibanez Artcore Afs75 Hollowbody Electric Guitar With Bigsby Metallic Green Flat
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Ibanez Artcore AFS75T Electric Guitar Transparent Red
A modern classic with a vintage vibe! Enjoy the full acoustic tones in a easy to handle thin body design. The original design tremolo completes the retro look. Make it cry, make it sing, make it scream!

Ibanez Artcore AF75 Hollowbody Electric Guitar Brown Sunburst
The Box That Rocks! The first hollowbody guitars designed to rock and better yet, they are amazingly affordable. You get the rich, complex tones of a full hollow body, yet the AF75 features a narrower body width for comfort. Take it from Jazz to Rock and everything in between.

When Artcore guitars debuted in summer 2002, they turned the music industry upside down. No longer were full and semi-acoustic guitars just big expensive jazz boxes for jazz players. With Artcore guitars you get an amazingly affordable price plus the quality and tone you expect from Ibanez, the guitar company with over four decades of experience making full and semi-acoustic guitars.

Ibanez Artcore AG75 Electric Guitar Transparent Brown
The AG75 is perfect for players who want big full hollow tone without the big full hollow size. Classic style, affordable price, Ibanez quality - what's not to like!

Ibanez AS103 Artcore Custom Series Semi-Hollowbody Electric Guitar Vintage Brown
The Ibanez AS103 Artcore Guitar offers semi-hollow sustain, power, and feedback resistance. Flamed maple on the top back and sides provides beauty and clear tone. A 5-piece Artcore custom set-in neck increases sustain and strength. Two Ibanez Custom 58 pickups have a full, versatile output great for rhythm and lead. Artcore Custom inlays and gold hardware complete the elegant package.Players, music store owners and the music industry press were stunned by the debut of the affordable Ibanez Artcore guitars in 2002. That still didn't prepare them for the unveiling of the Artcore Customs in 2005. These are truly exquisite guitars that offer patrician specs and tones at plebeian prices. The question "How do you do it?" is still being asked.

Ibanez Artcore AF105 Hollowbody Electric Guitar Natural
A seriously sweet looker, the Ibanez Artcore AF105 Hollowbody Electric Guitar has a fully hollow body with flamed maple for the top and body. The 5-piece maple/bubinga neck utilizes a custom set-in neck joint for a solid connection to the body and has a bound rosewood fingerboard with 22 medium frets and fabulous custom pearl/abalone inlays. 24-3/4" scale delivers easy playability. The dual Custom 58 humbuckers churn out sweet, singing tones. The Ibanez Artcore AF105 also has custom inlays on the bridge and tailpiece, a pickguard that matches the body, and gold hardware.

Ibanez Artcore Series AF75TDGIV Hollowbody Electric Guitar Ivory
The Ibanez Artcore AF75 Electric Guitar has a fully bound all maple body that provides tight resonance without feedback. This guitar is a true full-hollow body guitar (no soundblock) perfect for that muted jazz tone and fully flexible for everything from alt rock to pounding punk. Mahogany set neck with bound rosewood fretboard and pearl block inlay is a delight to the digits. ACH1 humbucker at the neck and ACH2 at the bridge provide a beefy, quiet signal with pronounced mids.

Ibanez Artcore Expressionist Afj95 Hollowbody Electric Guitar Vintage Sunburst

Ibanez Artcore Agr63 Hollowbody With Bigsby Style Tremelo Electric Guitar Twilight Orange Finish||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|artistseries||item.||page.||ibelguit||||||||Ibanez Artist Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Low prices and free shipping on Ibanez Artist Guitars
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Ibanez AS103 Artcore Custom Series Semi-Hollowbody Electric Guitar Flame Maple Natural
The semi-acoustic Ibanez AS83 Semi-Hollow Electric Guitar is at home in jazz, rock or R&B. It's one of the new Artcore Deluxe Models with high-end looks and appointments at an intermediate price. 3-piece Artcore deluxe neck; classy flamed maple top, back, and sides; and large frets for easy playability.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibarxser||item.||page.||ibelguit||||||||Ibanez ARX Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez ARX Series at Guaranteed Lowest Prices||||||||0||1||0||0||||||||

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Ibanez ATK305 5-String Electric Bass Guitar Trifade Burst

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With their hallmarked features of scalloped bracing and solid spruce tops that improve with age, Artwood guitars are a sterling example of traditional acoustic craftsmanship and design.
Since the 1980's, the Artwood line has set the standard in affordable professional acoustic guitars. The solid top is one reason for this. Not only do solid tops resonate more freely than laminated tops, they continue to grow richer in sound with age. However, this is just one of the remarkable features of this guitar.
Further specifications are listed below.

PRESS RELEASE
Artcore Full and Semi Acoustics Announced at NAMM

AF75TBS

/TD>

TM71SVT

July 20, 2002
With prices of just $399.99 and $459.99, the new Ibanez Artcore full and semi-acoustic guitars should definitely rock. The accepted wisdom has always been that semi and full acoustic guitars are expensive if they are a brand name and a no-name if they were inexpensive. "But the new Artcore features the prices formerly associated with generics," said Bill Reim, Vice President of Ibanez marketing and advertising, "but with the Ibanez brand name" Reim added that Artcore guitars will be subject to the decades old Ibanez policy of 100% inspection and set-up no matter whether the guitar is less than $300.00 or more than $3000.00. "We're still the only company that does that."

While full and semi-acoustics are also often associated with older jazz players, the new guitars target the young rocker. "But we never forget jazzers," stated Reim. "The line also has full bodied models that are perfect for jazz students and players on a budget who would formerly have had to settle for a solid body in this price range to get anything decent. We are very excited to have something like this to offer players and we think our retailers will, too."

The Artcore includes eight different models in assorted finishes including standard full-acoustics, thin full acoustics, small full acoustics, standard semi-acoustics and a Talman-shaped single cutaway hollow body.

All Artcore guitars feature mahogany necks with rosewood fingerboards, 24 3/4" scale necks with 22 fets, all maple bodies with binding, two Artcore medium output pickups, two volume, two tone and one toggle switch, and f-holes with binding.

Specifications:

Model - AFS75T

List - 459.99

Available Finish - TBL Transparent Blue, TBR Transparent Brown, TRD Transparent Red

Body Material - Maple Top, Sides and Back

Body Dimensions - 1 11/16" (43mm) at the tail

Neck Material - Mahogany

Neck Scale - 24 3/4" scale/set in

No. Frets/Type - 22/Large

Fingerboard - Bound Rosewood

Inlay - Pearl Block

Bridge - ART2 Roller Bridge w/VBF70 Vintage Vibrato

H/W Color - Chrome

Neck Pickup - ACH1 Humbucker

Bridge Pickup - ACH2 Humbucker

Controls - 2 volume, 2 tone, 1 toggle

Case - AF100C

Case List - $99.99

Model - TM71T

List - 459.99

Available Finish - JBT Jewel Blue Top (with black back and sides)

Body Material - Maple Top, Sides and Back

Body Dimensions - 1 11/16" (43mm) at the tail

Neck Material - Mahogany

Neck Scale/Type - 24 3/4" scale/set in

No. Frets/Type - 22/Large

Fingerboard - Bound Rosewood

Inlay - Pearl Dot

Bridge - ART2 Roller Bridge w/VBX60 Vintage Vibrato

H/W Color - Chrome

Neck Pickup - ACH1 Humbucker

Bridge Pickup - ACH2 Humbucker

Controls - 2 volume, 2 tone, 1 toggle

Case - AG100C

Case - List $99.99

Body
Body Style Dreadnought
Top Wood Solid Sitka Spruce
Back Wood Mahogany
Side Wood Mahogany
Bridge Rosewood
Finish Natural High Gloss
Neck
Neck Wood Mahogany
Inlay Pearl Dot
Fretboard Rosewood
Tuning Machines Chrome Die-Cast
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaw100||item.||page.||artwoodseries||||||||Ibanez AW100||aw100||acin noname5 artwoodseries||Acoustic Instruments > Ibanez Acoustic Guitars > Artwood Series > ||||||||||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaw100lce||item.||page.||artwoodseries||||||||Ibanez AW100LCE||AW100LCE||acin noname5 artwoodseries||Acoustic Instruments > Ibanez Acoustic Guitars > Artwood Series > ||||||||||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezaw200vv||item.||page.||artwoodseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24911879||||||Ibanez AW200VV||aw200vv||acin noname5 artwoodseries||Acoustic Instruments > Ibanez Acoustic Guitars > Artwood Series > ||||||||||||||||0||1||1||0||||||||
With their hallmarked features of scalloped bracing and solid spruce tops that improve with age, Artwood guitars are a sterling example of traditional acoustic craftsmanship and design.
Since the 1980's, the Artwood line has set the standard in affordable professional acoustic guitars. The solid top is one reason for this. Not only do solid tops resonate more freely than laminated tops, they continue to grow richer in sound with age.
What's more, a back and sides made of figured maple give this piece an exquisite appearance and brilliant tone with strong projection.
However, these are just some of the remarkable features of this guitar. Further specifications are listed below.

Body
Body Style Dreadnought
Top Wood Solid Engelmann Spruce
Back Wood Figured Maple
Side Wood Figured Maple
Bridge Rosewood
Finish Vintage Violin High Gloss Finish
Neck
Neck Wood Mahogany
Inlay Pearl Dot
Fretboard Rosewood
Tuning Machines Gold Grover
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Ibanez AX125 Electric Guitar

With heavy rock favoring the low-end and players in many different genres experimenting with alternate tunings, Ibanez feels the time is right to offer models that feature a D-tuner as stock equipment. "The Downshifter D-tuner provides the fastest and easiest way to achieve alternate tunings," commented Masashi Inoue of Ibanez. "It�s simple, accurate and fast. And with the availablity of the Downshifter in both our AX and inexpensive GAX models, getting a guitar with a stock D-tuner has never been more affordable."||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezbass||item.||page.||electricbass||||||||Ibanez Bass||||electricbass||Electric Bass > ||||||||Ibanezbass.com Ibanez SRFF806 Ibanez SR1800E Ibanez TMB100||||||||0||1||0||0||||ibatkseba gsr100bass ibanezgaxb ibanezsr400 ibgslef ibanezgsr200 ibanezgsr205 ibanezsr300dx ibsrelbasgui sr405 ibanezsr406 ibanezsr800 ibedaserbas ibanezedb600 iberfretbas ibacelbas ibanezbtb500 ibicba srxseries dougwimser kornseries ibsrserbas ib20basguitn ibbascas1 ibpgpagrsiba ibmibagu ibanezsr4005 ibanezsr4000e ibsr700ba ibanezbass5 ibanezbass6||||Browse all Ibanez Bass Guitars

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Ibanez ICB100C Bass Guitar Case for Iceman
Accept no substitutes! Protect your investment by insisting on the genuine article. Only Ibanez cases and bags are made to fit the unique shape of Ibanez guitars and basses. If it doesn't say Ibanez on the case, it isn't an Ibanez. Ibanez cases are well built and designed specifically to fit their instruments.

Ibanez MB100C Bass Guitar Case for SR Series
Ibanez MB100C Bass Guitar Case for SR Series

Hardshell case for Ibanez basses. Accept no substitutes! Protect your investment by insisting on the genuine article. Only Ibanez cases and bags are made to fit the unique shape of Ibanez guitars and basses. If it doesn't say Ibanez on the case, it isn't an Ibanez. Ibanez cases are well built and designed specifically to fit their instruments.

Ibanez AGB100C Bass Guitar Case for AGB140 Artcore ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibbascas||item.||page.||electricbass||||||||Ibanez Bass Cases||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||ibanezexb1000c ibanezmb100c ibbasgigbag||||
Ibanez ICB100C Bass Case Standard

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Ibanez ICB100C Bass Case Standard

Ibanez AGB100C Bass Case Standard

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Ibanez IJSB90 Jumpstart Electric Bass Guitar Package
Great product for the aspiring bassist This complete package includes:
Ibanez GSR 190 Bass

Ibanez Bass Practice Amp

Black Ibanez Logo Gig Bag

Digital Bass Tuner

Cable

Strap

Video

Our Ibanez designers love to design expensive, high end basses for the virtuoso player. But they also enjoy making instruments that everyone can play...and play well. Advances in guitar making now allow comfortable, easy playing Soundgear basses to be placed in the hands of everyone.

Now aspiring bassists and players on a budget no longer have to struggle on uncomfortable instruments that are hard to play and sound boring as..... Now every bassist, rich or poor, skilledor journneyman can have an instrument they can be proud of. And that's something that our designers are very proud of.

The GSR190 bass is destined to be one of the best selling basses in Ibanez' long history of basses. With a solid agatis body, a hard rock maple neck with SBB#150 Hardness fret wire and a PSND P Pickup,the GSR190 is the best value feature bass going.

Ibanez IJXB190 Jumpstart Electric Bass Guitar Package

Ibanez IJXB190 Jumpstart Electric Bass Guitar Package

Ibanez IJXB190 Jumpstart Electric Bass Guitar Package ||||bass guitar starter package, ibanez bass, gsr100, bass package, jampack, guitar for sale||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezbtb500||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_24985387||||||Ibanez BTB Series||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez BTB Basses||||||||0||1||0||0||||||||
Ibanez BTB776PB 6 String Electric Bass Guitar

Ibanez BTB775PB 5 String Electric Bass Guitar
The BTB775PB 5 string bass offers a huge tone, a gorgeous poplar burl top and is excellent for low tunings. The Ibanez exclusive Bartolini MK2 pickups deliver a fat tone with a warm response and superior dynamics. The deeper cutaways allow upper fret accessibility that BTB players have come to love. Plus the massive 5 piece maple/bubinga 35 inch scale thru-neck just adds to the playability of this great sounding 5 string electric bass.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezcases||item.||page.||ibelguit||||||||Ibanez Cases||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Guitar cases Ibanez Bass cases||||||||0||1||0||0||||ibrgharcas ibm1harcas ibuvharcas ibamharcas ibelguitgig||||

Ibanez AM50C Guitar Case for AX and GAX

Ibanez UV1000C Guitar Case

Ibanez M100C Hardshell Guitar Case for RG, S, JS, and PGM

Ibanez AS100C Artcore Hardshell Case for AS Series Guitars

Ibanez RG140C Hardshell Guitar Case for RG, S, and SA

Ibanez AG100C Artcore Case for AG Series Guitars||||ibanez, music stores, musical instruments for sale, guitar store, ibanez basses, music retailer, violins, violas, cremona violin, trumpets, trombones, cellos, chris b, music||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibcreats520e||item.||page.||20winnamnewr||||||||Ibanez Creates S520EX "Extreme Metal" Model||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

On display at the Ibanez booth at the January NAMM show was an eye-catching all-black S guitar, the S520EX "Extreme Metal" model. Explained Rob Nishida of Ibanez Artist Relations, "The S design has proved popular with every genre from goth to gospel, and we've got all kinds of artists playing it. But we noticed an upsurge in the number of players of extreme forms of heavy rock and metal asking us for S guitars. The S can already get the sounds of those kinds of music, as well as just about anything else, but we felt the S line-up needed a guitar with the right look for those genres."

Nearly all the appointments on the S520EX "Extreme Metal" model are black including the hardware and pickup mounting rings. The S features Ibanez's ball-bearing equipped Zero Resistance tremolo and Zero Point system for the added stability needed for aggressive styles.

Ibanez S520EX Electric Guitar Black ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibcusrev||item.||page.||guitar||||||||Ibanez Customer Reviews||||guiten guitar||Guitar Encyclopedia > Guitarist Articles > ||||||||Ibanez Guitar Reviews||||||||0||1||0||0||||||||

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Acoustic Gigbag / Backpack combo. Now you can have it all. Well, at least you can carry it all in style. The ingenious new Ibanez APB combination bag features a separable backpack and heavy-padded gig bag (with extra movable padding for different axes).||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibdayminguit||item.||page.||noname5||||||||Ibanez Daytripper Mini Guitars||||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||||||||||0||1||0||0||||ibanezdtmant ibday2waybac ibanezdtmetbl||||

Ibanez Daytripper Series Dt100ece Acoustic-Electric Guitar Natural||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibdebfirszpr||item.||page.||20winnamnewr||||||||Ibanez Debuts First SZ Prestige Guitar||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

The January NAMM Show in Anaheim, CA saw the unveiling of the first Prestige version of the best selling Ibanez SZ electric guitar. The new SZ2020TKF features the signature mahogany body of the standard SZ but adds a flamed maple top, a milled brass bridge for more sustain, and a comfortably rounded SZ Prestige neck.

U.S.A.-made Seymour Duncan IBZ pickups take the SZ design to another new level of warm, fat, and powerful tone in this Ibanez Prestige model. The neck pickup features an Alnico magnet and offers warm, smooth tone with rich sustain. The bridge pickup features a ceramic magnet and provides high output with aggressive harmonics and clear attack.

The SZ2020TKF's MMI bridge allows for radical intonation adjustments and augments the already superior sustain provided by the SZ Prestige set-neck and mahogany body.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibdes||item.||page.||ibelguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25001760||||||Ibanez Destroyer||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Low prices and fast shipping on Ibanez Destroyer
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Ibanez Dt520 Destroyer Series Electric Guitar Black

Ibanez Dt420 Destroyer Series Electric Guitar Transparent Cherry

Model DTX120"Destroyer"

ICX120 "Iceman"

List $329.99 $329.99

Available Finish CA Candy Apple, BKBlack BK Black

Body Material Basswood Basswood

Neck Material Maple Maple

Neck Scale 25 1/2" 25 1/2"

No. Frets/Type 22/Large 22/Large

Fingerboard Rosewood Rosewood

Inlay Pearl Dot Pearl Dot

Bridge Full Tune II Full Tune II

H/W Color Chrome Chrome

Neck Pickup Powersound Humbucker Powersound Humbucker

Middle Pickup N/A N/A

Bridge Pickup Powersound Humbucker Powersound Humbucker

Case DTX100C ICX100C

Case List TBA

TBA

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibdismod20||item.||page.||ibanez2000||||||||Ibanez Discontinued Models 2003||||ibanez2000||Ibanez 2018 > ||||||||Ibanez Discontinued Guitars 2003||||||||0||1||0||0||||||||

Electric Guitars

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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezdtmant||item.||page.||ibdayminguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25005737||||||Ibanez DTMANT||dtmant||acin noname5 ibdayminguit||Acoustic Instruments > Ibanez Acoustic Guitars > Ibanez Daytripper Mini Guitars > ||||||||Ibanez Daytripper Guitar||||||||0||1||1||0|||||||| Used Ibanez Daytripper Series Dt100e Acoustic Guitar Natural 886830194450

January 21, 2001

Since they feature standard EADGBE tuning and full sound, Ibanez doesn�t like to call its mini-dreadnoughts "student" guitars or "travel" guitars. "Essentially, these are smaller versions of our full sized guitars," said Thomas (Honest Thomas) Appleton of the Hoshino Sales and Service Division. The new Daytripper Mini-Art is patterned after our very traditional Artwood guitars (pic above), while the acoustic-electric Min-E (below) is a nicely downsized version of our popular AE guitars." Ibanez - DTMANT

Daytripper series mini-dreadnought acoustic guitar featuring a spruce top, mahogany neck, and die-cast tuners
Specs:

Model DTMANT Daytripper "Mini-Art" DTMETBL Daytripper "Min-E"

List $269.99 $379.99

Body Style Mini-Dreadnought Cutaway Mini-Dreadnought

Available Finish Natural High Gloss Transparent Blue High Gloss

Top Spruce Spruce

Back and Sides Mahogany Mahogany

Fretboard/Bridge Material Rosewood Rosewood

Neck Material Mahogany Mahogany

Inlay Dot Dot

Tuners Chrome Die-Cast Chrome Die-Cast

Electronics Ibanez Piezo with Ibanez AEQ201 2-Band EQ

Gig Bag DTCB DTCB

Gig Bag List $29.99 $29.99

Ibanez Daytripper Series DT100ECE Acoustic-Electric Guitar Natural||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezdtmetbl||item.||page.||ibdayminguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25008315||||||Ibanez DTMETBL||DTMETBL||acin noname5 ibdayminguit||Acoustic Instruments > Ibanez Acoustic Guitars > Ibanez Daytripper Mini Guitars > ||||||||||||||||0||1||1||0||||||||
featuring a spruce top, Piezo Transducer pickup, and a stylish transparent blue finish.
Specs:

Model DTMANT Daytripper "Mini-Art" DTMETBL Daytripper "Min-E"

List $269.99 $379.99

Body Style Mini-Dreadnought Cutaway Mini-Dreadnought

Available Finish Natural High Gloss Transparent Blue High Gloss

Top Spruce Spruce

Back and Sides Mahogany Mahogany

Fretboard/Bridge Material Rosewood Rosewood

Neck Material Mahogany Mahogany

Inlay Dot Dot

Tuners Chrome Die-Cast Chrome Die-Cast

Electronics Ibanez Piezo with Ibanez AEQ201 2-Band EQ

Gig Bag DTCB DTCB

Gig Bag List $29.99 $29.99

This is one case of downsizing that makes sense!

No need to settle for a so-called travel guitar or student model in order to get the portability you need. The Daytripper guitar is a smaller sibling to Ibanez's acclaimed AE acoustic electric series with standard tuning, total playability, and full-sized tone without the bulk. The mini-dreadnought body has a spruce top, rosewood fretboard and bridge, mahogany neck, back, and sides, and a shimmering high-gloss finish. Body dimensions: 12.5"W x 18"L x 3.5"D.

Ibanez Daytripper DTME Mini Dreadnought Acoustic-Electric Guitar Features:

* Standard tuning * Full-sized tone without the bulk * Mini-dreadnought body has a spruce top * Rosewood fretboard and bridge * Mahogany neck, back, and sides * Shimmering high-gloss finish * 12.5"W x 18"L x 3.5"D.

Ibanez Daytripper DTME Mini Dreadnought Acoustic-Electric Guitar Specifications:

* Body dimensions: 12.5"W x 18"L x 3.5"D. * 22.5" scale||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibedaserbas||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25017456||||||Ibanez EDA Series Basses||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez EDA Series Basses||||||||0||1||0||0|||||||| Traditionalists who raised their eyebrows at Ibanez� original Ergodynes with their man-made Luthite bodies will be wide eyed in shock at the new Ergodyne EDA basses. Because while the first EDB at least looked somewhat traditional from a distance and the EDC had a couple of hints of traditional, the EDA looks like something out of a very high class sci-fi film. "But like the original Ergodynes, any space age form is totally determined by down-to-earth function," remarked Paul Specht of Ibanez Communications.

"For example, the untraditional reversed tuners allow us to use an untraditional smaller headstock. And that smaller headstock results in better fret-to-fret response consistency. The horns provide better balance and combined with the lightweight of the Luthite body which means that you can concentrate on playing�not holding up�the bass."

"But the most important part is what doesn�t meet the eye," continued Specht. The Monorail bridge contains Fishman piezos which are complemented by a Fishman EQ. Those piezos, in combination with the Ibanez magnetic DFR pickups allow the EDA to get a sound that�s both bigger and warmer�well before traditional basses would begin to distort. Best of all, these Luthite-bodied basses cost a fraction of a fraction of what a comparable wooden boutique bass would cost. And they just look cool."
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezedb600||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25025655||||||Ibanez EDB Series||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||EDB Series Basses||||||||0||1||0||0||||||||

Modern design in traditional wood.

This Ibanez EDB405 5-String Electric Bass Guitar delivers the Ergodyne's acclaimed comfortable shape crafted in basswood for a more natural tone. Features a curved back for supreme comfort and a scooped-out front to make slapping and popping easier. The slender 2-octave maple neck offers fast and easy fretwork. Powerful passive pickups and active PHAT tone circuitry with one-knob control to boost the perfect balance of highs and lows.

Ibanez EDB405 5-String Electric Bass Guitar Features:

* Bolt-on All-Access neck joint for free access to upper frets * Basswood body * Maple neck * Rosewood fingerboard * PHAT tone circuitry||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezeffects||item.||page.||effects||||||||Ibanez Effects||||effects||Effects > ||||||||||||||||0||1||0||0||||||||
Ibanez AD9 Analog Delay Effect Pedal Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibelguitgig||item.||page.||ibanezcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25039948||||||Ibanez Electric Guitar Gigbag / Backpack Combo||||elguit1 ibelguit ibanezcases||Electric Guitars > Ibanez Electric Guitars > Ibanez Cases > ||||||||Ibanez Electric Guitar Gigbag||||||||0||1||1||0||||||||Electric Guitar Gigbag / Backpack Combo. Now you can have it all. Well, at least you can carry it all in style. The ingenious new Ibanez GBP and BBP combination bags feature a separable backpack and heavy-padded gig bag.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibelguit||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25047822||||||Ibanez Electric Guitars||||elguit1||Electric Guitars > ||||||||Ibanez Electric Guitars||||||||0||1||0||0||||ibarcser ibarxser ibarzse axseries ibarser artistseries ibanezcases ibdes ibanezas200 gaxseries georbenser ibgrxser ibirlase jemseries ibanezjetking joesatser ibjohscof ibjumpac ibmigu patmetser ibprgu ibanezrgseries ibrgagu ibrose icemanic300 ibanezgsa60 kork7sigmod paulgilser ibanezsseries noname11 szscscaseries moreibanez ibacguit1 tonelokpedal ibsvsegu ibxisegu||||Chris B's Music carries the entire Ibanez line at rock bottom prices..something you don't see..e mail or call
Hi I just got my guitar yesterday. I want you guys to know that it looks and sounds great. I'm very pleased with it. I will certainly be shopping with you guys again. I like both my purchase and the service.
In all the years I have been buying instruments I have never been more impressed and pleased with the attention given to personal service and the quality of merchandise than now. You and your staff treated me like an old friend. You are to be commended and recommended.....best music store around....My Ibanez is a work of art...sounds great looks great.... Can't thank you enough.....Alan

||||ibanez, hoshino, rg, s series, tone-lok pedals, seven strings, jem, universe, rg470, rg 570, artist, ax, rg 7620, ibanez usa, s classic, iceman, ibanez guitars for sale,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|iberfretbas||item.||page.||ibanezbass||||||||Ibanez Ergodyne Fretless Bass||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||New Ergodyne EDA Fretless Basses from Ibanez.||||||||0||1||0||0||||||||

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Online Publications

Opportunity-to-Learn Standards for Music Technology

Teacher Education for the Arts Disciplines

The National Music Education Standards

The National Music Education Standards (Spanish translation)
Statement of Principles The statement on music education policy.

The Music Code of Ethics

Where We Stand. A statement representing MENC's position on a variety of topics and issues that concern music education.

A Research Agenda for Music Education: Thinking Ahead. A statement from MENC encouraging involvement in research directed toward improving the quality of music teaching and learning.

The School Music Program: A New Vision. Containing the MENC Prekindergarten standards and the K-12 National Standards for Music Education.

Opportunity-to-Learn Standards for Music Instruction, Grades PreK-12 Information on what schools should provide in terms of curriculum and scheduling, staffing, mater ials and equipment, and facilities.

Summary Statement: What All Students Should Know and be Able to Do in the Arts The introductory statement to the National Standards.

A first! The MENC online book, A Career Guide to Music Education, by Barbara Payne

The United States Copyright Law: A Guide for Music Educators. From MENC, MPA, MTNA, NASM, and NMPA.

Religious Music in the Schools MENC Position Statement on Religious Music Within an Educational Context

MENC Position Statement on Early Childhood

Online Teacher's Guides

The Guide to "Jazz - An Expression of Democracy"

The Guide to "Behind the Music: 1968"

The Guide to Teaching with Popular Music

Duke Ellington: Celebrating 100 Years of the Man and His Music.

The MENC online teacher's guide to Guitar in the Classroom. Developed with the cooperation of the Guitar and Accessories Marketing Association and NAMM: The International Music Products Association.

The MENC online teacher's guide to Charlie Horse Music Pizza, the Shari Lewis educational series

The 2000 Music In Our Schools Month and World's Largest Concert Teacher's Guide.

The MENC online teacher's guide to the London Symphony Orchestra Music Explorer, by Richard McNicol

The In Harmony With Education^SM program.
Visit the web site for this interdisciplinary curriculum for music, science, and math at the middle level, developed by the Bose^® Corporation and MENC.

Opera: All of Music and More. Visit the web site for this program that uses the "universal art form," opera, to teach music and extend into language arts and social studies. Developed by MENC with the generous support of Texaco Inc.

New York Philharmonic LIVE! The teacher's guide to the New York Philharmonic
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|orexboonvi||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30311285||||||Orchestra Expressions, Book One: Violin||00-EMCO1002CD||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||8.950||8.950 ||||Orchestra Expressions Violin Book One||||||||1||1||1||0||||||||Orchestra Expressions� violin method book provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for the Arts in Music -- not retro-fitted to the Standards. The program is music literacy-based and satisfies reading and writing mandates in orchestra class.

Book & CD

Unique Features of Orchestra Expressions�:
* "Four-fingers-down" start for every instrument
* Separate but simultaneous development of both hands
* Orchestra arrangements by Sandra Dackow
* Final full orchestra concert piece||||||||||||||||0||||||||||||||||9780757919916||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~9780757919916~~|^^|orexbotwvi||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30325140||||||Orchestra Expressions, Book Two: Violin||00-EMCO2002CD||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||10.950||10.950 ||||Orchestra Expressions Violin Book Two||||||||1||1||1||0||||||||Orchestra Expressions violin book two provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for the Arts in Music -- not retro-fitted to the Standards. The program is music literacy-based and satisfies reading and writing mandates in orchestra class.

Book & CD

Unique Features of Orchestra Expressions�:
* "Four-fingers-down" start for every instrument
* Separate but simultaneous development of both hands
* Orchestra arrangements by Sandra Dackow
* Final full orchestra concert piece||||||||||||||||0||||||||||||||||0757920667||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~0757920667~~|^^|orsheetmus1||link.||||kidsmusicpage||||||||Order Sheet Music||||onmusles kidsmusicpage||Online Music Lessons > Kid's Music Page > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|shubbcapos||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30338959||||||Original Shubb Capo||C1B||accessories||Accessories > ||19.950||24.950 ||19.950 ||||||||||0||1||1||0||||||||Since 1980 the Shubb capo has set the standard against which all others must be measured. It is the first choice ... often the only choice... of hundreds of thousands of musicians worldwide. Once the serious guitarist has discovered the Shubb, he'll never settle for anything less.

What makes the Shubb capo so special? For one thing, its ingenious design: a patented locking action which provides an unrivalled combination of power, speed, accuracy and ease of use. One smooth flip of the lever locks it securely in place... and removes it just as quickly.

And the Shubb capo doesn't create tuning problems. Its soft, resilient rubber is specially designed to work just like a fingertip, so it doesn't bend the strings over the frets. As a result, no re-tuning is necessary!

Precisely machined of brass and carefully hand assembled, a Shubb capo is manufactured without compromise. Simply holding one in your hand conveys a sense of quality. Snapping it solidly onto a guitar neck, and then removing it, all within about one second, will confirm its reputation for excellence.||||||||||||||||0||||||||||||||||||||Shubb||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osscbase||item.||page.||osschmidguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30344692||||||Oscar Schmidt Bajo Sexto||OH50S ||acin osschmidguit||Acoustic Instruments > Oscar Schmidt Guitars > ||309.000||499.900 ||309.000 ||Oscar Schmidt Bajo Sexto||||||||1||1||1||0||||||||Our Oscar Schmidt Bajo Sexto is the embodiment of quality construction and exceptional tone. They are instruments that will last a lifetime. Our OH50S Bajo Sexto features a solid cedar top, deluxe tuners, and a unique rosewood bridge.

Handcrafted quality
Solid Cedar top
Sepele sides & back
Gloss finish
Wood marquetry
Rosewood fingerboard & bridge
Mahogany neck
Mother of Pearl headstock inlay
Lifetime warranty

Mandolins > ||195.000||299.000 ||195.000 ||||||||||1||1||1||0||||||||Acoustic-electric mandolin. The OM10E is an A style mandolin. The OM10E has passive electronics which include volume and tone control. Perfect for live music without feedback.

A Style Electric Mandolin
Built in passive pickup w/ volume & tune control
Select Bass wood top
Mahogany sides/back
Color:Sunburst
Lifetime warranty

||Finish "Tobacco Sunburst" "White"||||||||||||||0||||||||||||||||||||Oscar Schmidt||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osschmidguit||item.||page.||acin||||||||Oscar Schmidt Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||osschmidog1 osschmidoggu osschmidog3g osscbase||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osschmidog1||item.||page.||osschmidguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30376191||||||Oscar Schmidt OG1||OG1||acin osschmidguit||Acoustic Instruments > Oscar Schmidt Guitars > ||109.000||169.000 ||109.000 ||||||||||0||1||1||0||||||||Provides superior intonation, action and responce found only in instruments of far greater selling price.
3/4 size steel string dreadnought guitar
Adjustable neck
High Gloss Finish
Select Spruce Top
Catalpa Sides/Back
Standard X Bracing
Neck: Mahogany
Fingerboard: Rosewood
Lifetime Warranty||Color: Natural "Trans Red" "Trans Blue" "Flame Yellow Sunburst"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osschmidoggu||item.||page.||osschmidguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30385767||||||Oscar Schmidt OG2 Guitar||OG2||acin osschmidguit||Acoustic Instruments > Oscar Schmidt Guitars > ||139.000||199.900 ||139.000 ||Ultimate student guitar Full size dreadnaught Lifetime warranty||||||||0||1||1||0||||||||The OG2 is a deep dreadnought with a full acoustic resonance available in a wide variety of colors..

Dreadnought style
High gloss finish
Select spruce top
Catalpa sides & back
Standard X Bracing
||Finish "Natural" "Transparent Blue" "Transparent Red" "Black"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osschmidog3g||item.||page.||osschmidguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30411277||||||Oscar Schmidt OG3 Guitar||OG3||acin osschmidguit||Acoustic Instruments > Oscar Schmidt Guitars > ||199.990||299.900 ||199.990 ||Oscar Schmidt OG3 Guitar||||||||0||1||1||0||||||||The OG3 dreadnought acoustic guitar features high end appointments like a Tree of Life fingerboard inlay and rosewood headstock cap.

Handcrafted quality

High gloss finish

Select spruce top

Sapele sides/back

Die cast tuners

Decorative wood marquetry

Rosewood fingerboard and bridge

Mahogany neck

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osschmidou2u||item.||page.||osscuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30418598||||||Oscar Schmidt OU-2 Uke||ou-2||acin osscuk||Acoustic Instruments > Oscar Schmidt Ukuleles > ||69.000||109.900 ||69.000 ||Buy Oscar Schmidt Ukes at Chrisbsmusic.com Authorized Dealer||||||||1||1||1||0||||||||The Oscar Schmidt Ukuleles

From the traditional Leader in folk music since 1886. Premium woods, quality hardware and modest prices create an ideal instrument. Each is inspected and adjusted in the USA by a skilled technician, your assurance fro smooth fret ends, precision low action and resonant sound quality. Unequalled standards in easy playing comfort and tone response creates the perfect value... Oscar Schmidt

Geared tuners
Mahogony Body and Neck
Neck Binding

Beautiful sound at an affordable price!

||||||||||||||||0||||||||||||||||||||Oscar Schmidt||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osscousoukwp||item.||page.||osscuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30427002||||||Oscar Schmidt OU2E Soprano Ukulele w/ Pickup ||OU2E||acin osscuk||Acoustic Instruments > Oscar Schmidt Ukuleles > ||109.000||209.000 ||109.000 ||Oscar Schmidt OU2E Uke||||||||0||1||1||0||||||||Oscar Schmidt OU2E Soprano Ukulele w/ Pickup offers a lively full body that resonates with sparkling highs and warm lows. While very affordable, these wonderful instruments produce a rich welcome to the love of playing a ukulele!

* Handcrafted quality * Mahogany top, back & sides * Ebony headstock and bridge * Ivory body binding * Satin finish * Chrome tuners

* EQ pickup system (OU2E) * Lifetime warranty

||||||||||||||||0||||||||||||||||||||Oscar Schmidt||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osscou5cokoa||item.||page.||osscuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30433838||||||Oscar Schmidt OU5 Concert Koa Ukulele||OU5||acin osscuk||Acoustic Instruments > Oscar Schmidt Ukuleles > ||159.000||309.900 ||159.000 ||Oscar Schmidt OU5 Concert Uke||||||||0||1||1||0||||||||Oscar Schmidt OU5 Concert Ukulele is constructed of Hawaiian Koa, Rosewood, Spruce and Mahogany with classic designs and superior resonance.

Our popular and affordable Oscar Schmidt Ukuleles are hand crafted for years of playing enjoyment.

Concert size
Handcrafted quality
Select Hawaiian Koa top
Select Hawaiian Koa back & sides
Abalone binding
Abalone rosette
16 fret nyatoh neck
Lifetime warranty

||||||||||||||||0||||||||||||||||||||Oscar Schmidt||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osscoubauk||item.||page.||osscuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30441176||||||Oscar Schmidt OU53S Baritone Ukulele||OU53S||acin osscuk||Acoustic Instruments > Oscar Schmidt Ukuleles > ||169.000||269.900 ||169.000 ||||||||||0||1||1||0||||||||Constructed of Hawaiian Koa, Rosewood, Spruce and Mahogany with classic designs and superior resonance, our popular and affortable Oscar Schmidt Ukeleles are hand crafted for years of playing enjoyment.

Handcrafted quality
Baritone size
Solid spruce top
Rosewood back & sides
Rosewood fingerboard & bridge
Abalone rosette
Abalone binding
Gloss finish
Die cast tuners
Lifetime warranty
||||||||||||||||0||||||||||||||||||||Oscar Schmidt||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osscukpak||item.||page.||osscuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30448451||||||Oscar Schmidt Ukulele PAK||OU2PAK||acin osscuk||Acoustic Instruments > Oscar Schmidt Ukuleles > ||89.000||149.000 ||89.000 ||Oscar Schmidt Ukulele Package||||||||1||1||1||0||||||||Oscar Schmidt Ukulele PAK is a complete ukulele starter package.

Deluxe OU2 concert size ukulele

Gig bag

Ukulele Mike�s DVD

||||||||||||||||0||||||||||||||||||||Oscar Schmidt||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|osscuk||item.||page.||acin||||||||Oscar Schmidt Ukuleles||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||osschmidou2u osscukpak osscou5cokoa osscousoukwp osscoubauk||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ouds||item.||page.||acin||||||||Ouds||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||ouegstwihaca tuoudwisoca||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ourstintrinp||item.||page.||strinin||||||||Our Stringed Instrument Trade in Plan||||strinin||Stringed Instruments > ||||||||||||||||0||1||0||0||||||||Chris B's Music believes in serving a customer for life, not for a one time sale only. In keeping with that philosophy, we will honor trade ins on all of our violins, violas and cellos.

The program is simple. When ready for the next sized instrument, or a higher model simply ship us the first instrument. We will inspect the instrument and contact you with a fair market value toward your trade. Once you agree, we ship out the new instrument, at a substantial saving to you.

This trade in program is especially helpful for parents buying small sized violins. We will honor trade ins all the way up to a full sized instrument.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ov12strinacg||item.||page.||12stringuit||||||||Ovation 12 String Acoustic Guitars||||acin 12stringuit||Acoustic Instruments > 12 String Guitars > ||||||||||||||||0||1||0||0||||||||Free Shipping on Ovation 12 String Acoustic Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ovguitcas||item.||page.||ovationguitars||||||||Ovation Guitar Cases||||acin ovationguitars||Acoustic Instruments > Ovation Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Ovation Guitar Cases||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ovationguitars||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30490610||||||Ovation Guitars||||acin||Acoustic Instruments > ||||||||Ovation Guitars Ovation Acoustic Electric Guitars||||||||0||1||0||0||||ovguitcas||||Browse all Ovation Guitars

Ovation Applause Series AE148 Super Shallow Cutaway Acoustic-Electric Guitar Black
Ovation's award-winning multi-sound hole technology is now incorporated into the Applause AE148. Its full, balanced sound is pumped out through the calibrated spruce top and fine-tuned bracing. The Lyrachord body allows for the back of the guitar to be free of reinforcements that can inhibit sound projection. A slim contoured neck allows for fast and effortless playing that suits any style from finger picking to power chords.

Ovation Elite 1778 TX Acoustic-Electric Guitar with Hardshell Case Black

Ovation B778 Acoustic-Electric Bass Guitar Black
The Ovation B778 acoustic-electric bass delivers beautiful bass tone and response thanks to its solid spruce top, quintad bracing, and a mid-depth bowl. A comfortable neck and smooth ebony fretboard give this bass a great playing feel. A Tru-Balance bass pickup provides excellent balance between strings and the OP40 preamp system simply leaves other systems back in the 20th century. The EQ has a Mid-Shift switch that moves the center frequency of the mid-band between 400Hz and 900Hz. It also features a Pre-Shape circuit for that extra "cut" you need in live band situations. The ultra-steep notch filter can zap feedback one note at a time. All this control lets you zero in on your perfect personal tone. The Ovation B778's looks are nothing short of jaw-dropping. A beautiful finish is accented by the 5-piece Epaulet surrounding the multi soundhole. Gold tuning machines, mother of pearl fret inlays, and a walnut bridge finish off this gorgeous bass.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ovman||item.||page.||mandolins1||||||||Ovation Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||||||Browse all Ovation Mandolins||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|prterms||item.||page.||moterms||||||||P-R Terms||||classicalcafe musdic dlterms moterms||Classical Cafe > Musical Dictionary > D-L Terms > M-O Terms > ||||||||||||||||0||1||0||0||||szterms||||Pacato - Calm, quiet.

Passing tones - Unaccented notes which move conjunctly between two chords to which they do not belong harmonically.

Pausa - A rest.

Pensieroso - Contemplative, thoughtful.

Percussion family - Instruments made of sonorous material that produce sounds of definite or indefinite pitch when shaken or struck, including drums, rattles, bells, gongs, and xylophones.

Perfect - A term used to label fourth, fifth, and octave intervals. It corresponds to the major, as given to seconds, thirds, sixths, and sevenths.

Perfect cadence - The chordal progression of dominant to tonic, in a major key V-I, in minor V-i.

Perfect interval - Interval of an octave, fifth, or fourth without alteration.

Perfect pitch - The ability to hear and identify a note without any other musical support.

Pesante - Heavy.

Petite - Little.

Peu a peu - Little by little.

Phrase - A relatively short portion of a melodic line which expresses a musical idea, comparable to a line or sentence in poetry.

Pianissimo - Very soft.

Pianississimo - Very, very soft; the softest common dynamic marking.

Piano - Soft. Pianoforte.

Pianoforte - "Soft-loud." A keyboard instrument, the full name for the piano, on which sound is produced by hammers strikin s when keys are pressed. It has 88 keys.

Picardy third - The term for the raising of the third, making a major triad, in the final chord of a composition which is in a minor key. The practice originated in c. 1500 and extended through the Baroque period.

Pitch - The highness or lowness of a tone, as determined by the number of vibrations in the sound.

Piu - More. Used with other terms, e.g. piu mosso, more motion.

Pizzicato - "Pinched." On string instruments, plucking the string.

Plagal cadence - Sometimes called the "amen" cadence. The chordal progression of subdominant to tonic, in a major key IV-I, in minor iv-i.

Poco - Little. Used with other terms, e.g. poco accel., also, poco a poco, little by little.

Poco ced., Cedere - A little slower.

Poco piu mosso - A little more motion.

Poi - Then or afterwards, e.g. poi No. 3, then No. 3.

Postlude - "Play after." The final piece in a multi-movement work. Organ piece played at the end of a church service.

Prelude - "Play before." An introductory movement or piece.

Premiere - First performance.

Prestissimo - Very, very fast. The fastest tempo.

Presto - Very quick.

Primo - First.

Principal - Instrumental section leader.

Prologue - An introductory piece that presents the background for an opera.

Quarter note/rest - A note/rest one half the length of a half note and one quarter the length of a whole note.

Quartet - A piece for four instruments or voices. Four performers.

Quasi - Almost. Used with other terms, e.g. quasi madrigal, almost or as if a madrigal.

Quintet - A piece for five instruments or voices. Five performers.

Rallentando, rall - Gradually slower. Synonymous with ritardando.

Range - The gamut of pitches, from low to high, which a singer may perform.

Rapide - Rapidly.

Re - In solmization, the second degree of the major scale.

Recital - A performance by one or more performers.

Refrain - A short section of repeated material which occurs at the end of each stanza.

Relative major and minor scales - Major and minor scales which have the same key signature.

Renaissance - The period c. 1450-1600.

Repeat - The repetition of a section or a composition as indicated by particular signs.

Repeat of a section:

Repeat from the beginning:

Also D.C., repeat from the beginning and D.S., repeat from the sign.

Resonance - Reinforcement and intensification of sound by vibrations.

Rest - A symbol used to denote silence.

Rhapsody - A free style instrumental piece characterized by dramatic changes in mood.

Rhythm - The term which denotes the organization of sound in time; the temporal quality of sound.

Rinforzando - A reinforced accent.

Risoluto - Resolute.

Ritardando, rit - Gradually slower. Synonymous with rallentando.

Ritenuto - Immediate reduction in tempo.

Ritmico - Rhythmically.

Roll - On percussion instruments, a sticking technique consisting of a rapid succession of notes:

Romanticism - The period c. 1825-1900.

Root - The note upon which a triad or chord is built.

Root position - The arrangement of a chord in which the root is in the lowest voice.

Round - Like the canon, a song in which two or more parts having the same melody, starting at different points. The parts may be repeated as desired.

Rubato - The term used to denote flexibility of tempo to assist in achieving expressiveness.

Rudiments - On drums, the basic sticking patterns.

Ruhig - Quiet.

Run - A rapid scale passage.

Rustico - Pastoral, rustic, rural.

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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezexb1000c||item.||page.||ibbascas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25050219||||||Ibanez EXB1000C||exb1000c||electricbass ibbascas||Electric Bass > Ibanez Bass Cases > ||||||||||||||||0||1||1||0||||||||
Ibanez ICB100C Bass Case Standard

Ibanez AGB100C Bass Case Standard

Ibanez EXB1000C Bass Case Standard

Ibanez ATK1000C Bass Case Standard

Ibanez AEB50C Hardshell Case for AEB10 Acoustic Bass Standard

Ibanez MB100C Bass Case Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gax70||item.||page.||gaxseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25055928||||||Ibanez GAX 70||gax70||elguit1 ibelguit gaxseries||Electric Guitars > Ibanez Electric Guitars > GAX Series > ||||||||Ibanez GAX Series||||||||1||0||1||0||||||||
Ibanez GAX70 Electric Guitar Transparent Red

Ibanez GAX70 Electric Guitar White

A miniscule price for crankin' Ibanez tone and feel.

Featuring the Artist body style and the GRX style neck, this solid agathis electric guitar is the most affordable ever in the 20-year Artist series. The Ibanez GAX70 features a Full Tune II bridge with stopbar tailpiece, and 2 Powersound humbuckers.

Ibanez GAX70 Electric Guitar Features:

* Genuine Artist series styling * Solid agathis body * 2 Powersound humbucker pickups * Full Tune II bridge and stopbar tailpiece

Act now or forever hold your licks!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezgax75||item.||page.||gaxseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25078094||||||Ibanez GAX75||gax75||elguit1 ibelguit gaxseries||Electric Guitars > Ibanez Electric Guitars > GAX Series > ||||||||||||||||0||1||1||0||||||||
The Best Selling Affordable Ibanez Guitar!
Features
The GAX75 features an agathis body; powersound humbuckers; medium frets; and an SS II bridge with a Downshifter D-Tuner, the simplest way to achieve alternate tunings quickly and accurately on the fly.
AX Series
Starting out the AX lines are the inexpensive GAX s. Still the best selling affordable guitars in Ibanez's history. Considering the GAX's playability, looks and sounds, it's not rocket science to understand why these guitars have completely blurred the line between beginner and professional guitars. And now the option of a D-tuner ona guitar this inexpensive represents another tremendous breakthrough.

If your instrument was purchased before 2004, the warranty period was for 2 years.

If your instrument was purchased before 2004, the warranty period was for 5 years.

If your instrument was purchased before 2004, the warranty period was for 7 years.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johnsonguitars||item.||page.||elguit1||||||||Johnson Guitars||||elguit1||Electric Guitars > ||||||||Johnson Electric Guitars||||||||0||1||0||0||||jogr jodero joharguit axlhesro axlhesroleha axlmielgu axlmielguleh joad johjtsincut johjsdoubcut johdelmarspe johminelguit johcatguit johsolstan johsolclas johsolel johminelguit1 axlguwain||||
Chrisbsmusic.com sells the entire Johnson guitar line.
Buy Johnson guitars on sale here.
Johnson Musical Instruments has become a leading musical instrument manufacturer over the last 10 years by offering great lines of guitars and pro sound with unmatched value. We began crafting guitars and fretted instruments over 10-years ago and have built up a vast collection of acoustics, electrics, resonators, folk, amps, pro sound, and more. Our dedication to preserving the best interests of our customers at affordable prices has kept us a forerunner in the industry.

Chris B's Music is an authorized Johnson guitar dealer carrying models such as the Grooveyard, Las Vegas, Delta Rose as well as the new AXL electric guitars in both full and fractional sizes.

The premiere Johnson guitar to flagship the company was the JM-998 Style-O Metal Body Resonator. This pre-war style metal body guitar is made with high grade European bell brass and is still one of our best resonators. The superb quality and attractive cost of the Resonator lead to the quick rise in popularity of the Johnson name.

Coolest/Hottest - Check out the latest in guitars, percussion and more||||johnson guitar, johnson electric guitar, johnson las vegas, del sol, catalyst guitar, solara standard, musiclink, axl guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johher000||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26933095||||||Johnson Herringbone 000||JG-O30-N||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||139.990||183.990 ||139.990 ||||||||||1||1||1||0||||||||We offer our specialized Herringbone series in the popular 000-style of acoustic guitars. These guitars are perfect for those who prefer a rich acoustic sound in a smaller size. This guitar also features a wider neck and string spacing, so it is a fingerpicker�s dream. This instrument�s size gives it a brighter sound than most acoustics and makes it very comfortable to play.
Canadian Sitka Spruce Top � Honduran Mahogany Back & Sides � Bound Rosewood Fretboard � Dovetail Neck Joint � Ivoroid Backstripe � Nickel/Silver Frets � Die-Cast Tuning Machines � Intricate Herringbone Rosette � Scale Length: 25 1/2" � Lifetime Warranty||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjgdreadac||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26944744||||||Johnson JG-610 Dreadnaught Acoustic Guitar||jg610||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||109.990||146.990 ||109.990 ||Johnson Guitars-Johnson Acoustic Guitars- Johnson JG-610

||||||||1||1||1||0||||||||The Johnson JG-610 is our most popular guitar. This Johnson dreadnaught is well built and affordably priced to give you the best value for a beginner guitar. Special attention is given to the neck angle to ensure that every guitar is intonated & playable. This guitar comes with Martin strings so it sounds great right out of the box.
This is not a guitar a beginner will "grow out" of anytime soon.

Nato Neck

Martin Strings

Black Body Binding

Inlaid Position Markers

High Gloss Finish

2 Year Warranty

Available in Natural, Blueburst, Redburst and Black

||Color Natural Blueburst Black Redburst||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jojg615acgu||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27000430||||||Johnson JG-615 Solid Top Acoustic Guitar||JG-615||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||129.990||173.990 ||129.990 ||Johnson JG-615 Acoustic Guitar||||||||1||1||1||0||||||||The Johnson JG-615 guitar is the only solid-top in its price category. Offering guitarists an unparalleled combination of features and value, Johnson continues to make playable guitars that are affordable for everyone.

The 615 has a solid spruce top, a bound ebonized fretboard and die-cast tuners. It is also available with a gloss black finish.

Style: Dreadnought
Top: Solid Spruce
Back & Sides: White Wood
Neck: Nato

||Finish: Natural Black||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjgser||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27115759||||||Johnson JG-620-C Series||JG620C||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||119.990||159.990 ||119.990 ||Johnson Guitars-Johnson Acoustic Guitars- Johnson JG620C

THIS ITEM SHIPS FREE TO CONTINENTAL US||||||||1||1||1||0||||||||Johnson JG-620-C Series
(Click pic for larger image)

This Johnson solid top guitar is less than $120 yet boasts features found on more expensive instruments.

Spruce Top

Diecast Tuning Machines

Nato Neck

Martin Strings

Bound Rosewood Fretboard

Rosewood Bridge

Black Body Binding

Inlaid Dots Position Marker

Nickel/Silver Frets

High Gloss Finish

A cutaway version of our JG-620 dreadnaught, this guitar has the same great features plus a bound rosewood fretboard.

It's cutaway shape allows for better access to the upper range of the fretboard.||Color Natural Blueburst Black Sunburst White Red||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johjglefac||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27159443||||||Johnson JG-624 Left-Handed Acoustic||JG-624||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||119.990||159.990 ||119.990 || Johnson JG624 Left Handed Acoustic Guitar||||||||1||1||1||0||||||||The Johnson JG624 is a great value in a left handed acoustic guitar.

This Johnson JG-624 features:

Spruce Top

Diecast Machine Heads

Nato Neck

Martin Strings

Bound Rosewood Fretboard

Rosewood Bridge

Nickel/Silver Frets

Black Body Binding

Natural High Gloss Finish
||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jojgcuac||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27166593||||||Johnson JG610 Cutaway Acoustic-Electric||JG610-CE-NA||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||149.990||199.990 ||149.990 ||Johnson Acoustic-Electric Cutaway Guitar||||||||1||1||1||0||||||||Our best-selling Johnson JG610CE beginner guitar now comes with a lifetime warranty! This Johnson cutaway dreadnought guitar is well-built and affordably priced for the best value possible. Special attention is given to the neck angle to ensure that every guitar is intonated and playable. We use Martin strings to make this guitar even easier to play.

White Wood Top, Back and Sides

Nato Neck

Bound Rosewood Fretboard

Acoustic-Electric Cutaway

Usually Ships within 24hrs!||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johnsonjg620n||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27194173||||||Johnson JG620||jg-620||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||114.990||153.990 ||114.990 ||Johnson Guitars-Johnson Acoustic Guitars- Johnson JG620

||||||||1||1||1||0||||||||The Johnson JG620 is the best sounding guitar for under $150. We pack all the features you want in an acoustic: diecast tuning machines for precise tuning, a spruce top for a great sound, inlaid body binding, and world famous Martin Strings. Plus 4 colors to choose from. This guitar is sought for its fabulous tone, which is characterized by its rich basses and crisp trebles.

Spruce Top

Diecast Tuning Machines

Nato Neck

Martin Strings

Bound Rosewood Fretboard

Rosewood Bridge

Black Body Binding

Inlaid Dots Position Marker

Nickel/Silver Frets

High Gloss Finish

||Finish: Natural Sunburst Black Blueburst White Redburst||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjgacelthi||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27210238||||||Johnson JG650T Acoustic Electric Thinbody||JG650T||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||149.990||199.990 ||149.990 ||Johnson JG650T Acoustic Electric Thinbody||||||||1||1||1||0||||||||Thinbody Cutaway with Pickup
Johnson delivers thinbody guitars at great prices. The super-thin body makes this guitar comfortable to play sitting or standing. It is built with nato back and sides to give you a great, full bodied sound, while maintaining it's smaller profile. This is a perfect guitar for electric players who want to expand their range of sounds.
Spruce Top
Diecast Machine Heads nato back, Sides & Neck Rosewood Fretboard & Bridge
Martin Strings
Nickel/Silver Frets
Black Body Binding
Pickup with Tone and Volume Control
Available in Natural, Black, Red burst and Blue Burst

||Color Natural Black Blueburst Redburst||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjmres||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27243982||||||Johnson JM998 Resonator||JM-998-R||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||529.990||699.990 ||529.990 ||Johnson JM998 Resonator Available with Diamond or Round Cover Plates||||||||0||1||1||0||||||||Modeled after the original, pre-World War II guitars, these resonators are the foremost affordable, metal guitars on the market. Made from bell brass, they have incredible projection and impeccable tone. The plating quality is excellent.

Bell Brass Body
Nickel/Silver Plated
Honduras Mahogany Neck
14th Fret Neck/body Joint
M.O.P. dots Position Marker
Hard Maple Bridge
9.5" Aluminum Resonator
Diamond or Round Cover Plate
||Coverplate: Diamond Roundhole||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjpbas||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27259582||||||Johnson JP800 Bass||jp800||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||149.990||199.000 ||149.990 ||||||||||0||1||1||0||||||||Designed after the classic 60's electric bass, the Johnson Split Pickup Bass gives you a big and beefy bass sound. We use a contoured, solid alder body to support greater string tension and give the bass a meaty tone.

The thick, one-piece maple neck gives it a vintage bass feel. The electronics consist of split-coil, hum-cancelling pickups , and tone & volume controls. We use a diecast bridge with individual saddles for dialing in your action. The machine heads are modeled after vintage elephant-ear tuners, and have a 20:1 gear ratio.

This bass comes with a 5-year warranty.

The only current production Johnson Bass is the Viola Bass...check out the
AXL Bass Guitar Line for the latest models.||Color Black White Natural Red Blue Sunburst||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jolapdu||item.||page.||dulcimers||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27264062||||||Johnson Lap Dulcimer||FI-220||acin dulcimers||Acoustic Instruments > Dulcimers > ||99.990||149.990 ||99.990 ||Johnson Lap Dulcimer||||||||1||1||1||0||||||||The Johnson lap dulcimer brings the spirit of Appalachian mountain music to everyone at a low price. The 4-string lap dulcimer has a genuine mahogany body, decorative heart-shaped sound holes and includes a custom case for easy transport. This popular instrument has a traditional teardrop shape and features a melodious drone that appeals to anyone wanting to explore American folk traditions. The simplicity and easy playing action of the lap dulcimer make it perfect for novice musicians, music educators and the classroom.

Specifications (FI-220) * 4-String Lap Dulcimer * Mahogany Body * Decorative Heart-Shaped Sound Holes * Scalloped Strumming Area * 15-Fret Fingerboard * Scale Length: 26 1/2" * Includes Custom Featherweight Case||||||||||||||00840246016461||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joharguit||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27341139||||||Johnson Las Vegas Guitar||jh440||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||359.000||479.990 ||359.000 ||Johnson Vegas JH-440 Archtop

THIS ITEM SHIPS FREE TO CONTINENTAL US||||||||0||1||1||0||||||||Johnson Vegas JH-440

Johnson's Las Vegas archtop guitar is now even more beautiful in tone & appearance. This guitar is carefully built from bookmatched flamed maple for the top and back, and Honduran mahogany for the sides. The bookmatched striping of the maple gives the guitar wonderful symmetry in tone and appearance. The maple's thick grain and strong, solid body give our Las Vegas hollowbody a saturating sound and rich look.

The JH-440 is built with high-quality humbucking pickups for a deep and buttery sound. The gold trapeze tailpiece and rosewood roller bridge aid in providing excellent intonation and slinky action.

Quilted Maple Top
Mahogany Back and Sides
Set-in Nato Neck
Gold Trapeze Tailpiece

||Color: Natural "Tobacco Sunburst"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|jolehatrgu||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27353812||||||Johnson Left Handed Travel Guitar||JG-TR2-L||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||129.990||173.990 ||129.990 ||Johnson JG-TR2-L Left Handed Travel Guitar||||||||0||1||1||0||||||||This left handed travel guitar is truly the traveler's dream with its small-scale design and great look! It features a spruce top and mahogany back, sides, and neck. The Johnson Trailblazer also boasts other features you wouldn't expect to find on a travel guitar, like neck and body binding and full size nickel/silver frets. Built with great materials at a low cost, the Trailblazer always delivers when on the go. Whether you're camping, hiking, or just taking a quick road trip, the new Johnson Trailblazer is the perfect companion. It's a sure-fire hit for players on the run!

Small Scale Design
Spruce Top

Mahogany Back, Sides & Neck

Neck and Body Binding

Nickel/Silver Frets

Includes Bag

Scale Length: 24 3/4"
||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johmahbaruke||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27383264||||||Johnson Mahogany Baritone Uke||UK-210||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||89.990||119.990 ||89.990 ||Johnson Mahogany Baritone Uke||||||||1||1||1||0||||||||
White Wood Body

Maple Fretboard

Geared Tuners

18 Frets

Inlaid Position Markers

Clear Nylon Strings

Carrying Bag
Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johmahpinuke||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27391296||||||Johnson Mahogany Pineapple Uke||UK-140||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||59.990||79.990 ||59.990 ||Johnson Mahogany Pineapple Uke||||||||1||1||1||0||||||||Johnson UK-140 Pineapple Uke

Mahogany Body

Champion-Style Friction Pegs

12 Nickel Plated Frets

Inlaid Position Markers

Martin Black Nylon Strings

Carrying Bag
Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johmahsopuke||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27399199||||||Johnson Mahogany Soprano Uke||UK-120||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||56.990||75.990 ||56.990 ||Johnson Mahogany Soprano Uke||||||||1||1||1||0||||||||
Mahogany Body

Champion-Style Friction Pegs

15 Frets

Inlaid Position Markers

Martin Black Nylon Strings

Carrying Bag
Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joma||item.||page.||mandolins1||||||||Johnson Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||jotrocma jodeocma||||Johnson makes Celtic mandolins which make a great addition to any musician's instrument arsenal. Multiple tunings allow these octave mandolins to be played fairly easily by guitarists, violinists and cellists.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johminelguit||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27405926||||||Johnson Mini Electric Guitar||JS-050||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||139.990||199.990 ||139.990 ||Child Sized Electric Guitar||||||||0||1||1||0||||||||Johnson Mini Guitar
These guitars are perfect for the kids, or pulling off that show stopping solo. They feature a shorter scale length and thinner neck, perfect for smaller hands. They come with the same high quality electronics found on other Johnson guitars.

Solid Alder Body
Diecast Tuners
One Piece Maple Neck
Rosewood Fretboard
36" length
3 Single Coil Pickups
Tone & Volume Controls
5 Position Pickup Selector
Tremolo Bridge
The 1/2 sized model good for children ages 4-7
The 3/4 model good for children 8-12
THIS GUITAR IS NOW THE
AXL Mini Electric Guitar
||Color: "Sunburst 1/2 size" "Translucent Blue 1/2 size" "Sunburst 3/4 size" "Translucent Blue 3/4 size" "Pink 3/4 size" "Pink 1/2 size"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johminelguit1||item.||page.||johnsonguitars||||||||Johnson Mini Electric Guitar-Left Handed||JS-050L||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||109.950||139.950 ||109.950 ||Left Handed Mini Electric||||||||0||1||1||0||||||||These guitars are perfect for kids, or pulling off that show stopping solo. They feature a shorter scale length and thinner neck, so they are perfect for smaller hands. They come with the same high-quality electronics found on other Johnson guitars.

THIS GUITAR IS NOW THE
AXL Mini Electric Guitar Left Handed
||Color: Black||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johpacpinuke||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27412042||||||Johnson Pacific Pineapple Uke||UK160||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||59.950||59.950 ||||Johnson Pacific Pineapple Uke||||||||0||1||1||0||||||||
Mahogany Body

Decorative Pineapple Pattern Design

Champion-Style Friction Pegs

Mahogany Bridge

12 Nickel-Plated Frets

Martin Black Nylon Strings

Carrying Bag
Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|parguitplay||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27422561||||||Johnson Parlor Guitar PlayerPac||JG-KIT-W||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||129.990||186.990 ||129.990 ||Johnson Parlor Guitar PlayerPac||||||||1||1||1||0||||||||The Johnson Parlor Guitar PlayerPac is a complete guitar package designed especially for women.

Includes:

Acoustic Guitar (JG-420)

Padded DuraGuard Gig Bag

Pitch Pipes

Peg Winder

Guitar Strap

Six Celluloid Picks

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johscavbas||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27504289||||||Johnson Scavenger Bass||JJ-440-VV||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||299.000||399.000 ||299.000 ||Johnson Scavenger Bass||||||||0||1||1||0||||||||The Scavenger bass is perfect for slapping, popping and general funky bass playing. The bass features a solid basswood body, a flamed maple top, and a large selection of active pickup controls to customize your tone. The bass also features 24 frets for a full octave range and an ergonomically designed body for more comfort while playing. With active pickups, this natural looking bass is great for players who want a heavy and deep bass tone that will deliver in studio and live settings.

Solid Basswood Body

Flamed Maple Top

Active Pickups: 1 J-Style, 1 Soapbar

Hard Maple Neck

Heavy-Duty Roller Bridge

Rosewood Fretboard

Volume, Treble, Bass and Pickup Blend Controls

Brass Nut

Scale Length: 34"

FREE SHIPPING
Continental US only||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johsolclas||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27531618||||||Johnson Solara Classic||JS-910||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||224.990||299.000 ||224.990 ||Johnson Solara Classic||||||||1||1||1||0||||||||Classic in style and sound, our Johnson Solara Classic will put any player on cloud nine with its striking looks and biting tone. Built with an arched, solid maple top for excellent sustain and resonance, and dual humbucking pickups for scorching tone, the Johnson JS-910 will take players into orbit.
Arched Maple Top � Solid Mahogany Body � Set-In Mahogany Neck � Bound Rosewood Fretboard � Die-Cast Chrome Tuners � Tune-O-Matic Bridge � Body Binding � Parallelogram Position Markers � 2 Humbucking Pickups � Lifetime Warranty

Available in black, tobacco sunburst, gold top and cherryburst finishes.

FREE SHIPPING TO CONTINENTAL US||Color: "Black" "Tobacco Sunburst" "Gold Top" "Cherryburst"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johsolel||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27542191||||||Johnson Solara Elite||JS-920||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||249.950||339.950 ||249.950 ||Johnson Solara Elite||||||||0||1||1||0||||||||This guitar is a star all by itself. Our Solara Elite boasts all of the bells and whistles players want with their guitar, at a price that they can afford. It starts with the gorgeous flamed maple top that is expertly handcarved and bookmatched for symmetry in sound and appearance. With the set-in mahogany neck for a rich tone, and the classic, covered humbuckers for a dirty growl, the breathtaking Solara Elite is built for the player who wants it all.
Arched Bookmatched Flamed Maple Top � Solid Mahogany Body � Set-In Mahogany Neck � Bound Rosewood Fretboard � Tune-O-Matic Bridge � Inlaid M.O.P. Position Markers � Inlaid M.O.P. Headstock � Multi-Ply Body Binding � 2 Humbucking Pickups � Lifetime Warranty||Color: "Blackburst" "Greenburst" "Translucent Blue" "Cherryburst"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johsolstan||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27551569||||||Johnson Solara Standard||JS-900||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||209.990||279.990 ||209.990 ||||||||||1||1||1||0||||||||The Solara Standard is the perfect entry into the world of big, hot-rodded tone. This guitar has a big, stadium sound that players want, at a price that won't set them back. The solid maple top and set-in neck allow for great intonation and seamless playing. The dual humbuckers give the Solara Standard that cutting sound and bright edge that players crave.
Arched Maple Top � Solid Mahogany Body � Set-In Maple Neck � Tune-O-Matic Bridge � Parallelogram Position Markers � 2 Humbucking Pickups � Lifetime Warranty

||Color: "Silverburst" "Sunburst" "Black" "Wineburst"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johstudguit||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27561893||||||Johnson Student Guitar||JG100||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||84.990||113.990 ||84.990 ||Johnson JG-100 Student Guitar||||||||1||1||1||0||||||||Johnson JG-100 Student Guitars are good quality entry level instruments for beginners

Johnson provides players at all levels with guitars that fit their needs, and their budget. This budget-oriented guitar has a small body and bright sound making it the perfect beginner guitar.
This guitar is sized perfectly for someone looking for an acoustic guitar with a smaller body and easier to play neck. Great for older children.
Catalpa Back, Top & Sides

Maple Fretboard

Gloss Finish

Steel Strings

Scale Length: 25 1/2"

Order the Johnson JG-100 Student Guitar today!

||Color: Black Blueburst Redburst Pink Walnut||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joswstre||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27755472||||||Johnson Swamp Stomper Resonator||JR-520-CEBM||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||329.990||439.990 ||329.990 ||||||||||1||1||1||0||||||||The Johnson Swamp Stomper fuses a vintage triolian resophonic with a modern electric guitar to create a tone that�s straight from the bayou!

The resonator has a 9.5" hand-spun aluminum cone designed for maximum volume, a mahogany body, a maple biscuit bridge, a single cutaway design, vintage cream body binding and a pickup with volume and tone controls. The resonator comes with a black matte finish that looks great for blues and country playing.

The Swamp Stomper has incredible projection that�s maximized when plugged. The single cutaway design is excellent for blues solos and smooth slide playing.

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johthincutwi||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27776173||||||Johnson Thinbody Cutaway with EQ Pickup||JG-650-T||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||149.990||199.990 ||149.990 ||Johnson Guitars-Johnson Acoustic Guitars- Johnson JG-650-T||||||||1||1||1||0||||||||
Thinbody Cutaway with EQ Pickup

Similar to the JG-650-T, but we use mahogany for back, sides, and neck for an even deeper sound. Plus this guitar comes with our under-saddle transducer pickup with a 4-band EQ preamp. This gives you greater control of your range of tones when you plug into an amp or a 4-track recorder.

Spruce Top
Diecast Tuners
Mahogany Back, Sides & Neck
Rosewood Fretboard & Bridge
4-band EQ pickup
Ivoroid Nut & Saddle
Martin Strings
5-ply Body Binding
Inlaid Rosette

||Color: Natural Black Blueburst Redburst||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jotrbo||item.||page.||bouzoukis||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27822323||||||Johnson Traditional Bouzouki||MA-400||acin bouzoukis||Acoustic Instruments > Bouzoukis > ||449.990||599.990 ||449.990 ||Traditional Bouzouki||||||||1||1||1||0||||||||We�ve taken our Bouzouki (MA-400) back to it's roots and "reintroduced" a line designed from traditional Celtic models. These mandolins are made from all solid woods. We select only choice spruce with tight, uniform grain.

The back and sides are made from hard maple and the neck is mahogany, shaped for maximum comfort. We use a traditional X-braced soundboard, but outfit the instrument with an adjustable truss rod for modern reliability.

Other features include multi-ply body binding, a rosewood fretboard and bridge, a compensated saddle, and high-quality chrome plated tuning machines. We even use a traditional Celtic knotwork design for the headstock inlay.

Top: Solid Spruce

Back & Sides: Solid Maple

Neck: Solid Mahogany

Bridge: Rosewood

Binding: Multi-Ply Body

Tailpiece: Nickel Plated Steel with Brass Cover

Scale Length: 26-1/4"
||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jotrocma||item.||page.||joma||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_27913924||||||Johnson Traditional Octave Mandolin||MA-450||acin mandolins1 joma||Acoustic Instruments > Mandolins > Johnson Mandolins > ||449.990||599.990 ||449.990 ||Johnson Traditional Octave Mandolin||||||||0||1||1||0||||||||We�ve taken the Johnson Octave Mandolins (MA-450) back to their roots and "reintroduced" a line designed from traditional Celtic models. These mandolins are made from all solid woods. We select only choice spruce with tight, uniform grain.

The back and sides are made from hard maple and the neck is mahogany, shaped for maximum comfort. We use a traditional X-braced soundboard, but outfit the instrument with an adjustable truss rod for modern reliability.

Other features include multi-ply body binding, a rosewood fretboard and bridge, a compensated saddle, and high-quality chrome plated tuning machines. We even use a traditional Celtic knotwork design for the headstock inlay.

Top: Solid Spruce

Back & Sides: Solid Maple

Neck: Solid Mahogany

Bridge: Rosewood

Binding: Multi-Ply

Fretboard Inlay: Dot

Tailpiece: Nickel Plated Steel with Brass Cover

Scale Length: 20-1/4"

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|jotr2trgu||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28033876||||||Johnson Trailblazer 2 Travel Guitar||JG-TR6||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||139.990||186.990 ||139.990 ||Johnson Trailblazer 2 Travel Guitar||||||||1||1||1||0||||||||The Johnson Trailblazer II is truly the traveler's dream with its small-scale design and full-scale sound! It features a spruce top, mahogany back and sides and a rosewood fretboard and bridge. The Trailblazer II also boasts other features you wouldn't expect to find on a travel guitar, like neck and body binding and 22 full size nickel/silver frets. Built with great materials and priced for everyone, the Trailblazer II is the guitar you won't be afraid to take with you. Whether you're camping, hiking, or just taking a quick road trip, the Johnson Trailblazer II is the perfect companion. It's a sure-fire hit for players on the go!
Spruce Top

Mahogany Back and Sides

Rosewood Fretboard and Bridge

Scale Length 24-3/4"

22 Full Sized Frets

Gig Bag Included

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johmahconuke||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28057726||||||Johnson UK-150 Mahogany Concert Uke||UK-150||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||65.990||87.990 ||65.990 ||Johnson Mahogany Concert Uke||||||||1||1||1||0||||||||Johnson UK-150 Mahogany Concert Uke

Mahogany Body

Rosewood Fretboard

Champion-Style Friction Pegs

12 Nickel Plated Frets

Inlaid Position Markers

Martin Black Nylon Strings

Carrying Bag
Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johuk||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28066013||||||Johnson Ukuleles||||acin||Acoustic Instruments > ||||||||Buy Johnson Ukes at Chrisbsmusic.com Authorized Johnson Dealer||||||||0||1||0||0||||johmahsopuke johmahpinuke johmahconuke johpacpinuke johbaruke johmahbaruke johallsoluk ukpl sasusouk saukre||||Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel. They are available in the traditional mahogany woods, or with more budget oriented specs.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joviba||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28076532||||||Johnson Viola Bass||JJ-200-VS||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||299.990||399.990 ||299.990 ||Johnson Viola Bass||||||||1||1||1||0||||||||The new Johnson Viola bass features a flamed maple body, dual humbucking pickups with volume and tone controls, and a hard maple neck with a set construction. The warm bass tones of the British Invasion are here again!

The sixties-style semi-hollowbody design provides tones similar to an upright bass and the adjustable rosewood bridge will give you complete control over your tonal depth. This bass has a short scale length for easy playability and control. With its vintage sunburst finish, this is the bass people remember from the era that created popular music.

FREE SHIPPING
Continental US only

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|trummut||item.||page.||trumpetmutes||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28084616||||||JoRal Trumpet Mute||TPT-1A||schoolbanin inren trumpets trumpetmutes||School Band Instruments > School Band Instruments > Trumpets > Trumpet Mutes > ||41.990||59.990 ||41.990 ||||||||||1||1||1||0||||||||Straight trumpet mute, aluminum

Jo-Ral mutes are the choice of professional Symphonic and Jazz musicians world wide.

The acoustical design of the Jo-Ral mutes creates the most exciting tonal quality, with near-perfect intonation. All mutes are made of hand-spun aluminum||||||||||||||||0||||||||||||||||||||JoRal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|josramclasgu||item.||page.||acin||||||||Jose Ramirez Classical Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||||||Browse all Jose Ramirez Classical Guitars

Jose Ramirez 125 Anos Spruce Classical Guitar Natural
Limited edition. Solid Western red cedar top. Solid Indian rosewood back and sides. Solid cedar neck with Spanish heel. Ebony fretboard. Indian rosewood bridge. Fan bracing. Glossy lacquer finish. Gold-plated tuners with ivoryoid buttons. Rose inlay in the rosette and on top of the bridge. Strong bass response. Comes with a black fiberglass Humicase Metro.

Jose Ramirez R2 Classical Guitar||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|juniordrumsets||item.||page.||drumsticks||||||||Junior Drum Sets||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||5judrset 3midrset||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jupiterflutes||item.||page.||flutes||||||||Jupiter Flutes||||schoolbanin inren flutes||School Band Instruments > School Band Instruments > Flutes > ||||||||Flutes by Jupiter||||||||0||1||0||0||||||||Browse all Jupiter Flutes||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jupsax||item.||page.||saxdepartment||||||||Jupiter Saxophones||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||Low prices and free shipping on Jupiter Saxophones
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
||||||||0||1||0||0||||||||Shop All Saxophones||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|juptrom||item.||page.||trombones||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28086307||||||Jupiter Trombones||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||1||0||0||||||||Browse all Jupiter Trombones||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jutr||item.||page.||trumpets||||||||Jupiter Trumpets||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||||||||||0||1||0||0||||||||Browse all Jupiter Trumpets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|karaokesystems||link.||||musicsoftware1||||||||Karaoke Systems||||musicsoftware1||Recording/PA/Software > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|katkt1didrse||item.||page.||katpedidr||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2363103||||||KAT KT1 DIGITAL DRUM SET||KT1||drumsticks eldrum katpedidr||Drum Kits > Electronic Drums > Kat Percussion Digital Drums > ||499.000||849.000 ||499.000 ||KAT KT1 DIGITAL DRUM SET||||||||1||1||1||0||||||||The KT1 features over 150 sounds with 10 user-programmable drum set configurations that emulate a wide range of musical styles � from rock to reggae, jazz to electronic. KAT digital sounds and drum kit set-ups were all carefully created and engineered by professional drummers. This has resulted making a KAT Drum Set a more realistic and drummer-friendly experience than other kit in its price range.

The KT1 comes with 40 play-along tracks that you can jam to and a metronome click-track with nine time signatures to help you lock in your groove. With the KT1 kit, you�ll be playing in no time. Just turn on the module, choose your settings and start playing.

Contents:

KT1 USB Control Module

Shock absorption kick tower w/8" pad

Hi-hat trigger pedal

(1) 12" Ride cymbal

(1) 10" Chokeable crash cymbal

(1) 10" Hi-hat cymbal

"Silent Strike" bass drum pedal beater

Drum rack with mounting hardware (preset for quick setup)

Multi-pin breakout audio cable snake for easy set up

(1) Pair of drumsticks

Drum key

5 Gray Velcro ties

Assembly instructions

User manual

||||||||||||||||0||||||||||||||||||||KAT Percussion||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|katpedidr||item.||page.||eldrum||||||||Kat Percussion Digital Drums||||drumsticks eldrum||Drum Kits > Electronic Drums > ||||||||||||||||0||1||0||0||||katkt1didrse||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kayhumguit||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28090362||||||Kay Hummingbird Guitar||K553H||acin||Acoustic Instruments > ||119.990||179.990 ||119.990 ||||||||||0||1||1||0||||||||This steel string humingbird guitar features covered machine tuning gears, a tobacco sunburst finish, a rosewood bridge and fingerboard, and much more. Makes a great first guitar!

Since 1890 KAY has been one of the world's largest manufacturers of fretted musical instruments. KAY has been crafting quality affordable guitars, banjos, mandolins, electric guitars and amplifiers for the beginner as well as the professional musician. For over 100 years KAY has been the musician's first choice in guitars.

Covered machines
Tobacco sunburst
BONUS saddle bridge
Rosewood bridge and fingerboard
Hummingbird design on pickguard||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|keilsax||item.||page.||saxdepartment||||||||Keilwerth Saxophones||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||Low prices and free shipping on Keilwerth Saxophones
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
||||||||0||1||0||0||||||||Shop All Saxophones||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm620b||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28107517||||||Kentucky KM-620B||KM-620B||acin mandolins1||Acoustic Instruments > Mandolins > ||499.000||695.000 ||499.000 ||Kentucky F Model Mandolin||||||||0||1||1||0||||||||
Spruce top
Maple back and sides
Finished in a gloss black
Maple neck with adjustable truss rod and extended 29-fret bound rosewood fretboard
Multi-ply binding on top
Inlaid mother-of-pearl dot markers
Adjustable compensated rosewood bridge
F-style headstock with traditional mother-of-pearl fern and mother-of-pearl �Kentucky� script inlays
Gold-plated hardware
Shop-adjusted
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm630||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28117171||||||Kentucky KM-630||KM-630||acin mandolins1||Acoustic Instruments > Mandolins > ||559.000||950.000 ||559.000 ||Kentucky KM-630 F Model Mandolin||||||||1||1||1||0||||||||

For the best value in an affordable solid top, F-model mandolin, the KM-630 is your choice. No other mandolin in this price range comes standard with a nito-cellulose finish or a sound quality and tone like this. Just another reason why Kentucky is "America's Favorite Mandolin!"
Solid Spruce Top with a traditional high-gloss sunburst finish
Maple back and sides
Maple neck with
adjustable truss rod
Extended 29-fret bound
rosewood fretboard
Multi-ply binding on top
Inlaid mother-of-pearl
dot markers
Adjustable compensated
rosewood bridge
F-style headstock with traditional
mother-of-pearl fern and mother-of-pearl
�Kentucky� script inlays
Gold-plated hardware
Shop-adjusted

||"Case Option:" "Mandolin Only" "With Superior Deluxe Hard Case(+79.00)"||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenarmankm||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28127457||||||Kentucky Artist Mandolin KM1000||KM1000||acin mandolins1||Acoustic Instruments > Mandolins > ||1995.000||2995.000 ||1995.000 ||Kentucky Artist Mandolin KM1000||||||||0||1||1||0||||||||
The KM-1000 Kentucky Master Model Mandolin was introduced in the late 1970s in response to players� and collectors� requests for a mandolin that duplicated the best vintage instruments in every point of tone, appearance and finish.

Kentucky Master Models are again being constructed to the same standard of quality. Only the finest American spruce and maple is hand-carved and graduated for the tops and backs. Deluxe 14:1 reverse tuners, Pre-war style ebony bridge and side-striped w/b/w ivoroid body binding all reek vintage.

Take a trip back to the early 20s on the Kentucky time machine...it is surprisingly affordable.
Solid, hand-carved and graduated select red spruce top
Solid, flat-sawn, hand-carved select highly flamed maple back and sides from Northern Michigan
One-piece maple neck with dovetail neck/body joint at the 15th fret
Nitro-cellulose finish in a traditional 1920�s sunburst
Rosewood fingerboard with M.O.P. dot position markers and 29 fret extension over the body
Ivoroid binding on all edges
Rosewood peghead overlay with Kentucky script and original-design �Flower Pot� inlaid in pearl
Vintage-style bridge with small adjustment wheels
Traditional 2-screw truss rod cover plate
Perfectly shaped M.O.P. nut
Highly polished nickel-silver frets
Silver-plated, engraved tail-piece with leather insert
High-quality, nickel-plated Gotoh tuners with engraved plate and removable buttons
Shop adjusted
||||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kendelfmodma||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28134910||||||KENTUCKY DELUXE F-MODEL MANDOLIN KM-750||KM-750||acin mandolins1||Acoustic Instruments > Mandolins > ||699.000||1095.000 ||699.000 ||||||||||0||1||1||0||||||||
Introducing the newest edition to the Kentucky f-model mandolin family! This stunning example of a 1930's inspired f-model mandolin really has it all...from the mother-of-pearl block inlays to the comfortably radiused fingerboard...its no surprise that this mandolin will be an all-time favorite!
Hand-carved solid spruce top
Traditional nitro-cellulose sunburst finish
Multi-ply binding on top, back and headstock
Hand-carved solid flamed maple back and sides
Maple neck with adjustable truss rod
A Radiused, extended 29-fret bound rosewood fretboard with 1930's style block inlays
Newely designed, traditional style mother-of-pearl and abalone peghead inlay
Adjustable compensated stained rosewood bridge
Gold-plated hardware
Shop adjusted
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm140s||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28145122||||||Kentucky KM-140S||KM-140S||acin mandolins1||Acoustic Instruments > Mandolins > ||179.000||249.000 ||179.000 ||KENTUCKY STANDARD A-MODEL MANDOLIN||||||||0||1||1||0||||||||Kentucky KM-140S is a feature packed A Model mandolin.

Solid spruce top
Maple back and sides
Maple neck joint with 12th fret neck joint
Traditional high-gloss sunburst finish
Multiple binding on top
Bound rosewood fretboard
Adjustable truss rod
Adjustable compensated rosewood bridge
Nickel-plated hardware
Classic mother-of-pearl �Kentucky� script inlay and dot markers
Deluxe tuning machines
||"Case Option:" "Mandolin Only" "With Golden Gate Hard Case(+49.00)"||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm340s||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28152750||||||Kentucky KM-340S||KM-340S||acin mandolins1||Acoustic Instruments > Mandolins > ||279.000||395.000 ||279.000 ||KENTUCKY ARTIST A-MODEL MANDOLIN||||||||0||1||1||0||||||||
This fine professional mandolin looks and sounds like a vintage original... but at a fraction of the cost. From its 15th-fret body joint to its nitro-cellulose finish, the proper blend of premium woods and workmanship give this mandolin all the power and punch that has made Kentucky- America's Favorite Mandolin!
Solid carved spruce top with a traditional high-gloss nitro-cellulose sunburst finish
Flamed maple back and sides
A-5 style body
Maple neck with 15th-fret neck joint
Traditional snakehead peghead shape
Extended 29-fret bound stained rosewood fretboard with inlaid mother-of-pearl dot markers
High-quality, deluxe tuning machines with replaceable buttons
Nickel-plated hardware
Adjustable truss rod
Adjustable compensated rosewood bridge
Multi-ply binding on top and back
Shop-adjusted
||"Case Option:" "Mandolin Only" "With Superior Deluxe Hard Case(+59.00)"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenaramman||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28162454||||||KENTUCKY KM-350 Mandolin||KM-350||acin mandolins1||Acoustic Instruments > Mandolins > ||379.990||595.000 ||379.990 ||Kentucky KM-350 Artist A-Model Mandolin Traditional Sunburst||||||||1||1||1||0||||||||
You won't belive the price of this best-selling mandolin. With its big carrying tone and countless other professional features, its sure to be a future classic.
Solid carved spruce top with traditional high-gloss nitro-cellulose sunburst finish
Solid carved maple back and sides
A-5 style body
Maple neck with 15th-fret neck joint
Extended 29-fret bound stained rosewood fingerboard
Traditional snakehead peghead shape
Classic mother-of-pearl peghead inlays
High-quality, deluxe tuning machines
Nickel-plated hardware
Adjustable truss rod
Adjustable compensated rosewood bridge
Multi-ply binding on top and back
Shop-adjusted

||||||||||||||||0||||||||||||||||||||KENTUCKY||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kekmma1||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28170931||||||Kentucky KM-505 Mandolin||KM-505||acin mandolins1||Acoustic Instruments > Mandolins > ||449.000||750.000 ||449.000 ||Kentucky KM-505 Mandolin||||||||1||1||1||0||||||||
The Artist line of Kentucky mandolins has been expanded to include perhaps the best value in a professional-quality A-model mandolin. Every feature of the Kentucky KM-505 mandolin was specifically chosen to meet, not only the demands of the beginning player, but also the demanding requirements of working professionals. Fine solid spruce and solid flamed maples are hand-selected at this level to assure that every instrument looks as good as it sounds.
Solid, hand-carved and graduated select spruce top
Solid, hand-carved select highly flamed maple back and sides
One piece maple neck with dovetail neck/body joint at 15th fret
Nitro-cellulose finish
Radiused ebony fingerboard with M.O.P. dot position markers and modern extension over the body
Bound neck
Bound rosewood peghead overlay with Kentucky script and �Mountain Rose� inlaid
in pearl
Vintage-style ebony bridge with small adjustment wheels
Traditional 2-screw truss rod
cover plate
Bone nut
Highly polished nickel silver frets
Gold-plated tailpiece with leather insert
High-quality, gold-plated Gotoh tuners with engraved plate and removable buttons
Shop adjusted

||||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm620||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28181080||||||Kentucky KM-620||KM-620||acin mandolins1||Acoustic Instruments > Mandolins > ||449.000||695.000 ||449.000 ||KENTUCKY STANDARD F-MODEL MANDOLIN||||||||0||1||1||0||||||||
Spruce top
Maple back and sides with a traditional high-gloss sunburts finish
Maple neck with adjustable truss rod and extended 29-fret bound rosewood fretboard
Multi-ply binding on top
Inlaid mother-of-pearl dot markers
Adjustable compensated rosewood bridge
F-style headstock with traditional mother-of-pearl fern and mother-of-pearl �Kentucky� script inlays
Nickel-plated hardware
Shop-adjusted
||"Case Option:" "Mandolin Only" "With Superior Deluxe Hard Case(+59.00)"||Saga,Music, saga, Musical, Instruments, violins, mandolins, banjos||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm700||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28193196||||||Kentucky KM-700||KM-700||acin mandolins1||Acoustic Instruments > Mandolins > ||789.000||1395.000 ||789.000 ||Kentucky Artist KM-700 F-Model Mandolin Traditional Sunburst||||||||1||1||1||0||||||||
New Moon of Kentucky Keep On Shining! Here's the Mandolin that has it all... a big powerful tone, easy playing action and beautifully figured woods in the tradition of the finest instruments of the 1920's.
Hand-carved solid spruce top
Hand-carved solid highly flamed maple back and sides
Adjustable compensated stained rosewood bridge
Extended 29-fret bound stained rosewood fretboard
Maple neck with adjustable truss rod
Newely designed, traditional style mother-of-pearl and abalone peghead inlay
Traditional high-gloss sunburst finish
Multi-ply binding on top, back and headstock
Inlaid mother-of-pearl dot position markers
Nickel-plated hardware
Shop adjusted

||"Case Option:" "Mandolin Only" "With Superior Deluxe Hard Case(+79.00)"||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kendelfmodma1||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28209464||||||Kentucky KM-805 Mandolin||KM-805||acin mandolins1||Acoustic Instruments > Mandolins > ||899.000||1495.000 ||899.000 ||Kentucky KM-805 Artist F-Model Mandolin||||||||1||1||1||0||||||||
Kentucky KM-805 mandolins continue to be today�s best value in hand-made professional quality instruments that can be afforded by all. Each Artist series f-model mandolin is hand carved and graduated from the finest mountain spruce and northern maple for the best tonal characteristics. The KM-805 has a radiused rosewood fingerboard for comfortable easy play and the traditional �torch-style� peghead inlay for those who like a more simple vintage look.
Solid, hand-carved and graduated select spruce top
Solid, hand-carved select highly flamed maple back and sides
Vintage high-gloss Nitrocellulose lacquer traditional sunburst finish
One piece maple neck with dovetail neck/body joint at 15th fret
Radiused fingerboard with M.O.P. dot position marker sand modern extension over the body
Bound rosewood fingerboard and peghead overlay with a unique torch-style inlay
Vintage-style bridge with small adjustment wheels
Traditional 2-screw truss rod cover plate
Bone nut
Highly polished nickel silver frets
High-quality nickel-plated Gotoh tuners with engraved plate and removable buttons
Shop adjusted

||||Saga,Music, saga, Musical, Instruments, violins, mandolins, banjos||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kekmma||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28218220||||||Kentucky KM-900 Mandolin||KM-900||acin mandolins1||Acoustic Instruments > Mandolins > ||899.000||1495.000 ||899.000 ||Kentucky KM-900 Mandolin||||||||0||1||1||0||||||||
In the Classic Era of American Mandolins there was a single example of a Lloyd Loar Master Model mandolin produced in the A-style. It had a symmetrical pear-shaped body without points or scroll and a perfectly shaped snake-head peghead. Because only one mandolin of this type was ever produced, that original instument has risen to mythical status. Every discriminating player and collector dreams of owning that original instrument, and now it is possible in the new KM-900!
Solid, hand-carved and graduated select spruce top
Solid, flat-sawn, hand-carved select flamed maple back and sides
One-piece maple neck with dovetail neck/body joint at the 15th fret
Nitro-cellulose finish in a traditional 1920�s sunburst
Ebony fingerboard with M.O.P. dot position markers
Ivoroid binding on all edges
Ebony peghead overlay with Kentucky script and "Fluer du Lys" inlaid in pearl
Vintage-style ebony bridge with small adjustment wheels
Traditional 2-screw truss rod cover plate
Perfectly shaped M.O.P. nut
Highly polished nickel-silver frets
Silver-plated tail-piece with leather insert
High-quality, nickel-plated Gotoh tuners
Shop Adjusted

FREE SUPERIOR DELUXE CASE INCLUDED!

||||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenkmman2||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28227823||||||Kentucky KM140 Mandolin||KM140||acin mandolins1||Acoustic Instruments > Mandolins > ||229.990||295.000 ||229.990 ||Kentucky KM-140 A Model Mandolin||||||||1||1||1||0||||||||Another outstanding value Kentucky Mandolin! Traditionally designed A-model Features are:

Solid Spruce top

Maple back and sides

Bound rosewood fretboard

Maple neck with 12th fret neck joint

Adjustable truss rod

High gloss sunburst finish

Multiple binding on top

Mother-of-pearl "Kentucky" script inlay and dot position markers

Nickel plated hardware

14:1 ratio deluxe gear tuners

Adjustable compensated rosewood bridge

Snakehead peghead shape

Brings best features of 1920's instruments into your hands for a song! This model offers a big sweet tone and a fast easy playing action unheard of before in this price range.
||||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenman||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28230316||||||Kentucky KM150 Mandolin||km150||acin mandolins1||Acoustic Instruments > Mandolins > ||249.990||350.000 ||249.990 ||Kentucky KM150 A Model Mandolin||||||||1||1||1||0||||||||
With a wealth of professional features designed into this best selling A-model mandolin, the Kentucky KM-150 mandolin is sure to please any player, at any level.
Solid spruce top
Solid maple back and sides
Solid maple neck with 12th fret neck joint
Traditional high-gloss sunburst finish
Multiple binding on top
Bound rosewood fretboard
Classic mother-of-pearl �Kentucky� script inlay and dot markers
Inlaid mother-of-pearl position markers
Deluxe tuning machines
Adjustable truss rod
Adjustable compensated rosewood bridge
Nickel-plated hardware

I got a call from a pretty surprised brother tonight saying he received the mandolin in fine condition! Thank you for helping me out and getting this little prize up there. We're all pleased with the results especially considering the events the country is working through. Thanks again. looking forward to doing business again with you.
||||mandolin, kentucky mandolin, KM 150S, bluegrass instruments, f style mandolin, mandolincafe||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenkmman1||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28239957||||||Kentucky KM380 Mandolin||KM-380||acin mandolins1||Acoustic Instruments > Mandolins > ||369.990||595.000 ||369.990 ||Kentucky KM380 Mandolin Solid Flamed Maple Kentucky Mandolin||||||||1||1||1||0||||||||
The Kentucky KM-380 mandolin has the all the volume, response, and tone that anyone could ask for. Every part of this instrument speaks of professional models costing 10 times the price...a value that is so extraordinary its fast becoming a best seller!
Solid carved spruce top with sunburst finish
Solid carved highly flamed maple back and sides
Bound, rosewood fingerboard with Saga's new distinctive fingerboard extension design
Maple neck with 15th-fret neck joint and adjustable truss rod
Bound, rosewood fingerboard with Saga's new distinctive fingerboard extension design and m-o-p position inlays
Traditional snakehead peghead shape
High-quality, deluxe tuning machines with replaceable buttons
Nickel-plated hardware
Adjustable compensated rosewood bridge
Multi-ply binding on top and back
Shop-adjusted

||||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenkmman||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28250031||||||Kentucky KM675 Mandolin||km675||acin mandolins1||Acoustic Instruments > Mandolins > ||699.000||1295.000 ||699.000 ||Kentucky KM675 Mandolin Handmade Professional Kentucky Mandolin||||||||1||1||1||0||||||||The Kentucky KM675 is hand carved and graduated from the finest mountain spruce and northern maple. The tops and backs begin as quarter-sawn wedges of nearly one inch thick wood. After careful selection, all contours are carved and final graduation takes place.

The tone bars are precisely dimensioned to produce a rich, powerful tone. The neck/body joint is done in the traditional manner between the 13th and 18th frets. The scale length is standard 13 7/8". The complete body and neck are stained in an artistic Cremona brown sunburst and finished with a durable high gloss lacquer.

Hand-carved solid spruce top
Hand-carved solid maple back and sides
Maple neck with adjustable truss rod
Bound, rosewood fingerboard with Saga's new distinctive fingerboard extension design and m-o-p position inlays
Traditional mother-of-pearl and abalone peghead inlay
Multi-ply binding on top, back and headstock
Adjustable compensated stained rosewood bridge
Traditional high-gloss sunburst finish
Nickel-plated hardware
Shop adjusted

||"Case Option:" "Mandolin Only" "With Superior Deluxe Hard Case(+79.00)"||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kentuckykm162||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28260277||||||Kentucky Mandolin KM-162||KM-162||acin mandolins1||Acoustic Instruments > Mandolins > ||299.000||395.000 ||299.000 ||Kentucky KM-162 Standard A-Model Mandolin||||||||1||1||1||0||||||||Every Kentucky KM-162 mandolin is meticulously hand-crafted from the finest materials to produce the finest possible instrument for players of every level. Taking advantage of our strength in the market, as well as our extensive knowledge of musical instrument construction, Saga has reintroduced the KM-160 A-model mandolin. Not only have all the specifications been upgraded, but they are now available in a 3 new color options.

Solid, hand-carved and graduated spruce tops
Solid, hand-carved flamed maple back and sides
New vintage-style body shape
One piece maple neck with dovetail neck/body joint at the 12th fret
Nitro-cellulose finish
Rosewood fingerboard with M.O.P. dot position markers
�Snakehead� rosewood peghead overlay with inlaid Kentucky script in pearl
Vintage-style rosewood bridge with small adjustment wheels
Traditional 2-screw truss rod cover plate
Bone nut
Highly polished nickel silver frets
Nickel-plated tailpiece with leather insert
High-quality, nickel-plated Gotoh tuners with engraved plate
Shop adjusted

||Color: Black "Honey Amber" "Traditional Sunburst"||||||||||||||0||||||||||||||||||||KENTUCKY||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kenmankm||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28282618||||||Kentucky Mandolin KM250||km250||acin mandolins1||Acoustic Instruments > Mandolins > ||359.990||550.000 ||359.990 ||All new, all solid...||||||||1||1||1||0||||||||
The KM-250 mandolin by Kentucky features the perfect combination of 1920's traditional features and premium quality materials! All qualities that make the KM-250 flexible enough to handle today's demanding performance requirements in any music style!
Solid spruce top
Solid maple back and sides
Maple neck with 15th-fret neck joint
High-gloss nitrocellulose Brown finish
A-5 style body
Traditional snakehead peghead shape
Shop adjusted
||"Case Option:" "Mandolin Only" "With Golden Gate Hard Case(+49.00)"||||||||||||||0||||||||||||||||||||Kentucky||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|keyboardamps||item.||page.||harmonicas||||||||Keyboard Amps||||harmonicas||Keyboards/Synths > ||||||||Low prices and fast shipping on Keyboard Amps
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FAQ

Keyboards

Q) What is polyphony and why is it important? A) Polyphony refers to the maximum number of notes that a keyboard or sound module can produce at one time. For instance, if you were to play a 3-note chord with a 1-note melody, you'd need at a keyboard capable of at least 4-note polyphony. Many of today's keyboards and sound modules have 64-note or even 128-note polyphony, and while few keyboardists are going to play that many notes at once, many people want the capability to play complicated, multi-part sequences that demand much more polyphony than a single player would ever need. Keep in mind that on some keyboards or sound modules, polyphony can be affected by how heavily a sound is layered. For example, if you are playing a rich, layered sound made up of 4 simpler sounds, you may only have 16 notes of polyphony on a keyboard with maximum polyphony of 64-notes (64 divided by 4 equals 16). Except for the most basic applications, you cannot have too much polyphony - but you can have too little.

Q) What is MIDI? A) Honestly, there are entire books on the subject - but at the most basic level, MIDI is a way that musical instruments can exchange information, control other gear, even interface with a computer. MIDI stands for Musical Instrument Digital Interface - it's important if you want your instrument to work in conjunction with a computer or any other piece of gear. Fortunately, almost everything we carry has MIDI.

Q) What is touch sensitivity? A) A keyboard that features touch sensitivity has the ability to control the volume of a note according to how hard a key is struck - just like a piano (press hard, it's louder, press softly, it's quieter). Without touch sensitivity, only the keyboard's volume setting affects the volume of the notes played. Touch sensitivity is critical to the level of expressiveness that a keyboard will allow. Touch sensitivity can also be very helpful to a beginning keyboard student, as it allows them to hear whether they're playing evenly and introduces them to the concept of dynamics early.

Q) What is layering? A) Layering is the ability to "stack" more than one sound together on a keyboard to create a richer, denser sound.

Q) What does "weighted action" mean? A) Weighted action specifically refers to what kind of keys and what kind of keyboard action a keyboard has. To closely resemble the feel of a piano keyboard, some keyboards keys are weighted, and may even have a mechanism that mechanically imitates the action of a piano key. Many see weighted action as an absolute necessity for someone who frequently uses piano sounds.

Q) What is a sequencer? A) A sequencer records and plays back MIDI data. This may be as simple as recording a song that can be replayed at the touch of a button (just like a piano roll does for a player piano), or may be as complex as recording a complicated arrangement made up of multiple parts, complete with all of the subtle changes throughout, and saving it for playback later. Most sequencers also allow editing of the sequence, giving the user word processor-like editing capabilities for their music.

Q) What is an arpeggiator? A) An arpeggiator repeatedly plays a preset pattern based on notes held on a keyboard or sound module (remember the keyboard part at the beginning of "Rio" by Duran Duran?) - and can do so over several octaves and at variable speeds. Today's arpeggiators are quite sophisticated and can contain numerous preset patterns, some even allow you to program your own.

Q) What does "multitimbral" mean? A) A keyboard or sound module that is multitimbral has the ability to play two or more different sounds (timbres) at the same time. In order for a keyboard or sound module to play a multi-part sequence (and play all of those parts simultaneously), it must have this ability. While 16-part multitimbrality is common today, some keyboards or sound modules feature 32-part multitimbrality.

Q) What does "realtime" refer to? A) Realtime or real-time refers to something being done live, in actual time.

Q) What's the difference between "velocity" and "pressure" sensitivity? A) Velocity sensitivity refers to the speed that a note is initially struck. Pressure sensitivity refers to how hard a key is pressed after the initial strike. Many keyboards today have the ability to respond independently to both velocity and pressure, and can use them to control a variety of different aspects of the sound.

Q) What is a Patch Librarian? A) A Patch Librarian is a software program that allows you to catalog and group together your favorite sounds from within your MIDI modules. A "patch" is just another word for a "sound" or a "program" in a sound module. Using controller commands, you can change the tonal quality of your sounds in so many ways, that it's often hard to keep track of it all. When you find the perfect blend of customized sounds, you won't want to let them go. Save them with your Patch Librarian. Whenever you are ready to make similar type of song, you can then call up that group of sounds in an instant.

Q) How do I get my keyboard's sounds to stop playing when I'm using it as a controller to trigger the sounds from a sound module? A) Turning "Local Off" on your MIDI controller detaches the keys from the internal sound engine, but still allows the keys to trigger MIDI data out of the OUT port. Likewise, MIDI data can be still be received in the IN port from when sent from another controller (like your sequencer). When you're using a sequencer, you'll usually want to set Local Off on your controller.

Q) What are the benefits and differences between a synthesizer workstation and a keyboard controller with a computer based sequencer? A) The two main benefits of a stand-alone synth workstation are price and portability. At most, the only add-ons you would need would be headphones or powered speakers. Fewer components not only lead to easier setup and tear down for live musicians (and those just eager to get started quickly), but also less compatibility issues. Unlike dedicated hardware, computers occasionally exhibit conflicts within themselves because of third party cards, interfaces, or software. For someone who already owns a computer, though, or can invest in one, go for it! Software sequencers are much more powerful tools. Computers have more memory, a large monitor is easier to view than a small screen, and using a mouse allows much easier navigation throughout your sequence. With the right editing tools, your creativity will flow out like water. What else can a computer system do for you? Record a voice or live instrument along with the sequence. Print out score sheets. Download standard MIDI files from the internet. Create album artwork or flyers for your next show. With word processing software, print professional letters to club owners or labels. You can even use your computer to create spreadsheets to monitor your expenses or contact lists. With software upgrades and new cards and interfaces coming out all the time, a computer's usefulness and expandability potential is endless. . .Either way, as long as any new instrument that you choose is MIDI compatible, you will have more freedom to expand your studio down the line.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|keyboardpedals||item.||page.||harmonicas||||||||Keyboard Pedals||||harmonicas||Keyboards/Synths > ||||||||Low prices and free shipping on Keyboard Pedals
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Best Selling Keyboards

||||keyboards, electronic keyboards, samplers, sequencers, yamaha, roland, xp series, casio, ctk550, digital pianos, alesis, synths, ensoniq||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kidsielgupac||item.||page.||chsielgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28291729||||||Kid Sized Electric Guitar Package-Single Cutaway||JRPKL||elguit1 chsielgu||Electric Guitars > Child Sized Electric Guitars > ||109.990||179.990 ||109.990 ||||||||||1||1||1||0||||||||This child sized guitar package includes an electric guitar, a practice amp, picks, strap and cable.

Single cutaway child sized electric guitar, 29" overall length, 21 frets. One single coil pickup, one volume one tone control.

This guitar would be great for kids ages 3-9||Color Pink Blue Black Gold||||||||||||||0||||||||||||||||||||J Reynolds||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kidsmusicpage||item.||page.||onmusles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28448552||||||Kid's Music Page||||onmusles||Online Music Lessons > ||||||||Great Places to Learn||||||||0||1||0||0||||orsheetmus1||||
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PRESS RELEASE
New Ergodyne EDA Fretless Basses from Ibanez

EDA905GP

July 21, 2002
Ibanez is taking the EDA Ergodyne bass, the instrument the company calls "the bass future," another step away from traditional basses. Instead of the rosewood fretboards found on most fretted basses (including the fretted EDA's), two new fretless models feature fingerboards of high tech Ebonol. "Ebonol fretboards are more resistant to string wear than wood," remarked Ritchie Umemura of the Ibanez USA bass division, "and because the material is more consistent than wood, there's less chance of deadspots. But best of all the material allows a much brighter, more defined tone than the conventional rosewood board."

All EDA basses feature bodies of Luthite, a Ibanez magnetic pickup, and a Mono-Rail II bridge with Fishman piezo elements.

The EDA900F SVF 4-string fretless is available in Silver Flat finish and has a list price of $799.99. The EDA905FGP 5-string fretless is available in Gray Pewter finish and lists for $899.99.

Specifications:

Model - EDA900FL

List - $799.99

Available Finish - SVF Silver Flat

Body Material - Luthite

Neck Material - 3 pc Maple

Neck Type - EDA4

No. Frets/Type - Fretless

Fingerboard - Ebonol

Bridge - Mono Rail II with Fishman Piezo Elements

H/W Color - Cosmo Black

Neck Pickup - IBZ-DFR-N5 (Passive)

EQ - EQA-PZ

Case - EDA1000C

Case List - $149.99

Model - EDA905FL

List - $899.99

Available Finish - GP Gray Pewter

Body Material - Luthite

Neck Material - 3 pc Maple

Neck Type - EDA5

No. Frets/Type - Fretless

Fingerboard - Ebonol

Bridge - Mono Rail II with Fishman Piezo Elements

H/W Color - Cosmo Black

Neck Pickup - IBZ-DFR5 (Passive)

EQ - EQA-PZ

Case - EDA1000C

Case List - $149.99

Body
Body Agathis
Bridge SS II Bridge with D-tuner
Neck
Neck GAX neck
Fret Size Medium
Pickups
Pickup Type PSND1 (neck), PSND2 (bridge)
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezgaxb||item.||page.||ibanezbass||||||||Ibanez GAXB||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibgetexwitne||item.||page.||20winnamnewr||||||||Ibanez Gets Exotic with New Acoustic Guitars||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

Ibanez unveiled a new Exotic Wood Series acoustic guitars at the NAMM Show featuring three strikingly different models.

The EW20WQMBBD features quilted maple top, back and sides and has a list price of $471.12. The EW20ASNT features figured ash top, back and sides and has a list price of $357.12. Perhaps the most interesting of the trio is the EW20ZWNT which features top, back and sides of zebra wood and has a list price of $399.99.

The EW20QMBBD's quilted maple back and sides provides the brightest tones of the three Exotic Wood models. The EW20ASNT features ash with a good balance of snappy highs and good lows. Eye-arresting zebra wood model on the EWZW20NT provides rich, warm tones similar to (but not exactly like) that of a mahogany-bodied guitar.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibgrxser||item.||page.||ibelguit||||||||Ibanez GRX Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Low prices and free shipping on Ibanez GRX Guitars
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Ibanez GRX20 Electric Guitar Jewel Blue
The Ibanez GRX20 Electric Guitar has a sleek neck and fast action. Two howling humbuckersa Powersound 1 at the neck and a Powersound 2 at the bridgecrank out grinding, gritty tone by the busload. Standard rocking tremolo lets you dive bomb your way to musical bliss.

Ibanez GRX20L Left-Handed Electric Guitar Black Night ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezgrx20z||item.||page.||ibgrxser||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25085488||||||Ibanez GRX20Z||||elguit1 ibelguit ibgrxser||Electric Guitars > Ibanez Electric Guitars > Ibanez GRX Series > ||||||||||||||||1||1||1||0||||||||
Ibanez GRX20 Electric Guitar Jewel Blue
If you're on a budget, don't settle for blah or bogus-insist on Ibanez GRX guitars and get the humbuckers you need for meaty rhythms and soaring leads.
The GRX series breaks the mold for so-called "affordable guitars" with their dynamic pickups. Similar to the GRX40, the GRX20 comes with 2 humbuckers � a Powersound 1 at the neck and a Powersound 2 at the bridge. It also comes with a standard tremolo, and a contoured alder body. All of these features plus many more will help to satisfy your hunger for a great guitar at a fabulous price!
See below for further specifications.

Body
Body Material Alder
Bridge Fat 10 Bridge: Improved tuning stability and smooth performance.
Hardware Color Chrome
Finish Your Choice: Metallic Blue or Black
Electronics
Neck Pickup Powersound 1 humbucking pickup, High output in the neck position with no "muddiness"
Bridge Pickup Powersound 2 humbucking pickup, Provides for high output with enhanced harmonics
Neck
Neck Material Maple
Neck Type GRX
Number of Frets 22
Fret Type Medium
Fingerboard Rosewood
Inlay Pearl Dot

Ibanez GRX20 Electric Guitar Jewel Blue ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibgrx40zfres||item.||page.||ibgrxser||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25096904||||||Ibanez GRX40Z||||elguit1 ibelguit ibgrxser||Electric Guitars > Ibanez Electric Guitars > Ibanez GRX Series > ||||||||Great Guitar, Excellent Price! Perfect for Beginners||||||||0||1||1||0||Music > Instruments and Equipment > Guitar and Bass > Electric Guitars||||||
With Ibanez GRX guitars, you don't have to settle for less. You deserve more, whether you're just about to take the musical plunge or you're on a budget. And with GRX Ibanez guitars, you get more. More style, more tone, more playability, just plain more for your money. Powersound pickups for screaming leads, comfortable easy playing necks, a wide assortment of finishes. Yes, GRX guitars are inexpensive. But every one is set-up and inspected according to the same stringent Ibanez standards of our most expensive instruments.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibsevstrinpa||item.||page.||ibgrxser||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25099055||||||Ibanez GRX720 Seven String||||elguit1 ibelguit ibgrxser||Electric Guitars > Ibanez Electric Guitars > Ibanez GRX Series > ||||||||Incredible Value||||||||0||1||1||0||||||||"The price is low, but the Ibanez GRX720 has all the high performance and sonic qualities that people look for in an Ibanez 7-string," said Masashi Inoue of Ibanez. "Of course we wanted an axe that would allow the beginner get into 7-string playing on the ground floor. But we also wanted an instrument that would satisfy the pro player who wanted to affordably add a seven-string to the arsenal as a second or third instrument."
This is an incredible value for the aspiring seven string player.

Model GRX720

List $399.99

Available Finish BK Black

Body Material Alder

Neck Material Maple

Neck Scale 25 1/2"

No. Frets/Type 22/Large

Fingerboard Rosewood

Inlay Pearl Dot

Bridge Standard

H/W Color Black

Neck Pickup Powersound7 Humbucker

Middle Pickup N/A

Bridge Pickup Powersound7 Humbucker

Case RG140C

Case List $99.99

||||ibanez seven string, jem, universe, ibanez, rx40-720, joe satriani, floral jem, jem555, jem77, hoshino, guitar packages for beginners||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezgsa60||item.||page.||ibelguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25113808||||||Ibanez GSA60||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||1||0||Music > Instruments and Equipment > Guitar and Bass > Electric Guitars||||||
Ibanez GSA60 Electric Guitar Black Night
Ibanez GSA60 is a moderate priced ibanez guitar with the S style body. The Ibanez GSA60 is available in black and jewel blue.
Agatis body

One piece maple neck

22 medium frets

Rosewood fingerboard

Pearl dot inlays

Standard tremolo

Single-single-humbucker pickups

Ibanez GSA60 Electric Guitar Black Night ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsr400||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25129688||||||Ibanez GSR 100||gsr100||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez GSR 100 Bass||||||||0||0||1||0||||||||
Ibanez GSR100EX Gio Electric Bass Guitar
Ibanez GSR100EX 4 String Electric Bass Guitar Ibanez GSR100EX models with high-output pickups offer famous Soundgear professional comfort and playability at entry-level prices. The GSR100EX features new Powerpole Dual Coil high-output pickups for incredible volume and tonality.

Ibanez GSR100EX Gio Electric Bass Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezgsr200||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25152525||||||Ibanez GSR 200||gsr200||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||1||0||||||||

Ibanez Gsr200 4-String Bass Transparent Red
The Ibanez GSR200 Electric Bass Guitar brings new life to the look and tone of the beginner bass. The GSR Soundgears are now the most popular basses in their price range in the world. With GSR Soundgears, you get the looks, tone and comfort - and the same warranty, rigorous set-up and inspection - of Ibanez' most expensive basses. GSR models now come equipped with the pro B10 bridge for even better tone and stability.

GSR4 Neck Only 21mm thick at the 1st fret, the GSR is a slightly wider 22 fret version of the thin, fast Soundgear neck.

Agathis Body A relative of mahogany with similar tonal characteristics, agathis provides warm lows with strong sustain.

Rosewood Fingerboard Rosewood offers a strong, bright sound and an attractive appearance with a long grain.

PSNDP Neck Pickup The Powersound P is a high output, passive single coil pickup with plenty of punch. Ceramic magnet.

PSNDJ Bridge Pickup The Powersound J is a high output, passive single coil pickup with added highs. Ceramic magnet.

Ibanez Gsr200 4 String Bass Brown Sunburst

Ibanez Gsr200 4-String Bass Pearl White

Ibanez Gsr200 4-String Bass Jewel Blue||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezgsr205||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25157996||||||Ibanez GSR 205||gsr205||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||GSR205 5-String Electric Bass Guitar||||||||1||1||1||0||||||||
Ibanez GSR205FM Gio 5 String Electric Bass Guitar
A quality 5-string affordably priced! Its agathis body is comfortably shaped and sculpted and its neck shape is easy to play. 2 Powersound pickups and passive EQ give it plenty of tonal range.
Not Your Regular Beginning Bass Buying a "beginner bass"? Don't. Get a GSR for the same price. GSR Soundgears have the tones and playability that will please the pro-at the prices that go easy on the purse. And they've got the same warranty, rigorous set-up and inspection of even the most expensive Ibanez models.

Top Notch Quality and Bottom Barrel Price Aspiring bassists and players on a budget no longer have to struggle on uncomfortable instruments that are hard to play and sound boring. Now every bassist, rich or poor, skilled or journneyman can have an instrument they can be proud of. The GSR205 features an agathis body that is comfortably shaped and sculpted and its neck shape is easy to play. Two Powersound pickups and passive EQ give it plenty of tonal range.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibgslef||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25162817||||||Ibanez GSR100L (Lefty)||gsr100L||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||1||0||||||||
Ibanez Gio GSR200FM Left-Handed Bass Guitar Transparent Black

Ibanez Gio GSR200FM Bass Guitar Amber Burst
Not Your Regular Beginning Bass
Buying a "beginner bass"? Don't. Get a GSR for the same price. GSR Soundgears have the tones and playability that will please the pro-at the prices that go easy on the purse. And they've got the same warranty, rigorous set-up and inspection of even the most expensive Ibanez s.
Top Notch Quality and Bottom Barrel Price
Aspiring bassists and players on a budget no longer have to struggle on uncomfortable instruments that are hard to play and sound boring. Now every bassist, rich or poor, skilled or journneyman can have an instrument they can be proud of. This hot little bass features an agathis body, one-piece maple neck, P-style pickup with an added J-style pickup at the fully adjustable bridge, and medium frets.
Body
Body Material Agathis
Bridge Standard 4-string
Hardware Color Chrome
Finish Black
Electronics
Neck Pickup Powersound P
Neck
Neck Material Maple
Neck Type GSR4
Number of Frets 22
Fret Type Medium
Fingerboard Rosewood
Inlay Pearl Dot
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibgtdxramp||item.||page.||ibanezamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25166709||||||Ibanez IBZ10 Amp||||elguit1 ibanezamps||Electric Guitars > Ibanez Amps > ||||||||10 Watt Guitar Amp||||||||0||1||1||0||||||||
Ibanez IBZ-10 Tone Blaster Amp Standard
The IBZ10 offers 10 watts of power...perfect for those personal practice sessions. From snappy clean to soaring leads, the IBZ10 screams. Combine this with two discrete volume controls for dual channel operation, a 3-band EQ and a headphone output, and you have a force to be reckoned with.

10 Watt guitar amplifier

6" Ibanez speaker

Overdrive

Switchable boost

3 band EQ

Headphone output

Open-back cabinet design

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibswbasamp||item.||page.||ibanezbassamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25210148||||||Ibanez IBZ10B Bass Amp||||electricbass ibanezbassamps||Electric Bass > Ibanez Bass Amps > ||||||||10 WATT BASS AMPLIFIER||||||||0||1||1||0||||||||
Ibanez SWX100 100W 1x15 Bass Combo Amp Standard

Ibanez SWX65 65W 1x12 Bass Combo Amp Standard

Ibanez IBZ Series IBZ15BCF 15W 1x6 Bass Combo Amp Camouflage

Ibanez IBZ Series IBZ15B 15W 1x6 Bass Combo Amp Black¹

Ibanez SWX35 35W 1x10 Bass Combo Amp Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibicba||item.||page.||ibanezbass||||||||Ibanez Iceman Bass||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez ICB300EX Iceman Extreme 4-String Electric Bass Black
Ibanez ICB300EX Iceman Extreme 4-String Electric Bass White
Ibanez ICB100C Bass Case Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibijshhedjug||item.||page.||ibjumpac||||||||Ibanez IJX121 Shred Hed Jumpstart Guitar Package||||elguit1 ibelguit ibjumpac||Electric Guitars > Ibanez Electric Guitars > Ibanez Jumpstart Packages > ||||||||||||||||0||1||0||0||||||||
Ibanez IJX121 Metal Guitar Jumpstart Package Triple Black

Ibanez IJX121 Metal Guitar Jumpstart Package White

The Ibanez IJX121 Metal Guitar Jumpstart Package gives you everything you need to start rockin': GRG electric guitar with hardtail bridge, 15W amplifier, headphones, electronic tuner, gig bag, guitar strap, picks, and an accessories pouch. It also includes an instructional DVD with Paul Gilbert, instruction book, and chord chart.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibijjubapa||item.||page.||ibjumpac||||||||Ibanez IJX30 Jumpstart Basics Pack ||||elguit1 ibelguit ibjumpac||Electric Guitars > Ibanez Electric Guitars > Ibanez Jumpstart Packages > ||||||||||||||||0||1||0||0||||||||

Ibanez IJX30 Jumpstart Electric Guitar Metalpak Black Night

The Ibanez IJX30, one of the bestselling electric guitars in the world becomes part of a killer guitar pack designed for metal! Ibanez Jumstart Metalpak includes sleek electric guitar with GAX neck and mahogany body, 10-watt amp with screaming distortion, electronic tuner, instructional DVD, nylon gig bag, nylon strap, instrument cable, picks, and accessories pouch.Suffering from too much of too much? Maybe you need to return to the raw tools of metal. This Ibanez electric guitar offer no-frills, raw rock simplicity: two humbuckers, a 3-way switch and double-cutaway, crystal cut body all at simple money. High output, high quality construction and low prices all with the Ibanez brand name and sound.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibirlase||item.||page.||ibelguit||||||||Ibanez Iron Label Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||
Ibanez Iron Label S70fd Series Electric Guitar With Dimarzio Pickups Iron Pewter Finish

Ibanez Iron Label Ir27fds Series 7-String Electric Guitar With Dimarzio Pickups Iron Pewter Finish

Ibanez Iron Label Rgir20fe Electric Guitar With Emg Pickups Black

Ibanez Iron Label Rgir27e 7-String Electric Guitar With Tremolo And Emg Pickups Black||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezjetking||item.||page.||ibelguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25245351||||||Ibanez Jet King||jetking||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Jet King Series||||||||0||1||1||0||||||||Ibanez guitars are normally known for their sleek, futuristic looks but the latest Ibanez offering looks some of the funky old axes the company put out in the early to mid-60's�something you might found hanging in an old pawnshop. Which is exactly the vibe the new Jet King models were designed for.

In contrast to Jet King's old school appearance are modern coil taps (accessed with the vintage-look rocker switches, high output pickups and the kind of quietness of operation that was unheard of in the "good old days." Another nice touch is the brushed aluminum pickguard that combines both funk and class. In keeping with their mid-60's look, the Jet Kings feature the old Ibanez "spaghetti" logo that was used on Ibanez electric guitars and basses from the 60's until the very early 80's.

Features

Funky mid-60's looks with today's tonal versatility and playability.

Old-style rocker tone switches are actually modern coil-taps for instant switching between classic single coil and humbucker tones.

String-thru-body construction provides greater sustain, and tighter tension

Larger mahogany body with a thicker neck for warmth and sustain.

Buy New and Used Ibanez Jet King Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibjohscof||item.||page.||ibelguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25315329||||||Ibanez John Scofield||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Low prices and fast shipping on Ibanez John Scofield
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
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Ibanez JSM100VT John Scofield Signature Electric Guitar Vintage Sunburst

John Scofield's beloved axe reborn.

The Ibanez JSM100VT John Scofield Signature Electric Guitar builds on the basic excellence of the AS200 guitar John Scofield made famous. The JSM100VT sports a Prestige neck and a side output jack. Like its celebrated predecessor, the Ibanez JSM100 features thick and sweet super 58 pickups and the original 1970s AS/AR headstock design. A compound radius fretboard provides consistent feel and playability in all registers. Ibanez crafts the JSM100VT John Scofield Electric Guitar with flamed maple top, back, and sides.

Ibanez JSM100VT John Scofield Signature Electric Guitar Features:

* JSM Prestige neck * Flamed maple front, back, and sides * Medium frets * Gibraltar II bridge * Super 58 neck pickup * Super 58 bridge pickup

Ibanez JSM100VT John Scofield Signature Electric Guitar Includes:

* hardshell case

It's the sweet jazz crooner of your dreams. Now you don't have to dream anymore. Make it yours.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezjs100||item.||page.||joesatser||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25330317||||||Ibanez JS100||js100||elguit1 ibelguit joesatser||Electric Guitars > Ibanez Electric Guitars > Joe Satriani Series > ||||||||||||||||0||1||1||0||||||||
Ibanez JS100 Joe Satriani Model Electric Guitar Transparent Red

Ibanez JS100 Joe Satriani Model Electric Guitar Black
Designed to handle Joe's speed-demon style yet speak volumes with one beautifully placed note.

The Ibanez JS100 Joe Satriani Model Electric Guitar features a streamlined basswood body, light weight and a contour made for comfort. The lower cutaway of this sleek guitar gives unrestricted access to the upper frets, and the double locking tremolo stays in tune no matter how far you bend notes. Axis 1 and 2 humbuckers give you all the body, clarity and response you could ask for.

Ibanez JS100 Joe Satriani Model Electric Guitar Features:

* Basswood body with Satriani's custom design * Double locking tremolo * Axis 1 and 2 humbuckers
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|grx40||item.||page.||ibjumpac||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25333040||||||Ibanez Jumpstart JS40 Guitar Package||||elguit1 ibelguit ibjumpac||Electric Guitars > Ibanez Electric Guitars > Ibanez Jumpstart Packages > ||||||||Low prices and free shipping on Ibanez Guitars
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
||||||||1||0||1||0||Music > Instruments and Equipment > Guitar and Bass > Electric Guitars||||||
Ibanez IJX40 Electric Guitar Jumpstart Package BLK NIGHT

The IJX40 Jumpstart Package from Ibanez includes a GRX electric guitar, 15 watt GTA15 amplifier WITH reverb, cable, strap, picks, headphones, electronic tuner, and gig bag. Ibanez also includes an instruction DVD, book, and chord chart to teach you how to wail.The Ibanez electric has a maple neck with the GRX sleek profile for fast and furious playability. It also has a rosewood fingerboard with dot inlays, 22 medium frets, an alder body, three Powersound pickups with a humbucker at the bridge, and the FAT10 bridge for sustain and great intonation.The GTA15 amp has 15W power, an 8" speaker, clean and overdrive sounds, reverb, an active 3-band EQ, and a CD input so you can play along with your favorite guitar jams.||||ibanez, hoshino, jampack, beginner guitar package, christmas guitar, rg, s series, talman, seven strings, jem, universe, rg470, rg 570, artist, ax, rg 7620, ibanez usa, s classic, iceman, ibanez guitars for sale,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibjumjspowpa||item.||page.||ibjumpac||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25353769||||||Ibanez Jumpstart JS50 Power Pack||ijs50||elguit1 ibelguit ibjumpac||Electric Guitars > Ibanez Electric Guitars > Ibanez Jumpstart Packages > ||||||||Ibanez Jumpstart JS50 Power Pack 100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
||||||||0||1||1||0|||||||| This package takes starter packages to the next level with a quality GAX electric guitar and all the cool goodies you'd expect from Ibanez such as amplifier, gigbag, strap, picks, strings, tuner, and instructional video. In addition the Power Pack includes a distortion stompbox pedal to add fuel to the aspiring guitarists fire.
The Ibanez Jumpstart package offers the beginning guitarist an oportunity to own a quality Ibanez electric guitar with the gear to start playing right out of the box, all for a reasonable price.
The package comes with a guitar amp, distortion stompbox, tuner, instructional video, strap, strings, picks, and a gig bag - everything the beginner needs to embark on a musical journey. The guitar has a solid Agathis body featuring a one piece maple neck to provide the player with a guitar that can take the punishment and keep on playing well for years to come, not to mention a sound that rivals all the guitars in its class.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibjumpac||item.||page.||ibelguit||||||||Ibanez Jumpstart Packages||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Jumpstart Guitar Packages||||||||0||1||0||0||||grx40 ibjumjspowpa ibijshhedjug ibijjubapa||||Browse all Ibanez Jumpstart Guitar Packages

Ibanez IJM21 Mikro Jumpstart Electric Guitar Value Package Red

Ibanez IJX40 Electric Guitar Jumpstart Package JEWEL BLUE

Ibanez IJX150 Electric Guitar Jumpstart Value Package Black Night

Ibanez IJX25 Electric Guitar Jumpstart Package BLACK NIGHT||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibm1harcas||item.||page.||ibanezcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25373622||||||Ibanez M100C Hardshell Case||||elguit1 ibelguit ibanezcases||Electric Guitars > Ibanez Electric Guitars > Ibanez Cases > ||||||||Ibanez M100C Hardshell Case||||||||0||1||1||0||||||||Designed to fit and protect your guitar.

The Ibanez M100C Case is for 6-string RG, S, JS, and PGM series Ibanez electric guitars. This guitar case offers a molded exterior, soft plush interior, aluminum valances and molded bumpers.

Order today and keep your guitar safe from damage.

Ibanez M100C Case Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname10||item.||page.||mandolins1||||||||Ibanez Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||||||Browse all Ibanez Mandolins||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezmb100c||item.||page.||ibbascas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25382857||||||Ibanez MB100C||||electricbass ibbascas||Electric Bass > Ibanez Bass Cases > ||||||||Ibanez MB100C||||||||1||1||1||0||||||||
Ibanez ICB100C Bass Case Standard

Ibanez AGB100C Bass Case Standard

Ibanez EXB1000C Bass Case Standard

Ibanez ATK1000C Bass Case Standard

Ibanez AEB50C Hardshell Case for AEB10 Acoustic Bass Standard

Ibanez MB100C Bass Case Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibmibagu||item.||page.||ibanezbass||||||||Ibanez Mikro Bass Guitars||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez GSRM20 Gio Mikro Electric Bass Guitar
The Ibanez GSRM20 Mikro Electric Bass Guitar, with a shortened 28.6-inch scale, is the perfect solution for younger players with smaller hands, or anywhere that space is an issue. The body is made from mahogany, with a maple neck and rosewood fingerboard with 22 medium frets. Additional features include a set of STND P neck and J bridge style pickups, B10 bridge, die-cast tuners, and chrome hardware. Case Sold Separately.

Ibanez GSRM20 Gio Mikro Electric Bass Guitar

Ibanez GSRM20 Gio Mikro Electric Bass Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibmigu||item.||page.||ibelguit||||||||Ibanez Mikro Guitars||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Mikro Guitars||||||||0||1||0||0||||||||

Ibanez GDTM21 Mikro Electric Guitar Candy Apple

Ibanez GRGM21 Mikro Electric Guitar White

Ibanez GICM21 Mikro Electric Guitar Black Night

Ibanez GRGM21 Mikro Electric Guitar Yellow||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibmimoguam||item.||page.||ib20newmo||||||||Ibanez MIMX Modeling Guitar Amplifiers||||ibanez2000 ib20newmo||Ibanez 2018 > Ibanez 2007 New Models > ||||||||||||||||0||1||0||0||||||||Ibanez debuted its first modeling guitar amplifiers at the Anaheim 2007 Winter NAMM Show. Two versions are offered: THE MIMX65 65-watt combo with a 12" speaker, which lists for $466.65 and the MIMX150H 150-watt head, which lists for $533.22.

Both MIMX amps offer features that Ibanez states "outspec" their competition: 11 amp models of classic, British, American, and boutique amps, 10 programmable patches, 13 digital effects. In addition, MIMX (pronounced "mimics") provides 50 rhythm patterns, a feature provided by no other modeling amp.

Details:

* 11 amp models with the widest amp/tonal type variation available. Features ten of the classic British, American and boutique amp models plus a new and original Ibanez high-gain "Psycho" model.

* 10 programmable patches. Any combination of settings can be auditioned and adjusted in real time and then saved to any one of the 10 memory locations. This includes amp model, equalization settings and digital effects and their particular parameters.

* 50 rhythm patterns. Wide range of rhythms for any kind of practice, recording or single gig: metal, Latin, hip-hop, ballad, shuffle, hard rock and much more. A feature no other modeling amp has, let alone 50.

* 13 Digital effects (up to 3 effects simultaneously): Four Modulation Type Effects: CHORUS: with Depth, Rate and Mix programmable parameters. FLANGER: with Depth, Rate and Mix programmable parameters. VIBRATO: with Depth, Rate and Mix programmable parameters. STEP: with Depth, Rate and Mix programmable parameters.

Four Delay/Reverb Type Effects: DELAY: with Time, Rate and Mix programmable parameters. ECHO: with Time, Rate and Mix programmable parameters. HALL: Reverb: with Decay, Tone and Mix programmable parameters. ROOM: Reverb: with Decay, Tone and Mix programmable parameters.

*

Five Expression Pedal-type Effects Accessible via the OPTIONAL Pedal Controller: VOLUME: for Real Time Volume Change via Pedal Position RING MODULATOR: with Pedal Position, Tone and Mix functions AUTO RESONANCE: with Pedal Position, Sense and Resonance functions WAH WAH: with Frequency and Level functions PEDAL PITCH: with Real Time Pitch Control and Color (pitch function)

* Plus a built-in fully chromatic tuner

MIMX65:

* 65 watt guitar amp * 12" Speaker * Fully digital programmable preamp with 11 amp models, 10 memory locations, 50 rhythm patterns and 13 digital effects * 1/4" CD/MP3 input jack * 1/4" headphones/record out jack * Closed-back cabinet design * Optional IFS2 foot controller * 19.5"W 17.8"H 10.1"D * Weight: 36.8lbs

List Price: $466.65

MIMX150H:

* 150 watt @ 4 ohms * Fully digital programmable preamp with 11 amp models, 10 memory locations, 50 rhythm patterns and 13 digital effects * Accessory compartment * Optional IFS2 foot controller * 25"W 10.1"H 10.1D" * Weight: 27.8lbs

List Price: $533.32

The MIMX150H watt head can be used with the IS412CS Tone Blaster Extreme 4 x 12" Cabinet, which lists for $333.32

IFC2 - Optional foot controller for MIMX expression pedal effects.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname1||item.||page.||ibanez2000||||||||Ibanez News||||ibanez2000||Ibanez 2018 > ||||||||Ibanez News New Ibanez Releases Ibanez Reviews||||||||0||1||0||0||||||||Ibanez Debuts 3rd Handcrafted Reissue: The Artist AR5000RE (Nov 30, 2007)
Ibanez Offers Elixir Strings On Mid-Priced Guitar Models (Oct 31, 2007)
Ibanez: New Left-Handed SR500 Bass Guitars (Jul 30, 2007)
Ibanez Celebrates Soundgear 20th Anniversary with 4- and 5-String Japanese-Made Bass Guitars (Jul 30, 2007)
Ibanez: Mikrosonik Compact Guiar with Onboard Amplifier (Jul 29, 2007)
Ibanez: Tube King Distortion Pedal (Jul 29, 2007)
Ibanez: New Metal Guitars (Jul 28, 2007)
Ibanez: Expanded Exotic Wood Instruments (Jul 28, 2007)
Music Industry Celebrates 20th Anniversary of Ibanez JEM with Steve Vai (Apr 18, 2007)
DT200 Destroyer (Jan 17, 2004)
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EP7 Euphoria Steve Vai Signature Acoustic Guitar (Jan 17, 2004)

SW100 SoundWave Bass Amp and SW115S Extension Cabinet (Jan 17, 2004)
TA20 and TA35 Troubadour Acoustic Combos (Jan 17, 2004)
FL9 Flanger amd CS9 Stereo Chorus Effects Pedals (Jan 17, 2004)
TCY20 Talman Acoustic Guitar (Jan 17, 2004)
SRP400 Soundgear ProActive Electric Bass (Jan 16, 2004)
JTK2 Jet King II Electric Guitar (Jan 16, 2004)
ICB200 Iceman Bass (Jan 16, 2004)
RD300 and RD500 Roadgear Basses (Jan 16, 2004)
GWB35 Gary Willis 5-String Frettless Signature Bass (Jan 16, 2004)
RG1520GK GK-Compatible Guitar (Jan 16, 2004)
SA1260 Electric Guitar (Jan 16, 2004)
TS808 Overdrive Pedal Reissue (Jan 16, 2004)
Soundgear Basses Upgraded, New SR900 Series (Jan 16, 2004)
WD7 Weeping Demon Wah Pedal (Jan 16, 2004)
DMM1 Daron Malakian Signature Guitar (Jan 16, 2004)
AE Series Guitars Get Hardware and Electronics Upgrades (Jan 15, 2004)
AGB140 amd ASB140 Artcore Semi-Hollow Basses (Jan 15, 2004)

AS193, AG195, and AF195 Artcore United Guitars (Jan 15, 2004)
AW120CERDV and AW120RDV Artwood Guitars (Jan 15, 2004)

AX120 Weathered Finish Options (Jan 15, 2004)
AR200, AR300, and AR3000 Artist Electric Guitars (Jan 15, 2004)
AT300 Andy Timmons Signature Electric Guitar (Jan 15, 2004)
AXD71, AXD81, and AXF74 Full and Semi-Acoustic Artcore Guitars (Jan 15, 2004)
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AF85 Artcore Deluxe Hollow-Body Guitar (Jul 22, 2003)

GAXB150 Electric Bass (Jul 22, 2003)

Updated Acoustic Jam Packs (Jul 22, 2003)
Guitar and Bass Jumpstart Packs with DVD (Jul 21, 2003)
IC200 and IC400 Iceman Guitars (Jul 21, 2003)

Upgraded IBZ10G Guitar Combo (Jul 21, 2003)
JEM77FP 15th Anniversary Limited Edition Floral Pattern Guitar (Jul 21, 2003)
V Series Guitars (Jul 21, 2003)
Jam Pack Jolt Acoustic-Electric Starter Kit (Jul 20, 2003)
RKB Electric Basses (Jan 21, 2003)
TB100 Series Amps and Cabinets (Jan 21, 2003)
AEL10LBK and AEL50CSLG Acoustic/Electric Guitars (Jan 21, 2003)
MMM1 Mike Mushok Signature Baritone Guitar (Jan 21, 2003)
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibougu||item.||page.||ibanez2000||||||||Ibanez Outlet Guitars||||ibanez2000||Ibanez 2018 > ||||||||Ibanez Blems and Scratch n Dents||||||||0||1||0||0||||||||Ibanez Outlet Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibpcgrancon||item.||page.||perser||||||||Ibanez PC5NT Grand Concert||PC5NT||acin noname5 perser||Acoustic Instruments > Ibanez Acoustic Guitars > Performance Series > ||||||||||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibpf5guit||item.||page.||perser||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25392092||||||Ibanez PF5 Guitar||||acin noname5 perser||Acoustic Instruments > Ibanez Acoustic Guitars > Performance Series > ||||||||Ibanez PF5 Acoustic Guitar||||||||0||1||1||0|||||||| Ibanez PF Series PF5ECE Dreadnought Cutaway Acoustic-Electric Guitar Natural
The people at Ibanez understand that you don't want to pay a fortune for your acoustic while at the same time not sacrificing sound. This is the premise that the Performance series works on. The Ibanez PF5 comes to you thouroughly inspected and set up according to the highest of standards. Guarenteed satisfaction is a definite byproduct of this piece. Specifications of the model are listed below:

Body
Back Wood Mahognay
Body Style Dreadnought
Finish Natural High Gloss
Side Wood Mahognay
Top Wood Spruce
Bridge Rosewood
Neck
Tuning Machines Chrome Die-Cast
Fretboard Rosewood
Inlay Pearl Dot
Neck Wood Mahognay
Ibanez PF Series PF5ECE Dreadnought Cutaway Acoustic-Electric Guitar Natural ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibpfcas||item.||page.||noname5||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25399490||||||Ibanez PF50C Case||PF50C||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||||||||||0||1||1||0||||||||
Ibanez PF50C Acoustic-Electric Hardshell Case Standard

Ibanez hard shell acoustic guitar case. Fits standard size dreadnought acoustic and acoustic-electric guitar bodies.
You will spend plenty of money on your guitar so why wouldn't you want to protect your investment? Only genuine Ibanez cases are designed specifically to fit your Ibanez guitar.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibpf12strin||item.||page.||perser||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25407275||||||Ibanez PF512 12 String||pf512||acin noname5 perser||Acoustic Instruments > Ibanez Acoustic Guitars > Performance Series > ||||||||Ibanez PF512 12 String||||||||0||1||1||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibpgpagrsiba||item.||page.||ibanezbass||||||||Ibanez PGB1 Paul Gray Signature Bass||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez Paul Gray PGB1 Signature Bass Guitar Burgundy Wine

Ibanez Paul Gray PGB1L Signature Left-Handed Bass Guitar Burgundy Wine ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibprgu||item.||page.||ibelguit||||||||Ibanez Prestige Guitars||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||

Ibanez RG3550MZ Prestige Electric Guitar Galaxy Black
The Ibanez RG3550MZ Prestige Electric Guitar features the powerful combination of a 5 piece maple/walnut Super Wizard Prestige neck with a bound maple fretboard and Wedge Sharktooth inlay, Edge Zero tremolo bridge with ZPS3 spring system and 3 pickups. Case is included. Edge-Zero Tremolo The Edge-Zero, Ibanez's latest generation of knife edge tremolos, deploys all of the unique features of the ZR trem and allows for the most radical of trem effects with flawless tuning accuracy.

Ibanez RG3550MZ Prestige Electric Guitar Galaxy Black
The Ibanez RG3550MZ Prestige Electric Guitar features the powerful combination of a 5 piece maple/walnut Super Wizard Prestige neck with a bound maple fretboard and Wedge Sharktooth inlay, Edge Zero tremolo bridge with ZPS3 spring system and 3 pickups. Case is included. Edge-Zero Tremolo The Edge-Zero, Ibanez's latest generation of knife edge tremolos, deploys all of the unique features of the ZR trem and allows for the most radical of trem effects with flawless tuning accuracy. Just unscrew the built-in intonation adjustment tool from the base of the tremolo and screw it into the bottom of each saddle for quick adjustments.

Ibanez Prestige S5427 Series 7-String Electric Guitar Transparent Black Sunburst

Ibanez Prestige Rgd2127fx 7-String Electric Guitar Invisible Shadow Finish

Ibanez Prestige Rg3520ze Electric Guitar Dark Tide Blue

Ibanez S5470 Prestige Electric Guitar Red Viking
Satin oil finish. 5-piece Wizard Prestige 24-fret neck. Mahogany body. Jumbo frets. ZR2 bridge w/ZPS3 spring system. HGD1 Hot Grinder neck humbucker pickup. ST1 Short Tracer mid single-coil pickup. HGD2 Hot Grinder bridge humbucker pickup. Gotoh precision tuning machines.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibreisad9and||item.||page.||20winnamnewr||||||||Ibanez Reissues the AD9 Analog Delay||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

It's been awhile since guitar-maker Ibanez offered the AD9 Analog Day effects pedal. As a matter of fact it's been well over 20 years

The AD9 joins Ibanez several other Ibanez Nine Series reissues, the TS9 Tube Screamer which was reissued in 1993 and the FL9 Flanger and CS9 Stereo Chorus which were released at the 2004 NAMM Show. The Nine Series was named for the fact that all the pedals in the early '80s line-up required only one nine volt batter (the AD9's immediate ancestor was an 18-volt device requiring two nine-volt batteries), which was quite an advance back in those ancient times.

Ibanez AD9 Analog Delay Effect Pedal Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrgseries||item.||page.||ibelguit||||||||Ibanez RG Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||ibanezrg170 ibanezrg320qs ibanezrg570 ibanezrg7420 ibanezrg7620 ibrgxlser ibanezrg1527 ibanezrg2120x ibanezrg1620x ibanezrg370dx ibanezrg350dx ibanezrg3550mz noname9 ibanezrg420 ibanezrg770dx ibanezrg2228 ibrg7elgu ibrgelgu ibrgprelgu||||Browse all Ibanez RG Series

Ibanez Rg450dx Electric Guitar White

Ibanez RG Series RG7421PB 7-String Electric Guitar Transparent Gray

Ibanez Rg Prestige Series Rg652k Electric Guitar Koa Brown

Ibanez RGIB6 Iron Label RG Baritone Series Electric Guitar Black

Ibanez Rg Series Rg7420pb 7-String Electric Guitar Sapphire Blue
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibrgxlser||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25431421||||||Ibanez RG XL Series||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||||||||||0||1||0||0||||||||Ibanez RG470XL Closeout
RG-series electric guitar featuring a basswood body, jumbo pickups and Wizard II neck

Ibanez has aided players in their quest for greater low end and experimenting with alternate tunings by offering 7-string guitars, and 6-string guitars with stock D-Tuners. Now comes a fresh assault in achieving new lows, Ibanez RG guitars featuring XL necks with a 27" inch scale.

Commented Jim Donahue of Ibanez, "one of the drawbacks to lower tunings on a standard 6-string guitar is the loss of articulation; the strings just get floppy." But, says Donahue, the 27" inch scale provides higher string tension even in very low tunings "so everything stays nice, tight and clear."

Ibanez is offering XL 27" necks on three s. The RG1077XL, which is a 7-string with double locking trem, lists for $1499.99. The RG470XL, a 6-string with double locking tremolo, lists for just $799.99 as does the RG7421XL, a seven-string with a fixed bridge.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibrgharcas||item.||page.||ibanezcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25443905||||||Ibanez RG140C Hardshell Case||||elguit1 ibelguit ibanezcases||Electric Guitars > Ibanez Electric Guitars > Ibanez Cases > ||||||||Ibanez RG140C Hardshell Case||||||||0||1||1||0||||||||
Ibanez RG140C Hardshell Guitar Case Standard
Ibanez wood tolex covered guitar case. Fits RG and GRX series guitars
Rectangular shaped
Black tolex covering
Non locking
Outside dimensions: 42.5"x 13.5"x 4"
Non form fitting interior. Inside dimensions: 41"x 11.5"x 2.5"
Lidded compartment 12.5"x 5.5"

Protect your axe.

The Ibanez RG140C Hardshell Guitar Case is designed to fit RG, S, and SA guitars. Soft plush interior. The Ibanez RG140C has a roomy compartment for holding effects, cords, tuners, etc.

You've got the right guitar. Now get the right case. Order today.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg1527||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25448910||||||Ibanez RG1527||rg1527||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG1527||||||||0||1||1||0||||||||
Ibanez Prestige guitars are crafted of premium woods by our most experienced luthiers using the perfect blend of New World technology and Old World craftsmanship. Identifiable by the Prestige logo, Prestige models feature necks with the comfortable rounding found previously in vintage instruments broken in by years of dedicated playing
Body Material Basswood
Neck Material 3pc. Maple
Neck Type Wizard-7 Prestige
No.Fret/Type 24/Jumbo
Fingerboard Rosewood
Inlay Pearl Dot
Bridge Edge Pro 7||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg570||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25470787||||||Ibanez RG1570||rg1570||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||RG 1570||||||||0||1||1||0||||||||

Ibanez Rg1570 Electric Guitar Candy Apple

Hard-rocking axe with a super-flash finish!

The Ibanez RG1570 Electric Guitar has a light and resonant basswood body that makes it easy to shoulder through long gigs. Wizard neck with jumbo frets is especially hand-friendly. Features an Edge Pro bridge and a V7/S1/V8 pickup array. Finish has a color-changing or mirage effect as you move. Includes Ibanez hardshell case.

Ibanez RG1570 Electric Guitar Features:

* Basswood body * 3-piece maple Wizard Prestige neck * 24 jumbo frets * Rosewood fingerboard * IBZ V7 humbucking neck pickup * IBZ S1 single-coil mid pickup * IBZ V8 humbucking bridge pickup * Pearl dot inlay * Black hardware * Color-changing mirage finishes

Ibanez RG1570 Electric Guitar Includes:

* hardshell case

This is the guitar you deserve. Go ahead and order it right now.

Ibanez RGR1570 Electric Guitar Suede Black

The Ibanez RGR1570 Electric Guitar features a reverse headstock and Edge Pro bridge, making it the ultimate shred machine! Other features include a 5-piece Wizard Prestige neck, rosewood fingerboard with dot inlays, basswood body and jumbo frets.IBZ V7 (Vintage 7) pickup is tight, but bright. Very dynamic for chording and rhythm. S1 single coil dishes out plenty of clear mids. IBZ V8 (Vintage 8) pickup is a warm, yet articulate lead pickup with enhanced overtones Good harmonics without excessive brightness.

Ibanez Rg1570 Electric Guitar Black||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg170||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25490598||||||Ibanez RG170R||rg170r||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG170R||||||||0||1||1||0||||||||Ibanez RG170R
The RG170R�the unchallenged standard in hard and heavy rock guitars�gets a massive infusion of high tech hardware and upgrades.
Body Material: Agathis
Neck Material: Maple
Neck Type: Ultra
No.Fret/Type: 24/Jumbo
Fingerboard: Rosewood
Inlay: Pearl Dot
Bridge: FAT 20
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Ibanez RG2228 Electric Guitar Galaxy Black

These are the machines of the gods, with drop dead good looks, sonic lethality and the devastating power and control of a precision double-locking trem. RG Prestige guitars feature flawless Japanese craftsmanship, the finest materials and each is axe perfectly matched with just the right choice of DiMarzio, Duncan, EMG, or IBZ pickups.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg320qs||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25495564||||||Ibanez RG321||rg321||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG321||||||||0||1||1||0||||||||

Ibanez Rg321 Electric Guitar Mahogany Oil

The Ibanez RG321 Electric Guitar has a Wizard II neck crafted of 3 pieces of maple, and features a bound rosewood fretboard with 24 jumbo frets and pearl dot inlays. The solid mahogany body dishes up miles of sustain, enhanced by a fixed, string-thru bridge. Equipped with dual Ibanez humbuckers, it can burn down the house.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg3550mz||item.||page.||ibanezrgseries||||||||Ibanez RG3550MZ||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||||||||||0||1||0||0||||||||

Ibanez Rg3550mz Prestige Electric Guitar Galaxy Black

The Ibanez RG3550MZ Prestige Electric Guitar features the powerful combination of a 5 piece maple/walnut Super Wizard Prestige neck with a bound maple fretboard and Wedge Sharktooth inlay, Edge Zero tremolo bridge with ZPS3 spring system and 3 pickups. Case is included.

Edge-Zero Tremolo The Edge-Zero, Ibanez's latest generation of knife edge tremolos, deploys all of the unique features of the ZR trem and allows for the most radical of trem effects with flawless tuning accuracy. Just unscrew the built-in intonation adjustment tool from the base of the tremolo and screw it into the bottom of each saddle for quick adjustments. The locking bolt is offset from the center of the saddle, which allows easy access to the bolt without loosening the strings.

Ibanez RG3550MZ Prestige Electric Guitar with Case

Ibanez RG3550MZ Prestige Electric Guitar with Case ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname9||item.||page.||ibanezrgseries||||||||Ibanez RG3570Z||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||||||||||0||1||0||0||||||||
Ibanez RG3570Z Prestige Electric Guitar with Case
Ibanez RG3570Z Prestige Electric Guitar; Ibanez pulls out all the stops for this Prestige guitar! RG Prestige guitars are a staple for metal guitarists worldwide thanks to their fast wizard necks, versatile Edge tremolos and aggressive pickups. The RG3570Z is no exception, modified specs have been requested for the RG Prestige and the call has been answered. The RG3570Z guitars are all made in Japan by hardworking luthiers that now how a guitar should play and sound. This guitar is built for speed and utilizes Ibanez Super Wizard fast and flat neck, Edge-Zero double-locking tremolo and a bold RG appearance. Adding powerful amplified tone is must and Ibanez has followed through by incorporating 3 incredible DiMarzio pickups, the Air Norton, True Velvet and Tone Zone pickups.

Ibanez RG3570Z Prestige Electric Guitar with Case ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg420||item.||page.||ibanezrgseries||||||||Ibanez RG420||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||||||||||0||1||0||0||||||||
Ibanez RG420FB Electric Guitar
Ibanez RG420FB Electric Guitar has a figured bubinga top that is bound to stun! Look around, but you will not find many guitars like this one. The RG420FB has a face like few other guitars thanks to its figured burbinga top. There is no doubt that Ibanez' RG has long been the metal guitarist's mistress thanks in part to its flat and fast necks, pickup placement and precision tremolos. The RG has evolved and expanded into the far reaches of metal touching on every style at one point or another. A versatile tool for the metal battlefield, don't leave home without your weapon.

Ibanez RG420EG Electric Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg7420||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25501591||||||Ibanez RG7321||7321||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG7321||||||||0||1||1||0||||||||

Ibanez Rg7321 7-String Electric Guitar Black
RG-series 7-string electric guitar featuring a basswood body, Wizard neck, and Ibanez AH series pickups.
For 14 years, the RG has reigned supreme as the king of heavy rock guitars-despite the constant revolutions in music that deposed less powerful pretenders to the throne.

Why? Because when you want pickups that cut through the room, the RG rules. When you need a neck that's thin, flat, and fast, the RG rules. When you desire a lightweight body with sexy, comfortable contours and cutaways, the RG rules.

Pick up a RG model for yourself, like this amazing RG7321, and you will see why rockers such as Ryan Shuck of Orgy and Dexter Holland of the Offspring have made the RG their series of choice.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg7620||item.||page.||ibanezrgseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25509102||||||Ibanez RG7620||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Discontinued..Sorry||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezrg770dx||item.||page.||ibanezrgseries||||||||Ibanez RG770DX||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||||||||||0||1||0||0||||||||
Ibanez RG770DX Limited Reissue Electric Guitar with Case
The Ibanez RG770DX Limited Reissue Electric Guitar has all the great details of the original 1987 model plus some improvements. The RG770DX's basswood bodies, pickups, pickguards, knobs, headstocks and sharktooth inlays are all either Ruby Red or Lazer Blue. As in 1987, these RG's feature DiMarzio/IBZ pickups, the original Edge tremolos and, most importantly, the original fast and flat Wizard necks. The Wizard neck has the same dimensions as the original but now features a 5 piece maple/walnut construction for even greater strength and stability.

The RG770DX features a thin neck with a wide, almost flat, double octave (24 fret) fret board, great for the performance of chords and solos. The body of the RG Series features sleek, offset pointed double cutaways giving better access to the upper frets. This limited reissue features an Ibanez Edge Tremolo; a double locking tremolo system for the electric guitar very similar in design to that of the original Floyd Rose. The Edge offers a number of improvements from the Original Floyd Rose; it contains a heavy sustain block, locking studs (for improved tuning stability), and a pop-in arm. Compliment the playability of this guitar with a matching headstock and sharktooth inlays for a seriously rocking look!

Ibanez RG770DX Limited Reissue Electric Guitar with Case ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibrgprelgu||item.||page.||ibanezrgseries||||||||Ibanez RG927QM Premium Electric Guitar||||elguit1 ibelguit ibanezrgseries||Electric Guitars > Ibanez Electric Guitars > Ibanez RG Series > ||||||||Ibanez RG927QM Premium Electric Guitar||||||||0||1||0||0||||||||
Ibanez Rg927qm Premium Electric Guitar Red Desert

The new Ibanez Premium series of guitars designed for hardworking musicians. These guitars are for players who push their guitars to the fullest every night on stage and who demand real professional quality instruments, both functionally and visually. It's crafted by a high skilled luthier to Prestige model quality standards at the Ibanez Premium factory.The punchy American basswood body has made from Premium-grade quilted maple top with a high transparency clear coat and matching headstock. The thin and fast Wizard Premium 7 neck has specially rounded Premium fret edges for smooth play and comfortable neck grip.

Custom wound DIMarzio IBZ-7 pickups with 5-way switching offer the hot, molten clarity you desire for precise, tight riffing while the Ibanez Edge-Zero II-7 tremolo and ZPS 3 offer great tuning stability and smooth arming for dive-bombs and flutters.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibrgagu||item.||page.||ibelguit||||||||Ibanez RGA Guitars||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||

Ibanez RGA32 Archtop Electric Guitar
Designed for players who demanded an RG Series guitar with a fixed bridge, the RGA series has become a staple for hard as nails players worldwide thanks to their high output humbuckers and smooth arched top. The Fixed bridge isn't just any old bridge, it's an extra strong Gibraltar bridge, which means you can expect it to stay completely stable under the most aggressive attacks and it is excellent at handling low tunings.

Ibanez RGA42FM Archtop Electric Guitar

Ibanez RGA42FM Archtop Electric Guitar

Ibanez RGA42FM Archtop Electric Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibrose||item.||page.||ibelguit||||||||Ibanez Roadcore Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||
Ibanez Roadcore Series RC320 Electric Guitar Black

Ibanez Rc330t Roadcore Series Electric Guitar White||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsseries||item.||page.||ibelguit||||||||Ibanez S Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez S Series Guitars||||||||0||1||0||0||||ibanezs470||||
Ibanez S770PB Electric Guitar Natural Flat

Ibanez S670qm S Series Electric Guitar Sapphire Blue

Ibanez S520 S Series Electric Guitar Blackberry Sunburst

Ibanez S7521qm S Series 7 String Electric Guitar Transparent Gray Burst

Ibanez S7420 7-String Electric Guitar Black

Ibanez S5470q Prestige Electric Guitar Wild Cherry Blossom||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezs470||item.||page.||ibanezsseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25523743||||||Ibanez S470||s470||elguit1 ibelguit ibanezsseries||Electric Guitars > Ibanez Electric Guitars > Ibanez S Series > ||||||||||||||||0||1||1||0||||||||
Ibanez S470DXQM Electric Guitar Bright Blue Burst

Trim the blubber, get down to the FAT!

A super-sleek body; fast, thin neck; and the warm sound of an axe from the '50s make the Ibanez 2005 S470 Electric Guitar a burner. Mahogany body, maple Wizard II neck, jumbo frets, double-locking tremolo, 2 Infinity humbuckers (type 1 at the neck, type 2 at the bridge), plus an Infinity single-coil in the middle.

Ibanez 2005 S470 Electric Guitar Features:

* Maple Wizard II neck * Mahogany body * 22 jumbo frets * Rosewood fingerboard * Zero Resistance bridge * Zero Point tremolo * H/S/H Infinity pickup configuration

Order now and get ready to play a serious tone machine that will let you really rip out the riffs!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibsagu||item.||page.||noname5||||||||Ibanez Sage Guitars||||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||||||||||0||1||0||0||||||||
Ibanez SGT130 SAGE SERIES Acoustic Guitar Black

Ibanez SGT122 Sage Series 12-String Acoustic Guitar

Ibanez SGT120L Sage Series Left-Handed Acoustic Guitar

Ibanez SGT120NT SAGE SERIES Acoustic Guitar Trans Blue Sunburst

Ibanez SGT110VS SAGE SERIES Acoustic Guitar Natural ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsc420||item.||page.||szscscaseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25546294||||||Ibanez SC420||sc420||elguit1 ibelguit szscscaseries||Electric Guitars > Ibanez Electric Guitars > SZ/SC/SCA Series > ||||||||||||||||0||1||1||0||||||||Ibanez SC420
The S Classic utilizes the Short Stop II bridge that was designed as a vintage style stop tailpiece.

We needed to improve the intonation points, so with a lot of design work we came up with a standard bridge that has a preset saddle height but allows for intonation adjustment of all 6

saddles.

For pickups we used the V1 and V2 with a special 5 way switch that allows the humbuckers to have more versatility by coil-tapping the pickups in the 2 and 4 positions but allowing the standard humbucking operation in the 1,3 and 5 position.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibsernumchar||item.||page.||ibanez2000||||||||Ibanez Serial Number Chart||||ibanez2000||Ibanez 2018 > ||||||||Dating your Ibanez||||||||0||1||0||0||||||||
IBANEZ GUITARS DATING

In dating Ibanez guitars made before 1987 .. the first letter is the month ( A is Jan., B is Feb, C is March..etc) the next two numbers are the year .. the next four numbers are the production number that month (they only produced 9999 pieces each month)..(example) ..C760287 = March 1976 the 287th. piece made ... In dating Ibanez guitars made after 1987 .. the letter is now the factory designation .. the first number is the year built ... the next five numbers are the production number of the piece for the year ..(example) .. F700015 = the 15th. guitar made in 1987 ..

||||ibanez, music stores, musical instruments for sale, guitar store, ibanez basses, music retailer, violins, violas, cremona violin, trumpets, trombones, cellos, chris b, music||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsr406||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25551772||||||Ibanez SR 496||sr406||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez SR496 Six String Bass||||||||0||0||1||0||||||||
Sleek, sexy and sonically versatile are the reasons Soundgears can be found in every kind of music from gospel to goth to garage rock. Bassists who want the power and versatility of active electronics and fastest neck available have made the Soundgear standard equipment in the most controlled studio environments and the most out of control live performances.
Body Material: Mahogany
Neck Material: 5pc. Wenge/Bubinga
Neck Type: SR6
No.Fret/Type: 24/Medium
Fingerboard: Rosewood
Inlay: Abalone Oval
Bridge: B106||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibsr700ba||item.||page.||ibanezbass||||||||Ibanez SR 700 Bass||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez SR700 Electric Bass Guitar
The Ibanez SR700 Electric Bass Guitar is going to rock you right out of this world! Since 1987, trends have come and gone. But the fast and versatile Soundgear basses continue to lay down the groove in every style imaginable in every venue possible. The SR700 has been upgraded with 3-band Style Sweeper EQs. The 2008 Soundgear narrow neck is perfect for extended range travel as well as physically comfortable as it is musically exhilarating. Now, everyone who has ever desired a premier bass can afford an SR with pro features. Viva La Bass! Viva Ibanez!

Ibanez SR700 Electric Bass Guitar

Ibanez SR706 6 String Electric Bass Guitar
Since 1987, trends have come and gone. But the fast and versatile Soundgear basses continue to lay down the groove in every style imaginable in every venue possible. Now in 2008, Ibanez offers a vast array of different Soundgear models including this SR706. The 2008 Soundgear narrow neck is perfect for 6-strings so extended range travel is as physically comfortable as it is musically exhilarating. Now, everyone who has ever desired a premier bass can afford an SR with pro features. Viva La Bass! Viva Ibanez!

Thinner necks with thinner nuts than traditional basses. Lightweight, balanced, comfort-contoured bodies. New versatile EXF angled pickups have equal spacing between pickup to string for balanced output levels.

Ibanez SR705 5 String Electric Bass Guitar

Ibanez SR785 5 String Electric Bass Guitar

Ibanez SR780 Electric Bass Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsr800||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25579367||||||Ibanez SR 800||SR800||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||1||0||||||||All Ibanez Bass Guitars

With such a diverse selection of instruments, it's hard to pigeonhole just what makes Ibanez so different from other guitar makers. But if any one instrument defines just what Ibanez is, it's the Soundgear bass. The SR has features, quite a number. Price, a wide range. And there's performance, plenty of it--and an easier playing and more versatile performance than traditional basses. Which is why bassists who are a little more adventurous have made the Soundgear one of the top, if not the top, selling basses in the world, since the SR's debut in 1987. First, Soundgear basses feature thinner necks and thinner nut spacing than traditional basses. So you can concentrate on playing and not on fretting. The Soundgear neck feels just right in your hand, slim but very solid. A full 24-fret neck allows you the full range needed for today's music. All SR800 models feature the ultra flexible Vari-Mid EQ with sweep-able midrange on Soundgear pro basses lets you zone in on the funk...or dial in the chunk. Sweep in back the mid-frequency and roll of the highs and you've got an instant walking bass. The SR800 series has been the number one bass with players for the last ten years. And no wonder--with a neck designed from a player's point of view, the 38 mm neck on the SR800 models is one of the thinnest and most comfortable necks offered on any bass.

SR800 necks are constructed of three pieces of maple with graphite reinforcement for added stability. Electronics include AFR Series active bass pickups and the Vari-Mid 3 band EQ.
Body
Body Material Basswood
Bridge Accu-Cast B20
Hardware Color Black
Finish Gray Nickel
Electronics
Neck Pickup Ibanez Active Full Range P
Bridge Pickup Ibanez Active Full Range J
Active EQ Vari-Mid 3-Band
Neck
Neck Material 5 Piece Mahogany/Bubinga
Neck Type SR4
Number of Frets 24
Fret Type Medium
Fingerboard Rosewood
Inlay Pearl Dot
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Ibanez SR300 Electric Bass Guitar
The Ibanez SR300 Electric Bass Guitar is here! Since 1987, trends have come and gone. But the fast and versatile Soundgear basses continue to lay down the groove in every style imaginable in every venue possible. Now in 2008, Ibanez offers a vast array of different Soundgear models including neck-thru-body, fretless and left-handed. For 2008, all SR300 models have been upgraded with 3-band Style Sweeper EQs. The 2008 Soundgear narrow neck is perfect for 5- and 6-strings so extended range travel is as physically comfortable as it is musically exhilarating. Now, everyone who has ever desired a premier bass can afford an SR with pro features. Viva La Bass! Viva Ibanez!

Thinner necks with thinner nuts than traditional basses. Lightweight, balanced, comfort-contoured bodies. New versatile EXF angled pickups have equal spacing between pickup to string for balanced output levels. GSR models with high output pickups offer famous Soundgear pro comfort and playability at entry-level prices.

Ibanez SR300 Electric Bass Guitar

Ibanez SR300 Electric Bass Guitar

Ibanez SR300 Electric Bass Guitar

Ibanez SR300F Fretless Electric Bass Guitar
Fast and versatile, the SR300 fretless bass guitar lays down grooves in every style imaginable. Featuring a 3 band style sweeper EQ with a lightweight balanced comfortable contoured body, you have pro features at an entry level price. The extended range travel on the narrow neck is as physically comfortable as it is musically exhilarating. Plus the EXF pickups have equal spacing between pickup to string for balanced output levels. To control your tone, you have a volume and balance knob, style sweeper finger step knob and a treble and bass boost/cut knob.

Ibanez SR300M Electric Bass Guitar
The Ibanez SR300M Electric Bass Guitar is a fully featured bass with superb flexibility at a great price.

The SR300M features an Agathis body, SR4 neck, maple fingerboard and 24 medium frets. The B100 adjustable bridge keeps the tuning stability well and the Style Sweeper active EQ provides a variety in tone. The SR300M�s battery box is easily accessible on the fly and the bass includes 2 EXF pickups that are arched for better string-to-pickup spacing and offer balanced tone and sound among each string.

Ibanez SR305 5 String Electric Bass Guitar
The Ibanez SR305 Electric Bass Guitars rocks the stage like no other! Since 1987, trends have come and gone. But the fast and versatile Soundgear basses continue to lay down the groove in every style imaginable in every venue possible. For 2008, all SR300 models have been upgraded with 3-band Style Sweeper EQs. The 2008 Soundgear narrow neck is perfect for 5-strings so extended range travel is as physically comfortable as it is musically exhilarating. Now, everyone who has ever desired a premier bass can afford an SR with pro features. Viva La Bass! Viva Ibanez!

Thinner necks with thinner nuts than traditional basses. Lightweight, balanced, comfort-contoured bodies. New versatile EXF angled pickups have equal spacing between pickup to string for balanced output levels.

Ibanez SR305 5 String Electric Bass Guitar

Ibanez SR305 5 String Electric Bass Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsr300dx||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25586197||||||Ibanez SR300DX||300dx||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||1||0||||||||
SR300DX Electric Bass Guitar

Fast, Comfortable, and Versatile These are the reasons why Soundgear basses flew in the face of tradition when they debuted in the late 1980's. And today, they're the same reasons why Soundgears are standard equipment on every stage and in every studio-and in the hands of bassists playing everything from gospel to country to jazz to death metal.

Top of the Line Features Besides being exceptionally easy to play regardless of your hand size, the SR300 includes many of the top features today's bassist is looking for. It utilizes a thinner neck and thinner nuts than traditional basses, while its sleek body is lightweight, balanced and comfortably countoured. Features include an agathis body, a three-piece maple neck, chrome hardware, Dynamix pickups (a P- and J-style combination), and the PHAT active bass boost which gives you up to +15dB of increase).
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibsrelbasgui||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25591098||||||Ibanez SR400 Electric Bass Guitar||SR400||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez SR400||||||||0||1||1||0|||||||| Ibanez SR400QM Soundgear Electric Bass Cherry Sunburst

Ibanez SR400QM Soundgear Electric Bass Trans Lavender Burst

Ibanez first introduced the Soundgear bass in 1987. That same bass continues to be one of the world's most played basses. Why? Because it is not the same bass. Certainly it's still the sleekest and sexiest. And with all SR models featuring active electronics, it's still the most tonally versatile. It still has the fastest neck. But they've continued to improve and update the Soundgear line.

When the Soundgear first came out, a highly compressed sound was popular. Now players demand a heavier sound with a more human touch. To accommodate these changes, they changed the Soundgear. And now the range of Soundgears is staggering � everything from the elite instruments you can see in the Prestige section to the new amazingly low priced GSR models.

Features
� Ibanez exclusive EQB3 3-band bass EQ
� Ibanez DXP and DXJ passive bass pickups for true string transfer
� Solid Ibanez die-cast bass bridge
� Lightweight American soft Maple body for added low end
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsr4000e||item.||page.||ibanezbass||||||||Ibanez SR4000E||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez SR4000E Prestige Electric Bass Guitar with Case

Ibanez SR4000E Prestige Electric Bass Guitar with Case
Ibanez SR4000E Prestige Electric Bass Guitar; Soundgear sophistication and versatility. Made from fine premium woods, the Prestige SR4000E bass is bold and thunderous. Using thin and fast Prestige necks and Bartolini electronics this Prestige Soundgear bass brings the presence needed for fast fingered bass soloing. The SR4000E features a 5-piece Wenge/Bubinga neck, Bartolini Custom pickups and the PWCIII EQ giving offering superior sound shaping with Mid Boost/Cut controls and an added Power Curve control for easy and precise mid-range fine-tuning.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibanezsr4005||item.||page.||ibanezbass||||||||Ibanez SR4005||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||
Ibanez SR4005E Prestige 5 String Electric Bass Guitar with Case

Ibanez SR4005E Prestige 5 String Electric Bass Guitar with Case
Ibanez SR4005E Prestige 5 String Electric Bass Guitar with Case

Ibanez SR4005E Prestige 5 String Electric Bass Guitar; SR Prestige at its finest. The Prestige SR4005E bass embodies the best of the Soundgear line of basses. The fast Prestige SR neck and Bartolini electronics this Prestige Soundgear bass brings the deep bass tones with sophistication and dynamics you won't find on your average bass guitar. The SR4005E features a 5-piece Wenge/Bubinga neck, Bartolini Custom pickups and the PWCIII EQ giving offering versatility through the ability to fully shape your over-all tone going into the amplifier. Mid Boost/Cut controls and an added Power Curve control add the most precise mid-range fine-tuning available.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname11||item.||page.||ibelguit||||||||Ibanez STM1 Sam Totman Electric Guitar ||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||
Ibanez STM1 Sam Totman Signature Electric Guitar
There has never been a double guitar attack like the dual-shredding mayhem that is Dragonforce�s Herman Li and Sam Totman. These two virtuosos rip it up with outrageously fast, harmonized leads that leave their rabid fans screaming for more and guitar aficionados with their mouths agape.

Ibanez is proud to present the new Herman Li Signature EGEN1TVF and the new Sam Totman Signature STM1WH, two guitars that sound as wicked as they look. Look for Herman and Sam to be raging away on these axes as Dragonforce continues its run for world domination.

Sam Totman's Signature Iceman-shaped STM1WH features an Edge III tremelo. DiMarzio Evolution pickups and a 24-fret, 5-piece STM maple/walnut Wizard II thru-neck.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibstringaug||item.||page.||ibanez2000||||||||Ibanez String Gauges||||ibanez2000||Ibanez 2018 > ||||||||Ibanez guitars are setup from the factory with the following standard string gauges||||||||0||1||0||0||||||||

Models 1st 2nd 3rd 4th 5th 6th 7th

Electric .009 .011 .016 .024 .032 .042

7 String .009 .011 .016 .024 .032 .042 .054

Bass 4 .045 .065 .80 .100

Bass5 .045 .065 .085 .105 .125

Bass6 .030 .045 .065 .080 .105 .128

Acoustic .012 .016 .024 .032 .042 .053

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibsvsegu||item.||page.||ibelguit||||||||Ibanez SV Series Guitars||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||
Ibanez SV2009SC Electric Guitar F0913273

Ibanez SV5470 Electric Guitar Dark Sunset Burst ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibtaltc||item.||page.||talmanseries||||||||Ibanez Talman TCM50||||acin noname5 talmanseries||Acoustic Instruments > Ibanez Acoustic Guitars > Talman Series > ||||||||||||||||0||1||0||0||||||||
Ibanez TCM50 Talman Cutaway Acoustic-Electric Guitar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibtaltcy1||item.||page.||talmanseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25615813||||||Ibanez Talman TCY15||tcy15||acin noname5 talmanseries||Acoustic Instruments > Ibanez Acoustic Guitars > Talman Series > ||||||||||||||||0||1||1||0||||||||

January 21, 2001 The Ibanez Talman acoustic-electric was designed to put the comfort and looks of an electric in the hands of the acoustic player. And obviously a lot of people wanted just that because the Ibanez Talman proved to be wildly popular after its introduction at the 2000 Winter NAMM Show.

Having tested the waters with the TCY10, Ibanez is ready to take the plunge with the TCY15, a Talman about as far removed from the traditional acoustic as anything you could imagine. Not only does the TCY15 sport the untraditional Talman double cutaways, the rock and roll shaped body has been finished in sparkle finishes while the neck is fitted with triangle inlays and die-cast black tuners. "The Talmans definitely aren�t for the acoustic purist," said Jim Donahue of Ibanez R&D. "They�re instruments designed for the electric player who wants to go acoustic or the acoustic player who wants to have the mobility and flash of an electric."

The Talman TCY15 features a stiffer top for feedback reduction and an Ibanez piezo pickup with the AEQ201 2-band EQ. Two finishes are available, Galaxy Violet and Galaxy Magenta.

Model TCY15

Body Style Talman

Available Finish Galaxy Violet High Gloss, Galaxy Magenta High Gloss

Top Spruce

Back and Sides Mahogany

Fretboard/Bridge Material Rosewood

Neck Material Mahogany

Inlay Triangle

Tuners Black Die-Cast

Electronics Ibanez Piezo with Ibanez AEQ201 2-band EQ

Case AC100C

Case List $129.99

Ibanez AC100C Classical Guitar Hardshell Case

Ibanez hard shell guitar case for AC10, PC's, GA's, TCY's, and JX70||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaneztb15r||item.||page.||ibanezamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25622342||||||Ibanez TB15R||tb15r||elguit1 ibanezamps||Electric Guitars > Ibanez Amps > ||||||||Ibanez TB15R||||||||0||1||1||0||||||||
Ibanez TBX15R Tone Blaster Xtreme Guitar Combo Amp Standard

An ideal practice amp! The TB15R has clean and overdrive channels so any style of music can apply. In addition the TB15R has a CD input so you can plug in your CD player and jam along. Also there is a headphone jack to jam along or practice quietly. The built-in reverb gives the TB15R that big amp sound.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaneztb225c||item.||page.||ibanezamps||||||||Ibanez TB225C||||elguit1 ibanezamps||Electric Guitars > Ibanez Amps > ||||||||||||||||0||1||0||0||||||||

Ibanez TB225C Tone Blaster Amplifier
Ibanez TB225C Tone Blaster Amplifier

Ibanez TB225C Tone Blaster Amplifier Ibanez is proud to unveil our first amp with on-board digital signal processing. The new TB15D Tone Blaster with DSP features 15 different effect settings for more great sounds than you'd ever expect from such a portable package�which makes the TB15D perfect for home studio recording and rehearsals. Specifications: 25 x 25 watt stereo guitar amp with reverb Chorus with speed and depth controls 2 x 10" "POWER JAM" speakers Two discrete channels (clean and crunch) with independent active 3-Band EQ and level controls Footswitchable chorus and channel switching Headphone out Effects loop Open-back cabinet design||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaneztb25r||item.||page.||ibanezamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25645321||||||Ibanez TB25R||tb25r||elguit1 ibanezamps||Electric Guitars > Ibanez Amps > ||||||||Ibanez TB25R||||||||0||1||1||0||||||||
Ibanez TBX30R Tone Blaster Xtreme Guitar Combo Amp Standard
The TB25R would be at home backstage or for home practice. The 25-watt amp has switchable gain, active 3-band EQ, 10" speaker, and headphone jack. Lots of crunch!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaneztb50r||item.||page.||ibanezamps||||||||Ibanez TB50R||||elguit1 ibanezamps||Electric Guitars > Ibanez Amps > ||||||||||||||||0||1||0||0||||||||

Ibanez TB50R 50W Tone Blaster Amp

The TB50R has the modern sound for todays guitarists. While compact enough to throw in the back seat, the TB50R with its ample 50 watts of power is easily capable of handling your gig or rehearsal. Two footswitchable discrete channels (clean and crunch) with independent active EQ and level controls provide plenty of sonic flexibility. The 12" Ibanez Power Jam speaker is loaded into a closed-back cabinet design for maximum low-end thump. Includes free Ibanez FS2 footswitch.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaneztcy10bk||item.||page.||talmanseries||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25662562||||||Ibanez TCY10||tcy10bk||acin noname5 talmanseries||Acoustic Instruments > Ibanez Acoustic Guitars > Talman Series > ||||||||Ibanez Talman Acoustic/Electric||||||||0||1||1||0|||||||| Ibanez - TCY10BK

Talman series double cutaway acoustic/electric guitar featuring a spruce top, mahogany neck, and Piezo Transducer pickup
The Talman acoustic is perfect for the electric guitarist who wants to add acoustic sound to the arsenal, or the acoustic guitarist who envies electric looks and mobility. With the new Talman acoustic-electric you get it all: the rich sound of an acoustic with the easy playability and radical looks of an electric guitar all at a radically low price.

Ibanez Talman TCY10 Acoustic-Electric Guitar Black ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibaneztcy20||item.||page.||talmanseries||||||||Ibanez TCY20||||acin noname5 talmanseries||Acoustic Instruments > Ibanez Acoustic Guitars > Talman Series > ||||||||||||||||0||1||0||0||||||||
Ibanez Talman TCY20 Cutaway Acoustic-Electric Guitar Vintage Violin ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tonelokpedal||item.||page.||ibelguit||||||||Ibanez Tone Lok Pedals||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Tone-Lok Effects||||||||0||1||0||0||||||||
Ibanez Tone-Lok PM7 Phase Modulator Pedal Standard
Phase Modulator. If you've gone through one phase after another, maybe it's time for the final phase. The PM7 Phase Modulator offers three types of waveforms to give you everything from classic phaser to DJ effects to toy ray gun sounds. Since good things come in threes, the PM7 also has three phase stages: vintage, deep and dry, and deep and pronounced.

Ibanez TS9DX Turbo Tube Screamer Effects Pedal Standard
Warmth, sustain, and stunning tone. That is what the original Tube Screamer brought to the table. Besides the original TS9 tone, the TS9DX offers 3 unique new settings, +, Hot, and Turbo, all of which are used for adding low-end crunch.

Ibanez Tone-Lok SB7 Synthesizer Bass Pedal Standard
If you're looking for new tones or you're still smoldering with resentment against synth bass keyboard players who took your gigs in the 80's, the SB7 is the ticket.

Ibanez Tone-Lok WD7 Weeping Demon Wah Pedal Standard
WD7 Weeping Demon Wah's shrieks, cries, wails and seductive siren songs will have your audience screaming for more. The Weeping Demon features spring and normal footboard action, selectable wah range, fine tuning controls and more.

Ibanez Tone-Lok TS7 Tubescreamer Pedal Standard Ibanez Tone-Lok TS7 Tubescreamer
Yet another incarnation of the beloved Ibanez TS9 Tubescreamer, the TS7 delivers a smooth overdrive that works magic on cranked-up amps. The Drive, Tone and Level controls allow for a wide range of warm sizzle, and the Mode switch allows the TS7 to operate via traditional TS9 circuitry and in "Hot" mode, which adds a pinch more pepper to this hallowed recipe.
LIST PRICE: $74.95

Ibanez Tone-Lok DS7 Distortion
Fat, heavy distortion served straight up. With just three controls—Drive, Tone and Level—the DS7 proves to be a versatile dirt generator for everything from tight crunches to pig-squealin’ leads. The Tone control lets you get as nasty as you dare.
LIST PRICE: $69.95

Ibanez Tone-Lok DS7 Distortion Pedal Standard Ibanez Tone-Lok PH7 Phaser
The modern, the vintage and the strange in one cool pedal. The PH7 phaser has Speed, Depth, Feedback and Level controls that allow everything from subtle textures to thick aquatic modulations. Hit the Mode switch and instantly flip between vintage four-stage phasing and deeper six-stage phasing. LIST PRICE: $114.95

Ibanez Tone-Lok PH7 Phaser Pedal Standard

Ibanez Tone-Lok AW7 Autowah Pedal Standard

Ibanez Tone-Lok SM7 Smash Box Pedal Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibunstevvaib||item.||page.||20winnamnewr||||||||Ibanez Unveils Steve Vai "Bad Horsie" JEM Signature Model||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

Ibanez guitars unveiled a new Steve Vai JEM Signature model at the January NAMM Show in Anaheim, CA. Named "Bad Horsie" after a Steve Vai song of the same name, the guitar features a "Rock Mirror" finish with matching mirror pickguard. The new model also features the signature JEM appointments of a "Monkey Grip" handle carved into the basswood body and a scooped tremolo cavity so pitches can be raised as well as lowered with the tremolo arm.

Bad Horsie joins a long line of variations of Steve Vai's JEM signature models, which were first introduced at the Chicago NAMM show in June 1987.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibuvharcas||item.||page.||ibanezcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25664842||||||Ibanez UV1000C Hardshell Case||||elguit1 ibelguit ibanezcases||Electric Guitars > Ibanez Electric Guitars > Ibanez Cases > ||||||||Ibanez UV1000C Hardshell Case||||||||0||1||1||0||||||||
Ibanez UV1000C Guitar Case Standard

Supreme protection for your soul mate.

Rugged wood case covered in rugged vinyl and featuring padded plush lining, heavy-duty handle, and accessory compartment. Super-tough hinges and drawbar latches. Gold hardware and combination lock.

Ibanez UV1000C Guitar Case Features:

* Rugged wood structure * Tough vinyl covering * Padded, plush lining * Gold hardware * Combination lock * Heavy-duty handle * Heavy hinges and drawbar latches * Accessory compartment

Better to part with a little cash now than a loved one later. Put it in the cart.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|com19ibspec||item.||page.||olpic||||||||Ibanez Wiring Diagrams, Manuals...||||ibanez2000 olpic||Ibanez 2018 > Older/Discontinued Pics/Specs > ||||||||Support for your Ibanez||||||||0||1||0||0||||||||
For Ibanez Help, Wiring Diagrams and Manuals
|||||^| AS80, EDB500, JEM7V, SR885, GB200, AS120, EDB605, JEM77, SR800ASH GB10, AF120, EDC705, JEM7DBK, SR800 PGM30, AS180, EDC700, RG7620, SR406, PM100, AS200, GAX70, RG7621, SR405, PM20, AF207, GSR100, RG3120TW, SR400, AR250VB, GSR100L, RG520QS, SR305DX, AR2000VV, GSR205, RG550, SR390, ATK300, GSR200, RG570, SR300DX, ATK305, GRX40, RG470L , S470, AX320H, GRX20, RG470, S470QS, AX320T, GRX20L, RG320, S1520FB, BTB1000, ICJ100WZ, RG270DX, S1520, BTB1005, IC300, RG220, SC500, BTB500, JS100, SCR220, SC1620, BTB505, JPM100P4, SR3005, SC420, EDB690, JS1000, SR3006, UV777BK,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ibxisegu||item.||page.||ibelguit||||||||Ibanez Xiphos Series Guitars||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||||||||||0||1||0||0||||||||

Ibanez Xiphos XP300FX Electric Guitar Black

Ibanez Xiphos XPT700 Extended 27-Fret Electric Guitar GREEN SHADOW FLAT

Ibanez XPT700 Xiphos Electric Guitar Red Chameleon||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|icemanic300||item.||page.||ibelguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25675965||||||Iceman Iceman Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Iceman||||||||0||1||0||0||||||||
Ibanez Iceman Ic520 Electric Guitar Black||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|clarinetstand||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25695257||||||In-Bell Clarinet Stand||DS540B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||27.950||40.990 ||27.950 ||In-Bell Clarinet Stand||||||||1||1||1||0||||||||TravLite� In-Bell Clarinet stand folds up compactly to fit inside the bell of your instrument. This portable clarinet stand features ease of use and solid construction.

Takes up no extra space in your instrument case

Compact and Stable

Velvet bag included for better protection and easier access

Height: 170mm (6.7")

Weight: 0.1kg (0.2lbs)

Base radius: 120mm (4.7")

Folded size: 106X55mm (4.2x2.2")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|invid||item.||page.||onmusles||||||||Instruction Videos||||onmusles||Online Music Lessons > ||||||||Learn Guitar Videos Play drums DVD Guitar and Keyboard Instruction DVD||||||||0||1||0||0||||learbasvid||||Browse all Instruction Videos ||||music instructional videos, guitar videos, piano videos, how to playbass videos||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|incarkit||item.||page.||inren||||||||Instrument Care Kits||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||Brass and Woodwind Care Kits||||||||0||1||0||0||||herplasclarc herwoodclarc herflutcarki hersaxcarkit hertrumcarki hertromcarki carandmainof carandmainof1 carmainofyou||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|inreinrhis||item.||page.||inren||||||||Instrument Rentals in Rhode Island||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||School Band Instrument Rentals||||||||0||1||0||0||||||||Chris B's Music offers rentals of all school instruments. Our instrument rental program in Rhode Island rents woodwinds, brass, string and percussion instruments.

More info on Band Instrument Rentals

How the rental program works:
We have always strived to maintain a very high level of professionalism and know that today�s beginning students may be tomorrow�s professionals. For this reason we have tailored our rental program to help ensure the best opportunity for your child�s success.

First, we offer an initial trial period at a special reduced rate. This places a quality musical instrument in your child�s hands during the critical learning period without a large financial commitment.

Second, at the end of the trial period, you may continue to rent on a monthly basis or return the instrument with no further obligation.

Third, all rental fees are credited toward the purchase of the instrument. Additionally, during the first year, you can purchase the instrument at a substantial discount.

Fourth, if you wish to upgrade to an intermediate or professional instrument, you will receive 6 months rental credit towards the purchase of that instrument. The student rental instrument must be returned at that time.

Exchanges
Sometimes finding the best instrument to suit your child involves a bit of experimentation. If you find this to be the case, you can exchange the instrument that you are renting for any other instrument. If you exchange towards a more expensive instrument, then you will receive full credit for all rental fees. If you are exchanging to a less expensive instrument, you will receive up to 12 months rental fee credit. Consult with your child�s music instructor about what other instruments may be more suitable for your child. We will gladly accommodate your request and work with you to the best of our abilities.

String Instrument Exchanges
We offer the best String Instrument Exchange/Purchase plan anywhere! Chris B's Music will exchange the string instrument you started renting for the next size as requested by the music teacher. When the student requires a full size instrument, all paid rental fees will be applied toward the value of a full size instrument provided that the account is current.

FOR MORE INFO
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|inittun||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25767626||||||Intellitouch PT30 Tuner||PT30||strinin||Stringed Instruments > ||39.990||54.950 ||39.990 ||Intellitouch PT30 Tuner||||||||0||1||1||0||||||||The Intellitouch chromatic tuner is unique in that, it attaches to your instrument using a clip and then senses the resonance of the instrument to determine the pitch rather than relying on sound waves. It accomplishes this without the use of wires or microphones and has a full 7-octave range of response.

Works great for violins.||||||||||||||||0||||||||||||||||||||Intellitouch||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|incelout||item.||page.||strinin||||||||Intermediate Cello Outfits||||strinin||Stringed Instruments > ||||||||Intermediate Cellos||||||||0||1||0||0||||enecmodcelou enschoolmodc cercelhc cremsccel cremsccelout3 cremsccelout2||||Intermediate cellos for the advancing cellist, perfect step up cellos for the progressing player.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|inviol1||item.||page.||strinin||||||||Intermediate Violas||||strinin||Stringed Instruments > ||||||||||||||||0||1||0||0||||becprelservi1 becsymservio1 cremsva3viol||||All intermediate violas come with bow, case and rosin. We also include a free e mail lesson and our guaranteed trade in program||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|inviol||item.||page.||strinin||||||||Intermediate Violins||||strinin||Stringed Instruments > ||||||||Intermediate Violins||||||||0||1||0||0||||becsymservio becprelservi anbretab cremsvviolou cremsvviolou1 cremmaessers cremmaessv nagsuzviol||||Intermediate violin outfits at Chrisbsmusic.com We suggest the following intermediate violin outfits for the advancing player.
Our intermediate violins are complete with bow, case and rosin.

If you have questions about Intermediate Violins - E Mail Us||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|inwitmaspip||item.||page.||noname4||||||||Interview with a Master Piper||||acin noname4||Acoustic Instruments > Bagpipe Shop > ||||||||||||||||0||1||0||0||||||||Dave Page is an old time master uilleann piper now living in Southern California. He is helping to keep Irish traditional music alive and flourishing there by encouraging many young musicians.

He was born in 1906 of plain Irish folk living in Dublin. Life there was slower than now. Everyone was relatively poor but no one starved. Progress had not yet arrived in the form of electricity and most households cooked over a peat fire in the fireplace. People went to the neighborhood pub in the evening for a pint or two and a chat. The pubs were supposed to close early then and people would take a few bottles of ale home with them, bring out the instruments and begin the real socializing of the evening. Pub closing was always delayed however, if visitors were still coming in late or music was being played. " There was a lot of music around all the houses because no one had a radio." recalls Dave. Most every home had a piano and there were always lots of fiddles, but not many other instruments. He says that things were nice in Ireland. "Things were not too plentiful but we didn't notice. We were too busy playing music."

As a child, Dave was musically influenced by his Mother, who lilted the traditional tunes to him, and his older brother was a good fiddler. He started on a G banjo and also "fooled around with the whistle", but wasn't so fond of the sound. He recalls that there weren't many good whistle players around then.

Dave discovered the charms of the uilleann pipes in his teens. When he was about eighteen, his brother helped him persuade their father to buy this expensive instrument for him. In those days you couldn't go to a store to buy anything. You had to have it made or make it yourself. A full set of pipes, which cost about sixty dollars in those days, was ordered from Leo Rowsome. It wasn't the custom to get a half set of pipes then because it was very difficult to ever get delivery on the rest of the set.

In due time, a concert pitch set arrived and Dave began lessons with Leo Rowsome. Dave's father was disappointed that the pipes were not the old style, low pitch set. These could only be played with fiddles and low pitch flutes. Musical taste at that time demanded non-tunable, concert pitch concertinas, pianos and accordions in the bands, so uilleann pipes had to conform.

Dave was very anxious to play his pipes and practiced many hours a day and late into the night. He recalls how he rushed from work as a shoemaker to play before dinner and then commenced again after eating. He said that sometimes in the wee hours of the morning, he would think of a tune and rush downstairs just to play it. Since Dave knew many tunes from childhood, he needed only to practice technique. When asked how long it took him to be in command of his instrument, he said, "Well, you never have full command of it." He considered himself pretty good after five years of playing concerts with other musicians.

After studying with Leo Rowsome for about a year, Dave was invited to form a band with Leo, his brother Tom Rowsome and Addie ts. This was in about 1926, and so began his long musical career.

At this time, his brother was playing in a band with eight other really good fiddlers and Dave says it was fantastic music. There were three sisters in the band, who also fiddled on the streets such as street musicians do today. Dave recalls, "We didn't like that much because street musicians were classed with tinkers," definitely not respectable.

The depression came in 1929, but it wasn't felt so badly in Ireland. Everyone was already so poor, they really didn't notice it. Dave married Bridie in 1933, and lived in Dublin, shoemaking and playing the pipes, till after World War II. After the war, they moved from Dublin to London to find more work. He continued working in leather, making handbags. He also played in dance bands but there wasn't so much call for an Irish piper. He learned to play the concertina and piano accordion. His wife, Bridie, a fine pianist, sometimes accompanied him.

Dave and Bridie came to the United States and settled in Chicago. He again found a job making handbags. The large Irish community there, welcomed traditional music. So Dave began playing music as usual. He eventually was persuaded to try the uilleann pipes again although his old Rowsome pipes had been sold years before. He hadn't played pipes for about ten years, but again became a fine piper.

In Chicago, Dave played with Tommy McCarity, Tommy Sheridan and the McMann Brothers, to name a few. He traveled to Ireland every few years to music festivals, where he was complimented, recorded and invited to parties. When he was living in Ireland, neighbors made him good reeds for the love of it and to keep him playing for them. In Chicago, Dave had no such luck. He had to make his own reeds and found it a real chore. He said he could never stand to play the pipes out of tune and would put them down if they refused to cooperate with him.

When Dave and Bridie moved to San Diego he thought he would never play the pipes again because there would be no interest in Irish music. However, word spread by friends and family reached the University of San Diego and out. Young people began coming to him to persuade him to play the old tunes for a tape recorder. Dave says he was surprised and very pleased over this interest and encouraged it. His door was always open to Irish music fans.

In Chicago, Dave was in a band called SEAMSA GAEL. This great name is now in use again by some of his friends in San Diego who are carrying on the Irish ceili tradition in fine fashion. Sometimes they persuade him to come to their gigs and play with them. Although he doesn't care for sitting on a stage and playing to an audience, he loves to play among and with a crowd. Dave's uilleann pipes are now played regularly by a fine young musician whom Dave taught to play.

Since being in San Diego, Dave has participated in many Irish music activities and has been surprised to learn that he has a large "underground" following. Although he has never recorded an album, he has heard tapes of himself playing in the most unlikely places all over the country. One time, he was in Tucson and met a man who played him the only Irish tune he knew on the fiddle. Dave asked him where he learned the beautiful tune. "From you." the man replied. Dave stated that was impossible as they had never met before. But the man said he had taped Dave off the radio years before. This makes him feel really good because he is contributing to the continuation of Irish music. Today, he says, the aural tradition is aided immensely by records and tapes. Dave is able to pass on tunes which he has forgotten over the years to people he never met. This modern miracle preserves more music, more accurately than the old way.

Dave can always recognize his own playing as well as everyone else's. This is one of the charms of the uilleann pipes. Each player develops his own style even though copying his teacher and other players. Dave thinks it would be pretty boring if everyone played identically or even tried to.

So David Page has become a legendary musician in his own time to thousands of Irish music lovers. He is a great musician, and a friendly, warm hearted man who always encourages every musician, no matter how skilled. To sum up his attitude towards the music, he has said; 'I wouldn't care who was playing Irish music, even if they only picked it up an hour ago. I'd still stand and listen, you know. I always like the live music."
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jlastbowwieb||item.||page.||cremsb1upbas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25862912||||||J. Lasalle Bass Bow with Ebony Frog||LB-12BS||strinin cremsb1upbas||Stringed Instruments > Upright Bass > ||89.950||109.950 ||89.950 ||J. LaSalle® Student Series French Bass Bow||||||||1||1||1||0||||||||
J. LaSalle LB-12BS bass bows are hand-crafted to meet or exceed the requirements of the Music Educators National Conference (MENC)

Round, Brazilwood stick
Stainless grip
Ivoroid tip
Ebony frog in the French style
Half mounting
Serbian eye
M-O-P slide

||Size 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||J Lasalle||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jlasallebows||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25868745||||||J. LaSalle Bows||lb-10||strinin||Stringed Instruments > ||29.990||29.990 ||||Nice replacement bows for your violin, viola or cello.||||||||1||1||1||0||Music > Instruments and Equipment > Stringed Instruments > Violin||||||
J. LaSalle bows are hand-crafted to meet or exceed the requirements of the Music Educators National Conference (MENC)
Round, Brazilwood stick
Stainless grip
Ivoroid tip
Rosewood frog
Half mounting
Serbian eye
M-O-P slide

||Instrument/Size "Violin 1/16th" "Violin 1/8th" "Violin 1/4" "Violin 1/2" "Violin 3/4" "Violin 4/4" "Viola 16" "Cello 1/4" "Cello 1/2" "Cello 3/4" "Cello 4/4"||||||||||||||0||||||||||||||||||||J. LaSalle||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jlasdelperbo||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25875726||||||J. LaSalle Deluxe Pernambuco Violin Bow With Ebony Frog||LB-41||strinin||Stringed Instruments > ||214.950||349.950 ||214.950 ||J. LASALLE DELUXE PERNAMBUCO BOW WITH EBONY FROG||||||||1||1||1||0||||||||The J. LaSalle LB-41 is a truly professional violin bow that any player would be proud to own! The octagonal stick is of the finest, most select Pernambuco wood and the ebony frog is fully-mounted with pure silver. The finest workmanship and choicest materials result in a bow of magnificent playing qualities, a bow suitable for the artist but priced well within the reach of the serious student.
J. LaSalle bows are hand-crafted to meetor exceed the requirements of the Music Educators National Conference (MENC)
Octagonal, Pernambuco stick
Whale bone grip
Bone tip
Ebony frog
Full mounting
Parisian eye
Abalone slide
||Size: 4/4||||||||||||||0||||||||||||||||||||J. LaSalle||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jlastbowgest||item.||page.||cremsb1upbas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25891056||||||J. Lasalle German Style Bass Bow||LB-12BGS||strinin cremsb1upbas||Stringed Instruments > Upright Bass > ||89.950||109.950 ||89.950 ||J. LaSalle® Student Series German Bass Bow||||||||1||1||1||0||||||||
J. LaSalle LB-12BGS bows are hand-crafted to meet or exceed the requirements of the Music Educators National Conference (MENC)
Round, Brazilwood stick
Stainless grip
Ivoroid tip
Ebony frog in the German style
Half mounting
Serbian eye
M-O-P slide
||Size 1/2 1/4||||||||||||||0||||||||||||||||||||J. Lasalle||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jlasdelocbow1||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25896613||||||J. LaSalle LB33 Deluxe Octagonal Violin Bow ||LB-33||strinin||Stringed Instruments > ||144.950||209.950 ||144.950 ||J. LASALLE DELUXE OCTAGONAL Violin BOW LB33||||||||1||1||1||0||||||||A strong octagonal stick of select Pernambuco wood makes the LB-33 violin bow the perfect choice for the advanced student. With its sterling playing qualities and its affordable price, the LB-33 is one of our hottest-selling bows. A full-mounted ebony frog and a silver-plated grip give a professional look to this top-quality bow and the student may look forward to years of faithful service from this fine J. LaSalle bow.

J. LaSalle bows are hand-crafted to meetor exceed the requirements of the Music Educators National Conference (MENC)
Octagonal, Pernambuco stick
Silver grip
Bone tip
Ebony frog
Full mounting
Parisian eye
Abalone slide
||Size 4/4||||||||||||||0||||||||||||||||||||J. LaSalle||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jsbach||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25949981||||||J.S. Bach||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||beethoven mozart||||JOHANN SEBASTIAN BACH

Born: March 21, 1685. Eisenach, Germany
Died: July 28, 1750. Leipzig, Germany

In his own words...

"Whereas the Honorable and Most Wise Council of this Town of Leipzig have engaged me as Cantor of the St. Thomas School... I shall set the boys a shining example... serve the school industriously... bring the music in both the principal churches of this town into good estate... faithfully instruct the boys not only in vocal but also in instrumental music... arrange the music so that it shall not last too long, and shall... not make an operatic impression, but rather incite the listeners to devotion... treat the boys in a friendly manner and with caution, but, in case they do not wish to obey, chastise them with moderation or report them to the proper place."

German composer and organist. Culminating figure of the German Baroque.

When we say that a composer such as Johann Sebastian Bach was a genius, what are we really saying? It is easy to call someone a genius, but far more difficult to explain what that means. The word itself tends to intimidate us, and we often feel that it is impossible to bridge the gap and find the human side of genius. So we simply call him or her a genius and are done with it.

In the case of Bach, however, his genius is a combination of a number of simpler qualities, all of which point to that human side. First, Bach was a craftsman. He lived in an age in which the composer created works according to the demands of his employer. For Bach, this meant that his various positions demanded different kinds of music. As court organist in Weimar, he produced his most important organ works, and as a composer for the Prince of Anhalt-C�then he created music that his patron desired: ensemble music (including the famous Brandenburg Concertos, written for another royal patron, the Margrave of Brandenburg). But his most important and long-term position was as cantor of St. Thomas' Church in Leipzig. Not surprisingly, it is in this period that he wrote the bulk of his great church music. Because of the demands of his various employers, Bach was able to create works in a wide variety of genres, providing a breadth of expression not often seen.

A second quality we find in Bach is that of a student or an emulator. The composer constantly surrounded himself with the music of his contemporaries, and his study of these pieces (often involving rearranging pieces for different combinations of instruments) provided him an insight into a wide variety of national and personal styles. Throughout his life, he integrated these ideas into his own unique style.

Bach was also a deeply religious man. His personal Bible is filled with annotations and comments, and this depth of feeling finds its way into his sacred music, which often strikes the listener as an intensely personal statement of faith.

Finally, Bach had a passion for completeness. Many of his works seem to be exercises in exploring every conceivable possibility. An example of this is his two collections of preludes and fugues, the Well-Tempered Clavier. In them, Bach explores every possible major and minor key. But it is in his final works that this encyclopedic quality stands out. His Musical Offering is a tour de force of variations and contrapuntal inventions on a theme suggested to him by Frederick the Great. His Mass in B minor is not a liturgical work, but a summation of his sacred style, much of it reworked from earlier pieces. And his Art of Fugue (unfinished at his death) is a compendium of contrapuntal techniques unequaled before or since.

None of these qualities, by themselves, explain Bach's genius. In some aspects, he has no equal, and in all aspects, his music is unique. Taken together, however, they constitute the human elements of that genius. They help us to understand why and how Bach created what he did, and perhaps that is as close as we can come.

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Jackson Sl1 Usa Soloist Electric Guitar Burnt Cherry Burst
The Jackson SL1 USA Soloist Electric Guitar has a combination of thru-body neck, heelless construction, fast neck profile, and compound-radius fretboard that give it a feel and sound like no other. Seymour Duncan pickups and Original Floyd Rose tremolo come standard on the SL1. The USA Soloist features alder body wings, maple neck, and a bound ebony compound-radius fretboard.

Jackson Usa Rr1 Randy Rhoads Select Series Electric Guitar Cobalt Blue
If you're still looking for your sound, you'll find it with the Jackson RR1 USA Randy Rhoads Electric Guitar. The young master metal shredder never lived to see the mass production of this guitar, but he helped design and approved the prototype. Equipped with screamin' Seymour Duncan open humbuckers (an SH2 at the neck and TB4 at the bridge) and an original Floyd Rose double-locking tremolo, this guitar is designed specifically for the kind of sonic pyrotechnics its inimitable namesake made famous. Jackson's famous sharkfin mother-of-pearl inlays adorn a bound compound radius ebony fretboard mounted on a lightning-fast quartersawn maple neck that runs right through the sculpted alder body. Mother-of-pearl Jackson logo adds a touch of class to the bound headstock.

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Jackson SL1 USA Soloist Electric Guitar Burnt Cherry Burst ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jasminees31c||item.||page.||jasmineguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_25967523||||||Jasmine ES31C||es31c||acin jasmineguitars||Acoustic Instruments > Jasmine Guitars > ||199.990||389.000 ||199.990 ||Jasmine ES31C Acoustic/Electric Cutaway||||||||1||1||1||0||||||||Lowest Priced Acoustic-electric by Takamine guitars

Acoustic-electric gloss black cutaway. On board electronics manufactured by the acoustic-electric leader Takamine guitars. The spruce top and mahogany back and sides provide a bright and clear acoustic sound.

Inside every Jasmine you'll find the heart and soul of a Takamine. Their finest luthiers oversee every aspect of the design, construction, and quality control of these beautiful looking, beautiful sounding guitars
Model ES31C
Finish Black
Body Style Dreadnought Cutaway
Top Spruce
Back & Sides Nato
Neck Nato
Machines Chrome Diecast
Electronics DJ-2

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Pickup and Jasmine Preamp

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Spruce Top

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Pickup and Jasmine Preamp

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Lowest Priced Acoustic-electric by Takamine guitars

Santa Fe styled acoustic-electric cutaway, at a budget price.

If you could see inside a Jasmine Dreadnought by Takamine, you'd see its true beauty. Skilled craftsmen, using time-tested construction methods along with contemporary styling, have created acoustic/electrics with powerful resonance. Thanks to built-in preamps and sensitive pickups, these instruments have a clean and distinct bass and treble range.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jasesacelgui||item.||page.||jasmineguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26100214||||||Jasmine ES45C Acoustic Electric Guitar||es45c||acin jasmineguitars||Acoustic Instruments > Jasmine Guitars > ||199.990||399.000 ||199.990 ||Jasmine Acoustic-Electric Guitar ES45C||||||||1||1||1||0||||||||If you could see inside a Jasmine Acoustic-Electric Guitar ES45C, you'd see its true beauty. Skilled craftsmen, using time-tested construction methods along with contemporary styling, have created acoustic/electrics with powerful resonance. Thanks to built-in preamps and sensitive pickups, these instruments have a clean and distinct bass and treble range. The spruce top and mahogany back and sides provide a bright and clear acoustic sound

� Spruce top � Nato back and sides � Rosewood fretboard � Gloss finish � Chrome tuners � Pickup w/Jasmine preamp

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It's never too early to start a lifetime of musical enjoyment.

The Studio Series from Takamine provides educators with correctly proportioned guitars for the elementary, middle, junior, and high school sized players. Not to be compared with many toy guitars available today, these are quality musical instruments that intonate and play correctly, providing young students with a solid foundation for successful musical growth.

The JS141 is a 1/4 sized guitar with all the appointments of it's full-sized cousins. It features a spruce top with mahogany back and sides, a beautiful natural finish, and chrome tuning machines.||||||||||||||||0||||||||||||||||||||Jasmine||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jasmines34c||item.||page.||jasmineguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26126019||||||Jasmine S34C||s34c||acin jasmineguitars||Acoustic Instruments > Jasmine Guitars > ||129.990||249.000 ||129.990 ||Jasmine Acoustic Cutaway Guitar||||||||1||1||1||0||||||||It used to be, that if you wanted a quality acoustic guitar you had to take out a small business loan (or at least sell all your belongings for a down payment).

Jasmine S34C acoustic cutaway guitar has just changed all that.

Everybody knows that Takamine makes the richest sounding, easiest playing, best looking guitars around - now everybody can have that same level of quality for much less than you'd expect.

The S34-C recieves the same care and setup that the most expensive Takamine recieves, so you know that you are getting the most NEX Mini Jumbo body acoustic for your money. Nato back and sides give the richness that Jasmine guitars are known for (not to mention stability), a spruce top for all the sparkling highs that you could want, and a drastic cutaway leaving the top frets accessable all the way up. Ping covered tuners that tune and stay tuned, and a price that seems impossible for the features offered. Just play it, and you'll be convinced.

Spruce top with � Nato back and sides � Rosewood fingerboard � Natural finish

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Inside every Jasmine you'll find the heart and soul of a Takamine. Our finest luthiers oversee every aspect of the design, construction, and quality control of these beautiful looking, beautiful sounding guitars.

If you thought that you couldn't afford a Takamine-quality acoustic, think again. The JS35 is a satin finished spruce-top acoustic guitar that carries the same quality and workmanship that the world-famous Takamine guitars are known for. Same world-class tone, same easy playability all at a price that won't give you nightmares.

� Spruce top � Nato back and sides � Rosewood fretboard � Natural finish � Chrome plated tuners||||||||||||||||0||||||||||||||||||||Jasmine||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jasmines35qa||item.||page.||jasmineguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26146177||||||Jasmine S35QA||S35QA||acin jasmineguitars||Acoustic Instruments > Jasmine Guitars > ||149.000||269.000 ||149.000 ||||||||||1||1||1||0||||||||This Jasmine Dreadnought guitar features a spruce top, quilted ash back and sides and a rosewood fretboard.

Topped off with a gloss finish and chrome tuners.

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Gloss Nex cutaway acoustic. Manufactured by Takamine Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jasmines45sb||item.||page.||jasmineguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26223640||||||Jasmine S45SB||S45SB||acin jasmineguitars||Acoustic Instruments > Jasmine Guitars > ||139.990||229.500 ||139.990 ||Sunburst dreadnought acoustic. Manufactured by Takamine Guitars||||||||0||1||1||0||||||||Discontinued, browse current production Jasmine Guitars

Three tone sunburst dreadnaught guitar.
Manufactured by Takamine Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jayturguit||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26233367||||||Jay Turser Guitars||||elguit1||Electric Guitars > ||||||||Jay Turser Guitars JT141 "Monterey" JT200 Serpent More...||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jbplayacbasg||item.||page.||electricbass||||||||JB Player Acoustic Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||jbplayjbeab jbplayjbeab1 jbplayjbeab2||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jbplayjbeab||item.||page.||jbplayacbasg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26236914||||||JB Player JBEAB3500||JBEAB3500||electricbass jbplayacbasg||Electric Bass > JB Player Acoustic Bass Guitars > ||299.000||449.000 ||299.000 ||||||||||0||1||1||0||||||||Spruce top. Mahogany back and sides. Rosewood fingerboard and bridge. Abalone body binding and soundhole inlay. Gold-plated diecast machine heads. 4 band EQ.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jbplayjbeab1||item.||page.||jbplayacbasg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26243900||||||JB Player JBEAB3600||JBEAB3600||electricbass jbplayacbasg||Electric Bass > JB Player Acoustic Bass Guitars > ||299.000||449.000 ||299.000 ||||||||||0||1||1||0||||||||Ash top. Mahogany back and sides. Rosewood fingerboard and bridge. Abalone body binding and soundhole inlay. Gold-plated diecast machine heads. 4 band EQ. Transparent black finish.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jbplayjbeab2||item.||page.||jbplayacbasg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26248712||||||JB Player JBEAB3700||JBEAB3700||electricbass jbplayacbasg||Electric Bass > JB Player Acoustic Bass Guitars > ||299.000||449.000 ||299.000 ||||||||||0||1||1||0||||||||4-String Acoustic Electric Bass Ash top. Mahogany back and sides. Rosewood fingerboard and bridge. Abalone body binding and soundhole inlay. Gold-plated diecast machine heads. 4 band EQ. Transparent red finish.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jblenclosures||item.||page.||pagearsoun||||||||JBL Enclosures||||musicsoftware1 pagearsoun||Recording/PA/Software > PA Gear/Live Sound > ||||||||JBL Speakers||||||||0||1||0||0||||||||Browse all JBL Enclosures ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jemseries||item.||page.||ibelguit||||||||JEM Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Jem Series||||||||0||1||0||0||||||||Browse all Ibanez JEM Guitars

Ibanez JEM77V Steve Vai Signature Electric Guitar Black

The Ibanez JEM7V Steve Vai Signature Electric Guitar is a top-of-the-line 6-string solidbody capable of exploring the most extreme sonic territories at any speed. The 5-piece maple/walnut neck is super-smooth for easy riffing and incredibly strong and stable with a lead-friendly thin and flat profile. A 25-1/2" scale and bolt-on neck joint get you lots of bass and treble response with a quick, precise attack. A 43mm nut provides comfortable string spacing and 24 jumbo frets deliver greater range while the recessed tremolo provides right-hand playing comfort and allows notes to be radically raised as well as lowered. The alder body produces clear, full-bodied vintage tone that serves all your needs from chunky rhythms to searing leads. A trio of screaming DiMarzio Evolution pickups (humbuckers at the neck and bridge with a custom single-coil in the mid position), coupled with Split-5 wiring give you all the tonal diversity you crave. And of course, there's Vai's signature Monkey Grip on the bass-side body wing.Alder bodyBest known as the body wood for the classic single coil, bolt on neck guitar, alder produces clear, full bodied vintage tone that works well for lead or rhythm work.Rosewood fingerboardRosewood offers a strong, bright sound and an attractive appearance with a long grain.DiMarzio Evolution humbuckersThe Evolution neck and bridge humbuckers are the result of 2 years of research to come up with the right sound for a very demanding player and his axe: Steve Vai and his Ibanez JEMs. Both pickups are designed for maximum impact and power. The neck pickup is fat, punchy and loud. The bridge pickup is tight, aggressive and louder. Both pickups have a patented dual-resonance configuration to reproduce more harmonic overtones than conventional humbuckers. The Evolution pickups were originally designed with live gigs in mind, but they have so much presence and definition that they're great recording pickups, too; they slice right through even the densest mix.

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Browse Electric Guitars from Ibanez, Fender, ESP...||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joesatser||item.||page.||ibelguit||||||||Joe Satriani Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Guaranteed Lowest Prices on Ibanez Joe Satriani Series
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Ibanez JS1200 Joe Satriani Signature Guitar Candy Apple

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Ibanez Js24p Joe Satriani Signature Electric Guitar Candy Apple||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johannesbrahms||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26254174||||||Johannes Brahms||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||||||JOHANNES BRAHMS

Born: May 7, 1833. Hamburg, Germany Died: April 3, 1897. Vienna, Austria

In his own words...

"It is not hard to compose, but it is wonderfully hard to let the superfluous notes fall under the table." German composer. Brahms created a style that blended the lyrical and intellectual and served as a contrast to the progressive style of the New German School.

Johannes Brahms grew up surrounded by a practical world of music. His father was a double bass player, and Brahms took early lessons in piano, theory and composition. As a teenager, he gained intimate familiarity with serious and popular styles, arranging music for his father's orchestra and playing piano in local dance halls. At twenty he began touring as an accompanist and began to make important contacts. Among these were Robert and Clara Schumann, both of whom had a lasting effect on his life and career. Robert, in his role as a critic, first brought Brahms' name to the notice of the German public, calling him a "young eagle." Clara became an emotional focus for Brahms, one that would last throughout his life.

Brahms spent many years working as a conductor and pianist, hoping for a prestigious appointment that never materialized. He did, however, serve two years as director of the Berlin Singakademie. In 1868 he settled in Vienna, where he would remain for the rest of his life. He soon composed two works that assured him both fame and financial security: the German Requiem (premiered in 1869) and his orchestral Variations on a Theme by Haydn (1873). With this success behind him, he finally finished his first attempt at a symphony. The work was premiered in 1876 to great acclaim, and Brahms was hailed as the true successor of Beethoven. This was followed by three other symphonies, all of which have become standards of repertory, along with a large body of important works in virtually every genre (except for opera, which, like marriage, he consciously avoided throughout his life).

In 1890, at the age of fifty-seven, Brahms announced his retirement from composition. He was coaxed out of retirement by the clarinetist Richard M�hlfeld, for whom Brahms wrote some of his last (and greatest) chamber works. Brahms died of cancer in 1897, not long after the death of his one love and close friend, Clara Schumann.

Brahms is an important figure in German music, standing almost as a rock of classicism in the onrushing stream of the new styles created by Wagner, Liszt and others. His music is unshakably absolute, never drawing on extramusical images or ideas. His study of the music of earlier composers, including those of the Renaissance, added to the more conservative elements of his music. He often turned to older forms of expression, most notably that of variation. At the same time, his music has a strong personal aspect to it. His German Requiem, for example, is neither a sectarian religious work, nor a dramatic stage work (as was Berlioz's). Rather, it is a response to the subject of death, freely drawing passages from the Bible to create a piece that is both personal and national. All these qualities combine to make Brahms one of the truly distinctive voices of the late nineteenth century.

Works:

* Orchestral music, including 4 symphonies (1867, 1877, 1883, 1884-1885); Variations on a Theme by Haydn (1873); 2 overtures (Academic Festival, 1880 and Tragic, 1886); 4 concertos (2 for piano, 1858, 1881; 1 for violin, 1878; 1 double concerto for violin and cello, 1887)

* Chamber music, including string quartets, quintets, sextets; piano trios, quartets, and 1 quintet; 1 clarinet quintet; sonatas (violin, cello, clarinet/viola)

* Piano music, including sonatas, character pieces, dances and variation sets (on a theme by Handel, 1861; on a theme by Paganini, 1862-1863)

* Choral music, including A German Requiem (1868), Alto Rhapsody (1869), and part songs

* Lieder, including Vergebliches St�ndchen (Futile Serenade, 1881), Four Serious Songs (1896), and folk song arrangements.
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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joh000guit||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26265352||||||Johnson 000 Guitar||JG-420||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||129.990||164.990 ||129.990 ||||||||||1||1||1||0||||||||With its brilliant, cutting tone, the JG-420 captures the classic parlor guitar sound. The contoured 000-style body makes it a breeze to play. The generous string spacing and smaller size make it perfect for women, as well as fingerpickers.
Parlor Guitar Shape � Spruce Top � Bound Rosewood Fretboard � Nato Neck � Rosewood Bridge � Die-Cast Tuning Machines � Nickel/Silver Frets � Body Binding � Martin Strings � Lifetime Warranty

||Color: Natural Black||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jg620cebl||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26275377||||||Johnson Acoustic Electric Guitar..JG-620-CE||JG-620-CE||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||199.990||2479.990 ||199.990 ||Johnson Cutaway Acoustic Electric Guitar||||||||1||1||1||0||||||||The Johnson JG-620-CE is a cutaway version of the JG620. This guitar offers great sound and smooth styling.

The cutaway body style allows for great reach into the upper range of the neck. Includes an installed under sadle transducer pickup and a 4 band Fishman EQ preamp.

Spruce Top

Nato neck

Rosewood Bridge

Redburst||Color Natural Blueburst Black Sunburst White||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|acguitplay||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26308987||||||Johnson Acoustic Guitar Package||JG-KIT||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||129.990||186.990 ||129.990 ||Johnson Acoustic Guitar Package||||||||1||1||1||0||||||||The Johnson acoustic guitar starter kit with everything you need to fulfill your musical dreams! The Johnson player pac is a great acoustic guitar package for the beginner guitarist.

Includes:

Acoustic Guitar (JG-610)

eMedia Starter Guitar CD-ROM

Gig Bag

Electronic Tuner

Peg Winder

Guitar Strap

Six Celluloid Picks

This is a great beginner acoustic guitar package that will allow a beginner to reach the next level.

||Color Natural Blueburst||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johacguit||item.||page.||acin||||||||Johnson Acoustic Guitars||||acin||Acoustic Instruments > ||||||||Johnson Acoustic Guitars Johnson Acoustic Electric Guitars

||||||||0||1||0||0||||johstudguit johjgdreadac jojgcuac jojg615acgu johnsonjg620n johjgser jg620cebl johjglefac johjgacelthi johthincutwi trailtravgui jolehatrgu jotr2trgu acguitplay parguitplay johcarseri joh000guit johher000 joguwain||||
Johnson Guitars offer a well built, affordable instrument for the beginner guitarist.
Click each Johnson Guitar for details and ordering info.

||||johnson guitars, johnson guitar, jg610, jg620, johnson player pack guitar, beginner acoustic guitar, jg624||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|joad||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26326693||||||Johnson Adrenaline||JS-367||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||279.990||369.990 ||279.990 ||Johnson Adrenaline Electric Guitar||||||||0||1||1||0||||||||With an open-pore oiled finish and brushed aluminum hardware, the Johnson Adrenaline electric guitar offers an amazing combination of affordability and playability. The Adrenaline JS-367 features an original ash body design with the open-pore finish illustrating the grain and texture, a tremolo bridge, a maple neck with rosewood fretboard, Kluson tuners and a single-single-humbucker pickup configuration.

The guitar is finished in either matte black or white. The neck is shaped with an extra-thin profile for lightning-quick playing and the pickups deliver a sound that would make any rocker�s heart beat just a little faster.

FREE SHIPPING TO CONTINENTAL US||Color: "Transparent Black" "Transparent White"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johallsoluk||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26382509||||||Johnson All Solid Ukulele||UK-505||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||115.990||153.990 ||115.990 ||Johnson All Solid Ukulele||||||||0||1||1||0||||||||Johnson ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.

Solid Mahogany Body

Rosewood Fretboard

10.5" Hand Spun Continental Cone

Champion-Style Friction Pegs

12 Nickel-Plated Frets

Featherweight Case
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johbasguitpi||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26390938||||||Johnson Bass Guitar-Dual Pickup Model||JJ-800||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||149.000||199.000 ||149.000 ||||||||||0||1||1||0||||||||The only current production Johnson Bass is the Viola Bass...check out the
AXL Bass Guitar Line for the latest models.

Solid Alder Body

One-Piece Maple Neck

Individual Chrome Plated Machine Heads

Rosewood Fretboard

Two Single Blade Pickups

Two Volume, One Tone, Chrome Controls

Lifetime Warranty
The Johnson Dual Pickup Bass covers more tonal ground than you might imagine. With two pickups and separate volume controls, this bass can give you the clearly defi ned low-end you need while letting you cook up some smokin leads. The solid alder body is contoured in the classic offset shape.
||Color: "Sunburst" "Translucent Green" "Black" "White" "Translucent Blue" "Natural" "Translucent Red"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johbasguitsc||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26401148||||||Johnson Bass Guitar-Short Scale Bass||JP-080||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||149.950||199.950 ||149.950 ||||||||||0||1||1||0||||||||The only current production Johnson Bass is the Viola Bass...check out the
AXL Bass Guitar Line for the latest models.

Solid Alder Body

One-Piece Maple Neck

Rosewood Fretboard Split Pickup

Individual Chrome Plated Tuners

Lifetime Warranty

30" Scale Length
The short scale electric bass was popularized back in the 70's by great bass players that wanted the flexibility of playing deep, thumping bass parts and ripping leads on the same instrument. The mini electric bass is tuned up a 4th (ADGC).
||Color: "Pink" "Translucent Blue" "Black"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johnsonbass||item.||page.||electricbass||||||||Johnson Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||axlbaba2pi axlbaba1pi johjpbas johbasguitsc johbasguitpi johbasserbas johbasserbas1 johbasserbas2 johscavbas joviba axlmarqueebass axlmacaba||||Chris B's Music sells Johnson Electric Bass Guitars.

We are an authorized Johnson Bass Dealer.

If you need assistance with Johnson Bass Guitars

E Mail Us

The only current production Johnson Bass is the Viola Bass...check out the
AXL Bass Guitar Line for the latest models.

New in Bass Guitars
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johbasserbas||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26410280||||||Johnson Bass-Catalyst Series Bass||JJ-330||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||277.990||369.990 ||277.990 ||Johnson Catalyst Bass||||||||0||1||1||0||||||||The new Johnson Catalyst bass is sweeping the nation with its hot looks, pro features, and great price. Built with select woods and superb electronics, the Catalyst bass will make even the most discriminating bass player a believer. The top is crafted from quilted maple for a gorgeous look. The body is made from solid alder for excellent tone and resilience. Each bass boasts two active pickups and a 2-band EQ for incredibly dynamic, responsive tone. The fretboard is topped with inlaid mother-of-pearl fret markers in a deluxe, sharktooth design. Johnson Catalyst basses boast hot looks and punchy tone at a price that players enjoy.

Quilted Maple Top

Solid Alder Body

Active Pickups

Rock Maple Neck

Rosewood Fretboard

Diecast Tuners

Inlaid M.O.P. Fretboard with Sharktooth Design

2-Band EQ, Volume, and Balance Controls

Gold Plated Hardware

Lifetime Warranty

FREE SHIPPING ON THIS ITEM TO CONTINENTAL US
||Color: "Translucent Black" "Translucent Green"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johcarseri||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26459584||||||Johnson Carolina Series I||JD-16||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||299.000||399.000 ||299.000 ||||||||||0||1||1||0||||||||Discontinued, check out the new Recording King Guitars

Carolina Series guitars have the authentic tone, design and feel of an American tradition. Designed by master craftsman Greg Rich with quality control standards set by Scott Zimmerman, each guitar is handmade from hand-select woods and features pristine workmanship and a full, booming tone.

From traditional folk to progressive bluegrass, there are features on every Carolina to appeal to your acoustic style. These guitars feature a solid Engelmann spruce top, back and sides made of African mahogany, classic fittings such as butterbean tuners and hand-cut abalone/M.O.P. detailing.

The big, well-balanced tone on these guitars is exceptional especially because of the pre-war style construction. The fully scalloped forward-x bracing is a 1930's style that adds strength and resonance to lower registers and more clarity to the highs.

Carolina Series I guitars are an excellent introduction for players who want a classic pre-war style acoustic with a booming tone and excellent craftsmanship||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johbasserbas2||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26495377||||||Johnson Catalyst Bass 6 String||JJ-336||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||314.990||419.990 ||314.990 ||Catalyst Series Bass 6 String||||||||0||1||1||0||||||||The new Catalyst bass is sweeping the nation with its hot looks, pro features, and great price. Built with select woods and superb electronics, the Catalyst bass will make even the most discriminating bass player a believer. The top is crafted from quilted maple for a gorgeous look. The body is made from solid alder for excellent tone and resilience. Each bass boasts two active pickups and a 2-band EQ for incredibly dynamic, responsive tone. The fretboard is topped with inlaid mother-of-pearl fret markers in a deluxe, sharktooth design. Johnson Catalyst basses boast hot looks and punchy tone at a price that players enjoy.

Quilted Maple Top

Solid Alder Body

Active Pickups

Rock Maple Neck

Rosewood Fretboard

Diecast Tuners

Inlaid M.O.P. Fretboard with Sharktooth Design

2-Band EQ, Volume, and Balance Controls

Gold Plated Hardware

Lifetime Warranty

Shown Bottom in Green

FREE SHIPPING ON THIS ITEM TO CONTINENTAL US||Color: "Translucent Black" "Translucent Green"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johbasserbas1||item.||page.||johnsonbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26504989||||||Johnson Catalyst Bass-5 String||JJ-335||electricbass johnsonbass||Electric Bass > Johnson Bass Guitars > ||297.990||389.000 ||297.990 ||Johnson Catalyst Series Bass 5 String||||||||0||1||1||0||||||||The new Catalyst bass is sweeping the nation with its hot looks, pro features, and great price. Built with select woods and superb electronics, the Catalyst bass will make even the most discriminating bass player a believer. The top is crafted from quilted maple for a gorgeous look. The body is made from solid alder for excellent tone and resilience. Each bass boasts two active pickups and a 2-band EQ for incredibly dynamic, responsive tone. The fretboard is topped with inlaid mother-of-pearl fret markers in a deluxe, sharktooth design. Johnson Catalyst basses boast hot looks and punchy tone at a price that players enjoy.

Quilted Maple Top

Solid Alder Body

Active Pickups

Rock Maple Neck

Rosewood Fretboard

Diecast Tuners

Inlaid M.O.P. Fretboard with Sharktooth Design

2-Band EQ, Volume, and Balance Controls

Gold Plated Hardware

Lifetime Warranty

FREE SHIPPING ON THIS ITEM TO CONTINENTAL US||Color: "Translucent Black" "Translucent Green"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|johcatguit||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26554293||||||Johnson Catalyst Guitar||JS-330||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||279.990||369.990 ||279.990 ||Johnson Catalyst Guitar||||||||0||1||1||0||||||||
Rock fans rejoice, there's a new kid in town! Built with blisteringly hot looks for huge tone, the new Johnson Catalyst will make even the most discriminating guitarist a believer. It all starts with the beautiful arched maple top. The gorgeous quilted maple stretches along the top of the guitar for a striking look and feel. The body is built strong with solid alder for a durable, singing tone that will never disappoint.

The Johnson Catalyst comes equipped with two high-output humbucking pickups, as well as, an original Floyd Rose locking tremolo bridge. The humbuckers provide the Catalyst with aggressive mids and chunky lows. The Floyd Rose bridge gives players unprecedented tonal freedom. The Catalyst is today's guitarist's answer for a highly affordable, impeccably built electric guitar.

Quilted Maple Top
Solid Alder Body
Maple Neck
Bound Rosewood Fretboard

Floyd Rose Locking Tremolo Bridge
Inlaid M.O.P Position Markers
Inlaid M.O.P. Headstock

Gold Plated Hardware
2 Humbucking Pickups
2 Volume, 2 Tone Controls

Available in translucent black, green, gold and red finishes.||Color: "Translucent Black" "Translucent Gold" "Translucent Red" "Translucent Green"||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johdelmarspe||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26683422||||||Johnson Del Mar Special||JS810||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||129.000||169.000 ||129.000 ||Johnson Electric Guitars||||||||0||1||1||0||||||||Johnson Del Mar guitars now come with EMG designed pickups. With precisely matched coil windings and a focused magnetic field, our EMG designed pickups get that thick, vintage tone players are searching for.

These guitars are made from solid alder, for a nice and beefy tone, and the neck is made from one piece of solid maple. These fantastic guitars come with a lifetime warranty and are available in 12 different fi nishes. We�re confi dent you won�t find a better sounding guitar in this price range.

Same specs as Del Mar Standard except:

� Two Single Coil Pickups Pickups � One Humbucker Pickup in the Bridge Position||Color: "Translucent Red" "Translucent Blue" "Black"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjsdoubcut||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26694943||||||Johnson Del Mar Standard Electric Guitar||js800||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||119.990||159.990 ||119.990 ||||||||||0||1||1||0||||||||Johnson Del Mar guitars now come with EMG designed pickups. With precisely matched coil windings and a focused magnetic field, our EMG designed pickups get that thick, vintage tone players are searching for.

These guitars are made from solid alder, for a nice and beefy tone, and the neck is made from one piece of solid maple. These fantastic guitars come with a lifetime warranty. We�re confident you won�t find a better sounding guitar in this price range.

Solid Alder Body
One Piece Maple Neck
Rosewood Neck Stripe
Diecast Machine Heads
Rosewood Fretboard
3 Single Coil Pickups
2 Tone and 1 Volume Control
5 Position Pickup Selector
Fulcrum Bridge

Available in pink, natural, white, sunburst, cream, black, translucent green, translucent red, translucent blue, metallic black, metallic silver, chardonnay and metallic purple finishes.||Color "Cream" "Black" "White" "Natural" "Translucent Blue" "Translucent Red" "Translucent Green" "Sunburst" "Pink" "Metallic Black" "Metallic Silver" "Chardonnay" "Metallic Purple"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johjtsincut||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26706384||||||Johnson Del Sol Electric Guitar||jt800||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||119.990||159.000 ||119.990 ||||||||||0||1||1||0||||||||This guitar is modeled after the classic 60's guitars, with a beefier neck and body for better tone. The single coil and vintage lipstick pickups give the Del Sol that thick, buttery sound players always want.
EMG Designed Pickups � Solid Alder Body � One-Piece Maple Neck � Rosewood Neck Stripe � Die-Cast Machine Heads � Rosewood Fretboard* � One Lipstick Pickup � One Slanted Pickup � 3-Position Pickup Selector � Lifetime Warranty
||Color "Black" "White" "Blue" "Sunburst" "Natural" "Translucent Blue" "Translucent Red" "Translucent Green"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jodeblre||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26715743||||||Johnson Delta Blues Resonator||JR-410-VS||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||259.990||346.990 ||259.990 ||||||||||1||1||1||0||||||||With an elegant body shape and a vibrant tone, the Johnson Delta Blues Resonator is a guitar that can be played with pride and perfection.

The Delta Blues is a knockout with its satin vintage sunburst finish and cream body binding. The laminated maple body resonator features a 10.5" Continental cone handmade in Europe. Together with its traditional cast aluminum spider bridge assembly, the cone delivers a big, powerful tone and volume that professional players demand.

Available in two models, the roundneck resonator is perfect for Delta Blues playing and a myriad of other styles with its slim, fast-action standard guitar neck. The squareneck is modeled similarly to 1930�s resophonic guitars for maximum sustain and playability.

Both models feature large button saled tuning machines for precise, accurate tuning. Inspired by the craftsmanship of the earliest resonators, the Delta Blues wood body resonator is one of the finest in our collection.||Neck Round Square||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jodero||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26754959||||||Johnson Delta Rose||JH100||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||239.990||319.990 ||239.990 ||Johnson Delta Rose Guitar

THIS ITEM SHIPS FREE TO CONTINENTAL US||||||||1||1||1||0||||||||The Johnson Delta Rose hollowbody is the new standard for that big hollowbody sound in a smaller profile. Versatile and unique, this guitar shines in rock, jazz, blues, and more. The spruce top and maple body, combined with the punchy humbuckers, give this guitar a deeper, meatier tone. The mahogany neck has great action and adds much to the this guitar�s signature sound.

The combination of the superb tonewoods, along with the dual humbuckers, gives the Delta Rose the ability to go from a soft purr to a full growl. The Johnson Delta Rose hollowbody shines in any setting and consistently reward players with its big tone.

||Color Sunburst Wineburst||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|jodeocma||item.||page.||joma||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26788882||||||Johnson Deluxe Octave Mandolin||MA-550||acin mandolins1 joma||Acoustic Instruments > Mandolins > Johnson Mandolins > ||674.990||899.990 ||674.990 ||Johnson Deluxe Octave Mandolin

THIS ITEM SHIPS FREE TO CONTINENTAL US||||||||0||1||1||0||||||||The new Johnson Deluxe Octave mandolins (MA-550) feature improved looks, sound and playability. These mandolins come with an extra deep body that gives them a bigger sound with lots of bark. They have a gracefully shaped, offset double cutaway design to allow easy access to the upper frets.

These mandolins feature highly flamed maple back & sides with a chocolate brown finish. The bodies are bound in grained ivoroid with Abalone purfling. Other features include diecast tuning machines with a 16:1 gear ratio, a compensated rosewood bridge, and an ivoroid heal cap.

Top: Solid Spruce
Back & Sides: Highly-Flamed Maple

Neck: Solid Carved Maple

Tuning Machines: Gotoh Machine Heads

Purfling: Abalone

Fretboard Inlay: Abalone Block

Tailpiece: Nickel Plated Steel

Scale Length: 20-1/8"

Body Width: 12-3/4"

Nut Width: 1-1/4"

||||||||||||||00840246007681||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|jogr||item.||page.||johnsonguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_26899744||||||Johnson Grooveyard||JS-500||elguit1 johnsonguitars||Electric Guitars > Johnson Guitars > ||399.990||533.990 ||399.990 ||Johnson Grooveyard||||||||1||1||1||0||||||||Coolest/Hottest - Check out the latest in guitars, percussion and more
The JohnsonGrooveyard is a semi-hollowbody electric guitar with vintage tones and a 60's-inspired design. This model features hollowbody "wings" for maximum tone, a double cutaway body, two humbucking pickups and a maple top, back and sides. The Johnson JS-500 Grooveyard is incredibly lightweight and has a full, hollowbody sound. Its classic tones are great for that 60's guitar crunch or for a more modern, garage sound.

||Color "Vintage Sunburst" Natural Red||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|joguwain||item.||page.||johacguit||||||||Johnson Guitar Warranty Info||||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||||||||Johnson Guitars Warranty||||||||0||1||0||0||||||||
Tricone Resonators

Limited Lifetime

Style-O Resonators

Limited Lifetime

Hollowbody Guitars�

Limited Lifetime

Acoustic Guitars*

Limited Lifetime

Standard Electric Guitars

Limited Lifetime

Electric Basses
Limited Lifetime

Acoustic Basses*

Limited Lifetime

JG-100 Guitar

1 year

JG-610 Fractional Guitar

1 year

||||how to play the guitar, violin lessons, music for kids, mr b, how to read music, theory, notation, music education, drum lessons, free on line music lessons, where can i learn piano,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|blguforch||item.||page.||chsiacgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28438814||||||Kid's Sized Blue Guitar||LAPKMBL||acin chsiacgu||Acoustic Instruments > Child Sized Acoustic Guitars > ||69.990||131.990 ||69.990 ||Child sized acoustic guitar-Blue finish||||||||1||1||1||0||||||||Good quality child sized acoustic guitar package.

30" Student Guitar Package is a great guitar for kids.

These 1/2 size acoustic guitars provide the young student an easy-to-hold instrument. Package includes all a child needs to learn the guitar:

30" Lauren student guitar
Guitar bag for carrying
Pitch pipe for tuning
Picks
Steel strings
Strap button

This would be a good beginner guitar for children ages 3-8||||||||||||||||0||||||||||||||||||||Lauren||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kingtrombones||link.||||trombones||||||||King Trombones||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kingtrumpets1||item.||page.||trumpets||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28454829||||||King Trumpets||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||King Silver Flair||||||||0||1||0||0||||||||Browse King Trumpets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kingtrumpets||item.||page.||newinforsal||||||||King Trumpets||||schoolbanin inren newinforsal||School Band Instruments > School Band Instruments > Brass and Winds by Holton, Jupiter, Armstrong, Selmer... > ||||||||||||||||0||1||0||0||||||||Browse all King Trumpets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kihawica||item.||page.||harps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28458538||||||Kinnor Harp with Case ||HKNA-L||acin harps||Acoustic Instruments > Harps > ||255.000||319.000 ||255.000 ||King David's Harp 27"||||||||1||1||1||0||||||||King David's Harp, 27", Rosewood frame with light ash soundboard. 10 nylon strings for the biblical scale, with nylon case and tuning tool. Featuring DuPont hard nylon strings. 11 pounds, made in Pakistan.

||||||||||||||||0||||||||||||||||||||Mid-East||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kobabaandmat||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28501054||||||Korg BA-40 Banjo and Mandolin Tuner||BA-40||acin banjos1||Acoustic Instruments > Banjos > ||24.990||35.990 ||24.990 ||Korg BA-40 The easy-to-use bluegrass, banjo and mandolin tuner!||||||||0||1||1||0||||||||The Korg BA-40 is a dedicated bluegrass tuner used for "bluegrass" instruments, featuring easy-to-use functionality in a compact size that fits in your gig bag or instrument case. With its sleek design, large display and Korg's renowned accuracy, the BA-40 is destined to become a staple among professional or aspiring bluegrass musicians.

Features of the BA-40 Bluegrass tuner

* Dedicated tuner for bluegrass instruments such as banjos, fiddles, mandolins, and various guitars.

* Sharp/flat tuning allows you to tune with a capo attached.

* Meter mode lets you tune according to the input pitch.

* Sound Out mode lets you tune audibly to a reference tone.

* Output jack allows the Korg BA-40 to be connected directly to your amp.

* A convenient built-in stand allows this bluegrass tuner to be used in an upright position.

* Auto Power Off function preserves battery life.

Specialized tuning With its lively up-tempo sounds that feature various stringed instruments, bluegrass music is enjoyed by people all over the world. Korg has now created a dedicated bluegrass tuner for a wide variety of bluegrass instruments

The Korg BA-40 allows you to tune bluegrass instruments including- banjos, fiddles, mandolins,and resophonic guitars-in addition to standard guitars and bass guitars. Perfect fifths are supported for fiddle tuning. The LCD meter-type display on this bluegrass tuner provides better than +/-1 cent accuracy, and features excellent visibility on stage or in the studio to ensure that you can tune easily and accurately.||||||||||||||||0||||||||||||||||||||Korg||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|korga3guittu||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28577150||||||KORG GA30 Guitar/Bass Tuner||GA30||accessories||Accessories > ||19.990||22.950 ||19.990 ||||||||||0||1||1||0||||||||The Korg GA30 is an ultra-compact tuner which lets you select either Guitar mode or Bass mode for easy operation with automatically detected pitch. The wide detection range supports 7-string guitar (7B through 1E) in Guitar mode, and 6-string bass (Low-B, Hi-C) in Bass mode.
Like the GA20 Only Better!!

New Bigger Screen Larger Needle-style LCD meter ensures high precision and easy visibility. Quadra-flat tuning mode allows tuning to a maximum of two whole tones flat

Better Tuning Capability Bass mode features a wide detection range which supports six-string bass (Low-B, Hi-C) AND 7-string guitar.

Now Includes a Speaker Built-in high-sensitivity mic for tuning acoustic instruments Auto and manual tuning modes. Use the speaker to generate tones.

Batteries Included!! Approximately 100 hours of continuous use - Auto power-off function - Strap holder lets you attach a strap for carrying AND batteries included!||||||||||||||||0||||||||||||||||||||Korg||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|korguitef||item.||page.||effects||||||||Korg Guitar Effects||||effects||Effects > ||||||||||||||||0||1||0||0||||||||
Korg pitchblack Chromatic Pedal Tuner Standard

Korg PB-02 pitchblack+ Pedal Tuner Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|korma3met||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28586367||||||KORG MA30 Metronome||MA30||accessories||Accessories > ||24.990||32.990 ||24.990 ||||||||||0||1||1||0||||||||The Korg MA30 metronome is the latest offering from Korg's innovative line of metronomes, with new features like volume control and sophisticated rhythms such as triplets and quadruplets with inner beats omitted.

Highly visual liquid crystal pendulum

13 different rhythms are built-in so you can practice to more than a click track

Rhythms include duplets, triplets, triplets with inner beats omitted, quadruplets, and quadruplets with inner beats omitted

Twelve reference pitches C4 -B4 for you to tune to

Adjustable calibration (438-445 Hz)

Adjustable volume
Tempo adjusts from 40-208 bpm
Tap function for setting the tempo

Earphone jack so only you can hear it
Memory backup function

Approximately 250 hours of continuous use

Dimensions: 4.09(W) x 2.52(D)x 0.59 (H) in.
||||||||||||||||0||||||||||||||||||||KORG ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kootortu||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28598241||||||Korg OT120 Orchestral Tuner||OT120||strinin||Stringed Instruments > ||89.990||139.990 ||89.990 ||Korg OT-120 The Accurate and Functional Orchestral and Band Tuner!||||||||0||1||1||0||||||||Tune string and wind instruments in a flash with the OT-120, a new band and orchestral tuner that combines the accuracy of needle-type meters with superior functionality, wide tuning range and a new, sleek vertical design.

Features:

* Chromatic orchestral and band tuner with a wide 8 octave detection range that supports both band and orchestra instruments

* Dual display provides both a needle-type meter and an LCD for excellent visibility

* Sound Back (Patented: Patent pending) mode plays a reference pitch for the note that's closest to the input pitch. The meter indicates the discrepancy between the input and the correct pitch

* Multiple Temperaments support historical tunings

* Transpose mode is convenient for wind instruments

* Choose from three levels of needle response speed (slow, medium and fast)

* Both auto and manual tuning modes are provided

* Built-in reference tone plays in a five octave range

* Broad range of calibration (349 Hz -- 499 Hz)

* Built-in microphone supports acoustic instruments

* Use with the optional CM-100L Contact Microhone for accurate tuning in noisy environments

* Energy-saving design for long battery life (approximately 100 hours)

* Durable soft case included

Vertical-design and superior visibility The Korg OT-120 chromatic band and orchestral tuner is intended for orchestral instruments, packing precise performance and sophisticated functionality in a vertical design that's easy to hold and operate. The Korg OT-120 features a dual-display, an easy-to-see needle-type indicator and a backlit LCD screen that shows the battery life, sound output level, calibration, as well as key and note name. Additional design features include a large dial that makes it easy to select the desired mode, soft-touch buttons and a rear-mounted stand that lets the band and orchestral tuner stand by itself. A sophisticated silver aluminum panel contributes to its sleek, new look.

Accurately tune orchestral instruments over a wide range Since we developed the world's first meter-type tuner in 1975, the accuracy of Korg tuners has made them the choice of artists in all styles of music. With its wide tuning range extending from A0 to C8, the OT-120 lets you quickly tune any type of band instrument including, orchestra, wind, string, brass or piano. The Korg OT-120 also provides a wide range of calibration to support concert pitches in a range of 349-499 Hz (1 Hz steps).

Smooth and precise tuning you expect from a needle-type meter This band and orchestral tuner uses a high-precision needle-type meter to accurately indicate any pitch discrepancy. The speed at which the needle responds to the input can be changed over a range of three steps; you can choose fast, medium or slow speeds to match your tuning preference.

You can also choose from two tuning modes; Auto mode, which automatically detects the pitch of a single note you play on your instrument, or Manual mode, which lets you specify the desired note name. In Manual mode, the needle movement is shown in a range of 50 cents, letting you view the tuning discrepancy over a wide range. In addition to the excellent visibility unique to a needle-type meter, the LEDs located below the meter also indicate pitch deviation or a perfect match, making precise tuning easy even in dim locations.||||||||||||||||0||||||||||||||||||||Korg||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kotmcoditu||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28700926||||||Korg TM40 Combo Digital Tuner/Metronome ||TM40||accessories||Accessories > ||32.990||32.990 ||||||||||||0||1||1||0||||||||Korg TM-40 - The Digital Tuner That Lets You Practice Pitch and Rhythm at the Same Time!

When Korg introduced a digital metronome tuner to the world, the extremely high accuracy and superb features made it a favorite among musicians from every genre. The new Korg TM-40 is a digital metronome that combines the accuracy and advanced features of Korg's world-famous music products into a single, compact and easy-to-use unit.

Revolutionary Features:

A great lesson and practice tool, the TM-40 offers both tuner and metronome functions that can be used simultaneously or independently. A large LCD-type needle delivers both the accuracy of an LCD and excellent visibility of a needle indicator. The metronome tuner also has LED indicators that show pitch deviation or blink to indicate the tempo, making the TM-40 a great visual tool.

Excellent Functionality and a Wide Detection Range

With a detection range of C1 (32.70 Hz) - C8 (4186.01 Hz), the TM-40 provides quick and accurate coverage of a wide spectrum of notes and pitches for wind, string, keyboard and most other instruments. Even low-pitched instruments with complex overtone structures are detected with the precision you expect from KORG. A built-in high-sensitivity microphone allows acoustic instruments such as a guitar or ukulele to be tuned easily and accurately, and the separately sold CM-100L contact microphone can be used to send the vibrations directly to the metronome tuner for even greater precision.

Sound Out!

In addition to the visual tuning guide provided by the meter, you can use the TM-40's built-in speaker to produce a tuning reference pitch (Sound Out). This is convenient for tuning by ear and is useful for ear training. By pressing the Sound switch, you can select the reference pitch from A5 to B4 (commonly used as the tuning standard for wind instruments). Moreover, by holding down the Sound switch, you can select a mode in which you step through chromatic pitches from C4 to C5 (one octave).

Adjustable Calibration

The TM-40's Calibration setting is adjustable in a range of 410~480 Hz to accommodate a variety of tuning standards. The calibration can be adjusted in 1 Hz steps, letting you accurately tune to any song or key. Memory backup is also provided so that the Calibration and Sound Out ("12 NOTES" or "ABb") settings are remembered even when the power is turned off.

Pure Major Third and Minor Third Interval Markings

When intervals of a third are played out of tune in the context of a brass band, orchestra, or other ensemble, it is particularly noticeable. However, those intervals can be made to blend more pleasantly by slightly adjusting them (relative to the equal-tempered pitch) to a pure major or minor third. The TM-40's meter scale provides markings to indicate pitches of a pure major and pure minor third relative to a selected pitch. By tuning your instrument so that the meter's indicator needle points to these markings, you can ensure beautiful harmonies when playing in an ensemble. This capability is very useful for not only wind instruments, but also for vocal or a cappella practice.

13 rhythm variations, 2 tempo adjustment modes. Built in speaker and volume control.||||||||||||||||0||||||||||||||||||||KORG ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|korwor||item.||page.||harmonicas||||||||Korg Workstations||||harmonicas||Keyboards/Synths > ||||||||Click each Korg Workstation for Korg Workstation Specs and Korg Workstation pricing.||||||||0||1||0||0||||||||Free Shipping on Korg Keyboards||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|korn||item.||page.||guitar||||||||Korn||||guiten guitar||Guitar Encyclopedia > Guitarist Articles > ||||||||||||||||0||1||0||0||||||||

Masters of disaster James Shaffer and Brian Welch divulge the secrets behind Korn's brooding style of twisted metal. By Tim Keneally

On the surface, Korn--the quintet from Huntington Beach, California whose confrontational calling card was presented to the music world last October in the form of their eponymous Immortal/Epic debut--are an undeniably ugly proposition. Everything about them is abrasive, from the shadowy, foreboding figure that graces the album's controversial cover to the barking acridity of Jonathan Davis' vocals to the ominous lurches and violent outbursts that define the band's drum-tight dynamics.

Upon closer inspection, though, Korn's brand of rage proves to be more cathartic than malicious. Nowhere is this more evident than in "Daddy," the 17-plus minutes of pure purge that close the record (and which, according to guitarist James "Munk" Shaffer, Davis refuses to perform live: "He's already emotionally drained when he leaves the stage after our set, so I couldn't imagine him leaving the stage after playing that song"). It's also apparent during the band's live performances, when their rabid, cult-like following whips itself into a frenzy fully worthy of the mayhem taking place onstage. "They definitely feed off of us, and we feed off of them," says co-guitarist Brian Welch. "When we're up there losing our minds, they're losing theirs."

Shaffer and Welch's easy banter further attests to their lack of malice. Throughout the conversation, the pair alternately sing each other's praises and rib each other, sounding not so much like bandmates as brothers. Which, given their long-standing relationship, isn't surprising; though Shaffer branched off temporarily to form LAPD (who released an album on Triple X Records before disbanding) with future Korn rhythm section David (drums) and Fieldy (bass), the pair has played together since their high school days. "Brian pretty much inspired me to start playing," notes Shaffer. "I used to go over to his house and eat his mom and dad's food so I could save my lunch money and then buy an amp."

With the dissolution of LAPD and the formation of Creep, the two reconnected musically. Since then, they've held down the guitar duties in Korn--a unit that, by all indications, is at least as functional as the average American family. Fittingly, Welch and Shaffer spoke with Guitar School from Welch's parents' home in Bakersfield. If Ma and Pa Welch were smart, they locked up the fridge before letting them in.

GUITAR SCHOOL: You two started playing together in high school?

JAMES SHAFFER: Yeah. We all grew up in Bakersfield, California. Me and Brian went to the same high school.

BRIAN WELCH: Well, I started playing when I was 10 or 11, in fifth grade. We started playing together when we were 14 or 15. We started jamming, just messing around, and learning. And it was weird; we would hook up once a week or so. Maybe we'd go a month or two without jamming, and we both just started progressing a lot, especially the longer runs where I didn't jam with him. Every time I'd see him, I'd watch him play, and I'd be like, "Shit!" And then it would pump me up, and I'd practice harder.

GS: Kind of a friendly competition?

WELCH: You could say that. But it was an inspiration thing, too.

GS: Did you figure at that point you'd still be playing together 10 years later?

WELCH: Hell, no. [laughs] James went off and did his own thing with LAPD, and I was just hanging out, drinking their beer and stuff. I was always best friends with them, but they only used one guitar player, so I just hung out. After that band, they asked me to play with them, because they wanted a thicker sound and another writing source. And then me and Munk found Jonathan when we were visiting Bakersfield.

GS: At that point, you were calling yourselves Creep?

WELCH: Yeah. They played five or six shows altogether, and I played one show with them.

GS: Let's talk more about Korn's songwriting process.

SHAFFER: No song goes out unless everyone is totally satisfied. No part, no cymbal hit, no guitar pick, nothing--unless everybody's happy with it. That's why it takes us a while to write--but in the end, everybody's happy.

GS: So how much do you usually end up scrapping?

SHAFFER: Whew...a lot. That's just how we write.

GS: Has that approach ever created any conflicts between band members?

WELCH: We've definitely had some disagreements. If there are two or more people who feel strongly about something, then it just gets thrown away. I've never argued majorly with anyone in this band. [laughs] We talk shit behind each other's backs a little, but that's about it.

GS: Did the music change much when Jonathan came into it?

SHAFFER: Yeah, he gave us a whole new vibe. We were already leaning towards a heavy, dark sound, but he just put the icing on the cake. He totally gave us a direction. We still don't know what the direction is, but at least we know we're going the right way.

GS: Jonathan's got quite a bit of musical training. Does he bring any of that into Korn?

SHAFFER: Oh, yeah. He sits down with the guitar and actually comes up with parts and some good melodies. He'll actually come up with some of the vocal lines on the guitar. We'll come up with a riff or something and make him stay at home while we write, and then give him a tape of what we made. And if the part doesn't work for him, he'll take it and change it around a little bit so it'll fit him, vocal-wise, or maybe even come up with something completely different.

GS: Do you ever give him lyrics?

SHAFFER: No, that's something we leave up to him--he's awesome at it. If I was gonna write lyrics, they would have to be about drowning my dog or something, just to compete with Jonathan.

GS: Do you have predetermined roles as guitar players?

SHAFFER: I'll usually lay down the real airy stuff on top of the rhythms, but we also switch off a lot; he does a lot of that, I do a lot of rhythm work, we share a lot of the parts. He'll do a melody line over the top of the chords that I'm doing, and then I'll do the melodies, or just noise, over the top of what he's doing. So there's no lead guitar in the band. We're just guitarists.

GS: Did you consciously opt for that approach?

SHAFFER: No, it was just pretty unanimous that no one liked leads. I mean, there's a lot of great players, don't get me wrong; I totally respect the lead guitar, but I feel like it's all been done before. I think that, instead of having a lead or a solo in the song, it's better to have the whole band build up to a part where everybody can have a piece of that lead action. That's actually something that we stumbled upon without knowing it. Before we knew it, we just weren't doing leads anymore. You know, a lot of our influence comes from Faith No More, and the way they treat leads in their song structures.

GS: You guys have a rep for high-impact shows. Did you try to capture that on the album?

SHAFFER: Since we'd already been doing live shows for a while, we wanted to capture that energy on tape. Which meant we didn't want to overproduce it. This way, after the record was done, we'd be able to pull all the stuff off in concert. We thought the energy would be captured better on an analog board--it was an old Neve--and with the old equipment. It gives it a warmer sound; more of a live thing. We thought we'd get the message across better.

GS: Even though it might not sound as pristine....

SHAFFER: Right, right. We wanted to sound like people playing, instead of machines. I think we pulled it off.

GS: How did you approach recording the guitars?

SHAFFER: Basically, we were just plugging distortion pedals into Marshalls. Just trying to get some really raunchy tones for the background....

GS: What kind of gear did you use?

SHAFFER: We used some really old guitars, like the old Silvertones. You know, the ones where the amp is built right into the case? That's actually the first guitar you hear on the record, on "Blind."

GS: Is it running through the amp in the case?

SHAFFER: Yeah, it is. It's running straight through the case, and then it's EQ'd a little bit on the board. But yeah, the mic's right up against the case there. We also used an old Telecaster, a '56, on some of the overdubs. Brian used a Les Paul on some of the warmer parts, like the one on "Shoots And Ladders," right before Jonathan starts to rap. It gives it a real warm, subtle sound, right before it kicks you in the face.

GS: The two guitars are pretty distinct on the recording.

SHAFFER: Actually, it took us a whole week just to do the guitars. And when we came back into the studio, Ross [Robinson, producer] said, "Listen to this tone." And it was about 10 times better than all the tracks we had just laid down! So we erased 'em all and went over 'em. We had to do it again. It took us another week!

GS: Is your live setup more stripped down?

SHAFFER: Yeah. I just run a wah pedal, a Small Stone phaser, a chorus, an overdrive and a channel switcher. And I usually only use one pedal per song.

WELCH: I play straight through my fucking head!

SHAFFER: Yeah, he plays straight to his nugget.

GS: When did the seven-string Ibanez Universes come into the picture for you?

SHAFFER: I've been playing those for about five years. I bought one right when they first came out, just for the simple fact that there are more possibilities in terms of chord variations and stuff. The seventh string is a B, but we tune it to A. So our E string is a D, and the B string on the 7th string is tuned to a A.

GS: So you're really using those lower registers.

SHAFFER: Oh, yeah! When those guitars first came out I was like, "Damn, man, you can really get some heavy shit out of this guitar!"

WELCH: He had his for a while and then, like I said, I was just hanging out with Creep, drinking their beer, and then when I joined them, I went to the store and I bought one. And now, I've got the first seven-string that James bought. That's the only one I can play without getting mad at it, because I love it. It's so beat up....

SHAFFER: Yeah, it's you, man--beat up. Nice and ugly.

GS: Was it difficult learning to play a seven-string?

SHAFFER: Not really.

WELCH: It took me about a month, because he could already do everything with it. I could sit down and play it, but when I stood up, I couldn't fucking do it. The neck is all fat, so it took me like three weeks to learn to play it, because both my hands were used to my old one.

GS: Anything you'd like to experiment with in the future?

SHAFFER: I'd really like to try some different things, especially different instruments. Just for background noise and things. I'm almost tempted to use an accordion, believe it or not. If you've ever heard one of these things, when they're not playing polka music, they're scary instruments. They've got like six or seven different harmonies, and you can get weird minor, diminished chords out of them. They're just eerie. We love stuff that almost sounds out of key. We're always doing that; bending the D note on the B string to match the E, and playing both strings so that it sounds like a 12-string, and then releasing it really slowly, so that it sounds like somebody's actually detuning a guitar.

GS: Any other favorite Korn guitar techniques?

SHAFFER: We like trying to get that whole sort of hip-hop samples sound, scratching and stuff like that. Sometimes, we try to get our amps to sound like AM radios; we take all the bass out and add all kinds of old, vintage pedals and stuff. It sounds like a broken record, all that crackle. I think we just want it to have a sick feel. We try to be vulgar without really being vulgar.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kork7sigmod||item.||page.||ibelguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_28799746||||||Korn K7 Signature Model||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Korn K7 Ibanez Signature Model||||||||0||1||0||0||||||||
Ibanez UV1000C Deluxe Hardshell Case for Vai, Korn, and RG-Series Guitars

Ibanez K7APEX1 7-String Electric Guitar Biker Black

Ibanez K7APEX2 7-String Electric Guitar Green Shadow Flat

Ibanez has more experience with solid-body 7-string guitars than any other guitar maker. This Ibanez K7APEX1BBK 7-string electric guitar was designed with Munky from Korn. It features U.S.A. made DiMarzio PAF-7 pickups designed specifically for the extended 7-string range.The right bridge and nut spacing is why Ibanez 7-string guitar necks feel like guitar necks - not like bats. Transition from 6- to 7-string playing techniques is effortless.K-7 features A-D-G-C-F-A-D factory-tuning for Korn's signature low-end crunch. Unique U-Bar designed by Head and Munky allows palming the bridge to get tremolo effects without palming the fine tuners. Attached to the Ibanez Lo-Pro Edge, the U-Bar System can be removed and replaced with a standard arm.||||ibanez, korn, k7, ibanez korn guitar, k7 signature model, korn guitar, korn tabs||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kornseries||item.||page.||ibanezbass||||||||Korn Series||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||||||||||0||1||0||0||||||||

"The K5 is a masterpiece." Fieldy's new signature model with 5pc wenge/walnut neck, mahogany body, aluminum die-cast 5-string bridge, IBZ ADX5 pickups, and the Vari-Mid III 3-band eq||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|krguam||item.||page.||elguit1||||||||Krank Guitar Amps||||elguit1||Electric Guitars > ||||||||Krank Guitar Amps like the Krank Revolution Krankenstein Krank Rev Jr. Pro||||||||0||1||0||0|||||||| Browse all Krank Amps

Krank # Krank Rev Jr Standard Full Stack Blk/Blk
Now get the Rev Jr. Standard 20W head and 2 Rev Jr 1x12" speaker cabinets together for an earthshaking full stack.The Rev Jr. StandardThe Rev Jr. Standard amp head boasts an all tube dual channel head (two 5881s, three 12AX7s) with boost switch and a tube-driven active effects loop that gives even the most discerning tube amp enthusiasts an array of tones ranging from clean to high gain.Krank Amplifiers have been a driving force in the popularization of lower wattage micro stacks with the introduction of the Rev Jr., the 20W version of the monster Rev Series 1 head and cabs and the first in the line of the Jr. Series of small amps.

Krank # Krank Rev Jr Standard Half Stack Blk/Chrm
Now get the Rev Jr. Standard 20W amp head and Rev Jr 1x12 speaker cabinet together in one rocking guitar half-stack.The Rev Jr. StandardThe Rev Jr. Standard amp head boasts an all tube dual channel head (two 5881s, three 12AX7s) with boost switch and a tube-driven active effects loop that gives even the most discerning tube amp enthusiasts an array of tones ranging from clean to high gain.

Krank Revolution Rep 120W Tube Guitar Amp Head Blue Chrome Grill
Prepare yourself for the second generation of Krank's flagship Rev Series One amps, the Rev +. Now with upgraded transformers and 6550 tubes in the power section, the Rev + packs a walloping 120W of power to produce an even bigger high gain sound than the original. The "Krank" channel features a 3-band EQ, volume, two footswitchable masters, gain, presence and parametric sweep control.

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The following are some great hand combinations designed to improve left and right hand skills, increase dynamic consistency and endurance on the LP Djembe. The material also helps develop control and agility when playing bass tones, open tones and open slaps.

The practices have produced good results for students in the University of Georgia Hand Drum Ensemble and the Athens Communtiy Drumming Ensemble. The eight groupings of left and right hand exercises are assigned to accompany a Lenjengo pattern which is a West African rhythm.

(P) Palm (T) Finger Tap (O) Open tone (B) Bass (S) Slap

Accent and Tap Warm-Up for a Drum Line
by James Campbell

One of the most fundamental techniques for marching percussion involves the control of stick heights. Proper interpretation of many modern rudimental and rhythmic patterns require the performers to control the sticks as they quickly change heights from the accent to tap level. This is especially true in interpreting contemporary flam patterns such as Flam Taps, Flam Inverts, and Pataflaflas.

Initially, use only two stick heights for this warm-up; high and low. The accent and tap (the two primary elements of this exercise) are the basic motions of this warm-up. Emphasize uniform movement, matching the motion of each player. Eventually, you will want to play this warm-up at a variety of stick heights and dynamic levels - 12"/6" (ff/mf); 9"/3" (f/mp); 6"/l" (mf/p).

The sticking pattern isolates single-hand movement for individual awareness of motion. In the last two bars, the snares and tenors play double-stops. Snares and multi-toms should compare the motion of each hand during the double-stops to maintain uniformity. Toms should cross-stick on the double-stops, as indicated for added dexterity, and can eventually orchestrate their own patterns around the drums once they have achieved the correct interpretation on a single drum. The cymbal technique "sizzle/slide" is created when the plates remain together after impact and slowly separate. Play in a horizontal position for a maximum sustained sizzle sound. Performing with a quality sound on this warm-up requires a controlled rebound from the fingers on the tap sequences. Some players have the tendency to be either too stiff or too loose in playing the syncopated figures. The proper technique involves a coordinated effort between the arm, wrist, and fingers.

The mallet, timpani, and auxiliary players from the front ensemble perform an Afro-Cuban groove and serve as a "click track" for the drum line. Performing these rhythms on a variety of Latin percussion instruments will help the ensemble develop listening skills with internalized tempo control.

Play twice through without a break (one set) so that the snares, quads, and bass drummers will complete a cycle with each hand as the lead. Use a holding pattern to change tempo between the sets. The ensemble should start this exercise slowly and gradually move the tempo faster at each repeat. More experienced groups will stay sharp if the tempo and dynamic changes are radical or extreme at each repeat.

James Campbell has received world-wide recognition as a performer, teacher, arranger, adjudicator, and is a respected figure in the development of the contemporary percussion ensemble. Currently Professor of Music and Director of Percussion Studies at the University of Kentucky in Lexington, he also holds the position of Principal Percussionist with the Lexington Philharmonic.

Jim received both his B.M. in Music Education and M.M. in Percussion Pedagogy and Performance from Northern Illinois University where he studied with G. Allan O'Connor and members of the famed Blackearth Percussion Group. He also was a student of late James Lane of the Chicago Symphony Orchestra.

Well known for his long association with the internationally renowned Rosemont Cavaliers Drum and Bugle Corps, Jim has served as their principal instructor, arranger, and Program Coordinator. He was Percussion Director for the McDonald's All-American High School Band and has performed at the International Society of Music Education World Conference, MENC National In-Service Conference, Midwest Band & Orchestra Clinic, Texas Bandmasters Association, Bands of America World Percussion Symposium, and at several Percussive Arts Society International Conventions.

Beyond the Tumbao - Developing Odd Meter Patterns for the Congas
by Ruben P. Alvarez

Traditional Afro-Cuban conga rhythms blend well with many musical styles that are based on double or triple based meters. But what do you do when the composition is written in odd meters like 5, 7, 9, etc.? The purpose of this article is to introduce the contemporary percussionist to a system that can be used as a springboard to develop odd meter conga "tumbaos" for two congas, pitched high and low. (I personally like that combination tuned to a fourth). The two conga set-up would include a higher pitched lead drum directly in front and a lower pitched drum to the right, right handed players or vice versa for left handed players.

Learning traditional Afro-Cuban techniques to produce the four basic tones on congas (P) Palm (T) Finger Tap (O) Open tone, and (S) Slap tone, and a basic understanding of the tumbao are prerequisite for playing this exercise. Don't be discouraged, excellent resources are available such as Richie Gajate-Garcia's "Adventures in Rhythm" and Bobby Sanabria's "Getting Started on Congas" videos. (Both of these videos are available online on The LP Store.) A well rounded contemporary percussionist definitely needs this knowledge and the skills its produces.

Depending on the tempo and the rhythmic emphasis of the composition, traditional Afro-Cuban tones, (P) Palm, (T) Finger Tap, (O) Open tone, and (S) Slap tone, can be used in combination with rudiments paradiddles, double paradiddles, triple paradiddles, and inverted paradiddles. To play 5/4 you could use the sticking pattern llrlrlrlrr using only open tones on your lead drum, preferably the higher pitched drum.

(A). The next step in the process is to assign the different combination of sounds to the pattern. (B). Next, add the second conga preferably the lower pitched drum as a sound source. (C). The final step in the process is to rest on the downbeat of beat 3. (D). To change the "swing", and create variations, start at a different point in the pattern. (E). Try building grooves in 7, 9, 10. and Have fun, but make sure you develop a groove and above all make it swing! (P) Palm (T) Finger Tap (O) Open tone (S) Slap

Son Del La Loma by Marc Jacoby

Have you been working on marimba lately? Can you really dance to the Mexican Dances? Well you can dance to this!

This accompaniment to the introduction of Son Del La Loma, a popular Cuban Song by Miguel Matamoros, is a great way to work on four mallet techniques and practice the rhythmic complexities of Cuban music. Work on developing an independent "feel" to each hand. At the same time, check out the combination rhythms of the hands as a trick to learning. Follow the sticking suggestion, or come up with your own.

Although this is just an accompaniment, check out the melody to this and many other great Latin tunes in The Latin Real Book published by Sher Music Co. Get a lead instrument and a percussionist and form your own Son group!

Baile!
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Fender American Standard Stratocaster Left-Handed Electric Guitar 3-Tone Sunburst Rosewood Fretboard
Gibson SG Standard Left-Handed Electric Guitar Heritage Cherry
Epiphone Les Paul Special II Left-Handed Electric Guitar and All Access Amp Pack Standard ||||lefty guitars, rg470l, epiphone left handed guitar, southpaw guitars, ibanez left handed||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|leonber||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29397012||||||Leonard Bernstein||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||||||American composer, conductor, pianist and writer. He wrote in virtually all genres, often merging popular and classical styles.

Leonard Bernstein was something of a musical polymath. In the world of Western art music he enjoyed a worldwide reputation as a conductor and a composer. He was also a great communicator, and perhaps more than anybody else he was able to explain music (especially Western art music) to a wide audience. At the same time, he created music for the Broadway stage, and successfully integrated popular styles (especially jazz) into his musical vocabulary.

For all this, Bernstein began his musical study rather late. His family bought a piano when he was ten years old, and he began study without real encouragement from his family. He progressed, studying with various teachers, and attended the prestigious Boston Latin School. He went from there to Harvard (1935-1939) and then to the Curtis Institute, where he studied conducting with Fritz Reiner and Serge Koussevitsky. He also kept one foot in the more popular world, playing with the Revuers in New York (a musical theater group that included Betty Comden and Adolph Green). By 1943 he was assistant to Arthur Rodzinski, the conductor of the New York Philharmonic. It was here that he gained national and worldwide attention, substituting for an ill Bruno Walter in a broadcast concert.

His conducting career progressed rapidly, and he was closely associated with the New York Philharmonic (where he served as music director from 1958 to 1969), the Israel Philharmonic and the Boston Symphony Orchestra. He was in demand throughout the world and was the first American to conduct at Milan's La Scala opera house. Through most of his career he was a passionate supporter of contemporary music, though in his later years he also turned back to older styles, especially the late romantics such as Mahler. Bernstein also used the podium as a way to popularize the music he loved. In 1958, he began a series of televised Young People's Concerts that brought symphonic music into the homes of Americans.

During this time, Bernstein was also prolific as a composer. He is best remembered for his music for the stage and films. In 1944 he created the ballet Fancy Free for Jerome Robbins, and in the same year a musical based on a similar theme, On the Town. He also composed music for the film On the Waterfront. But his most spectacular success was the musical West Side Story, a modern retelling of Romeo and Juliet. It has enjoyed both critical and popular success on stage, and was eventually made into a hit film. Bernstein also wrote a great deal of concert music, some of which was popularly influenced and some of which was more clearly oriented toward the mainstream classical style of the twentieth century. Although he was conversant in just about any approach (including the use of twelve-tone techniques), he concentrated on a modern tonal language, sparked by a dynamic rhythmic sense and his brilliant sense of orchestration. In all of his endeavors he promoted not only himself, but also the causes of music in America and American music. He was able, in the words of his biographer, Joan Peyser, "to proclaim that an American can be a remarkable and exciting musician."
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lespaulseries||link.||||gibson||||||||Les Paul Series||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lesmagphot2||link.||||tabvintage||||||||Lessons, Magazines, Photos||||guiten comgearrevge lesmagphot recschoolson tabvintage||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > Lessons, Magazines, Photos > Recording, Schools, Songwriting > Tab, Vintage > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|comgearrevge1||link.||||guiten||||||||Lessons, Magazines, Photos||||guiten||Guitar Encyclopedia > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lesmagphot1||link.||||recschoolson||||||||Lessons, Magazines, Photos||||guiten comgearrevge lesmagphot recschoolson||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > Lessons, Magazines, Photos > Recording, Schools, Songwriting > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lesmagphot||item.||page.||comgearrevge||||||||Lessons, Magazines, Photos||||guiten comgearrevge||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > ||||||||A Nice Place to Bookmark!||||||||0||1||0||0||||acaucbas1 comgearrevge2 recschoolson tabvintage2 chrisbsfrere2||||

Guitar.com
A bunch of lessons online, plus great other features, like interviews, a chord generator, photo gallery, hot news, and more.

Harmony Central Lesson Archive
Collection of lessons spanning many different topics. Many of the lessons have been submitted by users, so some of the information is less than top quality.

Ultimate Online Guitar Tutor
Well organized, and well-documented lessons aimed at the beginner guitarist. Many lessons include audio clips for clarification.

Artificial Harmonics
Written by Lenny Breau before his death, a great introduction to artificial harmonics, and a glimpse into Breau's playing style.

Bebop Dominant Scale
From Jazz Guitar Online, a short primer on one of the scales used extensively in jazz. Site also includes several pages ( 1, 2, 3) of "licks" based on the scale.

Exotic Scales
A text only explanation of some unusual and rare scales.

Harmonics
From Guitar Lesson World, instruction on how to go about playing artificial harmonics on the guitar.

Jazzy Sounds for Rockers
In an article written for Guitar Player Magazine by Fareed Haque, the guitarist explains several steps that rockers can take to infuse new sounds into their solos.

MAGAZINES
Acoustic Guitar
A few interesting articles on the on-line edition of AG, but you can learn a lot more if you sign up for a subscription to their printed magazine through the website.

Guitar Magazine Online
Robust website that updates with each new printed issue of Guitar Magazine. The online version offers many interviews, workshops, sound advice, and more.

Guitar Player Online
Online version of Guitar Player Magazine. Website offers lessons, guitar giveaway contests, interviews, classifieds, and more.

Guitar World Online
Online version of the popular magazine. Subscriptions to the print edition are available through the website.

Jazz Guitar Online
Strictly an e-zine, this site, maintained by Bob Patterson, provides video reviews, lessons, Q&A, spotlights on jazz guitarists, amongst other things.

Just Jazz Guitar Online
Not to confused with the above, this website offers online lessons, a photo gallery, and various other snippets from their print edition. You can subscribe to their magazine via the website.

PHOTOS
Classical Guitar Photos
Site with archived photos of classical guitars, including separate photos of headstock, label, and rosette for each. Every guitar is available for purchase.

Pictures and Gibson
A fairly small collection of photos, including pictures of ESP, Gibson, Fender, and BC rich guitars.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lighting||link.||||musicsoftware1||||||||Lighting||||musicsoftware1||Recording/PA/Software > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lin6amprev||item.||page.||line6amps||||||||Line 6 Amp Reviews||||elguit1 line6amps||Electric Guitars > Line 6 Amps > ||||||||||||||||0||1||0||0||||linflexiihdr lin6spidii21 lin6vetmodam||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|line6amps||item.||page.||elguit1||||||||Line 6 Amps||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||lin6amprev||||Browse all Line 6 Amps ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|line6bass||item.||page.||electricbass||||||||Line 6 Bass||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||
Laguna Laguna / Line 6 Bass Guitar Pack Standard
LB224:. Number of strings: 4. Body type: double cutaway. Body wood: basswood. Scale length: 34" scale. Neck joint: bolt-on. Neck wood: hard maple. Fretboard: Indonesian Sonokelin. Neck shape: standard "U". Number of frets: 24. Nut width: 1.496". Fretboard radius: 15.748". Bridge: EB7 chrome. Pickup bridge: Alnico humbuckers. Controls: volume, tone. Tuners: sealed gear. Hardware color: chrome. Finish: 3ts. Includes case?: no. Lowdown LD15:. 15 watts. 8" speaker. 4 essential and fully adjustable Line 6 bass models: Clean, R&B, Rock, and Grind. 4 user-programmable channel memories. 3 fundamental Smart Control FX for bass: Envelope Filter, Octaver, and Chorus. Adjustable opto compressor with threshold LED. Pro bass amp tone control features Bass, Lo-Mid, Hi-Mid, Treble, and Drive knobs. CD/MP3 input for playing along to any music. Headphone/recording output ideal for practicing and direct recording. Bass Accessory Pack:. Nylon pad||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|line6effects||item.||page.||effects||||||||Line 6 Effects||||effects||Effects > ||||||||||||||||0||1||0||0||||||||Browse all Line 6 Effects ||||line 6, Foot Controller, Chorus Pedal, Compressor Pedal, Delay Modeler Pedal, Vetta Combo Amp||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lin6spidii21||item.||page.||lin6amprev||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29406464||||||Line 6 Spider II 212 Review||||elguit1 line6amps lin6amprev||Electric Guitars > Line 6 Amps > Line 6 Amp Reviews > ||||||||||||||||0||1||0||0||||||||With the introduction of the Spider II amps, Line 6 has amazed me again. Based on the original Spider amp line-which has been wildly popular since its introduction-this amp offers more power, more amp models, better effects, and bolder looks, all for less money.

More power To see if the Spider II 212 has what it takes to play with the big boys, I tried it out at a monthly jam session with the guys I came up with. They're a noisy, rowdy lot and all of them have more gear than talent (I mean that in a nice way, guys). The jam degenerated-as always-into a yowling, pounding, amp contest. With its 150 watts through two 12" Custom Celestion speakers, this little combo drowned out the whole lot of them without even breathing hard.

Its punchy tone penetrated through the railing cacophony with ease, but without splitting my eardrums. It's a well-balanced, robust tone that keeps the highs crisp and clear without making them brittle. The bass is very tight and responsive, never muddy. All the guys were duly impressed and promised sabotage or worse if I keep bringing the Spider to our jam sessions.

More amp models The Spider II's 12 amp models are double the number on the original Spider, and they're a very useful selection. From soft jazz to pounding power chords, you just turn one knob to access the right amp for the feeling you're after. Six bicolored LEDs around the knob let you know which of the 12 models you've selected.

When you switch to a new amp model, the tone controls and effects are automatically set to the optimum setting to sound most like the amp in question. If you adjust one of the EQ knobs, it jumps to the value on the dial. This is cool because each of the amp models is like its own channel, accessible with the turn of a knob. One of my favorite features about this amp is that no combination of amp model, tone settings, and effects settings will swamp the voice of the guitar. The tone knob on the guitar still rules and the character of different guitars shines through clearly.

Better effects The Spider II's effects are incredibly easy to use on the fly. There are only three effects knobs: two with three effects each, and one reverb. The first two knobs are divided into one effect per third of a rotation with well-tweaked, very usable effects on each section. If you want to dial up phaser or sweep echo-both new with the Spider II and extremely cool-just turn the knob to that section and fine-tune for the exact effect you're after. The effect can be used simultaneously with one of the effects on the other knob plus reverb, so you have three effects at once. (In my experience much more than that turns into mud anyway.) A tap tempo button makes the delays much more useful.

When you've dialed in your amp model, drive level, tone settings, and effects, just hold down one of the four channel buttons until it turns green for a second, and you've saved your settings-just like saving a radio station on your car stereo. Call the whole scene (minus the master volume) up later by pushing the channel button. It's super easy to set up prior to the gig and a breeze to adjust on the fly. The effects are so clean you can run the preamp directly into a recording mixer with good results. The Spider II is compatible with all of the FBV series control pedals, which give you handsfree access to the channels and more, depending on the model you use.

To create some absolutely scorching preset tones, Line 6 invited members of Slipknot and Evanescence'�both Line 6 users�to create and name patches for the Spider II. Slipknots's patches include: Snarl, Meat, Sanitarium, and Cheese. Evanescence's patches include: Satanic Crunch, Bring Me Your Wife, My Immoral, and McMars. These presets are everything you'd expect from these premier artists.

Bolder looks and more My good feelings about this amp started as soon as I pulled it out of the box. It has a sleek, aggressive, and professional look with a gray control panel on the front set off by hefty chrome knobs and the distinctive Line 6 logo. I would feel comfortable with this amp on any stage. I actually got a couple of compliments on its looks when I took it to an afternoon gig.

I'm always impressed by features that make my life easier. In that vein, one of the coolest features of this amp is the built-in tuner. What's especially cool about it is the clever way it uses existing features. You enter the tuner mode by holding the tap tempo button down for a few seconds. Then the LEDs surrounding the amp model knob tell you what string you're on while the channel LEDs show you whether you're flat, sharp, or right on. It's a good, stable tuner that doesn't get confused or persnickety. A front-panel stereo headphone out is also very useful, since I don't know anybody who can afford to be blasting away with two 12" speakers every time he or she wants to practice.

Line 6 has had four years since the original Spider came out to push their technology. And they have taken advantage of every minute. The result is evident in this combo. What truly astounds me, though, is that they can make an amp with more power, more amp models, better effects, a built-in tuner, and killer looks for considerably LESS MONEY! For the working musician who needs a reliable, powerful, and full-featured amp, the Spider II is definitely a smart way to go.

Line 6 Spider II 212 Combo ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lin6vetmodam||item.||page.||lin6amprev||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29415484||||||Line 6 Vetta Modeling Amp Review||||elguit1 line6amps lin6amprev||Electric Guitars > Line 6 Amps > Line 6 Amp Reviews > ||||||||||||||||0||1||0||0||||||||Recently, I've been in the market for a new amp. I tried just about everything out there, but nothing could quite cover all the bases. Some boutique-y amps got a great sound, but it was only one great sound, and I crave more variety. None of the multichannel amps I tried were really satisfying across the board. So it was with a healthy degree of skepticism that I approached Vetta, the latest generation of modeling amp from Line 6�the folks who started it all with the AxSys 212 five years ago (has it only been that long?).

Touted as their new flagship amp, Vetta offers a slew of "never before" features like being able to model two amps simultaneously and built-in stompbox effects based on Line 6's modeling stomp boxes. But all that's gravy. What I really cared about was: How does it sound and feel? I wish I could say I was pleasantly surprised. I wasn't. I was completely and totally blown away! All the little details that I was looking for were there�the amplifier "sag" when you turn it up, the way it responds to changes in my guitar's volume knob, the way it responds to different guitars, the punch of the attack.

A new take on modeling According to Line 6, it's their new Point to Point Interactive Modeling technology that does the trick. Not just another modeling amp, it's an entirely new approach that they say enables them to capture incredible detail, even down to little things such as the sonic contributions of aging capacitors and transformers. All I can say is, it works, and not just for the dozens of vintage amps that they've modeled (including, finally, a Hiwatt 100W head). They've put together a new collection of original amp models as well, some of which are just amazing. The new Line 6 Class A, for example, offers something reminiscent of Brian May's "AC-30-about-to-explode" tone, and drives into controllable feedback more easily than any amp I've ever played through.

Authenticity in the details The attention to sonic detail goes way beyond just the amps, though. The effects are just as spectacular. The new reverbs, for instance, far surpass the generic spring and hall that many manufacturers offer. There are three different springs, four rooms, three plates, four halls, and a couple of miscellaneous reverbs that are so good, I'd put them up against most dedicated reverb units. The internal stompbox effects are great, just like the ones in Line 6's pedals, and you can get any three of them at once. Delays, flangers, choruses, phasers, compressors, distortions, overdrives�you can rearrange the order of them, assign them to different amps, just like having a pile of your all-time favorites to play with. You can even run three different delays at the same time. Almost all of those effects, plus things like a Leslie model and stereo delays, are also available as rack-like effects for post-processing, all completely routable (even the built-in effects loop is movable).

Double your pleasure One of the things I thought I'd hardly use is the 'two-amps-at-once' feature. Wrong again. After checking out some of the factory presets that used two amps, I was sold. It opens the door to a lot of guitar tones I never thought I'd be able to get outside a studio. And with an extension cabinet, the sounds are absolutely huge. Adding in the new Double Tracker effect, which re-creates the effect of two guitarists playing in unison (as if that were possible), makes it even bigger. It's almost like I was Malcolm and Angus.

Creating your own sounds is extremely easy, as well. I was positive that any amp that could do so much had to be complicated to use. Not the case with Vetta � everything is accessible from the front panel. And the displays (yes, there are two) let you see exactly what you're doing and exactly what the current settings are at a glance.

The optional FBX Foot Controller turns the whole setup into something closely resembling a custom-made switching setup. You get complete control over everything from the stomp boxes and post effects to pedals that can switch between controlling wah and volume or controlling things like delay time and tremolo speed.

There are a lot of Vetta features that I've left out here, like 'Wide' mode (a wet/dry cabinet setup, where all the effects can be sent to a separate amp) and the incredible punch of its new power amp design. Because this amp can do so many things, I've already gotten incredible results and I've just scratched the surface. I can only begin to imagine just where this amp can take me!

Bottom line? It sounds fantastic, with big, meaty tones and stunning effects. It makes me want to play more guitar (that's a good thing, right?) and has me happier than I've ever been with my guitar sound. It's simply the best sounding amp I've ever heard!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|linflexiihdr||item.||page.||lin6amprev||||||||Line6 Flextone II HD Review||||elguit1 line6amps lin6amprev||Electric Guitars > Line 6 Amps > Line 6 Amp Reviews > ||||||||||||||||0||1||0||0||||||||Let's start out by saying that I'm an obsessive tone freak. Over the years, I've owned countless guitars and amps in the pursuit of the elusive "killer" tone: Voxes, Fenders, Marshalls, Boogies, Soldanos, and pricey boutique stuff. My friends say that I belong to the amp-of-the-month club. I've always loved the warm, dynamic tone of tube amps, but I rarely could get more than one good sound out of a given amp. I ended up using three amps, complete with a custom system to switch among them and a custom stand to mic them all up for the sound-man. Don't even get started on pedals-the drummer in our band was done setting up before me!

I recently went and saw a friend's band at local club. Although this guy's a smokin' player, his tone was never great, but walking through the door, I was knocked out by his guitar sound. Suddenly, he's getting chimey clean sounds, huge crunch tones, and solo tones ranging from warm and syrupy to totally vicious. When I looked to see what he was playing through, I was floored. All of the sounds he was getting were coming out of a small combo-a Line 6 Flextone II.

A mystery revealed The next day I phoned Line 6 to find out how the amp got its sound-something called "digital modeling." The guy I talked to told me how it works, and it's a pretty simple idea. Line 6 looked at what the different components of an amp did to the guitar signal and created a set of digital "virtual components" that they could then piece together to build the amps in software. They did this for some of the all-time classic amps, like AC-30s, Twins, Plexis, Bassmans-all of the really cool amps. One thing that struck me was how much respect these guys had for the tone of tube amps. Talking about modeling the amps, he told me about the actual amps and cabinets that they had bought as references, and you could hear the reverence in his voice. I left the conversation feeling like the guys at Line 6 shared my obsession with tone. Now I wanted to buy a Flextone. I decided on the Flextone II HD, 4x12 slant-front cabinet (412s), and floorboard controller, because my bass player pushes 1500 watts, I need the horsepower, and a half-stack just looks so darn good! Besides, Musician's Friend had told me about the radical new power-amp design for the HD that delivers an honest 100 watts a side. When I got the amp, I dialed up Brit Blues (based on a JTM-45) and I was calling up great Clapton and Hendrix tones in no time! The amp responded to my touch as if it was blasting away at a deafening level, but I was playing at a level I could comfortably speak over. The distortion sounded very "power-amp" in nature, not a buzzy pre-amp sound. I next went to Black Panel, based on a '65 Deluxe. I set the controls as I would on my real Deluxe: volume ("Drive" on the Flextone) at 7, bass at 3, and treble at 6. Bang! I was playing a great Deluxe sound. I turned down my guitar and the amp cleaned up nicely-just like my Deluxe. I dialed up the Rectified sound and was knocked out! Unbelievable amounts of gain poured out of the speakers-Wes Borland had nothing on me! I dialed up some great Tom Petty-esque tones from the Brit Class A setting (based on a Vox AC-30 Top Boost). I played around with the effects a little, dialing up some delay and tremolos. The rotary speaker gave me a cool Stevie Ray thing. Recording muscle too

The amp is also a very powerful recording tool! Flextone II has Line 6's POD 2.0 recording technology built into it! Switch the amp into Studio mode (a switch on the back panel), the speakers go silent and you get great direct sound; like an amp with a mic in front of it, inside a great studio, from the XLR outputs! Turn the switch to Live mode, the speakers come back on and the XLRs provide a cabinet-simulated sound that is optimized for PA cabs.

Thousands of sounds Because the amp has MIDI built in, you can trade sounds with other Flextone users. Line 6 calls this ToneTransfer, and they have thousands of sounds on their website you can download to your amp. You can even post your own sounds on the website! It also comes with software so you can edit and store sounds on both Windows machines and Macintoshes. The proof of all of this is, of course, in the tone. On my first gig with the Flextone, I had the shortest setup in my career! During soundcheck it sounded great-I did a few minor tweaks and saved 'em easily. During the gig the amp had great feel and tone, with the punch and in-your-face quality that I've always associated with tube amps. On one song, I felt I didn't have enough treble during a slide solo in the patch that I had saved, so I walked up to the amp, grabbed a knob and turned it up-very easy! During the breaks, people came up and said how good my sound was-even my girlfriend complimented my tone. The best part of the night was tear-down. I was out of there before my singer! All I had to do was grab my guitars, stack my head and floorboard on the cabinet, roll it out the door, and I was done! One trip to the car!

In summary, you could use Flextone II for any kind of gig: Blues, Jazz, Metal, Industrial, Reggae, or Country. There aren't many amps out there you can say that about. It's as simple as you want it to be, yet as deep as you need it to be. Line 6 is run by a bunch of guitar players, which is probably why this stuff works so well. Thanks, Line 6! Check out the great Musician's Friend deals on the whole Flextone II line. Our Platinum Card makes it incredibly easy to buy just the one you need.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|linandres||item.||page.||26thinyoucan||||||||Links and Resources||||onmusles forteachers everystudent 26thinyoucan||Online Music Lessons > For Teachers > Every Student... > 26 Things You Can Do > ||||||||||||||||0||1||0||0|||||||| To get more information, contact any of the following organizations.
The VH1 Save the Music Foundation is a non-profit organization dedicated to improving the quality of education in America's public schools by restoring music programs in cities across the country, and by raising public awareness about the importance of music participation for our nation's youth. Since its inception, the Foundation has generated $25 million in total support and implemented 350 public school music programs in 30 American cities, impacting the lives of over more than 120,000 children. the Foundation's ten-year goal is to provide $100 million of total support to bring music participation to one million children. for more information as well as tools and resources to support music education visit www.vh1.com or call 1-888-VH1-4MUSIC.
MENC: The National Association for Music Education. With more than 70,000 members drawn from educators and others across the nation, MENC is dedicated to advancing music education by encouraging the study and making of music by all. Visit www.menc.org , or call 1-800-336-3768 for more information.
NAMM: International Music Products Association was founded in 1901. The organization is made up of over 7000 members from around the world and represents the manufacturers and retailers of musical products. NAMM's mission is to unify, lead and strengthen the global music products industry and to increase active participation in music making. For more information about NAMM, tour our site.
The NARAS Foundation is a nonprofit organization dedicated to advancing music and arts education across the country and ensuring access to America's rich cultural legacy. A variety of programs cultivate understanding, appreciation and advancement of the arts for all ages, from infants to the elderly. through cultural, professional and educational initiatives, the Foundation aims to strengthen our education system and our culture-at-large. For more information visit www.grammy.com or call 1-877-GRAMMY-ED
The American Music Conference is dedicated to promoting the benefits of music, music making and music education to the general public through the media. For more information, visit www.amc-music.org
The American String Teachers Association with the National School Orchestra Association promotes excellence in string and orchestra teaching and playing. ASTA with NSOA's mission is important in contemporary America because playing and teaching of string and orchestra music adds to one's quality of life in a unique way. ASTA with NSOA pursues its mission through offering an open sharing of ideas; providing benefits, services and activities responsive to the needs of over 11,000 members; developing strong state leadership and chapters; enhancing the image and visibility of string and orchestra teaching and playing; advocating for orchestra and string education; and promoting an inclusive community of orchestra and string teachers and players. For more information visit www.astaweb.com
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lmloprmaf||item.||page.||loarmandolins||https://sep.yimg.com/ay/chrisbsmusicinc/lm-600-the-loar-professional-mandolin-f-style-7.gif||||||LM-600 The Loar Professional Mandolin, F-Style||LM-600||acin mandolins1 loarmandolins||Acoustic Instruments > Mandolins > The Loar Mandolins > ||849.990||1133.990 ||849.990 ||||||||||1||1||1||0||||||||Hand-carved and graduated from solid select tonewoods and featuring a lightweight nitrocellulose finish for incredible projection, The Loar's LM-600 Professional F-Style mandolin is an accurate replica of an original 1920's F5-style model. The hand-buffed tobacco sunburst finish with nitrocellulose lacquer provides a vintage sheen and an authentic pre-war-style bark that will impress even the most avid vintage purist.
The LM-600 features a solid hand-carved spruce top, solid hand-carved figured maple back and sides, a one-piece maple neck with rounded "V" profile, bound ebony fretboard and an abalone and mother-of-pearl custom flower pot headstock inlay. The LM-600 includes a featherweight case with an embroidered logo. Available in vintage sunburst (LM-600-VS) and black (LM-600-BK) finishes.||Color: "Black" "Vintage Sunburst"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lprhytcon||item.||page.||chilper||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29434975||||||LP RhythMix� Conga||LPR321-I||drumsticks chilper||Drum Kits > Children's Percussion > ||34.990||34.990 ||||||||||||0||1||1||0||||||||Conga drums, typically played in Latin musical forms, are now widely used in all musical styles.

This kid-sized, 12" tall Conga with a 7" diameter durable synthetic head, will appeal to the child musician with its authentic sound, brightly colored, whimsical patterns and comfortable, adjustable carry strap, while its quality craftsmanship and educational value will appeal to adult sensibilities.

Conforms to ASTM F96-96A and EN:71 child safety standards for ages 3 & up.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lprhyttom||item.||page.||chilper||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29468981||||||LP RhythMix� Tom-Tom||LPR320-I||drumsticks chilper||Drum Kits > Children's Percussion > ||39.990||39.990 ||||||||||||0||1||1||0||||||||With a history as romantic as that of the Native American tom-tom, of legendary pow-wows and stories of days gone by, what child could resist the LP RhythMix Tom-Tom?

This sturdy, hearty sounding drum features an 11" durable synthetic head and stands 8" tall with an elevated base for optimal resonance.

Kids will love their fun new multicultural graphic shells and brightly colored plastic rims!

Conforms to ASTM F96-96A and EN:71 child safety standards for ages 2 and up.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|luclgupa||item.||page.||acgupa||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29497479||||||Lucida Classical Guitar Package||lk-kit||acin acgupa||Acoustic Instruments > Acoustic Guitar Packages > ||109.990||134.990 ||109.990 ||||||||||1||1||1||0||||||||The Lucida Spruce Top Classical is available in a package that includes everything you need to get started. The Lucida PlayerPac includes the LG-520 guitar, a padded DuraGuard bag, Pitch Pipes, Peg Winder, and Guitar Strap.||||||||||||||||0||||||||||||||||||||Lucida||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|luclgu||item.||page.||acin||||||||Lucida Classical Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||lucidalg520 lustgustlg||||Lucida Classical Series guitars begin with the time-honored designs of traditional classicals, and are priced within the reach of any player.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lucidalg520||item.||page.||luclgu||https://sep.yimg.com/ay/chrisbsmusicinc/lucida-lg-520-7.gif||||||Lucida LG-520||LG-520||acin luclgu||Acoustic Instruments > Lucida Classical Guitars > ||89.990||119.990 ||89.990 ||||||||||1||1||1||0||||||||This spruce top beginner classical has a bright, clean tone and great playability. This model also features Gotoh tuners, an adjustable truss rod, and a dyed hard maple fretboard and bridge.
Spruce Top White Wood Back & Sides Nato Neck Hard Maple Fretboard Adjustable Truss Rod Open Gear Gotoh Tuners Multi-Colored Rosette||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lustgustlg||item.||page.||luclgu||https://sep.yimg.com/ay/chrisbsmusicinc/lucida-student-guitar-student-lg-510-5.gif||||||Lucida Student Guitar Student LG-510||LG-510||acin luclgu||Acoustic Instruments > Lucida Classical Guitars > ||74.990||99.990 ||74.990 ||||||||||1||1||1||0||||||||The perfect guitar for any beginner, the Lucida Student LG-510 features Gotoh tuners for easy tuning, nylon strings for low string tension and a classic design available in multiple sizes.

White Wood Top White Wood Back & Sides Nato Neck Hard Maple Fretboard Open Gear Gotoh Tuners Multi-Colored Rosette Sizes: 4/4, 3/4, 1/2, 1/4 Overall Length: 38.6", 36.4", 33.5", 29.5"||Size: Full 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ludvanbeet||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29514988||||||Ludwig Van Beethoven||||classicalcafe||Classical Cafe > ||||||||Romantic Giant||||||||0||1||0||0||||bach mozart1|||| LUDWIG VAN BEETHOVEN

Born (baptized): December 17, 1770. Bonn, Germany
Died: March 26, 1827. Vienna, Austria

In his own words...

"I carry my thoughts about with me for a long time... before writing them down... once I have grasped a theme. I shall not forget it even years later. I change many things, discard others, and try again and again until I am satisfied; then, in my head... [the work] rises, it grows, I hear and see the image n front of me from every angle... and only the labor of writing it down remains... I turn my ideas into tones that resound, roar, and rage until at last they stand before me in the form of notes." German composer. Often considered a transitional figure from the Classical to the Romantic era.

Ludwig van Beethoven is often described by musicians as a "giant straddling two styles": the Classical and the Romantic. Indeed, it is a testimony to Beethoven's place in history that he is claimed for both periods. Whether Beethoven was a Classical or a Romantic composer, however, is beside the point. Instead, we might best view him as a new composer for a new age -- an age that is reflected in both musical as well as the nonmusical worlds.

Haydn and Mozart lived during a time of nascent ideals of liberty and two major revolutions. They also lived in a world of royal patronage, in which Haydn flourished but Mozart floundered. In contrast, Beethoven came of age as an artist when the consequences of revolutions had to be confronted and when the burden of patronage had already shifted to the less reliable mechanisms of the commercial sphere: publications and concerts proceeds, supplemented by sporadic noble patronage. It was a far more disorderly world for Beethoven, yet one full of exciting potential.

It is in this world of change that we find Beethoven one of the most enigmatic composers. By the middle of his life he was almost totally deaf, and had yet to produce his most profound works. In many ways cut off from the world, Beethoven was still committed to the idea of "brotherhood" as so powerfully expressed in his Ninth Symphony. These tensions and contradictions find a voice in many of his compositions. His symphonies starting with the Third (the "Eroica") are huge works, as are some of the late quartets. Yet at the same time, he could compress his works. These sometimes contradictory aspects are part of Beethoven's character and part of the times in which he lived. And they make Beethoven one of the most interesting of all the great composers.

Beethoven Sheet Music/Scores
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||||beethoven, fur elise, ode to joy, classical music, composer biographies, moonlight sonata, symphony number 9, fifth symphony, piano music||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ludrgu||item.||page.||lunaguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29525494||||||Luna Dragon Guitar||AUR MPD3 DRA||acin lunaguitars||Acoustic Instruments > Luna Guitars > ||69.000||104.500 ||69.000 ||||||||||0||1||1||0||||||||Latest in the Aurora trilogy by Mary Anne DiNella is this whimsical "Dragon" mini. Flying over an imaginative landscape of mountains, castle turrets and breeze borne flags this friendly dragon seeks children brave enough to partake in his adventures. Like the other minis, the guitar's petite size makes it an instrument that's ideal for learning and comfortable to play. The Aurora Dragon Mini Acoustic comes with its own gig bag featuring the Luna Guitars' logo. A crescent moon at the sound hole and moon phase fret markers add a bit of Luna magic. This congenial dragon is sure to inspire the boy or girl dragon-lover in your life.

Original Artwork by Mary Ann DiNella Finish: Cool Blue

Basswood Top \\|\\ Basswood

Body: 3/4 dread mini

Nut Width: 1 5/8"

Scale Length: 21 �"

2.5 lbs||||||||||||||||0||||||||||||||||||||Luna||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lufagu||item.||page.||lunaguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29606490||||||Luna Faerie Guitar||AURMPDCCP||acin lunaguitars||Acoustic Instruments > Luna Guitars > ||69.500||104.500 ||69.500 ||Luna Fairy Mini Acoustic Guitar||||||||0||1||1||0||||||||The Luna Aurora Faerie Mini has an enchanting personality that appeals to young faerie enthusiasts everywhere. The guitar's petite size makes it an instrument that's ideal for learning and comfortable to play. The cotton candy pink Faerie Mini comes with its own gig bag featuring the Luna Guitars' logo, and the crescent moon at the sound hole and moon phase fret markers add a bit of Luna magic.

Original Artwork by Mary Ann DiNella
Finish: High Gloss Cotton Candy Pink
Basswood Top \\|\\ Basswood
Neck: Maple/Maple
� Size Mini
Nut Width: 1-11/16"
Scale Length: 21 �"
Gig Bag Included
||||||||||||||||0||||||||||||||||||||Luna Faerie Guitar||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lunaguitars||item.||page.||acin||||||||Luna Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||lumegu lufagu luimgu ludrgu lutauk||||Buy Luna Guitars like the Imagine, Dragon, Mermaid and Faerie models at Chris B's Music...an authorized Luna guitar dealer.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|luimgu||item.||page.||lunaguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29661411||||||Luna Imagine Guitar||AURMPD1BLS||acin lunaguitars||Acoustic Instruments > Luna Guitars > ||80.000||123.000 ||80.000 ||||||||||0||1||1||0||||||||Express yourself in music and art at the same time with Luna's super-fun Imagine guitar! A true original because you create the design yourself. A glossy "Blank Slate" finish crowned by Luna's signature crescent moon around the sound hole provides the ideal background for any work of art. Draw or write on your guitar with the magical florescent damp erase markers included. Your design will stay in place while you play. Then, when a new inspiration comes along, just use a damp cloth to clean the slate for a new masterpiece. You're the star - just Imagine!

Create Your Own Artwork w/ included Damp Erase Markers
Blank Slate *The graphic shown here is for illustration purposes only
Basswood Top \\|\\ Basswood
Neck: Maple/Maple
� Size Mini
Nut Width: 1-11/16"
Scale Length: 21 �"||||||||||||||||0||||||||||||||||||||Luna||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lumegu||item.||page.||lunaguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29788634||||||Luna Mermaid Guitar||AURMPD2AQS||acin lunaguitars||Acoustic Instruments > Luna Guitars > ||69.000||104.500 ||69.000 ||||||||||0||1||1||0||||||||Fanciful artwork by Mary Ann DiNella gives the Luna Mermaid Guitar a bubbly personality that appeals to young players everywhere. The fun Aqua Splash finish is as inviting as a cool dip on a summer day, and the guitar's petite size makes it an instrument that's ideal for learning and comfortable to play. The Aurora Mermaid Mini Acoustic comes with its own gig bag featuring the Luna Guitars' logo, and the crescent moon at the sound hole and moon phase fret markers add a bit of Luna magic to this Mermaid's musical pond.

AUR MPD2 AQS

Original Artwork by Mary Ann DiNella
Finish: High Gloss Aqua Splash
Basswood Top \\|\\ Basswood
Neck: Maple/Maple
� Size Mini
Nut Width: 1-11/16"
Scale Length: 21 �"
Gig Bag Included

||||||||||||||||0||||||||||||||||||||Luna||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lutauk||item.||page.||lunaguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29831854||||||Luna Tattoo Ukulele||UKE TC MAH||acin lunaguitars||Acoustic Instruments > Luna Guitars > ||89.500||129.500 ||89.500 ||||||||||1||1||1||0||||||||Luna Tattoo Concert Uke takes its design from traditional hawaiian body ornamentation. Those designs were monochromatic, tattooed in black against brown skin, with strongly geometric patterns, and many shapes and symbols inspired by the natural island world: stones, waves, fish, sharks, turtles, rain, sun, birds. Our design is primarily based on waves and sharks teeth which are also echoed as fret markers.

Tattoo laser etch

Body: Concert

Top: Select Mahogany

Back/Sides: Mahogany

Neck: Nat/ Mahogany

Fretboard/ Bridge: Rosewood

Preamp: none

Scale:15"

Nut: 1 5/16

Finish: Satin

24 x 8 1/8 x 2 3/4

1.3 lb

Gig bag included

||||||||||||||||0||||||||||||||||||||Luna||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mke||item.||page.||harmonicas||||||||M-Audio Keyboards||||harmonicas||Keyboards/Synths > ||||||||||||||||0||1||0||0||||||||Free Shipping and Guaranteed Lowest Prices on M-Audio Keyboards

M-Audio Keystation 88es USB MIDI Keyboard Controller Standard

M-Audio Axiom Pro 61 USB MIDI Keyboard Controller Standard

M-Audio Axiom Pro 25 USB MIDI Keyboard Controller Standard

M-Audio ProKeys 88sx Keyboard and MIDI Controller Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|moterms||item.||page.||dlterms||||||||M-O Terms||||classicalcafe musdic dlterms||Classical Cafe > Musical Dictionary > D-L Terms > ||||||||||||||||0||1||0||0||||prterms||||Ma - But. Used with other words, e.g. lento ma non troppo, slow but not too slowly.

Maestoso - Majestically.

Major - The designation for certain intervals and scales. A key based on a major scale is called a major key. The pattern for the major scale is: whole whole half whole whole whole half step step step step step step step

Major chord - A triad composed of a root, major third, and perfect fifth.

Mancando - Fading away

Marcato - Emphasized, heavily accented.

Measure - A group of beats containing a primary accent and one or more secondary accents, indicated by the placement of bar lines on the staff. The space between two bar lines.

Medesimo - The same.

Mediant - The third degree of the major or minor scale. The triad built on this degree is labeled iii in the major scale, III in the natural minor scale, and III+ in the harmonic minor scale.

Medieval - The period prior to the Renaissance, c. 500-1450, marking the music of the early Christian church.

Melody - In general, a succession of musical tones. It represents the linear or horizontal aspect of music.

Meno - Less.

Meno mosso - Less motion.

Meter - The structure of notes in a regular pattern of accented and unaccented beats within a measure, indicated at the beginning of a composition by a meter signature.

Meter signature - The numbers placed at the beginning of a composition to indicate the meter of the music, e.g. . The upper number indicates the beats in a measure; the lower number tells what kind of a note will receive one beat.

Metronome - Invented by Maelzel in 1816, the instrument is used to indicate the exact tempo of a composition. An indication such as M.M. 60 indicates that the pendulum, with a weight at the bottom, makes 60 beats per minute. A slider is moved up and down the pendulum to decrease and increase the tempo. M.M. = 80 means that the time value of a quarter note is the equivalent of one pendulum beat when the slider is set at 80.

Mezzo - Half, Medium

Mezzo forte - Medium loud.

Mezzo piano - Medium soft.

Mi - In solmization, the third degree of the major scale.

Middle Ages - European historical period between roughly A.D. 500 and 1450.

Middle C - The note C in the middle of the Grand staff, and near the middle of the paino.

Minor - The designation for certain intervals and scales. A key based on a minor scale is called a minor key. The three types of minor scales include natural, hormonic, and melodic, which is used infrequently in choral music. The patterns for natural and harmonic scales are: natural: whole half whole whole half whole whole step step step step step step step

harmonic: whole half whole whole whole 1-1/2 half step step step step step steps step

melodic: (ascending): whole half whole whole whole whole half step step step step step step step

(descending): whole whole half whole whole half whole step step step step step step step

Misterioso - Mysteriously.

Mit - With.

Mode - Any scalewise arrangement of pitches; more generally, the term refers to the patterns upon which medieval music was structured, the patterns which preceded the development of major and minor scales and tonality.

Moderato - Moderate speed.

Modern - Music written in the 20th century or contempory music.

Modulation - The process of changing from one key to another within a composition.

Molto - Very. Used with other terms, e.g. molto allegro.

Mordent - "Biting." An ornament consisting of an alteration (once or twice) of the written note by playing the one immediately below it (lower mordent), or above it (upper, or inverted, mordent) and then playing the note again.

Morendo - Gradually decreasing in volume; dying away.

Mosso - Rapid. Meno mosso, less rapid. Piu mosso, more rapid.

Motive - A short melodic or rhythmic pattern.

Moto - Motion. Con moto, with motion.

Movable Do - The system of solmization in which do changes to accommodate the key, e.g. in the key of C major, do is c; in E major do is e. In the key of a minor do is c (relative major); in the key of c minor do is e (relative major).

Music - The organization of sounds with some degree of rhythm, melody, and harmony.

Music theory - The study of how music is put together.

Nach - After (as "in the manner of"); behind.

Nachtmusik - "Night music." A serenade.

Natural - A musical symbol which cancels a previous sharp or flat.

Neumatic - One style of chant in which two to four pitches occur on one syllable; in contrast to melismatic and syllabic.

Non - No; not.

Nonharmonic tones - A designation for tones outside the harmonic structure of the chord. Two frequently used examples are the passing tone and the appoggiatura.

Non troppo - Not too much. Used with other terms, e.g. non troppo allegro, not too fast.

Notation - A term for a system of expressing musical sounds through the use of written characters, called notes.

Note - The symbol which, when placed on a staff with a particular clef sign, indicates pitch.

Nuance - Subtle variations in tempo, phrasing, dynamics, etc., to enhance a musical performance.

Octave - The eighth tone above a given pitch, with twice as many vibrations per second, or below a given pitch, with half as many vibrations.

Octet - A piece for eight instruments or voices.

Open fifth - A triad without a third.

Open strings - Strings are not stopped, fingured, or fretted.

Opus, Op - The term, meaning work, is used by composers to show the chronological order of their works, e.g. Op. 1, Op. 2.

Orchestra - A large group of musicians made up of string, brass, woodwind, and percussion instruments.

Orchestration - The art of writing, arranging, or scoring for the orchestra.

Ornamentation - Note or notes added to the original melodic line for embellishment and added interest.

Ornaments - Melodic embellishments, either written or improvised.

Ossia - "Or." Indicating an alternative passage or version.

Ostinato - A repeated melodic or rhythmic pattern, frequently appearing in the bass line.

Ottava - Octave.

Ottava alta - (8va) An octave higher.

Ottave bassa - (8va or 8vb) An octave lower.

Overtones - The almost inaudible higher tones which occur with the fundamental tone. They are the result of the vibration of small sections of a string (instrument) or a column of air. Other general terms for overtones are partials and harmonics.

Overture - The introductory music for an opera, oratorio or ballet. A concert overture is an independent work.

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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|macouk||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29926040||||||Mahalo Colored Ukes||U-30||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||29.990||29.990 ||||||||||||0||1||1||0||||||||
Now Mahalo Ukuleles are available in a rainbow of colors - each comes with it's own color-matched bag for easy and safe transportation to the Beach or the weekly lesson. With 8 colors to choose from there something for everyone!
Complete Maple construction
Ebonized fingerboard and bridge
Polished brass frets
Smooth and accurate, nickel-plated guitar style tuners with plastic buttons
Color matched gig bag included
||Color: Yellow Red Green Black Orange White "LIGHT BLUE" BLUE||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|maspukpa||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29929362||||||Mahalo Sparkle Ukulele Pack||U-35||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||39.950||39.950 ||||||||||||1||1||1||0||||||||Choose these ukuleles from five sparkling colors, each packaged in an artfully designed and brightly-colored box that makes for a beautiful and inviting display that practically sells itself. Packs also include matching colored gig bags, instructional DVDs and all the accessories needed to play like a pro in minutes!||Color: "SPARKLE BLUE" "SPARKLE BLACK" "SPARKLE GREEN" "SPARKLE PURPLE" "SPARKLE PINK"||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahalou320c||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29938424||||||Mahalo U-320C||u-320c||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||64.990||89.950 ||64.990 ||Mahalo U320C Concert Ukulele||||||||1||1||1||0||||||||The Mahalo U-320C Concert size Ukulele is slightly bigger than the Soprano model with a slightly longer scale--giving a deeper and richer tone. It's still small and lightweight--easy to carry and easy to play. It's just about the easiest of all the stringed instruments to learn and so it's perfect for children and adult beginners alike. In wood selection and features it corresponds to the U-320 Soprano--the same mahogany body with arched back and the same Genuine rosewood for fingerboard and bridge. The bright gold-plated tuners and the included gig bag make this U-320C Concert Ukulele from Mahalo a truly outstanding value!

Priced and sized to meet every need and pocket-book
The body is arched and made from Mahogany
The fingerboard and bridge are constructed from Rosewood
Includes nickel/silver frets and abalone position marker dots
Equiped with gold-plated friction tuners

||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|maudeuke||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29947041||||||Mahalo U-350 Deluxe Uke||U-350||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||99.950||129.950 ||99.950 ||||||||||1||1||1||0||||||||You�ll find a host of professional features and the gleaming beauty of genuine Hawaiian Koa wood in this affordable new Mahalo Ukelele. The abalone inlaid soundhole rosette suggests a boutique instrument costing far more! All solid woods with resonant mahogany top promise a big, full tone � gold-plated tuners add class and sparkle!

Solid mahogany top
Curly Koa back and sides
Mahogany neck
Rosewood fingerboard and bridge
Mahogany body binding
Abalone sound hole rosette
Bone nut and NuBone saddle
Nickel frets
Gold-plated planetary-style tuning pegs
Wooden hardshell case

||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahaolu320||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29957955||||||Mahalo U320||U320||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||59.950||79.950 ||59.950 ||Mahalo Soprano Uke U320||||||||1||1||1||0||||||||Mahalo Deluxe Uke with Gig Bag

Priced and sized to meet every need and pocket-book
The body is arched and made from Mahogany
The fingerboard and bridge are constructed from Rosewood
Includes nickel/silver frets and abalone position marker dots
Equiped with gold-plated friction tuners
||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahu3baruke||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29961561||||||Mahalo U320B Baritone Uke||U-320B||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||79.990||119.990 ||79.990 ||Mahalo U320B Baritone Uke||||||||1||1||1||0||||||||The Mahalo U-320B baritone uke has the deepest voice of the Ukulele family. It's perfect for Hawaiian Music and any type of Folk Music where a mellow, rich and sympathetic-toned instrument is required.

Priced and sized to meet every need and pocket-book
The body is arched and made from Mahogany
The fingerboard and bridge are constructed from Rosewood
Includes nickel/silver frets and abalone position marker dots
Equiped with gold-plated friction tuners

||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahu3pinshap||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29971840||||||Mahalo U320P Pineapple Shaped Uke||U-320P||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||54.950||74.950 ||54.950 ||Mahalo Pineapple Shaped Uke||||||||1||1||1||0||||||||It's easy to tell that the Mahalo U-320P is Hawaii's favorite instrument--it's shaped like a pineapple! It corresponds exactly in every respect to the standard Mahalo U-320, save for the distinctive, traditional pineapple shape. The tone is mellow and soulful---and it's easy to produce thanks to the well-shaped neck and Rosewood fingerboard with its smooth, low frets. The bridge is also of Rosewood and the body is mahogany with arched back. The tuning pegs are gold-plated and each U-320P is furnished with a sturdy gig bag and an easy to follow instructional DVD. With all these great features and the instantly recognizable shape--we believe the Mahalo U-320P is destined for great things!

Priced and sized to meet every need and pocket-book
The body is arched and made from Mahogany
The fingerboard and bridge are constructed from Rosewood
Includes nickel/silver frets and abalone position marker dots
Equiped with gold-plated friction tuners

||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahu3tenuke||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29979622||||||Mahalo U320T Tenor Uke||U-320T||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||79.990||114.950 ||79.990 ||Mahalo Tenor Uke||||||||1||1||1||0||||||||The Tenor Ukulele is a most versatile instrument! It can be used with success in all styles of music, and it's rich, mellow voice is gaining more admirers every day. For any player wishing to take up the Tenor Ukulele, Mahalo makes getting started fun AND affordable! The U-320T is made of select mahogany with arched-back construction. Fingerboard and bridge are of Genuine Rosewood and the tuning pegs are gold-plated. With a sturdy gig bag included in the price, we believe the Mahalo U-320T Tenor Ukulele is a singular value!

Priced and sized to meet every need and pocket-book
The body is arched and made from Mahogany
The fingerboard and bridge are constructed from Rosewood
Includes nickel/silver frets and abalone position marker dots
Equiped with gold-plated friction tuners
||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahalou50guke||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_29989167||||||Mahalo U50G Uke||u-50g||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||34.990||34.990 ||||||||||||0||1||1||0||||||||The Mahalo U-50 is a proven best-seller, and for those who prefer the guitar-style geared tuners on their ukulele, we offer the Mahalo U-50G. It's the same in every respect as the price-leading U-50--with all-maple construction and flashy, gold-plated tuners. It's every bit as great a value and it comes with the same sturdy gig bag included in the price. We believe no one offers value in a Ukulele like Mahalo!

Priced and sized to meet every need and pocket-book. The body, fingerboard, and bridge are constructed of Maple
Equipped with standard guitar-style tuners||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahaloukeu200||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30024363||||||Mahalo Uke U200||u200||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||59.950||79.950 ||59.950 ||Mahalo U-200 Soprano Ukulele with Gig Bag||||||||0||1||1||0||||||||The Mahalo Economy line of high-quality Ukuleles is so affordable it can bring the joys of making music to everyone! The new Mahalo U-200 Soprano Ukulele uses select mahogany for body, neck fingerboard and bridge. The nickel-plated tuning pegs offer smooth, accurate tuning. An instructional DVD with clear, easy beginner's lessons is included with every U-200 ukulele. There's no better time to take up the Soprano Ukulele and there's no better value than the U-200 Ukulele from Mahalo

Priced and sized to meet every need and pocket-book
The body, fingerboard and bridge are constructed from Mahogany
Equipped with gold-plated friction tuners
||||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mahaloukebanjo||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30033396||||||Mahalo Uke-Banjo||UB-30||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||54.950||79.950 ||54.950 ||MAHALO UKE-BANJO||||||||0||1||1||0||||||||
The new Mahalo ukes with banjo-shaped bodies are a Blast from the Past! This rare, collectible body style hasn't been seen since the 1930's, and the all-solid woods and careful craftsmanship assures a lifetime of playing pleasure in these stylish, affordable new Mahalo Uke-Banjos!
Solid spruce top
Mahogany back, sides, neck,
and fingerboard
Rosewood bridge
NuBone saddle
Nickel frets
Gold-plated pegs
Available in 3 finishes: sunburst, red cedar, and natural with art motifs

||Color: Natural "Red Cedar" Sunburst||||||||||||||0||||||||||||||||||||Mahalo||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ukuleles||item.||page.||acin||||||||Mahalo Ukuleles||||acin||Acoustic Instruments > ||||||||Buy Mahalo Ukes at Chrisbsmusic.com Satisfaction Guaranteed||||||||0||1||0||0||||mahaolu320 mahaloukeu200 mahalou320c mahu3baruke mahu3tenuke mahu3pinshap mahalou50guke macouk soukegigbag bariukecase sopranoukecase mahaloukebanjo maspukpa maudeuke bauk bacouk||||Chris B's Music is an authorized Mahalo Uke Dealer.

We have great prices on Mahalo soprano, tenor, baritone and concert ukes as well as ukulele accessories.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mallets||item.||page.||cymbals||||||||Mallets||||cymbals||Cymbals > ||||||||Xylophone Mallets Timpani Mallets Bass Drum Mallets||||||||0||1||0||0||||||||Browse all Percussion Mallets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|manbrid||item.||page.||mandolins1||||||||Mandolin Bridges||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||golgatmanbri golgatmanbri1 golgatmanbri2||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mandolincase||item.||page.||mandolincases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30044394||||||Mandolin Case||8851||acin mandolins1 mandolincases||Acoustic Instruments > Mandolins > Mandolin Cases > ||79.990||109.000 ||79.990 ||||||||||0||1||1||0||||||||TKL Prestige Arch-Top A-Style, or F style Mandolin Case
Superior performance.||Type "F Style" "A Style"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mandolincases||item.||page.||mandolins1||||||||Mandolin Cases||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||Mandolin Cases Mandolin Gig Bags||||||||0||1||0||0||||assupmancas fstylsupmanc mangigbag golgatdelabs mandolincase travmancas||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|manen||item.||page.||colweatwarfo||||||||Mandolin Encyclopedia||||acin colweatwarfo||Acoustic Instruments > Cold Weather Warning for Acoustic Instruments/Instrument Guides > ||||||||Everything mandolins||||||||0||1||0||0||||||||

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The Providence Mandolin Orchestra - Continuing the American tradition of plucked string music with a wide range of music from Baroque Concertos to Brazilian Chorinho and American folk balads.
U.Shrinivas - A child prodigy who adapted the mandolin to carnatic (Indian) music.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mandolinparts||item.||page.||mandolins1||||||||Mandolin Parts||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||Mandolin Tuners Mandolin Tailpieces||||||||0||1||0||0||||golgatmodman golgatmodman1 golgatfmodma golgatmanpic golgatmantai||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golgatmanpic||item.||page.||mandolinparts||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30105480||||||Mandolin Pickguard Assembly for A-Mandolin||M-400||acin mandolins1 mandolinparts||Acoustic Instruments > Mandolins > Mandolin Parts > ||12.950||12.950 ||||Golden Gate Mandolin Pickguard Assembly||||||||1||1||1||0||||||||Traditional design A-model mandolin pickguard assembly and hardware
Black 3-play pickguard
||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mandolins1||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30118309||||||Mandolins||||acin||Acoustic Instruments > ||||||||Mandolins by Fender, Washburn, Kentucky and more...||||||||0||1||0||0||||kenkmman2 kentuckykm140s kenman kentuckykm162 kenmankm kentuckykm340s kenaramman kenkmman1 kekmama kekmma1 kekmmaa kentuckykm620 kentuckykm620b kentuckykm630 kenkmman kentuckykm700 kendelfmodma kendelfmodma1 kekmma kenarmankm osschmidelma rovmanrm roverrm25s roverrm35 rovrmman roverrm50b saelmakit flfmoma homakit halleonmanme estecformanv mandolincases brma deanmandolins epman fenman gibman noname10 joma marman mickelman ovman sama loarmandolins trincolman wasman webermandolins mandolinparts manbrid trfoinst||||Chris B's carries the entire Kentucky mandolin line.

A Model Mandolins, F model mandolins, beginner and pro mandolins.

We are also an authorized Rover mandolin dealer, Johnson mandolin seller and Savannah authorized dealer.

Browse all Mandolins||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|manconguit||item.||page.||acin||||||||Manuel Contreras Guitars||||acin||Acoustic Instruments > ||||||||Low prices and fast shipping on Manuel Contreras Guitars
100% Satisfaction Guarantee
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45 Day Return Policy
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Manuel Contreras II C-7 Classical Guitar Cedar ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mapexdrumsets||item.||page.||drumsticks||||||||Mapex Drumsets||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||mapsnardrum1||||Browse all Mapex Drumsets

Mapex Black Panther Blaster Studioease 5-Piece Shell Pack

Mapex Saturn Walnut / Birch Limited Edition Shell Pack Transparent Walnut Fade

Mapex Saturn 5 Piece Standard Shell Pack Transparent Walnut Fade||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mapsnardrum||item.||page.||snaredrums||||||||Mapex Snare Drums||||drumsticks snaredrums||Drum Kits > Snare Drums > ||||||||||||||||0||1||0||0||||||||Browse all Mapex Snare Drums

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mapsnardrum1||item.||page.||mapexdrumsets||||||||Mapex Snare Drums||||drumsticks mapexdrumsets||Drum Kits > Mapex Drumsets > ||||||||||||||||0||1||0||0||||||||
Mapex MPX Maple 13x6 Snare Drum Gloss Natural
Mapex MPX Maple Snare Drum

Introduced as a compliment to the Mapex Black Panther Series of premium snare drums, Mapex presents the MPX Snare line.

Featured in two popular sizes, a 14 x 5.5 (MPML4550BMB) and a 13 x 6 (MPML3600BMB), all MPX snare drums have low mass lugs, flanged steel hoops, fully adjustable throw-offs and Remo drum heads.The drums are finished with a beautiful high gloss clear lacquer and chrome hardware.

Mapex MPX Birch Snare Drum
Mapex MPX Birch Snare Drums

The Mapex MPX line of snare drums are a complement to their Black Panther premium series of snare drums. The MPX Birch snare drum provides bright, cutting overtones that are sure to cut through the mix. Plus it has a warm rich resonance shich is excellent for live and studio performance.

Mapex Pro Series ST3554 Steel Snare Drum
Mapex Pro Series ST3554 Steel Snare Drum

The Mapex Pro Series snare drum is great for all musical styles. The ST3554 snare drum cuts thru the mix and offers incredible volume. An excellent choice for your primary snare or as an add on. The ST3554 Pro Series snare drum features 1mm stainless steel shells, 2.3 mm Mapex Powerhoops and Remo drum heads.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mabaam||item.||page.||electricbass||||||||Markbass Bass Amps||||electricbass||Electric Bass > ||||||||Markbass Standard Markbass Mini CMD Markbass Micromark||||||||0||1||0||0||||||||Buy Markbass Bass Amps

Markbass Club 121 400W 1X12 Bass Speaker Cabinet Black 8 Ohm

Markbass Momark Sa 500 Bass Amp Head With Frame

Markbass Momark Lmk Bass Amp Head / Frame

Used Markbass Club 102 400W 2X10 Bass Speaker Cabinet Black 8 Ohm||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ma20newpr||item.||page.||marshallamps||||||||Marshall 2007 New Products||||elguit1 marshallamps||Electric Guitars > Marshall Amps > ||||||||||||||||0||1||0||0||||||||
The Marshall Vintage Modern 2266 50 Watt Head is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) - Body and Detail - facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses.

Marshall Vintage Modern 425A or 425B 4x12 Extension Speaker Cabinet Angled
The Marshall Vintage Modern 425A angled cab and 425B straight cab are traditional Marshall 4 x 12 speaker cabinets in design. These cabs are mono/stereo switchable and are loaded with G12C 25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and the Vintage Modern Series perfectly.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marshallamps||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30119667||||||Marshall Amps||||elguit1||Electric Guitars > ||||||||Marshall Amplification Marshall DSL40C Limited Edition Cream 40W Marshall MG100HCFX 100W Head||||||||0||1||0||0||||marshallheads marcab marfoot marap ma20newpr||||Guaranteed Lowest Prices on Marshall Amps
Browse all Marshall Amps

Marshall JVM Series JVM410H Tube Amp Head

Marshall AS100D 2x8 Acoustic Combo Ampvel of distortion never heard from a guitar amp before.

Marshall Haze MHZ40C 40W 1x12 Tube Guitar Combo Amp Black
No more compromising on tone over effects (or vise versa) and an end to jumping from FX pedal to FX pedal when your solo kicks in! Comprising the two channel Haze40 and Haze15, the series offers a rugged, gig-ready 40 Watt combo and a peerless 15 Watt head respectively. Combined with MHZ112A and MHZ112B speaker cabs, the Haze15 becomes the epitome of guitar amplification - a valve-driven Marshall stack, but one that fits easily into either the lounge or boot of the car.

Marshall JVM Series JVM215C 50W 1x12 Tube Combo Amp Black
The JVM Series from Marshall is the most comprehensive range of professional, all-valve amplifiers ever offered. No other multi-channel, multi-mode amplifier delivers the amazing all-valve tone offered by the JVM at any price. Multiple, all-valve voicings provide an amazing array of tones which are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch.

Marshall 1987XL Vintage Series 50W Tube Head Standard

Marshall JVM Series JVM210H 100W Tube Guitar Amp Head Black||||marshall amps, marshall stack, valvestate, combo amp, amp heads, tube amp, marshall combo amp, half stack,Marshall4100 ,100 watt hi-gain tube head, JCM2000 series, Marshall AS50R||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marap||item.||page.||marshallamps||||||||Marshall Apparel||||elguit1 marshallamps||Electric Guitars > Marshall Amps > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marcab||item.||page.||marshallamps||||||||Marshall Cabinets||||elguit1 marshallamps||Electric Guitars > Marshall Amps > ||||||||||||||||0||1||0||0||||||||Browse All Marshall Amp Cabinets

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marfoot||item.||page.||marshallamps||||||||Marshall Footswitches||||elguit1 marshallamps||Electric Guitars > Marshall Amps > ||||||||||||||||0||1||0||0|||||||| Free Shipping on Marshall Footswitches
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marshallheads||item.||page.||marshallamps||||||||Marshall Heads||||elguit1 marshallamps||Electric Guitars > Marshall Amps > ||||||||||||||||0||1||0||0||||||||Browse All Marshall Amp Heads

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marspecedgui||item.||page.||martinguitars||||||||Martin Special Edition Guitars||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||Martin > Guitars > Acoustic Guitars > Special Editions||||||||0||1||0||0||||||||
Martin Custom Orchestra 00-21 Special Madagascar Rosewood Acoustic Guitar Natural||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mar12stringu||item.||page.||martinguitars||||||||Martin 12 String Guitars||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Martin 12 String Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marguitcas||item.||page.||martinguitars||||||||Martin Guitar Cases||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Martin Guitar Cases||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marguitstrin||item.||page.||guitstrin1||||||||Martin Guitar Strings||||elguit1 guitstrin1||Electric Guitars > Guitar/Bass Strings > ||||||||||||||||0||1||0||0||||||||Martin Guitar Strings ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|martinguitars||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30122967||||||Martin Guitars||||acin||Acoustic Instruments > ||||||||Martin Guitars Martin DM Martin Backpacker Martin Vintage||||||||0||1||0||0||||marsernum marlimedguit marspecedgui marvinsergui lefhanmargui mar12stringu martravguit marguitcas usmagu||||

Martin Custom D Classic Mahogany Dreadnought Acoustic Guitar

Martin Standard Series D-35 Dreadnought Acoustic Guitar

Martin 00015M Acoustic Guitar

Martin HD-28V Vintage Dreadnought Guitar

Martin D-28 Marquis Acoustic Guitar Natural

Martin 000-18 Golden Era 1937 Sunburst Acoustic Guitar Sunburst

Martin 00015M Acoustic Guitar||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marlimedguit||item.||page.||martinguitars||||||||Martin Limited Edition Guitars||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||||||||||0||1||0||0||||||||
Martin Custom D Master Flamed Mahogany Acoustic Guitar Natural

Martin Custom D Classic Mahogany Acoustic Guitar Standard

Martin Custom D Classic Rosewood Acoustic Guitar Standard

Martin Custom 00 Master Koa/Koa Acoustic Guitar 1262422

Martin D-15 Custom Spruce and Rosewood Acoustic Guitar Left-Handed Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marman||item.||page.||mandolins1||||||||Martin Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||||||Free Shipping on Martin Mandolins ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marsernum||item.||page.||martinguitars||||||||Martin Serial Numbers||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||Dating a Martin Guitar||||||||0||1||0||0||||||||
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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|martravguit||item.||page.||martinguitars||||||||Martin Travel Guitars||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||Martin Travel Guitars Martin Backpacker||||||||0||1||0||0||||||||Browse all Martin Travel Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|marvinsergui||item.||page.||martinguitars||||||||Martin Vintage Series Guitars||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||||||||||0||1||0||0||||||||
Martin OM28-V Vintage Reissue Acoustic Guitar Standard

Martin HD-28V Vintage Dreadnought Guitar Standard

Martin OM21 Special Acoustic Guitar Vintage

Martin M-38 Acoustic Guitar Vintage ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|masaseries||item.||page.||noname5||||||||Masa Series||||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||Ibanez FX Ibanez SX||||||||0||1||0||0||||||||
Ibanez V Series V70CE Dreadnought Cutaway Acoustic-Electric Guitar Transparent Blue

Ibanez V Series V70CE Dreadnought Cutaway Acoustic-Electric Guitar Natural Gloss

Ibanez V Series V70CE Dreadnought Cutaway Acoustic-Electric Guitar Black ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|matvioltun||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30124989||||||Matrix Violin Tuner||sr1000v||strinin||Stringed Instruments > ||29.950||29.950 ||||Makes Tuning Easier!||||||||1||1||1||0||||||||Matrix Violin Tuner

Made especially for violin, viola, cello etc. Has a transducer that clamps onto the bridge. String selector and dial reading.||||||||||||||||0||||||||||||||||||||Matrix||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mbtalsaxrecc||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30129979||||||MBT ALTO SAX RECTANGLE CASE||MBTAS||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||79.950||99.950 ||79.950 ||||||||||0||1||1||0||||||||MBT cases feature vacuum formed, high density polymer, aluminum valences, lined with high pile plush material. Limited lifetime warranty.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mbtclarcas||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30133205||||||MBT CLARINET CASE||MBTCL||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||49.950||59.950 ||49.950 ||||||||||0||1||1||0||||||||MBT cases feature vacuum formed, high density polymer, aluminum valences, lined with high pile plush material. Limited lifetime warranty.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mbtflutecase||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30136431||||||MBT FLUTE CASE||MBTFL||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||39.950||49.950 ||39.950 ||||||||||0||1||1||0||||||||MBT cases feature vacuum formed, high density polymer, aluminum valences, lined with high pile plush material. Limited lifetime warranty.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mbttromcas||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30139657||||||MBT TROMBONE CASE||MBTTB||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||99.950||124.950 ||99.950 ||||||||||0||1||1||0||||||||MBT cases feature vacuum formed, high density polymer, aluminum valences, lined with high pile plush material. Limited lifetime warranty.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mbttrumpetcase||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30142883||||||MBT TRUMPET CASE||MBTTP||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||69.950||89.950 ||69.950 ||||||||||0||1||1||0||||||||MBT cases feature vacuum formed, high density polymer, aluminum valences, lined with high pile plush material. Limited lifetime warranty.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|medsmal||item.||page.||noname4||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30146109||||||Medieval Smallpipes||BGSPR||acin noname4||Acoustic Instruments > Bagpipe Shop > ||191.000||231.000 ||191.000 ||Medieval Smallpipes||||||||1||1||1||0||||||||This set of medieval smallpipes features a two drone rosewood bagpipe with brass mounts, a narrow bell on the chanter, and a velvet cover with ivory fringe. Played in the key of D. Includes 2 sets of reeds, seasoning, and hemp.

||||||||||||||||0||||||||||||||||||||Roosebeck||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|meba||item.||page.||noname4||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30147088||||||Mediterranean Bagpipes||BGMPR||acin noname4||Acoustic Instruments > Bagpipe Shop > ||183.990||229.990 ||183.990 ||Mediterranean Bagpipes||||||||0||1||1||0||||||||These Mediterranean bagpipes are 20" in size. Twin chanter bagpipe of Turkish, Greek or Arabic style. The chanter has 2 shafts mounted on a flare-shaped bell, providing both the drone and the note.

Each shaft has 5 finger holes and its own bridled reed.||||||||||||||||0||||||||||||||||||||Roosebeck||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|meinlcymbals||item.||page.||cymbals||||||||Meinl Cymbals||||cymbals||Cymbals > ||||||||Meinl HCS Cymbal Pack Meinl HCS-SCS1 Ultimate Complete Cymbal Set Pack Meinl Classics Custom Dark Crash Cymbal||||||||0||1||0||0||||||||Buy Meinl Cymbals Online||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|melodicas||item.||page.||acin||||||||Melodicas||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||||||
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||||||||||||||||0||||||||||||||||||||Mid-East||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mitlurreed||item.||page.||ricoreeds||||||||Mitchell Lurie Reeds||||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mobagu||item.||page.||electricbass||||||||Modulus Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||Browse all Modulus Bass Guitars

Modulus Guitars Funk Unlimited FB4 Bass Guitar Flake Green

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Modulus Guitars Funk Unlimited FB4 Bass Guitar Flake Red||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|morebagpipes||link.||||bagpipes||||||||More Bagpipes||||acin noname4 bagpipes||Acoustic Instruments > Bagpipe Shop > Rosewood Bagpipe Set > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|banjocases||item.||page.||banjos1||||||||More Banjo Cases||||acin banjos1||Acoustic Instruments > Banjos > ||||||||||||||||0||1||0||0||||febaca guhabaca gutwbaca gogadeabshac gogadewohaca gogavihareba bobaba5ba sudebaca supharbancas||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|domcelstrin||item.||page.||strinin||||||||More Cello Strings, Bags and Bows||||strinin||Stringed Instruments > ||||||||Cello Cases Cello Bows Cello Strings||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|morguitcas||item.||page.||accessories||||||||More Guitar Family Cases||||accessories||Accessories > ||||||||Guitar cases and gig bags||||||||0||1||0||0||||||||Browse all Guitar Cases
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Morley Steve Vai Bad Horsie 2 Contour Wah Pedal Standard

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Morley Steve Vai Liberty Wah Guitar Effects Pedal American Flag ||||morley, Bad Horsie 2 Contour Wah, Channel Switcher, Mark Tremonti Power Wah, Chorus Volume Pedal, George Lynch Tripler Pedal||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|modu4sthe||item.||page.||dulcimers||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30232583||||||Mountain Dulcimer, 4 String, Hearts||dhmg||acin dulcimers||Acoustic Instruments > Dulcimers > ||119.990||159.990 ||119.990 ||Mountain Dulcimer||||||||1||1||1||0||||||||Mountain Dulcimer, 4 String, Hearts 4 strings, rosewood frame with birch soundboard, hour-glass shape, heart shaped cutouts in soundboard.

Most early dulcimers had a strictly diatonic scale; that is, the frets were placed so as to produce a major scale (do, re, mi, fa, so, la, ti, do) with no extra half steps. More recently, dulcimer players have found that the placement of an extra fret between the 6th and 7th fret allows two things. A major scale can be produced starting at another point (on the open string), and most songs containing accidental notes can he played. The 6 1/2 fret adds versatility. The disadvantage is that it takes a while to get used to the extra fret if you have been playing a dulcimer without it. This dulcimer has the 6 1/2 and the 13 1/2 frets.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mouthpieces||item.||page.||inren||||||||Mouthpieces||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||Brass and Wind Mouthpieces Selmer, Runyon, Vandoren and more||||||||0||1||0||0||||ricroygrafcl ricroygrafso ricroygrafal ricroygrafte ricroygrafba runmout van5rvserbbc vanm13clarmo vanv5alsaxmo vanjavalsaxm vanjavalsaxm1||||
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It's hard to exaggerate the effect music can have on the human brain. A mere snippet of song from the past can trigger memories as vivid as anything Proust experienced from the aroma of his petite madeleine. A tune can induce emotions ranging from unabashed joy to deep sorrow and can drive listeners into states of patriotic fervor or religious frenzy--to say nothing of its legendary ability to soothe the savage beast.

Yet in spite of music's remarkable influence on the human psyche, scientists have spent little time attempting to understand why it possesses such potency. "We tend to think of music as an art or a cultural attribute," notes Robert Zatorre, a neuroscientist at McGill University in Montreal, "but it is a complex human behavior that is as worthy of scientific study as any other."

That's why Zatorre helped organize a conference, "The Biological Foundations of Music," sponsored last week by the New York Academy of Sciences, at which experts in disciplines ranging from neuroscience and neurology to brain imaging and psychology met to exchange notes about what's known--and, more important, what remains to be learned--in this small but growing field.

What seems clear is that the ability to experience and react to music is deeply embedded in the biology of the nervous system. While music tends to be processed mostly in the right hemisphere of the brain, no single set of cells is devoted to the task. Different networks of neurons are activated, depending on whether a person is listening to music or playing an instrument, and whether or not the music involves lyrics.

Specific brain disorders can affect the perception of music in very specific ways. Experiments done on epileptics decades ago showed that stimulating certain areas of the temporal lobe on both sides of the brain awakened "musical memories"--vivid re-creations of melodies that the patients had heard years earlier. Lesions in the temporal lobe can result in so-called musicogenic epilepsy, an extremely rare form of the disorder in which seizures are triggered by the sound of music. Autism offers an even greater puzzle. People with this condition are mentally deficient, yet most are proficient musicians; some are "musical savants" possessed of extraordinary talent.

The opposite is true of the less than 1% of the population who suffer from amusia, or true tone deafness. They literally cannot recognize a melody, let alone tell two of them apart, and they are incapable of repeating a song (although they think they are doing it correctly). Even simple, familiar tunes such as Frere Jacques and Happy Birthday are mystifying to amusics, but when the lyrics are spoken rather than sung, amusics are able to recognize the song immediately.

"This goes way beyond an inability to carry a tune," observes psychologist Isabelle Peretz of the University of Montreal. "They can't dance, and they can't tell the difference between consonance [harmony] and dissonance either. They all appear to have been born without the wiring necessary to process music." Intriguingly, people with amusia show no overt signs of brain damage or short-term-memory impairment, and magnetic-resonance-imaging scans of their brains look normal.

There is evidently no way to help these unfortunate folks (though, admittedly, they don't know what they're missing). But for instrumentalists, at least, music can evidently trigger physical changes in the brain's wiring. By measuring faint magnetic fields emitted by the brains of professional musicians, a team led by Christo Pantev of the University of Muenster's Institute of Experimental Audiology in Germany has shown that intensive practice of an instrument leads to discernible enlargement of parts of the cerebral cortex, the layer of gray matter most closely associated with higher brain function.

As for music's emotional impact, there is some indication that music can affect levels of various hormones, including cortisol (involved in arousal and stress), testosterone (aggression and arousal) and oxytocin (nurturing behavior) as well as trigger release of the natural opiates known as endorphins. Using PET scanners, Zatorre has shown that the parts of the brain involved in processing emotion seem to light up with activity when a subject hears music.

As tantalizing as these bits of research are, they barely begin to address the mysteries of music and the brain, including the deepest question of all: Why do we appreciate music? Did our musical ancestors have an evolutionary edge over their tin-eared fellows? Or is music, as M.I.T. neuroscientist Steven Pinker asserts, just "auditory cheesecake," with no biological value? Given music's central role in most of our lives, it's time that scientists found the answers.

--REPORTED BY ANDREA DORFMAN/NEW YORK
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|musedfacandf||item.||page.||forparents||||||||Music Education Facts and Figures||||onmusles forparents||Online Music Lessons > For Parents > ||||||||||||||||0||1||0||0||||||||
�Every student in the nation should have an education in the arts.� This is the opening statement of �The Value and Quality of Arts Education: A Statement of Principles,� a document from the nation�s ten most important educational organizations,

including the American Association of School Administrators, the National Education Association, the National Parent Teacher Association, and the National School Boards Association.

The basic statement is unlikely to be challenged by anyone involved in education. In the sometimes harsh reality of limited time and funding for instruction, however, the inclusion of the arts in every student�s education can sometimes be relegated to a distant wish rather than an exciting reality.

It doesn�t have to be that way! All that�s needed is a clear message sent to all those who must make the hard choices involved in running a school or school system. The basic message is that music programs in the schools help our kids and communities in real and substantial ways. You can use the following facts about the benefits of music education, based on a growing body of convincing research, to move decision-makers to make the right choices.

The benefits conveyed by music education can be grouped in four categories:

Success in society
Success in school
Success in developing intelligence
Success in life

When presented with the many and manifest benefits of music education, officials at all levels should universally support a full, balanced, sequential course of music instruction taught by qualified teachers. And every student will have an education in the arts.

Benefit One: Success in Society

Perhaps the basic reason that every child must have an education in music is that music is a part of the fabric of our society. The intrinsic value of music for each individual is widely recognized in the many cultures that make up American life � indeed, every human culture uses music to carry forward its ideas and ideals. The importance of music to our economy is without doubt. And the value of music in shaping individual abilities and character are attested in a number of places:

The U.S. Department of Education lists the arts as subjects that college-bound middle and junior high school students should take, stating "Many colleges view participation in the arts and music as a valuable experience that broadens students� understanding and appreciation of the world around them. It is also well known and widely recognized that the arts contribute significantly to children�s intellectual development." In addition, one year of Visual and Performing Arts is recommended for college- bound high school students. � Getting Ready for College Early: A Handbook for Parents of Students in the Middle and Junior High School Years, U.S. Department of Education, 1997
The College Board identifies the arts as one of the six basic academic subject areas students should study in order to succeed in college. � Academic Preparation for College: What Students Need to Know and Be Able to Do, 1983 [still in use], The College Board, New York
The arts create jobs, increase the local tax base, boost tourism, spur growth in related businesses (hotels, restaurants, printing, etc.) and improve the overall quality of life for our cities and towns. On a national level, nonprofit arts institutions and organizations generate an estimated $37 billion in economic activity and return $3.4 billion in federal income taxes to the U.S. Treasury each year. � American Arts Alliance Fact Sheet, October 1996
The very best engineers and technical designers in the Silicon Valley industry are, nearly without exception, practicing musicians. � Grant Venerable, "The Paradox of the Silicon Savior," as reported in "The Case for Sequential Music Education in the Core Curriculum of the Public Schools," The Center for the Arts in the Basic Curriculum, New York, 1989

Benefit Two: Success in School

Success in society, of course, is predicated on success in school. Any music teacher or parent of a music student can call to mind anecdotes about effectiveness of music study in helping children become better students. Skills learned through the disci

pline of music, these stories commonly point out, transfer to study skills, communication skills, and cognitive skills useful in every part of the curriculum. Another common variety of story emphasizes the way that the discipline of music study � particularly through participation in ensembles � helps students learn to work effectively in the school environment without resorting to violent or inappropriate behavior. And there are a number of hard facts that we can report about the ways that music study is correlated with success in school:

According to statistics compiled by the National Data Resource Center, students who can be classified as �disruptive� (based on factors such as frequent skipping of classes, times in trouble, in-school suspensions, disciplinary reasons given, arrests

, and drop-outs) total 12.14 percent of the total school population. In contrast, only 8.08 percent of students involved in music classes meet the same criteria as �disruptive.� � Based on data from the NELS:88 (National Education Longitudinal Study), second follow-up, 1992.
Students with coursework/experience in music performance and music appreciation scored higher on the SAT: 53 points higher on the verbal and 39 points higher on the math for music performance, and 61 points higher on the verbal and 42 points higher on the math for music appreciation than students with no arts participation. � 1999 College-Bound Seniors National Report: Profile of SAT Program Test Takers, The College Entrance Examination Board, Princeton, New Jersey
Data from the National Education Longitudinal Study of 1988 showed that music participants received more academic honors and awards than non-music students, and that the percentage of music participants receiving As, As/Bs, and Bs was higher than the percentage of non- participants receiving those grades. � NELS:88 First Follow-up, 1990, National Center for Education Statistics, Washington DC
Physician and biologist Lewis Thomas studied the undergraduate majors of medical school applicants. He found that 66% of music majors who applied to medical school were admitted, the highest percentage of any group. 44% of biochemistry majors were admitted. � As reported in "The Case for Music in the Schools," Phi Delta Kappan, February 1994
A study of 811 high school students indicated that the proportion of minority students with a music teacher role-model was significantly larger than for any other discipline. 36% of these students identified music teachers as their role models, as opposed to 28% English teachers, 11% elementary teachers, 7% physical education/sports teachers, 1% principals. � D.L. Hamann and L.M. Walker, "Music teachers as role models for African-American students," Journal of Research in Music Education, 41, 1993

Students who participated in arts programs in selected elementary and middle schools in New York City showed significant increases in self-esteem and thinking skills. � National Arts Education Research Center, New York University, 1990

Benefit three: Success in Developing Intelligence

Success in school and in society depends on an array of abilities. Without joining the intense ongoing debate about the nature of intelligence as a basic ability, we can demonstrate that some measures of a child�s intelligence are indeed increased with music instruction. Once again, this burgeoning range of data supports a long-established base of anecdotal knowledge to the effect that music education makes kids smarter. What is new and especially compelling, however, is a combination of tightly-controlled behavioral studies and groundbreaking neurological research that show how music study can actively contribute to brain development:

A research team exploring the link between music and intelligence reported that music training is far superior to computer instruction in dramatically enhancing children's abstract reasoning skills, the skills necessary for learning math and science.

� Shaw, Rauscher, Levine, Wright, Dennis and Newcomb, "Music training causes long-term enhancement of preschool children's spatial-temporal reasoning," Neurological Research, Vol. 19, February 1997
Students in two Rhode Island elementary schools who were given an enriched, sequential, skill-building music program showed marked improvement in reading and math skills. Students in the enriched program who had started out behind the control group caught up to statistical equality in reading, and pulled ahead in math. � Gardiner, Fox, Jeffrey and Knowles, as reported in Nature, May 23, 1996
Researchers at the University of Montreal used various brain imaging techniques to investigate brain activity during musical tasks and found that sight-reading musical scores and playing music both activate regions in all four of the cortex's lobes; and that parts of the cerebellum are also activated during those tasks. � Sergent, J., Zuck, E., Tenial, S., and MacDonall, B. (1992). Distributed neural network underlying musical sight reading and keyboard performance. Science, 257, 106-109.
Researchers in Leipzig found that brain scans of musicians showed larger planum temporale (a brain region related to some reading skills) than those of non-musicians. They also found that the musicians had a thicker corpus callosum (the bundle of nerve fibers that connects the two halves of the brain) than those of non-musicians, especially for those who had begun their training before the age of seven. � Schlaug, G., Jancke, L., Huang, Y., and Steinmetz, H. (1994). In vivo morphometry of interhemispheric assymetry and connectivity in musicians. In I. Deliege (Ed.), Proceedings of the 3d international conference for music perception and cognition (pp. 417-418). Liege, Belgium.
A University of California (Irvine) study showed that after eight months of keyboard lessons, preschoolers showed a 46% boost in their spatial reasoning IQ. � Rauscher, Shaw, Levine, Ky and Wright, "Music and Spatial Task Performance: A Causal Relationship," University of California, Irvine, 1994
Researchers found that children given piano lessons significantly improved in their spatial- temporal IQ scores (important for some types of mathematical reasoning) compared to children who received computer lessons, casual singing, or no lessons. �

Rauscher, F.H., Shaw, G.L., Levine, L.J., Wright, E.L., Dennis, W.R., and Newcomb, R. (1997) Music training causes long-term enhancement of preschool children's spatial temporal reasoning. Neurological Research, 19, 1-8.
A McGill University study found that pattern recognition and mental representation scores improved significantly for students given piano instruction over a three-year period. They also found that self-esteem and musical skills measures improved for the students given piano instruction. � Costa-Giomi, E. (1998, April). The McGill Piano Project: Effects of three years of piano instruction on children's cognitive abilities, academic achievement, and self-esteem. Paper presented at the meeting of the Music Educators National Conference, Phoenix, AZ.
Researchers found that lessons on songbells (a standard classroom instrument) led to significant improvement of spatial-temporal scores for three- and four-year-olds. � Gromko, J.E., and Poorman, A.S. (1998) The effect of music training on preschooler's spatial-temporal task performance. Journal of Research in Music Education, 46, 173-181.
In the Kindergarten classes of the school district of Kettle Moraine, Wisconsin, children who were given music instruction scored 48 percent higher on spatial-temporal skill tests than those who did not receive music training. � Rauscher, F.H., and Zupan, M.A. (1999). Classroom keyboard instruction improves kindergarten children's spatial-temporal performance: A field study. Manuscript in press, Early Childhood Research Quarterly.
An Auburn University study found significant increases in overall self-concept of at-risk children participating in an arts program that included music, movement, dramatics and art, as measured by the Piers-Harris Children�s Self-Concept Scale. �

N.H. Barry, Project ARISE: Meeting the needs of disadvantaged students through the arts, Auburn University, 1992

Benefit four: Success in Life
Each of us wants our children � and the children of all those around us � to achieve success in school, success in employment, and success in the social structures through which we move. But we also want our children to experience �success� on a broader scale. Participation in music, often as not based on a grounding in music education during the formative school years, brings countless benefits to each individual throughout life. The benefits may be psychological or spiritual, and they may be physical as well:

Music making makes the elderly healthier.... There were significant decreases in anxiety, depression, and loneliness following keyboard lessons. These are factors that are critical in coping with stress, stimulating the immune system, and in improved health. Results also show significant increases in human growth hormones following the same group keyboard lessons. (Human growth hormone is implicated in aches and pains.) � Dr. Frederick Tims, reported in AMC Music News, June 2, 1999
Music education opens doors that help children pass from school into the world around them � a world of work, culture, intellectual activity, and human involvement. The future of our nation depends on providing our children with a complete education that includes music. � Gerald Ford, former President, United States of America
During the Gulf War, the few opportunities I had for relaxation I always listened to music, and it brought to me great peace of mind. I have shared my love of music with people throughout this world, while listening to the drums and special instruments of the Far East, Middle East, Africa, the Caribbean, and the Far North � and all of this started with the music appreciation course that I was taught in a third-grade elementary class in Princeton, New Jersey. What a tragedy it would be if we lived in a world where music was not taught to children. � H. Norman Schwarzkopf, General, U.S. Army, retired
Music is about communication, creativity, and cooperation, and, by studying music in school, students have the opportunity to build on these skills, enrich their lives, and experience the world from a new perspective. � Bill Clinton, President of the United States of America
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Glossary: Important Music Industry Terms

Author The creator of any work that is copyrightable, whether it be artistic, literary, dramatic, or musical.

Booking Agent A person who finds employment for artists or performers in return for a percentage of the proceeds of that employment, usually ranging from 10 to 15 percent. Also known as talent agents.

Business Manager A person who manages the income, expenses, and investments, of a performer or artist. A business manager typically charges the artist five percent of his or her income for their services.

Copyright Exclusive rights granted to authors of copyrightable work, allowing the author to have control over that work and how it is (or is not) exploited for financial gain.

Copyright Infringement Unauthorized use of copyrighted works. In music this is usually manifested in the form of copying part of a song or composition. Copyright law calls for the plaintiff to prove the defendant has infringed on their copyright through a three-part test: 1) Did the defendant have access to the copyrighted work � did they have a chance to hear the song or see it in written form (sheet music or lyric sheet)? 2) Did the defendant copy, directly from the copyrighted work, a part of the song that is protected by copyright (some parts of songs or musical compositions are not protected by copyright, such as titles; themes and ideas; and stock chord progressions, such as a I-IV-V blues progression.) 3) Is the defendant�s composition substantially similar to that of the plaintiff�s composition?

Copyright Notice Used on a published work to give notice that a copyright owner is claiming possession. A copyright notice includes the following: 1) the word �copyright�, or the �� symbol 2) the year of first publication, 3) the name of the copyright owner.

Exclusive Publishing Agreement A written contract allowing a specific music publisher to publish all works by a songwriter for a certain period of time. The publisher is allowed to oversee management and collection of royalties for any commercial use of these songs. In exchange for the right to publish the songwriter�s works, the publisher agrees to pay the songwriter a specified percentage of revenue from the commercial use of the songs, often in advance.

First Amendment Referring to the First Amendment to the United States Constitution. This amendment grants the rights of free speech and freedom of the press, among others. The First Amendment is highly relevant to the music industry because, without its guarantees of uncensored free expression, many artists would not legally be able to record and release their compositions to the public.

Mechanical Rights An agreement made between an author or songwriter (usually a performer), or a publisher, and a record company, allowing the mass reproduction of a song on CDs, tapes, or records.

Mechanical Royalties Payment from a record company to a songwriter or publisher for use of a song on a record. These payments are often referred to as �mechanicals.�

Music Publisher A company that encourages licensing and commercial use of copyrighted songs and collects payment for the use of those songs. The copyrights must be assigned to the music publisher by the songwriters in written contract, in return for a percentage of royalties produced by the song.

Performing Rights Organization An organization that collects payment for licensed public performances of songs on behalf of the copyright owners, and pays royalties to the songwriters and publishers of the performed works. There are three organizations in the U.S. (among many others worldwide) that do this: BMI, ASCAP, and SESAC.

Personal Manager A person who guides the career of a performer. In return for their services, personal managers usually take 15 percent of the performer�s gross (entertainment-related) income.

Phonorecords In the U.S. copyright statute, �phonorecords� means material objects used to hold sound recordings of copyrighted songs. This includes cassette tapes, vinyl records, and compact discs, but not audiovisual devices (such as VHS tapes or DVDs).

Public Domain The status of a recording or composition free of copyright protection, and available for unrestricted use by anyone. The U.S. copyright statute gives an author control over a copyrighted work for a certain period of time (see �Term of Copyright�). After that time is up, the work is considered public domain.

Synch Rights Synchronization rights. The right granted by copyright owners allowing a song to be recorded on a soundtrack for television or motion pictures or to be used as background music within a television or motion picture production. The on-screen images are often synchronized with the song, thus the phrase synchronization � or synch � rights.

Term of Copyright The amount of time for which a copyright is in effect. For songs created after December 31, 1977, the term lasts from the moment a song is written until the death of the songwriter, plus 50 years. If more than one person is involved in writing a song, the copyright on that song will last until 50 years after the death of the last living songwriter. If a song is written as work-for-hire, anonymously, or under a fictitious name, the copyright will last 100 years from the date the song was written, or 75 years after the date it is first published. Copyright owners also have the right to assign their copyrights to their heirs or any other person or business, and it is the right and responsibility of those persons to arrange ways to exploit the song, should previous publishing contracts or licensing agreements expire.

Work-For-Hire A form of copyright that removes ownership from the actual author of a work. According to the Copyright Act, in the case of work-for-hire, the work belongs to the employer of the actual author, since the work was done within the scope of his/her job. Copyright cannot be legally assigned to the employer without a signed, written contract stating that the author relinquishes the copyright; verbal agreements will not hold up in court. The work-for-hire clause usually refers to advertising jingle writers more than songwriters.

Work Any product that can be copyrighted � musical, dramatic, visual, or literary.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|musinvid||link.||||accessories||||||||Music Instruction Videos||||accessories||Accessories > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|muslesinrhod||item.||page.||onmusles||||||||Music Lessons in Rhode Island||||onmusles||Online Music Lessons > ||||||||Private Music Lessons in RI||||||||0||1||0||0||||rhismule||||Chris B's Music offers private instruction on all instruments and voice. Lessons are tailored to the individual and are held in store. Chris B's Music has been a music school since 1992, offering Rhode Island singing lessons, piano lessons, guitar lessons, violin lessons and more.
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Absolute - Absolute music. Music which is inspired by itself rather than extramusical implications such as the stories legends of "program" music.

Accelerando, accel - Gradually faster.

Accent - > placed above a note to indicate stress or emphasis.

Accidental - A sharp, flat, or natural not included in the given key.

Accompaniment - A vocal or instrument part that supports or is background for a solo part.

Adagio - Slow; slower than andante, faster than largo.

Addolorato - Sorrowfully.

Ad libitum, ad lib - A term which permits the performer to vary the tempo and/or to include or omit a vocal or instrumental part. Synonymous with a piacere.

A due - Return to unison after divisi.

Affrettando - Hurrying.

Agilmente - Lively.

Agitato - Agitated; with excitement.

Al, all', alla, alle - To; used with other words, e.g. al Fine (to the end).

Album - A full length recording. In pop music, it contains a number of songs.

Al coda - "To the coda."

Aleatory, or aleatoric music - Chance music in which the performers are free to perform their own material and/or their own manner of presentation.

Al fine - To the end.

Alla breve - Cut time; meter in which there are two beats in each measure and a half note receives one beat.

Allargando, allarg - Slowing of tempo, usually with increasing volume; most frequently occurs toward the end of a piece.

Allegretto - Slower than allegro.

Allegro - Quick tempo; cheerful.

Al segno - Return to the sign, Dal segno.

Alteration - The raising or lowering of a note by means of an accidental.

Alto clef - The C clef falling on the third line of the staff. Most of the time is used by the viola.

Ancora - Repeat.

Andante - Moderate tempo.

Andantino - Slightly faster than andante.

A niente - To nothing, e.g. to ppp.

Animato - Animated; lively.

A piacere - Freedom in performance. Synonymous with ad libitum.

Appassionato - Impassioned.

Appoggiatura - A nonharmonic tone, usually a half or whole step above the harmonic tone, which is performed on the beat and then resolved.

Arabesque - A fanciful piano piece. Ornate passage varying or accompanying a theme.

Arpeggio - A term used to describe the pitches of a chord as they are sung or played one after the other, rather than simultaneously.

Arrache - Strong pizzicato.

Arrangement - An adaption of a composition.

Articulation - The degree to which notes are separated or connected, such as staccato or legato.

A tempo- Return to the previous tempo.

Atonality - Lacking a tonal center.

Augmentation - Compositional technique in which a melodic line is repeated in longer note values. The opposite of diminution.

Augmented - The term for a major or perfect interval which has been enlarged by one half-step, e.g. c-g, (an augmented fifth,) or c-d, (an augmented second). Also used for a triad with an augmented fifth, e.g. the augmented tonic triad in C major, C+, c-e-g.

Baby grand - A small grand piano.

Balance - The harmonious adjustment of volume and timbre between instruments or voices; it can be between players or vocalists or electronically while recording or mixing.

Ballade - In the medieval period a form of trouvere music and poetry. In later time, German poetry set as a through-composed song.

Band - An instrumental ensemble, usually made up of wind and percussion instruments and no string instruments.

Bar line - The vertical line placed on the staff to divide the music into measures.

Baroque - The period 1600-1750.

Bass clef - The other name for the F clef.

Basso continuo, Continuo, Thorough-bass - The Baroque practice in which the bass part if played by a viola da gamba(cello) or bassoon while a keyboard instrument performed the bass line and the indicated chords.

Baton - Conductor's stick.

Battuto - Beat, bar, or measure. A due or a tre battuta, the musical rhythm in groups of two or three respectively.

Ben - Well. Used with other words, e.g. ben marcato, well accented, emphasized.

Binary form - The term for describing a composition of two sections. AB, each of which may be repeated.

Bis - Repeated twice. Encore!

Bitonality - The occurrence of two different tonalities at the same time.

Bourree - A French dance from the 17th century in brisk duple time starting with a pickup.

Brass family - Wind instruments made out of metal with either a cup- or funnel-shaped mouthpiece, such as trumpet, cornet, bugle, Flugelhorn, trombone, tuba, baritone horn, euphonium, saxhorn, and French horn.

Broken chord - Notes of a chord played in succession rather than simultaneously. Arpeggio.

Cadence - A chordal or melodic progression which occurs at the close of a phrase, section, or composition, giving a feeling of repose; a temporary or permanent ending. The most frequently used cadences are perfect, plagal, and deceptive.

Cadenza - a solo passage, often virtuosic, usually near the end of a piece, either written by the composer or improvised by the performer.

Caesura - A sudden silencing of the sound; a pause or break, indicated by the following symbol: //

Calmo, calmato - Calm.

Cambia - A direction found in scores to change tuning or instruments.

Camminando - Following easily and gently.

Canon - The strictest form of imitation, in which two or more parts have the same melody but start at different points.

Canonic - A term used to describe a polyphonic style of music in which all the parts have the same melody but which start at different times.

Cantabile - In singing style.

Cantata - Baroque sacred or secular choral composition containing solos, duets, and choruses, with orchestral or keyboard accompaniment.

Carol - The term was derived from a medieval French word, carole, a circle dance. In England it was first associated with pagan songs celegrating the winter solstice. It then developed into a song of praise and celebration, usually for Christmas.

C clef - A clef usually centered on the first line (soprano clef), third line (alto clef), fourth line (tenor clef), or third space (vocal tenor clef) of the staff. Wherever it is centered, that line or space becomes middle C.

Chance music - Aleatoric music.

Chorale - Hymn-like song, characterized by blocked chords.

Chord - A combination of three or more tones sounded simultaneously.

Chromatic - Ascending or descending by half steps.

Chromatic scale - A scale composed of 12 half steps.

Circle of fifths - The succession of keys or chords proceeding by fifths.

Classical - Music conforming to certain form and structure. Usually music composed during the period 1770-1825.

Clef - A symbol placed at the beginning of the staff to indicate the pitch of the notes on the staff. The most commonly used clefs in choral music are the G, or treble, clef and the F or bass clef . On the keyboard, all the notes above middle C are said to be in the G clef; all the notes below middle C in the F clef.

Coda - Closing section of a composition. An added ending.

Col, coll', colla - With or "with the."

Common time - 4/4 meter.

Complete cadence - I-IV-V-I progression.

Composer - A person who creates (composes) music.

Con - With.

Con brio - With spirit; vigorously.

Con calore - With warmth.

Concert - A public performance of music.

Concert grand piano - The largest of the grand pianos, usually about nine feet long.

Concertino - A short concerto. The group of soloists in a concerto grosso.

Concert master - First chair violinist in an orchestra.

Concerto - A piece for a soloist and orchestra.

Concert pitch - The international tuning pitch -- currently A 440 or 442. The pitch for non-transposing (C) instruments.

Conducting - The directing of a group of musicians.

Conductor - The person who directs a group of musicians.

Con intensita - With intensity.

Conjunct - Pitches on successive degrees of the scale; opposite of disjunct.

Con moto - With motion.

Consonance - Intervallic relationships which produce sounds of repose. Frequently associated with octave, third and sixth intervals; however, fourths and fifths may be sounds of consonance, as in both early and 20th-century music.

Consort - A 17th-century term for instrumental chamber ensembles and for the compositions written for these ensembles.

Con spirito - With spirit.

Contra - The octave below normal.

Corda, corde - String.

Countermelody - A vocal part which contrasts with the principal melody.

Counterpoint - The technique of combining single melodic lines or parts of equal importance.

Crescendo - Gradually louder.

Cue - Indication by the conductor or a spoke word or gesture for a performer to make an entry. Small notes that indicate another performer's part. Music occurrence in a film.

Cut time - 2/2 meter.
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The increasing importance of scientific investigation Scientists such as Galileo Galilei (1564-1622) and Isaac Newton (1642-1727) broke away from the older model of science, whose purpose was the proof of an a priori assumption. Instead, through observation and experimentation, scientists devised hypotheses about why things happened.

The culmination of royal despotism A small group of leaders (kings, queens, and emperors) wielded enormous power in Europe. Such was their power that Louis XIV (1638-1715) was to declare, "L'�tat �'est moi" ("I am the state").

Development of the New World The English, French and Spanish holdings in the New World continued to supply Europe with wealth. But as the generations passed, colonists began to feel a growing allegiance to their new homes. Ultimately, such feelings would lead to the independence of these lands.

Artificiality and marvelous effect were valued in the arts Sculptors, building on the techniques of artists such as Giovanni Bernini (1598-1680), found ways to create the illusion of energetic and even violent movement in their works. Painters created larger and more crowded canvases.

MUSICAL CONTEXT

A Time of Experimentation

* Musicians embraced the idea that music could move the listener in a real and physical way. * Opera, with its blend of music and drama, was the full realization of this ideal. * In instrumental music, no less than in opera, composers experimented with ways of creating impressive effects.

Expanding Roles for Music

* Music continued to be used as an important tool of statecraft. * The new and extravagant styles served as a rich adornment to religious services in both Catholic and Protestant traditions. * Music, especially opera, was as an important source of entertainment to the growing merchant and landed classes.

A Growing Awareness of National Styles

* Distinct styles of both vocal and instrumental music developed in Italy, France and Germany. * Composers were aware of these differences and made use of them in their music. A French composer, for example, might label a piece "In the Italian Style". * The question of the superiority of various styles was often the subject of heated debate.

The Full Equality of Instrumental Music

* New instrumental forms, such as the concerto and sonata developed. * Instrument makers created new types of instruments (especially wind instruments). * The violin moved to center stage as the most important string instrument. * Performers reached new heights of expression and technique. Virtuoso players (such as Archangelo Corelli and Antonio Vivaldi) reflected these abilities in their own compositions. * Even in vocal music, instruments played an important role. Instruments not only served as accompaniment, but often played equal roles with the voices.

MUSICAL STYLE

* The basso continuo is ever-present in Baroque music. * Textures are primarily melody and accompaniment or contrapuntal. * Voices and instruments were freely mixed. * Newly developed instruments provided a rich palette of tone color. * Rhythms are often derived from dance rhythms. * Melodies are ornate and often make use of dramatic leaps. * Harmony is based on major/minor tonality, and dissonances become more common. * Repetition and simple binary and ternary forms provide the basis for musical structure.

COMPOSERS

Claudio Monteverdi (1567-1643)

Henry Purcell (1659-1695)

Elisabeth-Claude Jacquet de la Guerre (c.1666-1729)

Antonio Vivaldi (1678-1741)

George Frideric Handel (1685-1759)

Johann Sebastian Bach (1685-1750)||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|muser2||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30264696||||||Musical Eras...Classical||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||||||HISTORICAL THEMES

The Industrial Revolution New developments in the means of production led to increases in material goods and wealth. As production was centralized, urban society became more central to life in Europe and the Americas.

The philosophy of the Enlightenment This world view placed an emphasis on the natural rights of people, and on the ability of humans to shape their own environment. Writers such as Jean Jacques Rousseau (1712-1778) and Voltaire (1694-1778) helped shape these ideals.

The political ideals of republican government The Enlightenment's emphasis on the individual led to the elevation of the individual's role in political life. The idea of the social contract lay behind two of the most momentous events of the period, the American and French Revolutions.

MUSICAL CONTEXT

Art and "Nature"

* People's view of the nature of this world, and of their relationship to it, was undergoing fundamental change. * Political theories saw people as free agents in the world, with a nature that, if not fundamentally good, was at least not fundamentally bad. * The concept of "natural" became an important component in artistic thought.

The Social Role of Music

* Improved economic conditions -- fostered by better production methods -- yielded more goods and greater wealth. * "The pursuit of happiness" was available to a broader class of society. * Music began to be seen as "an innocent luxury". * European composers reacted to increased demand for music.

The Concept of Nature in the Arts

* The "unnatural" and "artificial" gestures of Baroque painting and sculpture were replaced with "natural" ideals of simplicity and balance. * Allegorical subjects in art and literature were cast aside in favor of "real" people and situations, and the genre of the novel was born. * In music, simplicity, balance and an interest in real emotions were critical for the composer.

MUSICAL STYLE

The style of the Classical era is marked by many of these ideals, and it is reflected in a number of musical elements:

* Simpler textures: Homophonic textures (usually melody and accompaniment) became the standard. Contrapuntal texture was used sparingly, and for specific purposes. * Simpler melodies: Classical melodies usually fall into even phrases, and often were organized into symmetrical "question and answer" structures. Many composers found inspiration in folk melodies. * The piano: The piano, with its ability to produce gradations of dynamics, became the most important solo instrument for Classical composers. * Simple, rational forms: Simple two- and three-part forms became the essential building blocks of all Classical forms, especially the Sonata Allegro form.

COMPOSERS

Franz Joseph Haydn (1732-1809)

Wolfgang Amadeus Mozart (1756-1791)

Ludwig Van Beethoven (1770-1827)||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|muser||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30268422||||||Musical Eras...Renaissance||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||||||HISTORICAL THEMES

A rebirth of Classical learning The rediscovery and reevaluation of writings of the ancient Greeks and Romans suggested a "rebirth". Nineteenth-century historians seized on the idea to create our present image of "The Renaissance".

The gradual change from the feudal system to the modern state Starting in northern Italy, the hierarchical state -- led by either the urban bourgeoisie or despotic nobles -- replaced the fluid and often chaotic feudal system of the Middle Ages. For this reason, some historians refer to the Renaissance as the Early Modern Era.

A change in the views of the earth and the cosmos Christopher Columbus (1451?-1506) and Ferdinand Magellan (c.1480-1521) expanded Europe's view of the world. The astronomical studies of Nicolaus Copernicus (1473-1543) -- later championed by Galileo Galilei (1564-1642) -- called into question the old earth-centered view of the universe.

MUSICAL CONTEXT

Increased Interest in Humanist Learning

* The arts became an important measure of learning and culture. * Music moved from the science of number to an expressive art viewed as an equal to rhetoric. * The rise and rapid spread of music printing increased access to music and books about music.

Increased Patronage of Music

* The rich courts and civic governments of the Renaissance supported music to a degree not previously seen. * This level of musical support was also provided by the religious institutions of the day.

Territorial Expansion and Increased Wealth

* As a result of colonial expansion, great wealth flowed into European cities and courts. * Travel and the resulting musical exchange became a driving force for the creation of a more international musical style.

The composers of the Renaissance concerned themselves with three different areas of music:

* Sacred music: Composers continued to work with the older forms such as the motet and Mass. It is in this music that we find the clearest international style. * Secular music: Composers created new forms that reflected national trends, such as the Italian madrigal and the French chanson. * Instrumental music: The rise of music printing encouraged the spread of instrumental music for amateurs, and more specific types emerged.

All three types of music share many musical features:

* The use of four-voice choirs or groups of like-sounding instruments (consorts) * Imitative or homorhythmic textures (often alternating within a single piece). * Smooth, gentle rhythms. * Melodies with balanced phrases. * Harmonies that use full triads. * Vocal forms tied to structure of texts. Dances based on simple binary forms.

COMPOSERS

Guillaume Du Fay (1397-1474)

Josquin Desprez (c.1440-1521)

Giovanni Pierluigi da Palestrina (c.1525-1594)

John Farmer (fl.1591-1601)

Claudio Monteverdi (1567-1643)
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|muser3||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30272668||||||Musical Eras...Romantic||||classicalcafe||Classical Cafe > ||||||||||||||||0||1||0||0||||||||HISTORICAL THEMES

The increasing role of science in defining a worldview The skepticism resulting from by a clearer understanding of the world and humanity's place in it changed the way people thought of themselves and society. Charles Darwin's (1809-1882) The Origin of the Species is one example of the new attitude.

The rise of European nationalism Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control. The years around 1850 saw many revolutions and attempts at revolutions. At the same time, Germany -- never a fully unified country -- struggled to create a separate national identity.

A growing autonomy for the arts More and more, art was removed from functional roles and came to be appreciated for its aesthetic worth. The art of the past became increasingly revered, and our modern notions of the "artist" and of the "fine arts" were born.

MUSICAL CONTEXT

Increased Interest in Nature and the Supernatural

* Romantic artists saw nature in a less idealized way than the artists of the Classical period had. * The natural world was considered less a model of perfection and more a source of mysterious powers. * Romantic composers gravitated toward supernatural texts and stories. Schubert's Erlking and Berlioz' Symphonie fantastique are two good examples.

The Rise of Program Music

* Music began to be used to tell stories, or to imply meaning beyond the purely musical. * Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas.

Nationalism and Exoticism

* Composers used music as a tool for highlighting national identity. * Instrumental composers such as Bedrich Smetana made reference to folk music and national images (as in The Moldau), while operatic composers such as Giuseppe Verdi set stories with strong patriotic undercurrents. * Composers took an interest in the music of various ethnic groups and incorporated it into their own music. * Composers also wrote works based on stories of exotic lands and people.

Changing Status of Musicians

* A composer was no longer dependent for income on the steady employment by nobility but relied instead on the support of the public and the patronage of individuals. * Music was seen less as an occupation and more as a calling. * Specialized training institutions (conservatories) replaced the apprentice system of the church and the court. * Women found more opportunities for musical expression, especially as performers, but social and cultural barriers still limited their participation as composers.

MUSICAL STYLE

The nineteenth century saw the development of many different musical styles, so it is difficult to describe the Romantic style. But as in all the periods you are studying, certain elements stand out:

* Dynamic range is wider, and there is a larger range of sound. * There is a greater variety of instruments, including improved or newly-invented wind instruments. * Melodies are longer, more dramatic and emotional. * Tempos are more extreme, and tempo rubato is often called for. * Harmonies are fuller, often more dissonant. * Formal structures are expanded. These are often determined by the programmatic content of the piece.

COMPOSERS

Franz Schubert (1797-1828)

Hector Berlioz (1803-1869)

Felix Mendelssohn (1809-1847)

Fr�d�ric Chopin (1810-1849)

Robert Schumann (1810-1856)

Franz Liszt (1811-1886)

Richard Wagner (1813-1883)

Giuseppe Verdi (1813-1901)

Clara Schumann (1819-1896)

Bedrich Smetana (1824-1884)

Johannes Brahms (1833-1897)

Georges Bizet (1838-1875)

Peter Ilich Tchaikovsky (1840-1893)

Antonin Dvor�k (1841-1904)

Ruggiero Leoncavallo (1857-1919)

Gustav Mahler (1860-1911)

Claude Debussy (1862-1918)

Richard Strauss (1864-1949)||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|muinreinrhis||item.||page.||onmusles||||||||Musical Instrument Repair in Rhode Island||||onmusles||Online Music Lessons > ||||||||||||||||0||1||0||0||||||||Chris B's Music offers musical instrument repairs for woodwind, brass, stringed and guitar family instruments. Whether you need strings changed on your guitar, a bridge replaced on a violin, or a complete overhaul on a wind or brass instrument, we are happy to take care of your needs.

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For more info on musical instrument repair simply email us or call 401 943 2520.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mxr||item.||page.||effects||||||||MXR||||effects||Effects > ||||||||MXR Effects||||||||0||1||0||0||||||||Browse all MXR Effects Pedals

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Includes wood case and wood horsehair bow. ||Size: 4/4 3/4 1/2 1/4 1/8 1/10 1/16||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|newarguitfro||item.||page.||20winnamnewr||||||||New Artcore Guitar from Ibanez||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

Ibanez unveiled six new small-bodied Artcore semi-acoustics at the Anaheim NAMM Show in January. Especially notable was the AW82TTRD, the first semi-acoustic guitar to feature a tremolo with no backplate cavity.

"Eliminating the cavity and plate from the back of the guitar is one more way we can increase resonance," said Ibanez U.S.A national sales manager Jon Romanowski. "The design of the ACT tremolo for the AW82TTRD allows more resonance but with no sacrifice in arm technique or intonation. It's a pretty significant advance in guitar technology. The ACT is the right trem for rock and country players who want to use a trem and still get real semi-acoustic tones."
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|newrdroadbas||item.||page.||20winnamnewr||||||||New RD900FM Roadgear Bass from Ibanez||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 22, 2005

A year after the introduction of the first Roadgear bass at last year's January Anaheim NAMM Show, Ibanez is debuting a new higher-end Roadgear model and adding upgrades to the entire line.

The new Roadgear RD900FM bass, now the series flagship model, features USA-made Basslines IBZ pickups, made specifically for the Roadgear bass by Seymour Duncan. For the right balance of highs and lows, the RD900 features a body of mahogany and a flame maple top. The sustain provided by the mahogany body is enhanced by a massive milled-brass Ibanez B400 bridge.
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Chris B's Music Newsletter
On this page we always provide the latest issue of our
monthly newsletter.
It is very informative for musicians of all kinds,
particularly guitarists.

June News
http://www.chrisbsmusic.com 877 71CHRISB

Fender, Gibson, ESP, Martin, Takamine and more......

******* KIRK'S COLUMN by Kirk Lorange http://lorange.kirk.net

IT'S ALL PATTERNS

No matter how you cut it -- whether you talking scales , chords, chord progressions, notation -- learning to play a musical instrument involves memorizing patterns. Thank goodness the human brain is well equipped to handle them all. Indeed our very thoughts form patterns... http://www.guitarsite.com/newsletters/010625/5.shtml?nl148

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6 - MARCOS VINICIUS

What opportunities are there for classical players? What is Marcos Vinicius up to? Who is he? Find out! http://www.guitarsite.com/newsletters/010625/6.shtml?nl148

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7 - WHAT'S HOT IN JAZZ GUITAR by Doc Dosco http://www.docdosco.com

This week we feature Guitarist Bruce Forman. Bruce is a brilliant westcoast guitarist from here in the US, with a number of albums featuring him as leader... http://www.guitarsite.com/newsletters/010625/7.shtml?nl148

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8 - RAPID, ACCURATE TUNING by Gerald Klickstein

INTRODUCTION

Every guitarist aims to tune as quickly and accurately as possible. Nevertheless, most students and many professionals have significant difficulty tuning by ear. There are two fundamental reasons why:

1) conventional methods are difficult to use accurately; 2) few materials have been available for learning and mastering precise tuning skills.

To correct this problem, I began formulating a new tuning system. Find out how it can help you... http://www.guitarsite.com/newsletters/010625/8.shtml?nl148

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9 - GUITAR TRICKS TUTORIALS

GNW Reader, "Schmange", writes:

I've been writing a tutorial at Guitar Tricks for about 6 months now called "All About Tapping". There's about 50 pages so far, with tabs, MP3's, MIDI files, pics etc. I just started the 5th chapter and usually add a few lessons each week or so... take a look: http://www.guitarsite.com/newsletters/010625/9.shtml?nl148

**** The Value of Formal Study

You study the techniques of lyric writing for the same reason you take piano lessons: Even though by trial and error you could probably catch on yourself, it will save you time when someone shows you fingerings that have been proven to work. You get better faster, and enjoy the true creative possibilities of your instrument sooner. *** Practicing Sight Reading

Find material that is easy to execute, and read five or more pages every day. Play each page not more than twice through. Do not practice, memorize, or use the same pages on consecutive days. Vary the material, and read, read, read.

**** Keep Up Your Study

After you complete a course or method book in bass, don't let your education stop there.

What to do next? Play along with your favorite recordings. Find records you hear other musicians talking about. Learn these tunes, grooves, and bass lines. There is good reason that musicians talk about certain bands, albums, or bassists. Continue your theory, reading, and technique work. Investigate chord scales and modes. Learn all your key signatures (major and minor), scales, and chord arpeggios. Try to read all bass clef music and start to get familiar with the treble clef.

Develop your concept of what it means to play bass. Realize how important you are as a bassist in a band. You have a big responsibility, taking care of both the groove and the harmony. It is a powerful position.

Play bass every day, by yourself and with others, and get the sound in your body.

**** Harmony Central and Berklee Press present today's Tip of the Day:

Promote Through a Search Engine

You want a headline that will attract the most viewers to your Web site. Many search engines use the title as one of their main ways of showing sites to users. The first paragraph of text after your title is also often used by search engines to rank listings, so be sure your first paragraph contains key words about the contents of your site. As a matter of practice, you should add proper titles to the rest of your pages as well. Follow the same basic principles for all your pages.

**** Playing Vibrato

When playing single note lines, a standard vibrato technique is necessary to add warmth to the notes. This is done by gently rocking your finger back and forth in the fret.

While playing bends, thirds, sixths, or triads, it is very hard to get a good-sounding vibrato. To achieve a more authentic country sound, the best and easiest way is with a vibrato tailpiece. The pedal-steel player can use as much vibrator as he wants by rocking his tone bar. Your only choice is by rocking the vibrato arm on your guitar.

If you're using extra light strings, be very gentle. The lighter the strings, the farther they can be lowered by the tailpiece.

**** Gaining Proficiency with Studies

Do not practice them. Just read them, but no more than twice through during any single practice session. Do not play them on two consecutive days. Do not go back over any particular section because of a wrong note. Do keep an even tempo and play the proper time values. By obeying these rules, the studies will never be memorized.

It is recommended that a little later on you use this procedure with a variety of materials, as this is the only way for a guitarist to achieve and maintain any proficiency in reading. (Even when working steady we are not reading every day--so "scare" yourself in the privacy of your practice sessions.)

***** SHOULD I TAKE GUITAR LESSONS? by Jamey Andreas of guitarprinciples.com

The way that lessons, or the process of educating yourself as a musician, fit into your life will be a decision you make based on your unique circumstances, and your unique goals... http://www.guitarsite.com/newsletters/010528/5.shtml?nl144

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6 - GUITAR TECH TALK by Chip Wilson http://www.jumpinsomethin.com/

Chip discusses the proper adjustments for pickups on electric guitars... http://www.guitarsite.com/newsletters/010528/6.shtml?nl144

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May News
HTTP://www.chrisbsmusic.com 877 71CHRISB

IN THIS ISSUE SEVEN STRINGS BUYING A GUITAR ESP REVIEWS GUITAR TIPS GAINING SPEED GEARHEAD RECORDING MP3 JIMI HENDRIX ERIC JOHNSON FREE STRINGS FREE SOFTWARE BASS RESOURCES BASS REVIEWS NEW NEWSLETTER FROM BERKLEE

********* http://www.chrisbsmusic.com/gibson.html Gibson Guitars

********* http://www.chrisbsmusic.com/auctions.html Fender, ESP, Washburn, Zoom, Boss, Yamaha

********* http://www.fretland.com Martin, Takamine, Yamaha, Ibanez

********* SEVEN STRING GUY by Guy Pople, our "Seven String Guy" The section of the Major Scale from note 5 to note 12 is known as the Mixolydian Mode of the Major Scale. Lets say we were using the C Major Scale...ALL THINGS MIXOLYDIAN http://www.guitarsite.com/newsletters/010514/7.shtml?nl142

********* KIRKS COLUMN by Kirk LorangeBUYING YOUR GUITAR Probably the most influencing factor in whether you become a guitarist or not is the quality of the first instrument you own. Nothing turns a beginner off quicker that a crappy instrument that is difficult, if not downright painful, to play. It's almost impossible to progress if you're hindered by an guitar that, for example, buzzes at certain frets, or whose intonation is out (meaning it will never be able to be tuned), or whose action is so high that it hurts to make a chord... http://www.guitarsite.com/newsletters/010514/9.shtml?nl142

********* http://www.chrisbsmusic.com/espguitrev.html ESP User Reviews

********* GUITAR TIPS by Kirk Lorange Once you have brought your guitar home, take it out of its case and leave it out. Cases are for transporting your guitar, not for storing them at home. Hang it on the wall if you're worried about it being knocked over, or buy a guitar stand...Why? Find out: http://www.guitarsite.com/newsletters/010514/10.shtml?nl142

********* SPEED THROUGH GRACE by Chuck Rathmann There are a lot of books about how to play fast. That's great -- everyone needs to make a living, and those books probably make a few people a decent living. But how many of the people who plunk down that money learn to play any faster as a result? I have no idea, but if I were a betting man, which I am not, I'd lay money down saying that overall, not many people learn to play fast from reading books. They say you have to bet on what you know, and I'm willing to make this bet because I've bought a lot of those books and they didn't do squat. And here's why... http://www.guitarsite.com/newsletters/010514/11.shtml?nl142

********* GEARHEAD REVIEWSfrom Gearhead Ezine Australia's On-Line Guitar Ezine by Chris "Gearhead" Carr http://www.1800Instruments.comREVIEWS AND ARTICLES... http://www.guitarsite.com/newsletters/010514/12.shtml?nl142

********* 13 - RECORDING MP3 MUSIC Recording MP3 Music For The InternetBy Robert Lee Johnson: "The Guitar Man" In order to get a "Hit," for the internet, or the commercial music world of CDs, one must have a certain energy, a certain freshness, and Artistic Creativeness that grabs the listeners. And believe me it is difficult to know when you have a recording that people will love, and one that is a Ho Hum Recording that the audience will not want at all, no matter how well you might perform on the recording... http://www.guitarsite.com/newsletters/010514/13.shtml?nl142

********* Jimi Hendrix CollectionNew Jimi Hendrix Compilation, TV Show In The Works More than 30 years after Jimi Hendrix's death, his works still inspire great interest. We get another chance to check out the Hendrix phenomenon this month, with multimedia events, TV programs, and releases that re-examine his musical legacy... http://www.guitarsite.com/newsletters/010514/14.shtml?nl142

********* - ERIC JOHNSON CELEBRATES Grammy winner Eric Johnson celebrates in Australia... http://www.guitarsite.com/newsletters/010514/15.shtml?nl142 ********************************************

Free Strings Offer http://www.chrisbsmusic.com/noname2.html

********* Guitar Sidekick 1.2 - Size: 3.8 MB - Freeware > http://www.hitsquad.com/smm/programs/Guitar_Sidekick/?nl17> > Your personal chords chart, scales chart, tune-by-ear > tuner, and metronome >------------------------------------------------------------> >o LM-9 Edit v3.0 - Size: 70K - Freeware > http://www.hitsquad.com/smm/programs/LM-9_Edit/?nl17> > Drum kit editor for Steinberg's LM-9 Drum Sampler >------------------------------------------------------------> >o MAGIX music maker generation 6 - Size: 6.1 MB - Demo >http://www.hitsquad.com/smm/programs/MAGIX_music_maker_generation/?nl17> > Produce your own music and video >------------------------------------------------------------> Bass Tabs, News..more... http://www.chrisbsmusic.com/basen.html

********* Bass User Reviews all Makes/Models http://www.harmony-central.com/Bass/#pro

********* Bass Videos http://chrisbsmusic.com/invid.html

New Berklee Tips Ezine http://music.harmony-central.com/email/tipzine.htm

********* New Electro Harmonix Pedal http://www.harmony-central.com/Newp/2001/Hot-Tubes.html

********* Effects by everybody... http://www.chrisbsmusic.com/effects.html

Alesis shop http://www.chrisbsmusic.com/alesis.html

*********** SEE YOU NEXT WEEK

April NewsIN THIS ISSUE http://www.chrisbsmusic.com Fender, Gibson, Ibanez, Martin, Takamine, Effects, more... 877 -71CHRISB

************ NEW CLASS GUITAR MALL 7 STRINGS MAKING A LIVING AT GUITAR MASTER CLASSES GUITAR Q+A TAB GUIDE VINTAGE GUIDE RECORDING AND MUSIC SCHOOLS GUIDE

******

New Online Class Covers Inlay Technique (04/10) For aspiring luthiers and hobbyists, the Musical Instrument Makers Forum will offer a class this Summer on doing your own instrument inlays.

http://www.harmony-central.com/News/2001/Inlay-Techniques.html

*********** GUITAR MALL

http://www.geocities.com/rid22815/mall.html

Guitars, Amps, Effects, browse by brand lowest prices *********

SEVEN STRING GUY by Guy Pople, our 7 String Guy...

This week, Guy answers our readers queries... http://www.guitarsite.com/newsletters/010416/7.shtml?nl138

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KIRKS COLUMN by Kirk Lorange http://lorange.kirk.net

MAKING A GUITAR LIVING

I've been earning a living with my guitars now for thirty odd years. I did a stint as a commercial artist for a couple of years when I finished high school -- I say commercial artist, what I mean is I worked in a commercial art studio learning the ins and outs -- but after a couple of guitar playing jobs I decided to focus on music as a career. I could earn more in a couple of nights playing than in a week of the day job... http://www.guitarsite.com/newsletters/010416/8.shtml?nl138

*******

SLIDE EXERCISE from Musicians News http://www.musiciansnews.com/

Slides in a guitar solo, chord sequence or guitar riff can really spice up your guitar playing. But only if you control this difficult guitar technique. This next few exercises show you a way of learning to control this guitar technique: http://www.guitarsite.com/newsletters/010409/12.shtml?nl137

SLIDE EXERCISE from Musicians News http://www.musiciansnews.com/

Slides in a guitar solo, chord sequence or guitar riff can really spice up your guitar playing. But only if you control this difficult guitar technique. This next few exercises show you a way of learning to control this guitar technique: http://www.guitarsite.com/newsletters/010409/12.shtml?nl137

******* http://www.chrisbsmusic.com *******

Welcome to the Chris B's Music effects pedal page. 339 effects pedal choices mean you get exactly what you want, at guaranteed low prices. Ever searched from store to store for one thing, but had to settle for something else that wasn't quite right? Don't compromise. Whether for guitar or bass, keyboards or vocals, use the choice our huge selection gives you to get the exact effects pedal that fits your music needs.

http://chrisbsmusic.com/chrisbsmusicinc/effects.html

******* LEARN FROM THE MASTERS

We all have something to learn, right? then why not learn from past masters? Read the info on these pages and explore the links to other sites...

Ask yourself what made these people "greats" - the lyrics, music, timing, promotion, style, hard work or luck? or all of the above?

Listen again to their famous pieces and challenge yourself to find something new in their work...

JIMI HENDRIX http://www.guitarsite.com/hendrix.htm

ERIC CLAPTON & CREAM http://www.guitarsite.com/clapton.htm

THE DOORS http://www.guitarsite.com/doors.htm

JIM MORRISON http://www.guitarsite.com/JimMorrison.htm

******* http://www.chrisbsmusic.com *******

YOUR GUITAR QUESTIONS ANSWERED by Will Landrum http://www.willlandrum.com/

Since I receive so many individual questions ranging on such various topics, I realized that some of these questions may be on everyone else's mind too and it would be beneficial to publish them here.

So here are some "questions and answers", "inputs and outputs" that I've compiled for your guitar playing edification... http://www.guitarsite.com/newsletters/010402/16.shtml?nl136

***** TAB DIRECTORY and VINTAGE GEAR GUIDE:

http://chrisbsmusic.com/chrisbsmusicinc/tabvintage.html

****** Guide to Music schools, recording schools, etc/./

http://chrisbsmusic.com/chrisbsmusicinc/recschoolson.html
March news ******** ONLINE CHORD AND SCALE GENERATORS

Website with free online chord and scale generators for multiple instruments, tunings, chords and scales... http://www.guitarsite.com/newsletters/010326/5.shtml?nl135

******* ACOUSTIC FLOYD from Guitar Noise http://www.guitarnoise.com/

Pink Floyd is known to most of the world for spectacle. Mysterious pyramids, flying pigs, and walls tumbling down to the delight of thousands. To the guitar world they are best known for the searing guitar solos of Comfortably Numb, Money, Shine On You Crazy Diamond and On the Turning Away. While the band has written very few love songs and is light years away from MTV Unplugged, they have a large body of acoustic work from their thirty year career. This work is not always given the appreciation it deserves... http://www.guitarsite.com/newsletters/010326/11.shtml?nl135

More on Floyd: Bios, TAB, CDs, pics http://www.guitarsite.com/floyd.htm?nl135

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BEST SELLING EFFECTS FOR MARCH: DOD Grunge (FX69) Dunlop Crybaby Wah Wah (GCB95) Boss Metal Zone (MT2) Boss Rack Guitar Effects Processor (GX700) Digitech 2112 GSP Vox Original Wah Wah (V847) Boss Flanger (BF2) Boss Chorus Ensemble (CE5)

http://www.chrisbsmusic.com/elguit1.html to order

****** Making it Easy Google Guitar Directory: http://directory.google.com/Top/Arts/Music/Instruments/Stringed/Guitar/

Tab Directory: http://directory.google.com/Top/Arts/Music/Instruments/Stringed/Guitar/Tablature/

String Directory"

http://directory.google.com/Top/Arts/Music/Instruments/Stringed/

*******

WHAT IS REVERBERATION?

Reverberation (reverb for short) is probably one of the most heavily used effects in music. When you mention reverb to a musician, many will immediately think of a stomp box, signal processor, or the reverb knob on their amplifier. But many people don't realize how important reverberation is, and that we actually hear reverb every day, without any special processors... http://www.guitarsite.com/newsletters/010326/12.shtml?nl135

********

CHANGING BAD HABITS [Part One] by Jamey Andreas of guitarprinciples.com

I want to address an issue that seems to keep coming up for people who are familiar with my work, and beginning to use my methods. People are reading my essays, and it seems a new awareness is beginning to dawn for them, which is good, that's the whole point. But for many people, it is a very disconcerting experience. I have gotten letters from people who have read some things I have written, and become afraid to practice! They are so aware of, and on their guard against, excess muscle tension, and the devastating effects for the developing player, they are afraid to touch a string! http://www.guitarsite.com/newsletters/010319/9.shtml?nl134

********

BUSINESS 101

GETTING STARTED by Tonya Rae http://www.tonyarae.com

If you are a band, you have it a little easier than if you are a solo artist in terms of what it will cost for you to make the CD. But other than that, there is no difference. Let's begin this portion of the book for bands/artists who wish to start the process of making, distributing, and getting radio airplay by themselves. In short, starting your own record label...

http://www.guitarsite.com/newsletters/010312/12.shtml?nl133

******** NEW 2001 IBANEZ BASSES, EDB, BTB AND MORE http://www.chrisbsmusic.com/electricbass.html

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Our free string offer: http://www.chrisbsmusic.com/noname2.html

****** For drummers: http://www.chrisbsmusic.com/drumsticks.html

****** 250,000 titles of sheet music, guitar tab books, etc: http://www.chrisbsmusic.com/sheetmusicplus2.html *******

http://chrisbsmusic.com 401 943 2520 Cranston, Rhode Island info@chrisbsmusic.com
CHRIS B'S DEC NEWS CHRIS B'S DEC ISSUE IN THIS MONTH'S GRX 40 PACKAGE SEVEN STRING TECHNIQUES ACOUSTIC PACKAGE WOODS AND TONE MORE SEVEN STRING TRICKS FREE BAND PROMOTION SEVEN STRING PACKAGE SPEED, TECHNIQUE TIPS BOOKS

http://www.chrisbsmusic.com/grx40.html

SEVEN STRING GUY by Guy Pople, our 7 String Guy

"I have just read an article in Guitar (British magazine) about Uli Jon Roth... his custom built 7 string "Sky" guitar has 36 frets and has been in development since 1985 when it was a lowly 6 string model. It was in 1987 that it got the 7th string added... apparently he plays those high end notes with his fingernails! I saw him on Satriani's G3 tour a couple of years back and was really impressed with his range and sound... now I know why."

"Here's some work for anyone interested in working out some new voices or shapes for them tired old 6 string chords..." http://www.guitarsite.com/newsletters/001204/14.shtml?nl119

*************** ************* WOODS AND TONE: a quick primer http://www.guitarsite.com/newsletters/001127/8.shtml

Referred to the Warmoth site and the excellent description and pictures of woods used in constructing guitar bodies & necks. Some of you couldn't find the right part of the site - here's the direct link: http://www.warmoth.com/wooddescrip2.htm

see also:

WOODS USED BY LUTHIERS by Bob Wilkinson http://www.guitarsite.com/newsletters/000925/13.shtml

********* SEVEN STRING GUY by Guy Pople, our 7 String Guy

Here are some more scales, but this time some Major Blues Scales. Here is a little theory to accompany the scales: Note that the A minor Blues and C Major blues scale have the same notes. Scales with the same notes are called "Relatives" and this means you can use both sets of scales (in their present positions of course) at the same time when you are either crafting solos or improvising.

Here's more from Guy's mailbag this week: http://www.guitarsite.com/newsletters/001127/5.shtml?nl118

********** FREE BAND PROMOTION

FREE: Database listing for bands, artists & webmasters

Want free traffic to your site? Hitsquad has a number of resources you can use to find new fans or visitors to your site.

Are you into guitar music, tips, news, sites or discussion? Try GuitarSite's 2000 Guitars Database: http://www.guitarsite.com/database/ Or add your site: http://www.guitarsite.com/addsite.htm

*********** THE SECRET OF SPEED http://www.guitarsite.com/newsletters/000904/15.shtml

YOUR GROWTH AS A GUITARIST http://www.guitarsite.com/newsletters/000925/9.shtml

THE IMPORTANCE OF FINGERING http://www.guitarsite.com/newsletters/001002/12.shtml

*******

Books

CHRIS B'S OCT NEWS
*********** IN THIS ISSUE 7 string info Boss Pedals Major Chord Tricks Buying Used Gear Lessons with Page Playing Fast Growth as a Guitarist Mp3 Making it Work Acoustic Electric Guitars Guitar School

******** 7 STRING BLUES

Got the 7 string blues? Can't figure something out, or just want to know more? 7 String fan, Guy Pople offers his advice in GNW: http://www.guitarsite.com/newsletters/001030/10.shtml?nl114

******** BOSS PEDALS http://www.bosspedalzone.com excellent site for anything and everything about Boss effects

******** MAJOR CHORD INVERSIONS by Dan Cross the About.com Guide to Guitar

Everyone knows how to play an Amajor chord, right? It was probably the first or second chord you learned how to play on the guitar. Play it right now... ahh.... doesn't that sound nice?

How about this, just for fun: why not try playing a different Amajor chord? You know, one with the same notes, but a different shape on the guitar. If you've been playing for a while, chances are you can come up with a couple more ways to play Amajor. There are two popular barre chord shapes; one with a root on the sixth string (5th fret), and one on the fifth string (12th fret).

Did you get those? Try this: http://www.guitarsite.com/newsletters/000306/8.shtml?nl80

******** Buying Used?

How to Buy a Used Guitar Part II http://guitar.com/columns/viewcolumn.asp?columnID=17

******** Lessons with Page

Lessons with Zep's axe-man Jimmy Page http://www.guitarsite.com/newsletters/000228/4.shtml?nl79

******** Our Secure Order Departments: http://www.sheetmusicplus.com/a/mshome.html?id=16715 Musician Store homepage

http://www.sheetmusicplus.com/a/software.html?id=16715 Musician Store software homepage

http://www.sheetmusicplus.com/a/string.html?id=16715 Musician Store strings homepage

http://www.sheetmusicplus.com/a/harmonicas.html?id=16715 Musician Store harmonicas homepage

http://www.sheetmusicplus.com/a/metronomes.html?id=16715 Musician Store metronomes homepage

http://www.sheetmusicplus.com/a/tuner.html?id=16715 Musician Store tuners homepage

http://www.sheetmusicplus.com/a/effect.html?id=16715

EFFECTS ************* THE SECRET OF SPEED http://www.guitarsite.com/newsletters/000904/15.shtml

********* YOUR GROWTH AS A GUITARIST http://www.guitarsite.com/newsletters/000925/9.shtml

********* - THE MP3.COM EXPERIENCE

Geoff Nicholson, Production Manager for Hitsquad (publishers of GNW) writes:

"I was talking to a friend the other day who was disappointed with his experiences on a well-known MP3 artist portal. His music isn't bad, but he simply wasn't getting any listens. Then again, he wasn't promoting his music. Therein exists the cold, hard truth about putting your music online."

If you want people to listen to you, you need to promote as well as create.

"I offered him some advice such as setting up a mailing list, getting linked to on relevant music sites and developing good relationships with similar artists. It all seemed to work. Within a week he had quadrupled his listener base and had 20 people on his mailing list! That's not breaking any records but it is a start."

"Just remember that if you want to make money out of MP3, whether it be from MP3.com or IUMA or wherever, you need to promote to your potential audience. Get out there and let the world know you exist. You may even make a few friends along the way!"

*****

There now follows an article relating a personal experience of promoting music through MP3.com, by Robert "Lee" Johnson.

Lee writes:

"this is an excerpt of a letter I wrote to Bob, a Friend Back in Saint Louis, a Guitar Player, who I worked my first computer repair job with in 1977. I thought it would be of interest to you since it basically concerns my experience on MP3 COM, and the recording of Guitar Music..." Robert Lee Johnson

Read Lee's article: http://www.guitarsite.com/newsletters/001030/14.shtml?nl114

******** ELECTRO ACOUSTIC GUITARS by Bob Houlston http://www.houlston.freeserve.co.uk

Hi Bob, I am a beginner. Please could you give me some information about electro-acoustic guitars?

Sound is subjective. We hear differently. The electro acoustic is a compromise guitar. The black bowl body which reduces feedback and aids comfort does alter the sound compared to a dedicated acoustic guitar. It does not have the depth of tone of a conventional jumbo acoustic but it is easy to carry, comfortable & convenient for jamming, recording and gigs. I just can't seem to stop playing it! :) People I play with like it too.

Cheryl, a vocalist I record with, actually prefers an electro-acoustic when played "unplugged" to the sound of a genuine acoustic guitar. This may be because the electro-acoustic's tone is delicate and therefore less prone to dominate her singing. I always prefer to let the vocals rest easily on the backing. If she's happy, I'm happy.

If you require a guitar that sounds great for acoustic use most of the time then an electro acoustic is probably not for you... continues: http://www.guitarsite.com/newsletters/001023/4.shtml?nl113

*********** Guitar School Visit us for a ton of free lessons, in conjunction with wholenote.com

http://chrisbsmusic.com/guitarschool.html
CHRIS B'S AUG NEWS
IN THIS ISSUE IBANEZ98/99 SPECS MP3 GUIDE CHORDS APPRAISING YOUR GUITAR GUITAR TUNER SPECIAL GUITAR TIPS PROLONGING STRING LIFE CHAT TRANSCRIPTS HARMONICS GUITAR RESOURCES HOW TO SOLO MINOR SCALES SONGWRITING GEAR ORPHANAGE TUBE AMP CARE STEVIE RAY VAUGHN

*************** For complete specs on the entire 98, 99 Ibanez catalog: http://www.chrisbsmusic.com/com19ibspec.html

**************** Our Mp3 Guide http://www.chrisbsmusic.com/musicsoftware1.html

**************

CHORDS by Kirk Lorange, from http://guitarforbeginners.com

You've no doubt heard, with trepidation, about the thousands of chords you must learn in order to play music. I myself remember a book called "1001 Chords" and my feeling of total inadequacy because I still only knew half a dozen or so.

Well, you can relax. Chords are no big deal. Keep in mind that you don't need to know any of the theory behind chords in order to play. HOWEVER, if you want to become a musician, not just someone who can hack out a couple of tunes, you'll get there much quicker by finding out the why's and wherefore's right at the beginning... http://www.guitarsite.com/newsletters/000814/6.shtml?nl103

*********** Guitar Appraisals

WHAT'S A GUITAR REALLY WORTH? http://www.guitarsite.com/newsletters/990906/7.shtml?nl103

WAYS TO VALUE YOUR GUITAR: http://www.GuitarSite.com/newsletters/990823/22.shtml?nl103

Guitar Tuner Special Order the Qwik Tune QT11..type newsletter on the order form.. FREE SHIPPING to continental US (max 3 per order) http://www.chrisbsmusic.com/qwiktundiggu.html

******** Prolong String Life How to make your strings last longer: for the battling musician: http://www.guitarsite.com/newsletters/000807/8.shtml?nl102

******** Tips

MORE GREAT STREAMING VIDEO TIPS FOR ALL LEVELS Gotta watch to learn, friends ... Beginner Tip#1: Naming strings & parts Beginner Tip#2: Holding the guitar Lead Tip#1: Pentatonic scales Lead Tip#2: Three-note pattern http://guitar.com/crossroads

******* Old Chats

CHAT TRANSCRIPTS Rev. Horton Heat - Andy Summers - 3 Doors Down - Fu Manchu - Frank Gambale - Type O Negative - Bruce Kulick - Anthrax - Coal Chamber -Machine Head - Warren Hanes - Kenny Wayne - Dream Theatre - Steve Hackett - QBQ Booking - Kid Rock - Misfits - Blink182 - Fender Guitars - Amen - Slipknot - John Scofield - Jimmie's Chicken Shack - Sevendust - Bush - Filter - Washburn - M. Arfin - Meredith Brooks - Sugar Ray http://guitar.com/chattranscripts/

******** Soloing

- SCALE OR SOLO? by Will Landrum

Well, after a lot of input from you all, one of the biggest questions asked went something like: "How do I make my soloing sound like music and not just scales?".

Everyone who plays guitar will have to pass through this phase of accomplishment. That is, the phase when your soloing sounds like music and not just the scale that the music is based on.

Soloing is like talking. The notes we play are like the letters of the alphabet. The words we speak are a small number of those notes played together forming licks or musical phrases... http://www.guitarsite.com/newsletters/000724/10.shtml?nl100

******* Minor Scales

11 - MINOR PENTATONIC SCALE

"One octave Blues scale fingerings can be played in many positions. Seven of these are in basic position on a six string guitar. A basic position is a single 4 fret span, one finger per fret. Beyond these basic positions, there are alternate and extended fingerings available..." Extract from a new guitar book - hear more: http://www.guitarsite.com/newsletters/000724/1.shtml?nl100

**********

HARMONICS from Kyle's Virtual Guitar Lessons http://www.supersonic.net/guitar/

A harmonic is basically a flutelike tone that comes from the guitar by touching the string at or near the node. There are 2 kinds of harmonics used in guitar playing, Natural and Artificial. This lesson will attempt to cover both in a simple manner... http://www.guitarsite.com/newsletters/000724/12.shtml?nl100

Our Guitar Encyclopedia

http://www.chrisbsmusic.com/guiten.html

Companies, Reviews:

http://www.chrisbsmusic.com/comgearrevge.html

Schools, Recording:

http://chrisbsmusic.com/chrisbsmusicinc/recschoolson.html

Tab and Vintage

http://chrisbsmusic.com/chrisbsmusicinc/tabvintage.html

*********

3 - WRITING BETTER SONGS

In the first segment of this multi-part feature, see how to create interesting chords and chord progressions for your songs. You can also read ahead, and learn about writing in minor keys, and also check out a technical analysis of songs by Radiohead, The Beach Boys, and The Beatles. http://guitar.about.com/library/weekly/aa091999.htm

******* The Gear Orphanage is a great place to find used gear of all kinds Tell Jason we sent you:

http://WWW.THEGEARORPHANAGE.COM

**********

TUBE AMPLIFIER CARE BY DR BOB CHARMAN http://www.guitarsite.com/newsletters/000619/8.shtml?nl95

******** Stevie

He grew up listening and playing the music of men like Jimi Hendrix, Buddy Guy, Albert King, Eric Clapton and many others. On his final appearance just before he died, he shared the stage with his heroes, friends and fans. After playing the music of his heroes all his life, he got to know them and play music with them. He listened to the best. He learned from the best. He became one of the best...

Find SRV tabs, bio, extensive site list and more... http://www.guitarsite.com/newsletters/000619/18.shtml?nl95 CHRIS B'S JUNE NEWS
IN THIS ISSUE Guitar?Bass Sites Sites Intro to Open E Tuning Video Tips Acoustic Repair Learning to Solo Reader Questions Ibanez Double Edge Ibanez Acoustic Amp Vintage Ibanez

******************* Here is a nice resource site..check it out.

...my page is a lesson page covering material such as scales, chords, arpeggios and technique. The URL is:

http://www.geocities.com/Area51/Hollow/2714/Guitar_universe.html

************** Also, a nice Bass Site, lots of reader reviews and pics.... ... be sure to mention my BASS page wants more USER REVIEWS of basses and equipment. thanks Don

http://www.fortunecity.com/marina/cyprus/500/

************* An Introduction to Open-E Tuning http://www.guitar.com/columns/viewcolumn.asp?columnID=39

***********

MORE GREAT STREAMING VIDEO TIPS FOR ALL LEVELS Gotta watch to learn, friends ... Beginner Tip#17: Notes Completed Beginner Tip#18: HO & PO Lead Tip#17: Quick Position Shift Lead Tip#18: The Blues Scale http://guitar.com/crossroads

*************** One of the most challenging repairs is the acoustic guitar neck reset. http://www.guitarsite.com/newsletters/000522/14.shtml?nl91

*********** There are 3 things to know when trying to learn how to solo... http://www.guitarsite.com/newsletters/000522/15.shtml?nl91

************* There are 3 things to know when trying to learn how to solo... http://www.guitarsite.com/newsletters/000522/15.shtml?nl91

Thanks to guitar.com for the above

*************** Reader Questions...

Name:spiro capellas Subject: guitar Question - Chris how are you im 43 yrs old,always interested to play guitar. I finnaly found time in my life to try it. My Question,is this something i can do on my own out of a book,or do i definitely need lessons. thank you Spiro Capellas

Answer - This is a very common question I have to say in my opinion, taking lessons, with the right teacher will save you a lot of frustration and you will learn quicker. But, you have to express to the teacher what you want to learn..or you are wasting time. You can try a book and see how it goes, if you are motivated, you can do it.. I rec. Berklee Guitar method Book One Or Alfred's Basic Guitar Method Book One Visit our site to order either, and check out our vast free guitar lessons section http://chrisbsmusic.com info@chrisbsmusic.com *********

My name is William I am 19 and have been playing for 4 years but for the most part Im self tought.Im taking a guitar class In college and would like to know if you could direct me to a site that has a lot of chords because that's the area that I seem to be having problems In. Lastly,I love listening to to my CDs and getting songs directly from the source but its too hard sometimes,I even adjust my stereo settings but sometimes Its hard to distinguish whats being played.

Thanx for your time Chris

Answer - No problem 1) on our site under the electrics guitars section there is an online chord generator, it will show fingering instantly for a lot of chords with a simple mouse click. Also, the Berklee Modern Method for Guitar, Book One, is excellent for all types of chords.

I would suggest studying some music theory, once you know how chords are put together, figuring them out on the guitar is easy.,

Playing by ear...besides doing it a lot, I can suggest the Ibanez rock and play, check it at ibanez.com

we sell it if interested

It basically slows down tapes for you to make it easier to transcribe the song you are learning

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A violin for the new millennium.

Capable of producing everything from traditional acoustic tone to full-tilt electric sound, this radically innovative instrument works in virtually any musical context.

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Other appointments include an ebony fingerboard and precision 40:1 fine tuners with automatic string clamping that are mounted on the body behind the bridge. An ergonomic foam pad shoulder rest is fully adjustable (up, down, and tilt).

The Polar directional piezo pickup responds selectively to either lateral or vertical string vibration. Piezo adjustment is accessible from the outside of instrument. A 3-way toggle switch allows the player to select the desired pickup and electronics options. 3 switch positions provide the player with different bowed sounds: one position delivers the extended frequency response of modern low-impedance electronics for a full-blown electric sound, while the second position activates electronic filters to replicate the frequency reponse of the traditional violin for an acoustic sound. The third setting is optimal for pizzicato technique as it captures vertical string vibration. The preamp provides volume, treble, and bass EQ.

NS Design CR5 5-String Electric Violin Features:

CONSTRUCTION Straight grain solid maple body and neck, with a flamed maple face on body.

FINISH Traditional amber stain with polymer topcoat.

BODY REFERENCE BOUT Black dyed maple bout on treble side provides standard violin reference. Easily removable for unrestricted neck access.

FINGERBOARD Fretless ebony.

BRIDGE Maple. Integrated Polar piezo pickup system.

STRINGS D'Addario Helicore.

TUNING MACHINES Precision 40:1 fine tuners mounted on the body behind the bridge. Automatic string clamping for quick, easy string changing. Patented tuning mechanism.

PICKUP The Polar directional piezo pickup system responds selectively to either lateral or vertical string vibration. Piezo adjustment is accessible from the outside of instrument. A three-way toggle switch allows the player to select the desired pickup and electronics options. 3 switch positions allow the player different bowed sounds: one switch position delivers the extended frequency response of modern low-impedance electronics for a full-blown electric sound. Another position activates electronic filters to replicate the frequency reponse of the traditional violin for an acoustic sound. The third setting is optimal for pizzicato technique as it captures vertical string vibration.

SHOULDER REST Ergonomic foam pad support is fully adjustable (up and down and tilt).

ELECTRONICS, MIXER, & CONTROLS Active 9-volt preamp by EMG with an internal headphone amp/circuit. Mono output jack.

* Volume

* Treble EQ

* Bass EQ

* Switch for Polar pickup

* Up vertical string vibration (pizzicato)

* Center horizontal string vibration for electric bowed sounds

* Down horizontal string vibration for acoustic bowed sounds

NS Design CR5 5-String Electric Violin Specifications:

* DIMENSIONS * LENGTH 540 mm (21.25") * WIDTH 110 mm (4 5/16") * THICKNESS 65 mm (2 9/16") * WEIGHT 720 gm (25.5 oz)

NS Design CR5 5-String Electric Violin Includes:

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Ibanez TR600 Expressionist Bass

"TR Expressionist basses have the looks and sound of the great old classic basses," says Masashi Inoue of Ibanez, "but they're a lot less expensive than an old classic bass. Plus thanks to our Power Tier stack pickups," he continued, "TR Expressionist basses don't have the classic single coil noise. "According to Mr. Inoue TR Expressionist basses feature traditional passive pickup sound, but their active EQ gives them much greater tonal versatility than traditional basses. Mr. Inoue added that the active EQ us bypassable. "Not only does this allow completely passive tone, but it also means--unlike many active EQ systems--that bassists can keep playing even if the battery runs out on stage." The new TR600 adds a matching headstock and the new AccuCast B-20 bridge to the original mix of TR Expressionist features.

All TR Expressionist basses feature:
Body: alder
Neck: 1 pc maple w/rosewood fretboard
22 frets with medium frets
Pickups: passive Powertier stack pickups
EQ: active EQBIII (Bypassable)

Available models:
TR600 $799.99 Available finishes: Cayman Green, Royal Blue
TR500 $679.99 Available finishes: Black, Mint Green, Vintage Burst
TR505(5 string)$799.99 Available finishes: Vintage Burst
*Ibanez also makes entry level and intermediate priced TR standard basses starting at $329.00 in four and five string, and left handed versions)

Ibanez Blazer Returns

Ibanez recently unveiled two new guitars under the old Blazer name. "The original Blazer's were what players needed in the 80's as an alternative to the traditional single coil guitar," remarked Paul Specht of Ibanez. "But the new Blazer guitars are what players now and in the future-instruments that end the need for switching between traditional single coil and traditional humbucking pickup guitars." Thanks to a unique multi-radius design both the BL850 and the BL1025 feature a neck with the comfortable, rounded broken in feel of the best old guitars. "This is a neck that's as comfortable as a pair of old blue jeans," continued Specht. Additionally, the BL1025 neck gets six extra steps of hand finishing and oiling to give it a feel that Ibanez claims rivals or exceeds that of much more expensive all-handmade guitars.
BL1025: The deluxe model Blazer BL1025 features a Wilkinson VSV vintage tremolo bridge, specially designed Sperzel locking tuners with individually calibrated string heights (for even string tension and no string trees). The single coil section of the new Ibanez JL/Daisensei humbuckers have same construction as a regular single coil pickup so they offer genuine single coil tone. A unique switching system offers all the standard pickup configurations of both the classic single coil and classic humbucking guitar, plus configurations not available with either. The list price as of April 1, 1997 is $999.99. Available Finishes: Cayman Green, Vintage Burst
BL850: The Blazer standard model is fitted with a Gotoh 510AT tremolo, Sperzel locking tuners. Pickups include the IBZ V7 humbucker in the neck, IBZ S7 Single in the middle, and IBZ V8 humbucker in the bridge, all controlled by the Ibanez Split 5 switching system. The list price as of April 4, 1997 is $679.99. Available finishes: Black, Vintage Burst

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How it Works... The program includes a weekly lesson, via e mail, in which we help you to move through the appropriate method book for your instrument. In addition, we are available for unlimited support throughout the month for any questions, problems or concerns you may have.

Who is it for... The program is open to beginning student of all ages on the following instruments: Guitar (all types), bass, piano, violin, viola, cello, flute, clarinet, saxophone.

How much does it cost?... The monthly cost is $20.00. This includes a weekly lesson, unlimited support throughout the month and the appropriate learning materials.(You pay shipping for the book).

About the Instructor...Chris Brelsford is a public school music teacher in Cranston, Rhode Island. He has taught general, instrumental and choral music at both the elementary and middle school levels, as well as hosting workshops for public school classroom teachers on the use of music in the classroom. He has a B.S degree from Rhode Island College and a M.M degree from the University of Rhode Island. Mr. Brelsford has also studied at Berklee College of Music in Boston, Mass.||Instrument: Piano Guitar Bass Flute Clarinet Saxophone Trumpet Violin Viola Cello||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|onmusles||item.||page.||index||||||||Online Music Lessons||||||||||||||Learn at Home..Your Pace..Your Style!||||||||0||1||0||0||||onmusles1 kidsmusicpage forparents forteachers invid guitstarpac fremustheorl casiokeyboards muslesinrhod muinreinrhis||||
For in studio lessons, in Rhode Island, call 401 943 2520
We offer lessons on all band and orchestral instruments, piano, voice, guitar and drums.
Request Info on Music Lessons
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Our online music learning program is a reasonable alternative to traditional in studio music instruction. Many people like the convenience of learning an instrument in the comfort of their own home, working at their own pace. Our programs are custom tailored to each individual learner and taught by Chris Brelsford, owner of Chris B's Music.

How it Works... The program includes a weekly lesson, via e mail, in which we help you to move through the appropriate method book for your instrument. In addition, we are available for unlimited support throughout the month for any questions, problems or concerns you may have.
Who is it for... The program is open to beginning student of all ages on the following instruments: Guitar (all types), bass, piano, violin, viola, cello, flute, clarinet, saxophone.

How much does it cost?... The monthly cost is $20.00. This includes a weekly lesson, unlimited support throughout the month and the appropriate learning materials.

About the Instructor...Chris Brelsford is a public school music teacher in Cranston, Rhode Island. He has taught general, instrumental and choral music at both the elementary and middle school levels, as well as hosting workshops for public school classroom teachers on the use of music in the classroom. He has a B.S degree from Rhode Island College and a M.M degree from the University of Rhode Island. Mr. Brelsford has also studied at Berklee College of Music in Boston, Mass.
9/5/01
Chris B's is currently looking for music instructors for in-store private teaching of all instruments and voice in the RI area.
Please e mail us or call for info

I'd like to thank you for your response to my amp question. I've been plagued with this technical problem for months now and due to your response, i...' (Ron on 5/1/00 3:03:55 PM)

So the circle of fifths is that simple! I've sat face to face with several guitarists who either didnt understand it themselves or couldnt put it to words. (ldavis on 3/17/00 12:51:52 PM)

Chris was quick to answer,and gave me just what I was looking for.

Thanx Chris (William on 2/28/00 12:33:01 AM)

amazing! amazing and amazing! (Gordon on 2/18/00 4:42:11 PM)

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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pagearandliv||link.||||elguit1||||||||PA Gear and Live Sound||||elguit1||Electric Guitars > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pagearsoun||item.||page.||musicsoftware1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30493657||||||PA Gear/Live Sound||||musicsoftware1||Recording/PA/Software > ||||||||Live sound packages||||||||0||1||0||0||||jblenclosures yampaen alesismixers denonmixers pioneermixers nadymixers pasybugu||||Mixers * PA Packages * PA Speakers * Stage Monitors * Power Amps * Subwoofers

Browse all Live Sound Gear||||pa system, speakers, mixers, mackie, jbl, speaker stands, music123.com, pa gear, unpowered mixers, crossovers, live sound||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pasybugu||item.||page.||pagearsoun||||||||PA System Buying Guide||||musicsoftware1 pagearsoun||Recording/PA/Software > PA Gear/Live Sound > ||||||||||||||||0||1||0||0||||||||PA System Buying Guide (Primer Version)

A PA system, also known as a sound reinforcement system, is an electronic amplification system used to get sound from the performer(s) to the audience. The "PA" stands for "public address." A PA is made up of many components and one can vary greatly from the next.

How To Buy A PA System: A Primer The first step in electronically amplifying your sound is to convert the acoustic sound into electronic signals, most likely with microphones. For more info, see our Microphone Primer.

The electronic signals need to be processed and mixed together before they can be amplified. In a live music PA, you will most likely be using an analog mixer. Powered mixers typically operate identically to analog mixers, adding external amplification. Digital mixers have some built-in effects, but it can still be a good idea to have some additional outboard processing gear. You should consider the benefits of effects like compression, limiting, reverb, and delay, although they're not essential in all situations. You will also want an equalizer to control feedback and balance out your sound.

After tweaking, the electronic signals need to be made louder by adding more power. For this, you need either a separate power amp, a powered mixer, or powered speakers. Which one you choose is basically a question of portability versus control. Many sound engineers prefer the added control of a separate power amp, but a powered mixer or powered speakers may be more affordable, portable, and manageable.

The sound is now ready for the audience. To deliver it, you need speakers. A small PA system will probably just have full-range speakers, which include a woofer, a tweeter, and possibly a midrange driver in one enclosure. Bigger PA systems usually include stage monitors, subwoofers, and a crossover that splits the signal among separate woofers, tweeters, and midrange speakers.

You will also need all the miscellaneous essentials for your PA system like cables, snakes, speaker stands, mic stands, cases, and cable testers.

If this is your first time buying a PA system, consider one of our all-in-one packages. A lot of problems can arise from mismatched components. Our prepackaged PA system components are carefully matched and are extremely budget-friendly. We carry great brands like Yamaha, Fender, Behringer, JBL, Peavey, Nady, Mackie, and Kustom at the best prices you'll find anywhere�guaranteed.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|packstands||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30496774||||||Pack a Stands||packstand||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||10.990||10.990 ||||Pack a Stand for Clarinet and Trumpet||||||||0||1||1||0||||||||The newest innovation in band stands. Lightweight, easy to use and extremely durable. The only stands available that folds open to use and folds closed to fit in the instrument bell for convenient storage in the case.

||Instrument: Clarinet Trumpet||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|s90m||item.||page.||gurene||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_1389||||||Paddlehead Guitar Neck||S-90M||elguit1 gurene||Electric Guitars > Guitar Replacement Necks > ||64.950||89.950 ||64.950 ||Golden Gate Unfinished Guitar Neck||||||||1||1||1||0||||||||An unfinished neck made of quality maple�including the fingerboard. Designed to fit a bolt-on construction solid body electric guitar. The unshaped headstock allows builders to design their own, personal shape. Full 25 1/2� scale, 21 frets and inlaid black position dots.

Paddle head necks are made from Select Canadian Maple

Unfinished, Maple fingerboard with black inlays for S-style guitar (Rounded neck pocket)

Each neck is pre-fretted with truss rod installed

Scale length: 25 1/2"
Width at nut: 1 11/16"

Width at 22nd fret: 2 3/16"

Fretboard radius: 12"

Fret wire: .040" high x .100" wide

Nut slot: 1/8" wide

Paddle Head: 5" x 7 5/8"
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wabopawcrde||item.||page.||bodhrans||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30517232||||||Painted Bodhran ||W-16||drumsticks bodhrans||Drum Kits > Bodhrans > ||74.950||109.950 ||74.950 ||||||||||1||1||1||0||||||||Walton Bodhrans are made in Ireland and are one of the best known brands of Bodhrans on the market today. The Bodhran is the traditional Irish Drum and is the heartbeat of Irish traditional music. This bodhran features a cross design.

Hand crafted using the finest woods and genuine goatskin head material
The head painted with authentic Celtic designs
Standard 18" diameter
8 mm birch rim
Comes complete with hardwood tipper and carrying box
||||||||||||||||0||||||||||||||||||||Walton||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|paistecymbals||item.||page.||cymbals||||||||Paiste Cymbals||||cymbals||Cymbals > ||||||||||||||||0||1||0||0||||||||Free Shipping on Paiste Cymbals||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|paalouvavi||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2267_838071||||||Palatino Allegro Outfit VA-450 Viola||VA-450||strinin||Stringed Instruments > ||149.990||199.990 ||149.990 ||Palatino Allegro Viola Outfit||||||||1||1||1||0||||||||Palatino Allegro viola outfit is a solid wood student viola. The outfit comes with bow and case. This Palatino viola has features normally seen on higher priced instruments.

Solid Hand Carved Spruce Top

Solid Hand Carved Maple Back, Sides & Neck

Ebony Fittings

Inlaid Purfling

Ebony Frog Bow & Featherweight Case

||Size: 16" 15" 14" 13"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pabain||item.||page.||inren||||||||Palatino Band Instruments||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||pacl palatinoflute patr patr1||||Palatino Brass and Woodwinds are excellent quality School Band Instruments||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pabeba||item.||page.||cremsb1upbas||https://sep.yimg.com/ay/chrisbsmusicinc/palatino-bergamo-bass-8.gif||||||Palatino Bergamo Bass||VB-029||strinin cremsb1upbas||Stringed Instruments > Upright Bass > ||1299.990||1799.990 ||1299.990 ||||||||||1||1||1||0||||||||Bergamo Bass VB-029

An all solid, hand-carved 2-piece spruce top is the foundation of this excellent sounding bass, finally allowing this professional level specification at a price within reach.

Solid Hand Carved Spruce Top Flamed Maple Back and Sides Adjustable Rock Maple Bridge Ebony Fingerboard Gamba Corners Tyrolean Tuners Articulated Endpin Padded Carrying Bag Set Up in the U.S.A.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pabiba||item.||page.||cremsb1upbas||https://sep.yimg.com/ay/chrisbsmusicinc/palatino-billy-bass-8.gif||||||Palatino Billy Bass||VB-015||strinin cremsb1upbas||Stringed Instruments > Upright Bass > ||1129.990||1506.990 ||1129.990 ||||||||||1||1||1||0|||||||| The Billy Bass VB-015

With a treble side cutaway for easy upper-register access and a fresh look, the VB-015 Billy Bass also features player's choice details, like an ebony fingerboard and adjustable hard-rock maple bridge, for a modern bass capable of all styles.

Treble Side Cutaway Spruce Top Maple Back, Sides & Neck Adjustable Maple Bridge Ebony Fingerboard 24:1 Geared, Single Plate Tuners Black Lacquer Finish with White Purfling Padded Carrying Bag Set Up in the U.S.A.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pacaouvavi||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2267_920394||||||Palatino Campus Outfit VA-350 Viola||VA-350||strinin||Stringed Instruments > ||149.990||199.990 ||149.990 ||Palatino Campus Viola Outfit is an affordable beginner viola.||||||||1||1||1||0||||||||Palatino Campus viola outfit is a well crafted beginner viola. The VA-350 outfit comes with bow and case. This is all a beginner needs to start playing viola.

Solid Hand Carved Spruce Top

Solid Hand Carved Maple Back, Sides & Neck

Ebonized Fittings

Mongolian Horsehair Bow

Featherweight Suspension Case

||Size: 16" 15"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pacl||item.||page.||pabain||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30554190||||||Palatino Clarinet ||WI-801-C||schoolbanin inren pabain||School Band Instruments > School Band Instruments > Palatino Band Instruments > ||189.950||266.950 ||189.950 ||Palatino B flat Clarinet Outfit||||||||1||1||1||0||||||||The Palatino Clarinet is a good inexpensive student clarinet.

This B flat clarinet is built for durability and playability. High-impact plastic is used to ensure that the clarinet is safe in the hands of any student. This clarinet has a sweet, expressive tone that will please any music teacher. A thermoplastic case and swab are included

* High Impact Plastic * Nickel Plated Keys * Thermoplastic Case

||||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|padoceou||item.||page.||strinin||https://sep.yimg.com/ay/chrisbsmusicinc/palatino-dolce-cello-outfit-8.gif||||||Palatino Dolce Cello Outfit||VC-850||strinin||Stringed Instruments > ||899.990||1199.990 ||899.990 ||||||||||1||1||1||0|||||||| Dolce Cello Outfit VC-850

Combining high quality woods - hand-carved tops, backs, and necks - with modern touches like the fine tuner tailpiece, the VC-850 is the perfect choice for the musician taking their studies to the next level.

Tightly Grained Select Spruce Top Highly Flamed Maple Back & Sides Ebony Fittings Inlaid Purfling Oil Varnish Finish Set Up & Adjusted in the U.S.A.

Included:

Deluxe Featherweight Suspension Case Octagonal Brazilwood Bow & Slide

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|paelupba||item.||page.||cremsb1upbas||https://sep.yimg.com/ay/chrisbsmusicinc/palatino-electric-upright-bass-8.gif||||||Palatino Electric Upright Bass||VE-500||strinin cremsb1upbas||Stringed Instruments > Upright Bass > ||949.990||1266.990 ||949.990 ||||||||||1||1||1||0||||||||Electric Upright Bass VE-500

True, deep upright bass tones, a chambered body with no amplified feedback at high volumes, and portability make the VE-500 the ideal for the gigging bass player.

Solid Spruce Top Maple Back & Sides Ebony Fingerboard Piezo Transducer Pickup Active Tone & Volume Controls Headphone Amplifier Set Up & Adjusted in the U.S.A.

Included:

Carrying Bag with Backpack Straps Available in Sunburst or Black Finish

||Finish: Black Sunburst||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|palatinoflute||item.||page.||pabain||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30572585||||||Palatino Flute||WI-806-FS||schoolbanin inren pabain||School Band Instruments > School Band Instruments > Palatino Band Instruments > ||209.950||299.950 ||209.950 ||Palatino Flute Outfit||||||||1||1||1||0||||||||Palatino student flutes are outstanding instruments for those looking for excellent intonation and sound.

Great care was taken when these flutes were redesigned for optimum sizing and position of sound holes. The offset G key allows for better comfort and our injection-molded plateau-style keys provide smooth movement.

(Click image for larger picture)

* Nickle-plated * Diecast Keys * Thermoplastic Case

||||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|patr1||item.||page.||pabain||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30586314||||||Palatino Trombone||WI-816-TB||schoolbanin inren pabain||School Band Instruments > School Band Instruments > Palatino Band Instruments > ||259.950||379.950 ||259.950 ||||||||||1||1||1||0||||||||The Palatino tenor trombone plays with the full, powerful tone needed to support a brass section during the most challenging musical passages. Its excellent slide action allows for smooth note changes in all registers and its small bore makes it ideal for beginning students or jazz musicians.

* European Bell Brass * Polished Lacquer Finish * Includes Mouthpiece * Thermoplastic Case * U.S.A. Inspected & Adjusted

||||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|patr||item.||page.||pabain||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30618431||||||Palatino Trumpet||WI-815-TP||schoolbanin inren pabain||School Band Instruments > School Band Instruments > Palatino Band Instruments > ||229.950||319.950 ||229.950 ||||||||||1||1||1||0||||||||For a great price on a student trumpet, the redesigned Palatino trumpet has excellent features including nickel/silver valves for a smooth valve response.

Its durability and variety of colors make it the best trumpet value on the market. Our trumpet includes a mouthpiece and case.

||||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pavcalceou||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30692790||||||Palatino VC-450 Allegro Cello Outfit||VC-450||strinin||Stringed Instruments > ||579.990||773.990 ||579.990 ||Palatino vc450 Allegro Cello Outfit||||||||1||1||1||0||||||||The Palatino VC-450 cello outfit. This Palatino 4/4 sized Allegro cello offers a solid top cello at an affordable price.

Solid Hand Carved Spruce Top

Solid Hand Carved Maple Back, Sides & Neck

Ebony Fittings

Inlaid Purfling

Ebony Frog Bow with Mongolian Horsehair

Includes Carrying Bag

The Palatino VC-450 cello outfit has features commonly found on more expensive instruments. If you are looking for a solid top, step up cello, the Palatino Allegro is an excellent choice.||||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pavcceou||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30747948||||||Palatino VC150 Cello Outfit||VC150||strinin||Stringed Instruments > ||349.000||466.000 ||349.000 ||Palatino Student Cello Outfit||||||||1||1||1||0||||||||Palatino cello outfits offer unparalleled value in their price range. This Palatino Antonius student cello comes with a traditional spruce top and maple back and sides. The neck is also carved from solid maple.

The Palatino VC-150 cello outfit includes a Cordura nylon bag and a Mongolian horsehair bow. This outfit is an outstanding value for a beginning musician. Great Beginners Cello Outfit.

Spruce Top

Maple Back, Sides, and Neck

Hand Carved Solid Maple Neck

Golden Brown Finish

Mongolian Horsehair Bow

Cordura Nylon Bag

The Palatino student cello outfit is a good quality instrument at an excellent price. Order yours and you will experience unparalleled sound in a beginner cello.||Size: 4/4 3/4 1/2 1/4 1/8||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pavnviou||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30754937||||||Palatino VN150 Violin Outfit||vn150||strinin||Stringed Instruments > ||99.990||149.990 ||99.990 ||Palatino VN150 Violin Outfit||||||||1||1||1||0||||||||What is a good violin for under $100.....the Palatino VN150 Violin Outfit is an excellent violin package for the beginning player.

This Antonius model violin outfit includes case, bow and rosin. This beginner violin will give the student a quality instrument to learn on without spending hundreds of dollars.

Remember, we offer a trade in plan when ready for the next sized instrument.

Spruce Top

Maple back, sides and neck

Fine tuner

Ebonized frog bow

Featherweight Case

Add the Palatino Violin Outfit to your shopping cart today and be making beautiful music in no time!||Size: 4/4 3/4 1/2 1/4 1/8 1/10||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pavnvi||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30770458||||||Palatino VN450 Violin||vn450||strinin||Stringed Instruments > ||149.990||199.000 ||149.990 ||Palatino Allegro Violin Outfit with Bow and Case||||||||1||1||1||0||||||||Palatino Allegro Violin VN-450
The Palatino VN-450 violin is fitted with ebony pegs and an anodized aluminum alloy fine tuner tailpiece. These features make the Palatino violin easy to tune, a necessity for beginners. The outfit comes in a featherweight case and includes an ebony frog bow with genuine Mongolian horsehair.

The Palatino VN-450 model violin outfit offers excellent quality at an affordable price. Set up in the USA.

Hand Carved Solid Select Spruce Top
Ebony Pegs
Hand Carved Solid Spruce Top
Hand Carved Solid Maple Back, Sides, and Neck
Inlaid Purfling
Anodized Fine Tuner Tailpiece
Golden Brown Finish
Ebony Frog Bow with Mongolian Horsehair Bow
Featherweight Case with Nylon Cover
Sizes 4/4 - 1/16
||Size 4/4 3/4 1/2 1/4 1/8 1/16||||||||||||||0||||||||||||||||||||Palatino||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|panpipes||item.||page.||inren||||||||Pan Pipes||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||andeanpanpipes an3ocpanpi||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|parker||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30781339||||||Parker Guitars||||elguit1||Electric Guitars > ||||||||Parker Guitars||||||||0||1||0||0||||||||Parker Guitars Browse the entire line of Parker guitars below.
Browse all Parker Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|parttwo||item.||page.||choosrigmust||||||||Part Two||||onmusles forparents choosrigmust||Online Music Lessons > For Parents > Choosing the Right Music Teacher > ||||||||||||||||0||1||0||0||||||||By Rosemary Forrest

As the parent of two grown daughters, both of whom are singers, I learned several things about picking teachers and schools for them.

You should be welcome to observe your child's private lessons. And they should take place at an appropriate time and place.

Opportunities to perform are as important as good instruction. There should be participation in community events, opportunities to audition for solos, and more than just an end-of-year recital.

Music is expensive. Expect what you pay for sheet music to roughly equal the expense of several lessons. But it's a good investment if your child is interested. It should be good sheet music, not just what's popular this year.

Singers should be taught a variety of styles and should be expected to sing in at least German and Italian as well as English.

Students should be given the opportunity to compete or be rated in their area. A good music teacher will belong to professional organizations that provide these opportunities.

Colleges offering music majors should have undergraduate courses taught by full professors, not graduate students. Some highly rated colleges use graduate students to instruct the undergrads. Research colleges thoroughly if your high schooler wants to major in music. (The National Association of Schools of Music (NASM) website lists accredited schools of music and answers to frequently asked questions.)

Check the credentials of the teachers in the area your child wants to study. A great jazz school may not be what a classical singer needs, for instance.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pasmon||item.||page.||studiomonitors||||||||Passive Monitors||||musicsoftware1 studiomonitors||Recording/PA/Software > Studio Monitors > ||||||||||||||||0||1||0||0||||||||Free Shipping on Passive Monitors ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|patmetser||item.||page.||ibelguit||||||||Pat Metheny Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Low prices and fast shipping on Pat Metheny Series Guitars
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
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Ibanez PM100 Pat Metheny Hollowbody Black

All maple hollowbody is 3.15" deep and 16" wide. It has a neck profiled to Pat Metheny's preference, and its ebony fretboard is fitted with medium frets for greater fretboard sound and easier note bending. Super 58 neck pickup. Black binding on the body, white on the neck and headstock. Gold hardware.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|paulgilser||item.||page.||ibelguit||||||||Paul Gilbert Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez Paul Gilbert Reissue||||||||0||1||0||0||||||||
Like the incredibly gifted artist it was designed for, Paul Gilbert's signature model is capable of both style and speed.

Browse all Paul Gilbert Series Guitars

Ibanez PGM100RE Paul Gilbert 20th Anniversary Electric Guitar

Ibanez Paul Gilbert PGMFRM1 Fireman Signature Electric Guitar Natural¹
The Paul Gilbert PGMFRM1 Fireman Signature Electric Guitar features the unique "reverse Iceman" body style made out of beautiful korina wood with a natural gloss finish, a set 3-piece korina/bibinga neck with a thick "U" shaped profile, 22 fret rosewood fingerboard, three angled DiMarzio Area '67 single-coil pickups, and chrome hardware. Includes a special Fireman hardshell case.

Ibanez PGM401 Paul Gilbert Electric Guitar with Case
Ibanez PGM401 Paul Gilbert Electric Guitar combines stunning beauty with outmost playability. Paul Gilbert and Ibanez provide another soon to be legendary Signature model, The PGM401 is the next chapter in this successful pairing of artist and manufacturer. Like the previous Gilbert model, the PGM401 still has those classic F-holes but the inner workings and materials used are providing a brand new feel. Utilizing a 5-piece Maple/Walnut PGM Prestige neck, Ash body and DiMarzio PAF-Classic pickups, this beauty is made to travel the deepest realms of the musical world where Gilbert is a world-renown master.

Ibanez PGM300RE Paul Gilbert Reissue Electric Guitar with Case
A stellar reissue of the PGM300, the Ibanez PGM300RE Paul Gilbert Reissue Electric Guitar celebrates the 20th anniversary of the collaboration between Paul Gilbert and Ibanez.

The PGM300RE features a prestige PGM 5 piece Wizard maple/walnut neck, basswood body, maple fretboard, 24 jumbo frets, and Edge tremolo bridge, Dimarzio PAF-PRO bridge and neck pickups and a Dimarzio FS-1 middle pickup for amazing sound. For great looks to match, the PGM300RE features black dot inlays, cosmic black hardware and a classic White finish. Includes molded hardshell case.

Paul Gilbert is a long renowned guitarist who played in bands including Mr. Big and Racer X, and has collaborated with Ibanez for 20 years. One of the longest running models in the Paul Gilbert series, the PGM300 was rarely distributed in the United States. Ibanez held a worldwide fan vote on the Paul Gilbert model they wanted to see built again, and the PGM300 ended up being the clear victor. This limited edition reissue includes all the features of the classic PGM300 with some upgrades for 2009.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|paulreedsmith||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30784086||||||Paul Reed Smith||||elguit1||Electric Guitars > ||||||||Paul Reed Smith Guitars||||||||0||1||0||0||||paulreedsmit paulreedsmit1 paulreedsmit2||||Low prices and free shipping on PRS Guitars
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Prs S2 Custom 24 Electric Guitar Antique White

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Peavey Classic 30/112 Tube Combo Amp Tweed
The Classic 30/112 has been redesigned with an all-new chassis design, but still features the distinctive sound and circuitry of the renowned Classic Series amps.

Peavey Rage 258 Guitar Amplifier with TransTube Technology Standard
The Peavey Rage 258 Guitar Amplifier is a shockingly hard-hitting ultralight amp, weighing in at only 16 lbs. Unique among practice amps, it gives you 2 channels, 3 radically different voicings-Stack, Modern, and Vintage-for a huge palette of tonal flavors. Pre and post gain knobs, and 3-band EQ make it jam-session ready while the headphone jack and tape/CD input are perfect for solo practice.

Peavey 6505 212 Combo 2x12 Guitar Amp Standard
The 2x12 Peavey 6505 212 Combo Guitar Amp pours out a punishing 60W through 2 Sheffield 1200 speakers in a closed-back cabinet for aggressive tone with plenty of low end. The Peavey 6505 Amp features a footswitchable lead/rhythm channel select and reverb defeat. Master controls include 3-band EQ, resonance, and presence. Rhythm channel uses pre/post gain controls and bright/crunch switches. Lead channel has pre/post gain controls only. Footswitch included.

Peavey Solo Guitar Practice Amp Standard
This little smoker has 12W of power to drive an 8" Blue Marvel speaker. What sets it apart from the crowd is Peavey's TransTube preamp that gives it remarkably realistic tube amp tone and dynamic response. Peavey's exclusive, patented TransTube technology emulates the sound of tube amplifiers with the convenience and reliability of solid-state design.

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Pedulla Thunderbass ET 5-String Bass Guitar Quilted Maple Ebony¹

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Dave Weckl's Official Web Site - This is the official web site for Dave Weckl that has his biography, discography, tour dates, new projects, current set up and more. This site has a multitude of sound files in both Real Audio and the new Quicktime 3.0.
The Drumpage - Personal site wit information about drums, cymbals, history of drums, etc.
Harmony Central: Drums & Percussion - Product news, reviews, original articles, free classifieds, software downloads, local event locator, links, and more.
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Ibanez PF50C Acoustic-Electric Hardshell Case Standard

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PICKUPS AND MICS

What are some options when it comes to amplifying my guitar?

The most popular type of acoustic guitar pickup is the under-saddle piezo. This is the kind most often found in guitars with factory-installed electronics. They�re relatively easy to install (although the job is best done by a professional), and they faithfully reproduce the acoustic sound of the instrument. Their most common criticism is that they can sound "quacky"�that the attack sounds unnatural. Most of the currently available under-saddle pickups have addressed this problem, however.

Piezo pickups are also available in a stick-on format. You mount the pickup to the top of the guitar (either on the inside or the outside) with some adhesive putty, double-stick tape, or permanent glue. Stick-on pickups can yield great results, especially in low-volume situations or in conjunction with another kind of pickup.

Another popular option is the magnetic pickup, which is easily mounted in the soundhole. The magnetic pickup�s greatest strengths are its low cost and high resistance to feedback. While some of the cheaper models yield a somewhat "electric" sound, higher-end models offer excellent bass response and a smooth attack.

All of the above pickups are available in active or passive models. An active pickup has a built-in or on-board preamp, which boosts the electrical signal it provides. Although not absolutely necessary, most passive pickups benefit from using an external preamp, as it fattens the sound and makes it louder.

Some of the newer, high-end systems involve a combination of a pickup and a microphone. The microphone adds some "wood" to the pickup�s sound and also picks up percussive effects on the body of the guitar. Players in loud bands will probably find that the mic feeds back too easily, however, and won�t be able to glean the system�s benefits. While some of these systems offer "blending" controls on the guitar, most need to be used with an external two-channel preamp or mixer.

On the other end of the cord, the most popular choices are to either plug directly into a venue�s PA system or to use a special acoustic amp. An acoustic amp is essentially a small, full-range PA in a portable package. Because an acoustic guitar�s sound is much more complex than an electric guitar�s, it doesn�t tend to sound good through amplifiers made for electric guitars.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pioneermixers||item.||page.||pagearsoun||||||||Pioneer Mixers||||musicsoftware1 pagearsoun||Recording/PA/Software > PA Gear/Live Sound > ||||||||||||||||0||1||0||0|||||||| ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|pipesworldwide||item.||page.||noname4||||||||Pipes Worldwide||||acin noname4||Acoustic Instruments > Bagpipe Shop > ||||||||Where is it from?||||||||0||1||0||0||||||||Let's say you're at the local shopping mall and you wind up (as usual) in "Bagpipe City" or some similar shop. Of course the walls are filled with bagpipes from many countries. So many that you are intimidated to the point where, when approached by the salesperson, you remark tersely, "Wrong color,' and march out the door. I will leave the history of bagpipes to the experts. Instead, this will be a general guide to bagpipes.

IRELAND

The Irish Union or Uilleann (pronounced ill-in) pipes have a 2-octave range. If fitted with four keys it is capable of all the chromatic intervals though the music seldom calls for most of the 'extra' notes. The C- and F-natural keys are the two most desirable additions. The uilleann pipes have three drones tuned to D in three octaves and three keyed pipes in the drone stock called regulators which are played with the wrist for rhythmic and chordal accompaniment. The pipes are bellows blown. Modern sets are in concert D pitch, which play well in the keys of D, G, and Em. Certain tunes in other keys (A, Am, Bm, etc.) are also possible. A relatively quiet pipe, they blend well with fiddle, flute and whistle. The older irish pipes were pitched lower at C, B or B-flat. These were quieter than the ones pitched in D due to the smaller bores. They might make a better acoustic blend with a harp but fiddlers would have to tune down to them. There are many good makers of Irish pipes in new and old pitch. Your best bet with reeds for these pipes is to learn to make them yourself.

Irish warpipes. There do not seem to be any surviving examples of the old pipes of Ireland. They died out about the middle of the 18th century. In the late 19th century there was a revival using what was basically a Highland pipe with one less tenor drone. This practice continued up to today in Irish pipe bands. Considering the similarity in instruments between Ireland and Scotland (the Trinity and Queen Mary harps, for example) it is highly likely the pipes were also quite similar. The irish warpipes of modern make are available in B-flat with one bass and one tenor drone. The chanter uses the same scale and fingering as Scottish pipes. Ready-made reeds are available.

SCOTLAND

Highland Pipes. You know about these, of course. They are made and played all over the world. The old pipes were slightly lower in pitch: at about A. Highland pipes today are made in B-flat with three drones--a bass and two tenors tuned to B-flat. The chanters on these (and Irish warpipes) are limited to 9 notes. Most people learning to play will start out with a practice chanter, which eliminates learning to work the chanter, drones and bag at the outset. The fingering on a practice chanter is closer together than on a full set of pipes. Ready-made reeds for the practice chanter and Highland pipes are available.

Lowland pipes were made in southern Scotland and are bellows blown. The chanter is fingered like the highland chanter and uses the same scale. The three drones emanate from a single stock and are tuned like highland drones. Being bellows blown they use a softer reed and smaller bores, which results in a much quieter sound than the highland pipes, good for ensemble playing. New sets are available in B-flat, G or A. Ready-made reeds are also available for most of these pipes.

ENGLAND

Two reproductions from paintings of the Old English mouth-blown pipes have been developed but there seem to be no surviving originals. Both styles had two drones pitched in G.

Northumbrian pipes have had a long unbroken tradition in northern England. The old style had a keyless, close-ended chanter and three drones pitched at F. Later styles have chanters with 7..17 keys giving a great range and 4 drones used in various combinations and tunings making it possible to play in several keys. A quiet, pleasing pipe. The drones are tuned to the tonic in two octaves with a fifth between. New sets are available in concert F, and concert D, which is a slightly lower pitched set. Some ready-made reeds are available, although it is best to make your own.

FRANCE

The Cornemuse is a mouth-blown bagpipe with two drones: a tenor in a common stock with the chanter and a bass over the shoulder. The chanter plays a standard scale with a leading tone 1/2 step below the tonic and cross-fingerings allowing several accidentals. Cornemuses are commonly made in the keys of B-flat, G, and D. The most popular keys are G and D, being the keys most compatible with common hurdy-gurdy tunings. Not especially loud for a mouth-blown pipe, the cornemuse is a good ensemble instrument. Some are made to be used with ready-made reeds.

The Cabrette is a bellows or mouth-blown pipe with one small drone in a common stock with the chanter. Originating in Auvergne, this pipe has spread throughout France because of its relatively easy maintenance and playability. The key of G is most commonly found, but they are also made in other keys. The drone is tuned to the tonic. These pipes overblow into the second octave, making it possible to play the many C tunes from Auvergne. Since the cabrette is played so often with the hurdy-gurdy (where the drones can be quite dominant), or in groups, many players do not use the drone. Some s are available using ready-made reeds.

Musette. An 18th century court instrument, the musette is the grandfather of the northumbrian pipe. The musette has one small, keyed chanter in F or D and a second small chanter alongside with 6 keys extending the range upwards. The musette uses three drones, same as the northumbrian pipes and tuned the same way: tonic, fifth, tonic (next octave). All the drones are bored into one piece of wood like a renaissance rackett. 6..8 slides offer a choice of drone tunings. The musette has a quiet, pretty sound. Reproductions are available in F and D. With these pipes, the reeds are of the make-it-yourself variety.

BRITTANY

Biniou Koz. The best known bagpipes of Brittany. Biniou koz means old bagpipe, probably named as a reaction to the highland pipe which was introduced as the 'grand biniou' in the 1940's. The grand biniou almost replaced the biniou but a revival is making the older pipes heard again. The biniou is in B-flat, an octave about the highland pipe chanter. It has one drone, is mouth-blown and is very high pitched. The biniou is often teamed with the arde, a loud reed instrument in B-flat. The call-and-answer style of playing is very interesting, as are the haunting melodies of the Breton binioutradition. Ready-made reeds are available for the biniou.

The Veuze is a lower pitched pipe in C, B-flat, A or G. One drone is most common in old s but two-drone s are also available. These pipes are mouth-blown. The available literature makes no mention of ardes being used with the veuze; however, it would be possible with an instrument pitched in B-flat or C.

SPAIN

Gaita. The Spanish pipes are available in three keys: B-flat, C and D. They are mouth-blown (though bellows are sometimes used) with a bass drone. Some s have a tenor drone; some have a ronquillo drone as a substitute for the tenor. The ronquillo uses a double reed (as in the chanter) and sounds a 12th above the tonic. The Spanish pipes, being smaller and supporting fewer drones than the Scots pipes are relatively easy to blow. They tend to be dependable and easy to maintain. Many gaita chanters can be fitted with slightly modified (thinner and shortened) highland pipe reeds.

ITALY

Zampogna. These pipes are used in Italy and Sicily. The larger s use all double reeds. They have two chanters and two drones in a common stock. Often the small drone is a dummy. Some larger s have chanters in octaves and are used to back up the piffaro (shawm) or singing. Other models have chanters of the same size tuned in fourths. These are for solo use and capable or playing the entire melody between the two chanters. The larger s in common use are pitched in F, G or A although some huge zampognas are made in Italy. Smaller zampognas use single reeds throughout. In these, pitches may be as high as B-flat. The smaller zampognas use chanters tuned in fourths. Zampognas require constant adjustment but the beautiful harmonies they produce with their double chanters and drones sounding the fifth are worth any amount of fussing. Make your own reeds--these pipes are very forgiving and reqpon to various patterns of reeds.

The Piva is extinct in its northern Italian home and appropriate music may be hard to come by but reproductions are available. The piva consists of one chanter and one drone. Some makers use a double reed chanter and some use single reed. These pipes are very small and easy blowing.

EASTERN EUROPE

Bulgarian Gaida. The single bass drone and chanter both employ single reeds. These are easy to blow but hard to play well. They are made in D and G, often sold with one chanter in each key and an extra drone so that one set can be used for music in both keys. The gaida uses a goatskin bag. Reeds are generally made by the player. This is a fantastic instrument in the right hands.

Macedonian Gaida. Similar in basic form to the bulgarian gaida, it has one bass drone and a chanter, is mouth-blown and pitched in B-flat or A.

The Hungarian Duda has a bass drone with a horn on the end. The chanter and tenor drone are bored into the same piece of wood with a fingerhole in the drone bore allowing two drone notes. The stock that holds the chanter/drone is invariably a large carving of a goat head. A very sque bagpipe in the key of A. It can be either mouth- or bellows-blown.

Polish Koza. The Polish pipes are more related in appearance to some old german pipes. It uses a large goatskin bag (hair out) and a single reed chanter, cylindrical bore and deep pitch, with a large horn and brass bell at the end. The bass drone typically has the same bell. It is usually bellows-blown and produces a mellow, low pitch. A carved goatshead stock similar to the duda is common. The single reeds are often made of a can blade lapped onto copper tubing.

EARLY BAGPIPES

Flemish. In paintings of Bruegal and Teniers we see the renaissance pipers playing an instrument with two drones in a common stock. The relative lengths of the drone suggests they were tuned in fifths (a very pleasing drone chord). No pipes of this type survived. Most modern reproductions are made in the keys of F or G. Some sets use commercially available reeds. Some sets are "make-your-own".

The Medieval bagpipes were either a chanter only (no drone) or iwth one bass drone. While it is probable that some of the pipes of this time had single reed chanters, the frequency of the conical shaped chanter and vent holes make the likelihood of double reeds stronger. In later times we see statuary with double chanters and a bass drone. Reproductions of medieval pipes are available with various types of reeds.

Space, availability and knowledge prevent me from going much further--into the many more bagpipes found on the continent and North Africa. If I've left out your favorite pipe bear in mind that I'm only a volunteer!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|herplasclarc||item.||page.||incarkit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30935088||||||Plastic Clarinet Care Kit||he106||schoolbanin inren incarkit||School Band Instruments > School Band Instruments > Instrument Care Kits > ||14.990||14.990 ||||||||||||1||1||1||0||||||||For new players, our Herco clarinet maintenance kits include everything needed for proper care of their instruments. These kits contain tools, guidelines and complete instructions for keeping instruments in peak performance condition.
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Fender '57 Mini Twin Amp Standard

Kustom Tube 12A Practice Amp Standard

Fender Mini Tone-Master Amp Standard ||||practice amps, mini amps, marshall mini amp, battery powered amps, guitar practice amp, ms4, amp in a bag||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|prelbycon||item.||page.||inren||||||||Prelude by Conn-Selmer||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||||||
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Musician's Friend Private Reserve Guitars - Including Premium, Limited Edition, and Collectible Models from Gibson, Fender, and More!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|procorat2||item.||page.||ratpedals||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30969117||||||Pro Co RAT 2||RT2||effects ratpedals||Effects > Rat Pedals > ||84.990||130.990 ||84.990 ||||||||||0||1||1||0||||||||Researched and designed to produce a sound that is radically different from any "distortion" you've ever heard before--a sound as mellow as a vintage "twin", or as bone-crushingly powerful as a battery of those famous English stacks--instantly, at any volume.
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Variable distortion amount, filter cut-off, and volume controls
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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|procoturborat||item.||page.||ratpedals||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30983402||||||Pro Co TurboRAT||TRT||effects ratpedals||Effects > Rat Pedals > ||99.990||144.590 ||99.990 ||||||||||0||1||1||0||||||||TurboRAT expands the versatility, sustain and unique "great RAT tone" which has made the RAT footpedal the distortion of choice for literally thousands of musicians worldwide. The maximum output of 2.8 V (P-P) is more than double that of the "Turbo's" predecessors. Special care has been taken to preserve the hard-clipping harmonic distortion of the "great RAT tone" so that there is no sacrifice of sound in achieving its tremendous output.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|procovinrat||item.||page.||ratpedals||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_30996482||||||Pro Co Vintage RAT||Vintage rat||effects ratpedals||Effects > Rat Pedals > ||104.990||159.990 ||104.990 ||||||||||0||1||1||0||||||||For years, guitarists have sought that "magic" sound, that elusively perfect blend of distortion, sustain and cutting power, usually found only at a volume too loud for club and studio work. Distortion boxes, master volume controls, and "hot" pickups all have been touted as the instant solution to this problem, but each in turn has proved to be too hard to control, too expensive to afford, or simply "not the sound."||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|profcel||link.||||strinin||||||||Professional Cellos||||strinin||Stringed Instruments > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|proviolins||item.||page.||strinin||||||||Professional Violins||||strinin||Stringed Instruments > ||||||||||||||||0||1||0||0||||cremonasv360 cremarservio cremonasv1600 cremspecviol hanschusmod5 cremonasv1500||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|prset||item.||page.||tablas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2757054||||||ProfessionalTabla Set||TBSP||drumsticks tablas||Drum Kits > Tablas > ||299.990||299.990 ||||Professional Tabla Set||||||||1||1||1||0||||||||Tabla Set, Professional (Item Code: TBSP) Standard rosewood (or similar hardwood) tabla is paired with a nickeled brass bayan. This Indian percussion instrument is used in the classical, popular and devotional music of the Indian subcontinent and in Hindustani classical music. The instrument consists of a pair of hand drums of contrasting sizes and timbres. Both are strap tuned. Includes the standard soft case, cushions, covers, and tuning hammer. Cushion colors and patterns may vary.||||||||||||||||0||||||||||||||||||||banjira||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|putdrumsetto||item.||page.||cymbaltips||||||||Putting a Drum Set Together||||cymbals cymbaltips||Cymbals > Cymbal Tips > ||||||||How to Assemble...||||||||0||1||0||0||||||||
Now that Christmas is over and the bicycles have been put together, the new clothes have all been worn and the chocolate covered cherries have been eaten, it's time to put together the drum kit you bought for Junior.

Getting familiar with the kit There are many different drum set combinations, the most common being the 5-piece kit. We will be assembling a kit consisting of these shell components:

1 - 16" x 22" Bass Drum 1 - 10" x 12" Ride Tom 1 - 11" x 13" Ride Tom 1 - 16" x 16" Floor Tom 1 - 5.5" x 14" Snare Drum

And these hardware components: 1 - Bass Drum Pedal 1 - Snare Drum Stand 1 - Hi-Hat Stand 2 - Tom Holders 3 - Floor Tom Legs 2 - Cymbal stands (one straight and one boom)

Let's Begin:

Start with the bass drum. Locate the bass drum hoops, which are the largest of the hoops, and are usually the same color as the drum kit. You will also need to find the hoop claws and the longest lugs in the bag of misc. hardware you will receive with the kit. You should have 16 of each (8 for each hoop). Set the bass drum so it is flat on the floor. A determination will need to be made as to which is the front head and which is the "batter side" head. With most drum kits you will have the manufacture's logo on one of the heads, which goes on the front of the drum. Determining the front of the bass drum is much easier. The side closest to the bass drum legs (or spurs) is the front.

Place one of the small washers on each of the long lugs and insert through the hole in the claw. They will only work one way, so try one before you put them all together. There are usually 8 lugs per side, so place the correct head on the drum, place the hoop on the head (it should fit on the outer rim of the head) and hang the claws on the hoop, threading them into the bridge lugs on the drum. Finger-tighten the head, turn the bass drum over and repeat. NOTE: often times a small pillow placed in the bass drum removes over-ring and adds punch.

Next the Toms. Locate the smallest of the toms and find the 2 heads and 2 chrome hoops that are the same size. There will also be 12 short lugs and 12 washers necessary for this drum kit. Place the head on the drum and the hoop on the head lining up the holes in the hoop with the bridge lugs on the drum. Place a washer on each lug and insert through the hole, and thread into the bridge lugs. Finger tighten only. Turn drum over and repeat. Note: Sometimes a top and bottom (batter head and bottom head) will be sent. The bottom head will always be thinner, usually transparent.

Using the same technique to do the other ride tom and floor tom, we should have all of the drums with heads. If the snare drum is not assembled, use the same technique for it as well.

Let's put it all together

Again let's start with the bass drum. Set the drum so that the 2 spurs are close to the ground, and the chrome mount located near the middle of the drum is pointing up. Set the legs so that they are holding the bass drum securely, and not able to rock sideways (as if rolling). Firmly tighten the spurs.

Find the 2 tom holders in the package of tubular hardware. Each of these should fit into one of the holes in the top of the bass drum. Insert them one at a time, and point them out, so you can slide the toms on without banging them into one another. As for the correct position, there is no right or wrong way to set them up. You will need to try different ways that work for you.

The Floor Tom is next. You will notice about 1/3 of the way up from the bottom that the floor tom has 3 chrome mounts. These are the leg mounts, and you will find 3 steel legs in the hardware box. They are approximately 18" - 24" in length and have an odd bend at one end, with a rubber foot. Insert these into the assemblies, and adjust to a comfortable height.

The snare drum stand is the stand with the shortest legs, and it will have a set of 3 "arms" which when folded down securely hold the snare drum. It will have a large adjustable nut under the basket, which you will use to tighten the 3 arms to hold the bottom of the snare. Another knob will adjust the height of the snare. Adjust it to a comfortable position. the 3rd adjustment is the angle adjustment. It adjusts the angle of the snare drum. Again, adjust it for comfort.

The bass drum pedal attaches directly to the bass drum hoop on the back side. Attach it and lock it down securely with the adjustment knob.

The hi-hat stand may be in 3 pieces.. a smaller solid shaft threaded at one end, a tubular piece with the cymbal cup and the tripod stand with the pedal. The smaller shaft threads into the nut on the stand assembly, then the tubular piece slides over the shaft, and into the stand assembly. A felt washer goes into the cymbal cup, and the cymbal clutch tightens with a wing nut to the shaft.

This leaves the 2 cymbal stands, which both use the same size tripod base. The straight stand will be in 2 or 3 telescopic sections, and the boom stand will have an addition piece with a hinge in the center. This allows you to place your cymbal closer to the drums.

Remember that the important thing to remember is to HAVE FUN! There is no right or wrong way to set your kit up. Try different things, and HAVE FUN!

Stay tuned for tuning tips.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|qdqucoin109||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31003801||||||QD-2 Inverted 10 9/16" Quarterman Cone||QD-2||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||59.950||89.950 ||59.950 ||Quarterman QD-2 Res-O-Cone||||||||0||1||1||0||||||||Quarterman Res-O-Cone. This is the inverted cone that will give a more mellow tone. It has a two step lip to accomodate the short spider bridge and the long spider bridge.||||||||||||||||0||||||||||||||||||||quarterman||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|qscpoweramps||item.||page.||poweramps||||||||QSC Power Amps||||musicsoftware1 poweramps||Recording/PA/Software > Power Amps > ||||||||||||||||0||1||0||0||||||||Browse all QSC Power Amps ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|qdqucoor||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31017963||||||Quarterman Res-O-Cone QD-1 Original||QD1||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||59.950||89.950 ||59.950 ||||||||||0||1||1||0||||||||This is the original Quarterman resonator cone�hand-spun from aircraft-grade aluminum to the exact 1928 dimensions. It will retro-fit to older guitars as well as new Regals and many other brands. This cone will give a good guitar the tone and volume that a pro player expects. Requires a 1� A4-40 thread screw to connect cone and spider bridge (not included.)||Size: "10 9/16" "10 1/2"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|qwiktimquarm||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31030216||||||Qwik Time QT3 Quartz Metronome||qt3||accessories||Accessories > ||19.990||||19.990 2.000 29.990 ||Qwik Time Metronome

||||||||1||0||1||0||||||||The Qwik Time QT3 digital metronome is the best selling metronome in the world. Qwik time has all the features at a great price. features: 1) a loud speaker; 2) an extended speed range (40 to 250 beats per minute); 3) over 200 different speeds (most metronomes have just 39 options); 4) an A440 tuning note; 5) an earphone jack; 6) quartz digital accuracy.
To be an artist one must be able to play in perfect time slow, fast or anywhere between. Then one must be able to leave the time at will. This is not the same as having the time leave the player, and that is the effect if one is not able to play with the metronome.

M. L. Carr, Violin World, March, 1896

||||qwik time metronome, metronome, musical accessories, qwik time||||||||||||0||||||||||||||||||||Qwik Time||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|qwiktundiggu||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31043834||||||Qwik Tune Digital Guitar/Bass Tuner..New QT11||qt11||accessories||Accessories > ||12.990||19.990 ||12.990 2.000 23.990 ||This is a great tuner at a fantastic price. This is the new QT11 with smart chip. Replaces the QT1...same great price!||||||||0||1||1||0||||||||The Qwik Tune QT11 Guitar and bass tuner...for less than $20.00, you can have a fully automatic digital guitar tuner with these features:
1) Quarter-inch in and out jacks (for electric guitars);
2) Built-in microphone (for acoustic guitars);

3) LCD meter AND LED lights for tuning accuracy;

4) String-select button (for manual tuning mode).
Can be used with guitars and basses
Tuning your Guitar
Before you can play anything you need to have a tuned Guitar.
The standard tuning for a guitar is:

STRING NOTE

6th string(the fat one) E

5th string A

4th string D

3rd string G

2nd string B

1st string(the thin one) e

I suggest buying a tuner that does all the work for you, order Qwik Tune Below

FREE SHIPPING ON THIS ITEM||||||||||||||||0||||||||||||||||||||Qwik Tune||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|raccasandac||item.||page.||musicsoftware1||||||||Rack Cases and Accessories||||musicsoftware1||Recording/PA/Software > ||||||||||||||||0||1||0||0||||||||Browse all Rack Cases and Accessories ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|radialeffects||item.||page.||effects||||||||Radial Effects||||effects||Effects > ||||||||||||||||0||1||0||0||||||||Browse all Radial Guitar Effects ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|randallamps||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31061264||||||Randall Amps||||elguit1||Electric Guitars > ||||||||Guaranteed Lowest Prices on Randall Amps||||||||0||1||0||0||||||||Buy Randall Amps||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ratpedals||item.||page.||effects||||||||Rat Pedals||||effects||Effects > ||||||||||||||||0||1||0||0||||procoturborat procorat2 procovinrat||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rdrekidi30se||item.||page.||rekigu||https://sep.yimg.com/ay/chrisbsmusicinc/rds-7-recording-king-dirty-30-s-series-7-7.gif||||||RDS-7 Recording King Dirty 30's Series 7||RDS-7||acin rekigu||Acoustic Instruments > Recording King Guitars > ||149.990||199.990 ||149.990 ||||||||||1||1||1||0||||||||Expanding the hugely popular Dirty 30's Series 7 line, the Series 7 Dreadnought rounds out the line with deeper bass and expanded options. Featuring our super clean Cross Lap bracing and top quality materials, the Series 7 remains one of the best sounding values available on the market. The spruce top is striking beneath the Tobacco Sunburst finish, cleanly marked by the ivory color body binding and bound soundhole. The parallelogram stencil fretboard markers are both a nod to history, and a new design never before seen in this way. Available in two finishes, Tobacco Sunburst and Matte Black, and including bone nut and saddle, ivory-button tuning machines, and our new Vintage RK Whitley pickguard, the Series 7 Dreadnought brings the distinctive dreadnought sound in an unbelievable package.||Color: "Matte Tobacco" "Matte Black"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recorders||item.||page.||acin||||||||Recorders||||acin||Acoustic Instruments > ||||||||Soprano Recorders Alto Recorders Tenor Recorders Bass Recorders||||||||0||1||0||0||||yasore yaalre||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recordingfaq||item.||page.||musicsoftware1||||||||Recording FAQ||||musicsoftware1||Recording/PA/Software > ||||||||Answers to common questions about recording.||||||||0||1||0||0||||whatisdigrec whatsbigdeal digefmixandm tipformulrec|||| ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekiprre||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31065050||||||Recording King RR-50 Professional Resonator||RR-50-VS||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||399.990||599.990 ||399.990 ||Recording King RR-50 Professional Resonator||||||||1||1||1||0||||||||The Recording King Professional Resonator is crafted entirely from mahogany with a parallelogram soundwell and 12th fret neck joint. The traditional squareneck/roundneck design and vintage sunburst finish make this an instant classic. The hand-spun Continental Cone provides true resonator tone, rivaling anything currently available. The bone nut and the maple/ebony saddle help give the guitar great sustain, and the Grover tuning machines keep the strings in tune.

The Professional Resonator is truly vintage-styled, with classic features like rounded soundhole screens and slotted screws.

Available in both Squareneck (RR-60-VS) or Roundneck (RR-50-VS)

Neck: Mahogany Squareneck or Roundneck (RR-50-VS)

Neck Joint: 12-Fret

Fretboard: Ebony

Cone Material: Hand-Spun Aluminum

Cone: Continental

Coverplate: 2 Rounded Soundhole Screens

Headstock: Recording King Crown and Block

||Neck Round Square||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekirjsotopj||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2829981||||||Recording King RJ-06 Solid Top Jumbo Body||RJ-06||acin rekigu||Acoustic Instruments > Recording King Guitars > ||299.990||399.990 ||299.990 ||Recording King RJ-06 Solid Top Jumbo Body||||||||1||1||1||0||||||||Recording King Solid Top Jumbo Body With Mahogany Back and Sides

Our RJ-06 jumbo body with 16� lower bout is the latest addition to the best-selling 06 series. One of the most iconic acoustic guitar shapes of all time, the Jumbo shape gives greater presence and can withstand a strong rhythmic attack from the player.

Popularized at the beginning of Rock and Roll, this body shape still enjoys notoriety today. The RJ-06 includes all of the quality appointments players have come to expect from the 06 series. Beginning with a solid Sitka spruce top, mahogany back and sides, and a 24.75� scale, the 06 Series Jumbo has the foundation for some serious volume.

Combine those components with the classic Jumbo-style body, and you have a singer/songwriter guitar with some serious projection. The 1-11/16� nut gives players ample room for chording or fingerstyle, and the bone nut, saddle and rosewood fretboard balance an ideal combination of warmth and crisp tone.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekiro||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31149368||||||Recording King ROS-06 ||ROS-06 ||acin rekigu||Acoustic Instruments > Recording King Guitars > ||289.490||399.990 ||289.490 ||Recording King RO-06 000 Style Guitar||||||||1||1||1||0||||||||Recording King RO-06 000 Style Guitar- 12th Fret with Solid Sitka Spruce Top and Mahogany Back/Sides

The Classic Series I 12th Fret OOO has all of the quality detailing found on the RD-06, but is built from the same template as our 12th fret Century Studio Series Guitars. With a wide, comfortable neck and warm, even projection, this guitar offers players something unique yet affordable.

TOP MATERIAL: Solid Sitka Spruce
BACK MATERIAL: Mahogany
SIDE MATERIAL: Mahogany
TOP BRACING PATTERN: X-Bracing
TOP BRACES: Scalloped Spruce
NECK MATERIAL: Mahogany
NECK PROFILE: Contemporary "C"
NECK JOINT: Dovetail

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|rekibauk||item.||page.||rekiba||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2836796||||||Recording King Banjo Ukulele||RK-u25-BR||acin banjos1 rekiba||Acoustic Instruments > Banjos > Recording King Banjos > ||199.990||266.990 ||199.990 ||Recording King Banjolele||||||||1||1||1||0||||||||Combining everything that players love about the ukulele with the crisp sound of a banjo, the Recording King banjo ukulele (or banjolele) is a unique instrument that you'll love. The maple neck and maple rim give it a bright tone with great projection, and the coordinator rod and 10 brackets are a nod to classic banjo-style construction.

With nickel hardware, nylon strings, a 6-1/4� frosted banjo head and comely satin finish, you'll appreciate the attention to detail on this uncommon instrument.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekiba||item.||page.||banjos1||||||||Recording King Banjos||||acin banjos1||Acoustic Instruments > Banjos > ||||||||Recording King Banjos||||||||0||1||0||0||||rekirkba rekir35reba rekibauk mark6ba||||Recording King Banjos have become some of America's best selling banjos. The Recording King Banjo line has high-end features at affordable prices.

Chris B's Music is an authorized Recording King Banjo dealer.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekicejutr||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31225941||||||Recording King Century Jubilee Troubadour||RNJ-16 ||acin rekigu||Acoustic Instruments > Recording King Guitars > ||464.990||619.990 ||464.990 ||||||||||0||1||1||0||||||||The Recording King Troubadour RNJ-16 guitar is built with the same care and attention to detail as all Recording King instruments. The RNJ-16 Troubadour was designed based on the classic Nick Lucas style guitars of the 1920�s. To achieve the classic Recording King tone, the top is made of solid Sitka spruce and voiced with hand-shaped, fully scalloped x-bracing. The back and sides are made from mahogany. The 4 1/2� extra-deep body helps to add significant volume and bass for players looking for full, round tone and projection. The �C� profile neck is mahogany with dot inlay on the rosewood fretboard.

With a classic 1 3/4� nut width, a truly historic scale length of 24 3/4� and a bone nut and saddle, the Recording King Troubadour has been carefully assembled to fit vintage specifications down to every last detail.

BODY SHAPE: Troubadour

TOP MATERIAL: Solid AA Grade Sitka Spruce

BACK MATERIAL: Mahogany

SIDE MATERIAL: Mahogany

TOP BRACING PATTERN: X-Bracing

TOP BRACES: Hand-Shaped Scalloped Spruce

NECK MATERIAL: Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekicestse16||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31294864||||||Recording King Century Studio Series 16 ||ROS-16||acin rekigu||Acoustic Instruments > Recording King Guitars > ||399.990||533.990 ||399.990 ||||||||||1||1||1||0||||||||The Recording King ROS-16 is a 12-Fret OOO-style guitar crafted from a vintage 1902 design. With a solid AA-grade Sitka spruce top and mahogany back and sides, this guitar has the warm intimate sound you would expect from a classic 12-Fret. The 1-13/16" nut with is a fingerpicker's dream, and professional appointments like the rosewood fretboard, ebony pyramid bridge, bone nut and saddle insure the guitar sounds as great as it looks. Herringbone purfling and grained ivoroid binding give a nod to this guitar's historic heritage.

BODY SHAPE: 12-Fret OOO

TOP MATERIAL: Solid AA Grade Sitka Spruce

BACK MATERIAL: Mahogany

SIDE MATERIAL: Mahogany

TOP BRACING PATTERN: Fully Scalloped X-Bracing

TOP BRACES: Scalloped Spruce

NECK MATERIAL: 1 Piece Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekigu||item.||page.||acin||||||||Recording King Guitars||||acin||Acoustic Instruments > ||||||||Recording King Acoustic Guitars||||||||0||1||0||0||||rekird rekiro rekilapst rekiro1 rekird1 rekicestse16 rekirp rekicejutr rekird2 rekiro2 rekira rekirpoogu rekird3 rekird4 rekirjsotopj johcarseriiw rdrekidi30se rorekidi30se rprekidi30se||||Chris B's Music has recording king guitars and is an authorized Recording King Dealer.

Find Recording King Ros-616, Ros-06 and other Recording King Guitar Models.

OUR RECORDING KING GUITAR PRICES ARE TOO LOW TO SHOW! email us today for a special price quote. ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekilapst||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31378589||||||Recording King Lap Steel||RG-31NA||acin rekigu||Acoustic Instruments > Recording King Guitars > ||169.990||239.990 ||169.990 ||Recording King Lap Steel Guitar||||||||1||1||1||0||||||||The Recording King RG-31NA Lap Steel guitar is made of solid mahogany and the string-through-body design makes for full, powerful sustain. A single EMG-designed Alnico P-90 pickup gives it excellent tone. The open geared tuners make staying in tune a breeze and offer classic looks with modern reliability.

The single volume and tone controls allow players to control the tonal texture from classic country lines to searing blues licks.

Solid Mahogany Body � Single EMG-Designed P-90 Pickup � Volume and Tone controls � Open Geared Tuners � String-Through-Body Design � Pearloid Fret Markers

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|rekir35reba||item.||page.||rekiba||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31451199||||||Recording King R35 Resonator Banjo||RK-R35-BR||acin banjos1 rekiba||Acoustic Instruments > Banjos > Recording King Banjos > ||899.990||1199.990 ||899.990 ||The Madison Resonator Banjo||||||||1||1||1||0||||||||With the addition of the all-new Madison RK-R35, banjo players have an option of a high-quality, great-sounding banjo with a classic Mastertone-style tone ring and flange.

The Recording King Madison RK-R35 is built around a 3-ply steam bent maple rim, from the exact same construction and materials used in the best-selling RK-R80. It has a maple neck with an adjustable two-way truss rod and a comfortable rosewood fretboard. With a 24-hook brass tension hoop, players can adjust the head tension as precisely as on any world-class banjo. The planetary tuners, geared 5th peg and dual coordinator rods are effective professional components, and add an authentic feel to these impressive banjos.

The Madison RK-R35 has a maple resonator with a hand-rubbed brown matte finish. It is assembled with a Mastertone-style bell brass cast tone ring and a Mastertone-style one-piece flange. The Madison peghead and fretboard feature our Seagull inlay, for a banjo that looks as classic as it sounds.

The American threaded nickel-plated hook and nut hardware, as well as the true presto-style tailpiece and armrest are the same as featured on the popular RK-Scout. Like the other Madison banjos, the Madison Deluxe comes standard with an authentic Remo head.

Lifetime Warranty

Specifications

Mastertone-style Bell Brass Cast Tone Ring

Mastertone-style One-piece Banjo Flange

Maple Resonator

Maple Neck with Adjustable Truss Rod

3-Ply Steam Bent Maple Rim

24 Hook Brass Tension Hoop

Rosewood Fretboard

Seagull Fretboard Inlay

Bone Nut

Recording King Compound Angle Peghead

Black Peghead Overlay with Mother of Pearl Inlay

American Threaded Hooks and Nuts

Dual Coordinator Rods

Planetary Tuners

Presto-Style Tailpiece

Maple/Ebony 5/8" Bridge

Remo Frosted Head, 11" High Crown

Hand-Rubbed Brown Satin Finish

Nickel-Plated Hardware

Limited Lifetime Warranty

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekira||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31515369||||||Recording King RAJ-16 ||RAJ-16 ||acin rekigu||Acoustic Instruments > Recording King Guitars > ||449.990||599.990 ||449.990 ||||||||||0||1||1||0||||||||The Century Jubilee Series Slope Shoulder is Recording King's tribute to the classic design of the 1930's. Handcrafted with a solid Sitka spruce top and mahogany back and sides, this guitar has amazing warmth and projection thanks to the hand-scalloped bracing. With a vintage sunburst finish and the included black pickguard, the Century Jubilee Slope Shoulder offers a historic sound and a historic look.

BODY SHAPE: Slope-Shoulder

TOP MATERIAL: Solid AA Grade Sitka Spruce

BACK MATERIAL: Mahogany

SIDE MATERIAL: Mahogany

TOP BRACING PATTERN: X-Bracing

TOP BRACES: Hand-Shaped Scalloped Spruce

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekird||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31584812||||||Recording King RD-06||RD-06||acin rekigu||Acoustic Instruments > Recording King Guitars > ||289.990||399.990 ||289.990 ||Recording King RD-06 Solid Top dreadnought||||||||1||1||1||0||||||||Recording King Dreadnought guitar with Solid Sitka Spruce Top and Mahogany Back/Sides

A new standard in sound and value, the RD-06 illustrates the skill of the Recording King luthiers. We�ve crafted a solid-top guitar with a sound so amazing it rivals that of guitars three times as expensive. Assembled with the perfect combination of sonic excellence, careful craftsmanship and attention to detail, we�ve produced a guitar that sounds like a million bucks, but costs far less.

BODY SHAPE: Dreadnought
TOP MATERIAL: Solid Sitka Spruce
BACK MATERIAL: Mahogany
SIDE MATERIAL: Mahogany
TOP BRACING PATTERN: Forward X-Bracing
TOP BRACES: Scalloped Spruce
NECK MATERIAL: Mahogany
NECK PROFILE: Contemporary "C"
NECK JOINT: Dovetail
FRETBOARD MATERIAL: Rosewood

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekird1||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31666208||||||Recording King RD-07||RD-07||acin rekigu||Acoustic Instruments > Recording King Guitars > ||329.990||439.990 ||329.990 ||||||||||1||1||1||0||||||||The Recording King RD-07 sets a new standard in sound and value and illustrates the skill of the Recording King luthiers. We�ve crafted a solid-top guitar with a sound so amazing it rivals that of guitars three times as expensive. Assembled with the perfect combination of sonic excellence, careful craftsmanship and attention to detail, we�ve produced a guitar that sounds like a million bucks, but costs far less.

BODY SHAPE: Dreadnought

TOP MATERIAL: Solid Sitka Spruce

BACK MATERIAL: Rosewood

SIDE MATERIAL: Rosewood

TOP BRACING PATTERN: Forward X-Bracing

TOP BRACES: Scalloped Spruce

NECK MATERIAL: Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekird2||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31746733||||||Recording King RD-227||RD-227||acin rekigu||Acoustic Instruments > Recording King Guitars > ||899.990||1199.990 ||899.990 ||Recording King Dreadnought with Solid Rosewood Back & Sides||||||||1||1||1||0||||||||Recording King RD-227 Torch series guitar has a beautiful abalone rosette and abalone purfling on the top. Made with all-solid woods and featuring the most authentic pre-war-style features, this classic guitar is perfect for all styles of playing.

The "Torch" with abalone has a solid Sitka spruce top, solid East Indian rosewood back and sides, fully scalloped forward-x bracing, a one-piece mahogany neck, a vintage-style beveled pickguard and an ebony fretboard and vintage-style slot-through bridge.

This guitar also has a wider 1-3/4" nut that makes it great for flatpickers, bluegrass players and singer-songwriters, plus a redesigned �torch� abalone/M.O.P. headstock inlay and abalone snowflake position markers.

BODY SHAPE: Dreadnought

TOP MATERIAL: Solid AA Grade Sitka Spruce

BACK MATERIAL: Solid East Indian Rosewood

SIDE MATERIAL: Solid East Indian Rosewood

TOP BRACING PATTERN: Forward X-Bracing

TOP BRACES: Spruce

NECK MATERIAL: 1-Piece Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johcarseriiw||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31832646||||||Recording King RD-26||RD-26||acin rekigu||Acoustic Instruments > Recording King Guitars > ||449.000||599.000 ||449.000 ||||||||||0||1||1||0||||||||Recording King RD-26 Dreadnought with Solid Mahogany Back & Sides

The Recording King Classic Series II acoustic guitar is arguably the most incredible value you can find in an all-solid guitar. Featuring a solid Engelmann spruce top, solid mahogany back and sides, and a one-piece mahogany neck, each handcrafted guitar has a loud, expressive acoustic tone and excellent playability.

These guitars feature fully scalloped forward-x bracing for strength and resonance in lower registers and more clarity in the highs. Series II models have a Recording King "crown" M.O.P. headstock inlay and abalone snowflake position markers.

The 30's-style features on this guitar include the traditional diamond volute, a vintage-style beveled pickguard and classic butterbean tuners. With pristine workmanship and premium features, this is the perfect all-solid guitar inspired by the American tradition.

TOP MATERIAL: Solid AA Grade Engelmann Spruce

BACK MATERIAL: Solid African Mahogany

SIDE MATERIAL: Solid African Mahogany

TOP BRACING PATTERN: Forward X-Bracing

TOP BRACES: Fully Scalloped Spruce

NECK MATERIAL: 1-Piece Mahogany

NECK PROFILE: Vintage V

NECK JOINT: Dovetail

FRETBOARD MATERIAL: Rosewood

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekird3||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_31918408||||||Recording King RD-27||RD-27||acin rekigu||Acoustic Instruments > Recording King Guitars > ||539.990||719.990 ||539.990 ||Recording King RD-27 Acoustic Guitar||||||||0||1||1||0||||||||The Recording King RD-27 acoustic guitar is arguably the most incredible value you can find in an all-solid guitar. Featuring a solid Engelmann spruce top, solid rosewood back and sides, and a one-piece mahogany neck, each handcrafted guitar has a loud, expressive acoustic tone and excellent playability.

These guitars feature fully scalloped forward-x bracing for strength and resonance in lower registers and more clarity in the highs. Series II models have a Recording King "crown" M.O.P. headstock inlay and abalone snowflake position markers.

The 30's-style features on this guitar include the traditional diamond volute, a vintage-style beveled pickguard and classic butterbean tuners. With pristine workmanship and premium features, this is the perfect all-solid guitar inspired by the American tradition.

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekird4||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32011926||||||Recording King RD-316||RD-316||acin rekigu||Acoustic Instruments > Recording King Guitars > ||899.990||1199.990 ||899.990 ||Recording King RD-316 All Solid Guitar||||||||1||1||1||0||||||||Recording King RD-316 Dreadnought with Solid African Mahogany Back & Sides

Recording King is proud to introduce our all-new RD-316, an Adirondack top, all-solid, nitrocellulose finished guitar.

The top of the RD-316 is made from solid AAA Adirondack Spruce. Adirondack has been a prized choice for guitar tops since the 1920�s. It is generally considered to be more resonant that Sitka Spruce and it also has a unique wide-grain pattern that makes Adirondack guitars aesthetically unique. For many years, Adirondack Spruce was rare or unavailable; even now, guitars with Adirondack Spruce tops are among the most sought-after guitar models on the market.

The RD-316's back and sides are made from solid African Mahogany. The 316 has a nut width of 1-11/16� and the one-piece neck is fitted to the body with a hand-cut dovetail joint. The fretboard is made from ebony, as is the bridge. The guitar is finished in a thin coat of nitrocellulose lacquer for resonance and historical accuracy. Finding this combination of features at its price level is simply unheard of.

The RD-316's aesthetics have been heavily influenced by the standard workhorse dreadnought guitarists have relied on for the past 80 years. The tasteful appointments include descending sized dots on the fretboard, solid black bridge pins and endpin, subdued tortoise body binding and a traditional, understated rosette. The hardware is nickel plated, down to the Grover butterbean tuners. No company can match Recording King�s combination of features and value in historically designed, handcrafted instruments.

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekirkba||item.||page.||rekiba||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32092226||||||Recording King RK-O25-BR Banjo||RK-025-BR||acin banjos1 rekiba||Acoustic Instruments > Banjos > Recording King Banjos > ||549.990||733.990 ||549.990 ||The Madison Open Back Banjo||||||||1||1||1||0||||||||The Recording King Madison banjos offer players an unparalleled combination of quality, versatility and value. The Recording King RK-O25-BR Banjo features a hand-rubbed satin finish, a maple neck with adjustable truss rod and a true steam-bent 3-ply maple rim. The Madison banjo starts with a great foundation for a serious banjo.

Add professional appointments like dual coordinator rods, planetary tuners, nickel-plated hardware and a Remo head, and you have a banjo that beats anything on the market at the same price point. The Madison open-back model has 24 shoes for precision tuning and a classic open-back sound.

Lifetime Warranty

Specifications

• Maple Neck w/Adjustable Truss Rod
• True 3-Ply Steam Bent Maple Rim
• 24 Brackets w/Notched Tension Hoop
• Rosewood Fretboard
• 26-3/8” Scale Length
• 22 Frets
• Bone Nut
• Nut Width, 1-3/8"
• Vintage-Style Plastic 5th String Nut
• Recording King Compound Angle Peghead
• American Threaded Hook and Nuts
• Dual Coordinator Rods
• Planetary Tuners
• Ivory Resonator Binding
• Dot Inlay
• Flat (0”) Fretboard Radius
• Presto-Style Tailpiece
• Maple/Ebony 5/8” German Bridge
• Remo Frosted Head, 11” High Crown
• Hand-Rubbed Brown Satin Finish
• Nickel-Plated Hardware

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jotrre||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32155140||||||Recording King RM-991 Tricone Resonator||RM-991||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||599.990||823.990 ||599.990 ||Recording King RM-991 Tricone Resonator||||||||1||1||1||0||||||||These Recording King professional resonator guitars are competitively priced to give you the best price for a bell brass tricone resonator. The tricone is unique in that it has three 6� aluminum cones that transfer the sound through the body of the guitar.

The cones are positioned with two on the bass side of the guitar and one on the treble side. This is important for EQ balancing and as such, our tricone is characterized by a sweeter, warmer, if not a bit softer sound than the single cone.

This tricone also has a T-shaped bridge rather than the normal biscuit bridge found on a single cone. The T-shaped bridge is connected to the center of each cone so that when the strings are hit, the vibrations run through the saddle and then into the bridge. Here, the sound resonates inside the three different cones, which are then amplified throughout the body. The tricone configuration gives these guitars a distinct tone and long sustain characterized by brilliant overtones and a natural ambiance only found in resonator instruments.

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekiro1||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32176939||||||Recording King RO-06||RO-06||acin rekigu||Acoustic Instruments > Recording King Guitars > ||289.990||399.990 ||289.990 ||Recording King RO-06 Solid Top 000 Guitar||||||||1||1||1||0||||||||The Recording King RO-06 OOO style guitar represents a new standard in sound and value. The RO-06 000-Style acoustic illustrates the skill of the Recording King luthiers. We�ve crafted a solid-top guitar with a sound so amazing it rivals that of guitars three times as expensive. Assembled with the perfect combination of sonic excellence, careful craftsmanship and attention to detail, the result is a guitar that sounds like a million bucks, but costs far less.

BODY SHAPE: OOO Style

TOP MATERIAL: Solid Engelmann Spruce

BACK MATERIAL: Mahogany

SIDE MATERIAL: Mahogany

TOP BRACING PATTERN: X-Bracing

TOP BRACES: Scalloped Spruce

NECK MATERIAL: Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|rekiro2||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32255493||||||Recording King RO-26||RO-26||acin rekigu||Acoustic Instruments > Recording King Guitars > ||449.990||599.990 ||449.990 ||||||||||0||1||1||0||||||||The Recording King RO-26 Classic Series II acoustic guitar is arguably the most incredible value you can find in an all-solid guitar. Featuring a solid Engelmann spruce top, solid mahogany back and sides, and a one-piece mahogany neck, each handcrafted guitar has a loud, expressive acoustic tone and excellent playability.

This guitar features fully scalloped x-bracing for strength and resonance in lower registers and more clarity in the highs. It has a Recording King "crown" M.O.P. headstock inlay and abalone snowflake position markers.

The 30's-style features on this guitar include the traditional diamond volute, a vintage-style beveled pickguard and classic butterbean tuners. With pristine workmanship and premium features, this is the perfect all-solid guitar inspired by the American tradition.

BODY SHAPE: OOO-Style

TOP MATERIAL: Solid AA Grade Englemann Spruce

BACK MATERIAL: Solid African Mahogany

SIDE MATERIAL: Solid African Mahogany

TOP BRACING PATTERN: X-Bracing

TOP BRACES: Fully Scalloped X

NECK MATERIAL: 1-Piece Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekirpoogu||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32339007||||||Recording King RP1-626 OO Guitar||RP1-626||acin rekigu||Acoustic Instruments > Recording King Guitars > ||1049.990||1399.990 ||1049.990 ||Recording King RP1-626 OO Guitar||||||||1||1||1||0||||||||Developed in collaboration with guitarist and historian Eric Schoenberg, the Recording King RP1-626 OO guitars offer players the even frequency response, clarity and wider neck traditional to a classic parlor style.

The one-piece mahogany neck with a classic v-profile meets the body at the 12-fret with a hand cut dovetail joint, giving these guitars a true small body sound, warm and rich, but perfectly balanced. The solid AAA Engelmann spruce top and solid mahogany back and sides have been carefully selected and hand-assembled. With a 1-3/4� nut width, Grover tuners, ebony fretboard and ebony pyramid bridge, these OO guitars are as well-appointed and unique as they are beautiful. Each guitar is sprayed with a thin coat of nitrocellulose lacquer and then hand-buffed for a finish that is extremely resonant and historically accurate.

The RP1-626 model has Recording King's lifetime warranty.

BODY SHAPE: OO (RP2)

TOP MATERIAL: Solid AAA Englemann Spruce

BACK MATERIAL: Solid African Mahogany

SIDE MATERIAL: Solid African Mahogany

TOP BRACING PATTERN: Fully Scalloped X-Bracing

TOP BRACES: Scalloped Spruce

||||||||||||||||0||||||||||||||||||||Recording King ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rekirp||item.||page.||rekigu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32409290||||||Recording King RP1-626-C||RP1-626-C||acin rekigu||Acoustic Instruments > Recording King Guitars > ||1049.990||1466.990 ||1049.990 ||Recording King RP1-626-C 0 Body Guitar||||||||1||1||1||0||||||||Developed in collaboration with guitarist and historian Eric Schoenberg, the Recording King O guitars offer players the even frequency response, clarity and wider neck traditional to a classic parlor style, but the unique addition of a cutaway gives fingerstyle guitarists easier access to the upper frets.

Recording King RP1-626-C features a one-piece mahogany neck with a classic v-profile meets the body at the 12-fret with a hand cut dovetail joint, giving these guitars a true small body sound, warm and rich, but perfectly balanced.

The solid AAA Engelmann spruce top and solid mahogany back and sides have been carefully selected and hand-assembled. With a 1-3/4� nut width, Grover tuners, ebony fretboard and ebony pyramid bridge, these guitars are as well-appointed and unique as they are beautiful. Each guitar is sprayed with a thin coat of nitrocellulose lacquer and then hand-buffed for a finish that is extremely resonant and historically accurate.

BODY SHAPE: O

TOP MATERIAL: Solid AAA Englemann Spruce

BACK MATERIAL: Solid African Mahogany

SIDE MATERIAL: Solid African Mahogany

TOP BRACING PATTERN: Fully Scalloped X-Bracing

TOP BRACES: Scalloped Spruce

NECK MATERIAL: 1 Piece Mahogany

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|josqtr||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32479573||||||Recording King Squareneck Tricone Resonator||RM-991-S||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||649.990||853.990 ||649.990 ||||||||||1||1||1||0||||||||Recording King's classic tricone resonator has three 6� Continental cones that transfer incredibly loud tones through the body of the guitar. The cones are positioned with two on the bass side and one on the treble side, giving an EQ balance with a sweeter, warmer sound.

This tricone is made from nickel-plated bell brass and features a screen coverplate and T-shaped bridge with an ebony and maple saddle. The bridge is connected to the center of each cone so that when the strings are hit, the vibrations run through the saddle and then into the bridge. This tricone has a distinct tone and long sustain characterized by brilliant overtones and a natural ambiance only found in resonator instruments.

||||||||||||||||0||||||||||||||||||||Recording King||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recmic||item.||page.||musicsoftware1||||||||Recording Microphones||||musicsoftware1||Recording/PA/Software > ||||||||Buy Recording Microphones at Guaranteed Lowest Prices
100% Satisfaction Guarantee
45 Day Low Price Guarantee
45 Day Return Policy
||||||||0||1||0||0||||||||Browse all Recording Microphones||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recschoolson2||link.||||comgearrevge||||||||Recording, Schools, Songwriting||||guiten comgearrevge||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recschoolson3||link.||||tabvintage||||||||Recording, Schools, Songwriting||||guiten comgearrevge lesmagphot recschoolson tabvintage||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > Lessons, Magazines, Photos > Recording, Schools, Songwriting > Tab, Vintage > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recschoolson1||link.||||guiten||||||||Recording, Schools, Songwriting||||guiten||Guitar Encyclopedia > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|recschoolson||item.||page.||lesmagphot||||||||Recording, Schools, Songwriting||||guiten comgearrevge lesmagphot||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > Lessons, Magazines, Photos > ||||||||Recording School Directory Songwriting Resources Music Schools||||||||0||1||0||0||||acaucbas2 comgearrevge3 lesmagphot1 tabvintage chrisbsfrere3||||
RECORDING

Types of Microphones
A site that explains the different types of microphones available (eg, cardioid, omni-directional etc.,) and describes their specific functions.
SCHOOLS
Berklee Admission FAQ
The scoop on the requirements for acceptance into the famous music school. You may be surprised to know that an audition is not required for acceptance.

Applause
Tips, Tricks, and Secrets That Will Launch Your Music Performance or Production Career!

SONGWRITING
Cliches: The Sleeping Puppy
From Jeff Mallett's songwriter site, an illuminating article on many songwriter's tendencies to overuse cliches.

Roget's Thesaurus
A useful tool for all aspiring lyricists, this no-frills site uses a search engine to provide alternate words with similar meanings to the ones you submit.

Silver Kat Checklist
Tips for writing songs aimed at succeeding in the commercial market. The site makes some practical (if somewhat distressing) points about popular songwriting.

Songwriters on Songwriting
From the Lyricist.com website, a large collection of tips and hints on writing great songs from other songwriters around the net.

U.S. Copyright Office Home Page
Government site detailing the copyright laws in the United States, and explaining what procedures you need to follow to copyright your own material.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|musicsoftware1||item.||page.||index||||||||Recording/PA/Software||||||||||||||Mp3, Sequencing, Software...||||||||0||1||0||0||||allbrands cdrecanddup datrecorders comrec geminidj1 dowandweb fostex guitstrin headphones1 karaokesystems lighting mp3guidplaya mp3players pagearsoun poweramps raccasandac recordingfaq recmic studiomonitors studproc noname6 homeaudiovideo|||| ||||free mp3s, downloadable music, download mp3 files, stream, free downloads, MP3.com, technology, MP3's, plugins, players MP3, compression software, free digital online jukebox, find search mp3s, speakers, buy CDs upload, store local, music storage, archive,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|redchsiacgu||item.||page.||chsiacgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32501774||||||Red Child Sized Acoustic Guitar||LAPKMRD||acin chsiacgu||Acoustic Instruments > Child Sized Acoustic Guitars > ||69.990||131.990 ||69.990 ||||||||||1||1||1||0||||||||A great child sized acoustic guitar package.
30" Student Guitar Package These 1/2 size acoustic guitars provide the young student an easy-to-hold instrument. Package includes all a child needs to learn the guitar:

30" Lauren student guitar
Guitar bag for carrying
Pitch pipe for tuning
Picks
Steel strings
Strap button

This would be a good beginner guitar for children ages 3-8||||||||||||||||0||||||||||||||||||||Lauren||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|reedcarandma||item.||page.||ricoreeds||||||||Reed Care and Maintenance||||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||||||||||||||||0||1||0||0||||||||REED MAINTENANCE By Delight Schwartz

Note to reed-instrument musicians: before playing, take a close look at your reeds. Because reeds are made from cane, each reed will differ slightly from the next, just as each cane plant differs from the next. For this reason, test-play your reeds, select your favorites, and keep them handy. It is important to have several reeds prepared at any time, so that you will have predictable ones ready. You should also experiment with different reed strengths to find out which one works best with your mouthpiece and is best suited to your embouchure. Reed strengths may vary greatly from one manufacturer to another. Make sure it is shaped evenly from side to side, check for consistent thickness, and select only flat, unwarped reeds. The reed should appear symmetrical, with either side of the center line a mirror image of the other. It should fit exactly over the opening of your mouthpiece. The vamped (or cut) area should be even.

Preparing a Reed
Before you play any reed, you must first moisten it. Many musicians simply wet their reeds in their mouths. While this is popular, we recommend that you wet your reeds in a small cup of warm water for two or three minutes, until the tips appear flat and unwrinkled. Next, place the ligature on your mouthpiece. Carefully fit the moistened reed underneath the ligature from the top. Align the reed tip with the end of the mouthpiece. Tighten the ligature screws so that pressure is evenly dispersed on the reed bark. Be careful not to over-tighten or under-tighten the ligature screws. Simply tighten them until the tension feels snug in your fingers.

Getting the Best Performance From a Reed
No two reeds play exactly alike but, by following a few rules you can count on good consistency from reed to reed. Remember, your reeds must be thoroughly moist before use. Uneven moisture content can cause your reed to warp or wrinkle, prevent it from properly sealing against your mouthpiece table, and even cause squeaks. You can avoid these mishaps by soaking the reed in warm water for a couple minutes. When you're finished playing, remove the excess moistures. Rinse the reed thoroughly in water until clean, then wipe it dry. Finish by placing it in a Reedgard to dry completely. Don't keep your reeds sealed in a plastic bag - this causes mildew to form. Also, prolonged soaking over an hour or two will make the reed too porous, changing its vibrating characteristics and shortening its playing life. As you place the reed between the mouthpiece and ligature, experiment with the placement. Some reeds may respond best when placed even with the tip, others slightly above or below the tip. Sometimes a reed will speak more clearly when moved slightly to the left or right. Fluctuation in humidity, barometric pressure, and temperature greatly affect how each reed plays, and may explain why a reed responds differently from day to day. As you learn, you will become aware of how these changes affects a reed's performance.

Maintaining and Storing Reeds
During breaks in performance or rehearsal, cover your mouthpiece with its cap to keep your reed moist and prevent chipping or other damage. Never store your reed on the mouthpiece inside the instrument case. Any reed which is allowed to dry on the mouthpiece usually warps, reducing its playing qualities. When you're finished playing, loosen the ligature and remove your reed first before disassembling the instrument. Again, the best way to prevent warping and chipping is to store your reed in a flat, dry holder. After removing the reed from the mouthpiece, gently replace the ligature and mouthpiece cap. Forcing the cap too far down may cause a chip or crack in the mouthpiece. Place the capped mouthpiece, ligature and stored reed in your instrument case.

Delight Schwartz is the corporate communications editor for Rico International. Reed Maintenance was written with assistance from clarinetist Marcus Eley and saxophonist Terry Landry, both of whom are marketing staff musicians at Rico||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricoreeds||item.||page.||wooddep||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32516818||||||Reeds||||schoolbanin inren wooddep||School Band Instruments > School Band Instruments > Woodwind Department > ||||||||Reeds for Clarinet, Sax, Oboe...||||||||0||1||0||0||||ricroyclarre ricroyalclar ricroybascla ricroyalsaxr ricroytensax ricroybarsax ricroysopsax lavozreeds mitlurreed bassoonreeds oboereeds reedcarandma||||Clarinet Reeds, Saxophone Reeds, Oboe Reeds
Rico Royal Woodwind Reeds
LaVoz Reeds
Mitchell Lurie Reeds ||||clarinet reeds, rico royal, oboe reeds, sax reeds, plasticover, mithcell lurie,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regdobguitar||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32523259||||||Regal Black Lightning Dobro||RD-52||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||439.990||695.000 ||439.990 ||Regal RD-52 Black Lightning Resonator Guitar||||||||1||1||1||0||||||||The Regal RD-52 dobro has plenty of power and drive to cut through any traffic! There is no better value in a professional quality squareneck Dobro on the market today.

Features include a Quarterman cone, a feature not found on any other production dobro as standard equipment, and a 1930s Vintage California-style body shape. With the Regal Black Lightning...RD-52...you are sure to hear the thunder!
Ivoroid bound 1930s Vintage California-style body shape constructed of mahogany
All solid ivoroid bound mahogany neck
Finished in a beautiful, high-gloss tranluscent black
Traditional block & stinger neck/body joint
Rosewood fingerboard with mother-of-pearl position markers
The headstock is adorned with a unique and
original inlay of the "Black Lightning" stunningly done in abalone and pearl
Rock maple, trapezoid relieved, soundwell
Factory equiped with Quarterman cone
Nickel-plated hardware
Bone nut and maple saddle
Shop adjusted
||||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regaldobro||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32532065||||||Regal Dobro||||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||||||||||||||||0||1||1||0|||||||| Regal dobros feature spruce or mahogany neck and body, multi ply white body binding, bound rosewood fretboard with mother of pearl dots. Re-designed, cast aluminum spider. Nickel plated, brass coverplate and tailpiece. Roundneck features slim, modern neck with solid peghead, 14th fret neck/body joint and adjustable truss rod.

Squareneck features traditional 12th fret squareneck with slotted peghead.

Tops/Finishes Sunburst, black, cherryburst and natural come with spruce top. Clear comes with mahogany top.

Clear shown above.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regaldobrobass||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32572752||||||Regal Dobro Bass||RD-05||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||449.000||695.000 ||449.000 ||Regal RD-05 Series Studio Dobro Acoustic Bass Resonator Guitar||||||||1||1||1||0||||||||An old favorite has just returned to the Regal line of Dobro guitars�it�s the Regal RD-05 acoustic bass guitar! The Regal RD-05 is the acoustic bass you can hear in any playing situation with a deep, rich tone that can be heard above all the other instruments. It responds just as well in the studio and over the public address system and the built-in resonator cone amplifying system gives you as big a tone as many conventional acoustic bass guitars which tend to be large and cumbersome.

Spruce top
Mahogany back, sides & neck
Rosewood fingerboard with M.O.P. dot position markers
Multi-ply ivoroid bound body and bound fingerboard
Unique tortoise-style peghead overlay
Rock maple saddle & bone nut
Spun 101⁄2" aluminum cone
Rock maple sound well
Sealed die-cast tuners with 15:1 gear ratio
17th-fret neck/body joint, 23 frets total
Scale length 30"
Sunburst finish
Chrome plated parts

||||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regdobandtri||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32583839||||||Regal Dobros and Triolians||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||rerddogusqma regaldobrobass regduolrc2 redustboanni regaldobro regrddobdelb regrddobyukg retrteteapoc travdobcas regdobguitar regdobguittr regdobguittr1 regdobguittr2 jotrre josqtr jochbl jodeblre joswstre johjmres doreco dureco do9cowbibr trdosp rekiprre qdqucoor qdqucoin109 rerdre||||Regal dobro guitars and resonator guitars at great prices.

Chris B's Music has Regal Dobros, Triolians, and Dobro Cases.

We also carry coverplates, Quarterman cones and spiders.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regduolrc2||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32624526||||||Regal Duolian RC-2||RC-2||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||529.990||895.000 ||529.990 ||Regal Duolian RC-2||||||||1||1||1||0||||||||Regal Metal Body Resophonic Guitar

The legendary Regal RC-2 Duolian is back, better than ever. This single-cone, steel-body Duolian has been a favorite with blues legends since its first appearance in 1931. The Regal Duolians upgrades include a fully adjustable neck, a rosewood fingerboard and a 14th-fret neck joint.
Duolian-style nickel-plated steel body
Slim, comfortable mahogany neck
Vintage perloid peghead overlay
Rosewood Fingerboard
Mother-of-pearl dot position markers
Spun resonator cone with wooden biscuit bridge
Die-cast 15:1 ratio sealed tuning machined
Adjustable truss rod

||||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|redustboanni||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32626725||||||Regal RC-3 Duolian||RC-3||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||529.000||895.000 ||529.000 ||Regal RC-3 Duolian||||||||1||1||1||0||||||||The New Regal RC-3 combines the Ultimate in Old-time Tone with a slim, modern neck for today�s guitarists! The Duolian-style metal body joins the neck at the 14th fret for easy playability. The slim, mahogany neck has an adjustable truss rod, a genuine rosewood fingerboard and a solid peghead with pearloid overlay. The spun aluminum cone with wooden �biscuit� bridge provides the Classic sound with tremendous volume. The bell brass body is finished in a gleaming nickel-plate, and the coverplate is the rare, late 1930�s variety with slotted soundholes. Die-cast, sealed tuning machines turn easily and precisely, and each RC-3 is shop-adjusted before shipment.

Authentic Duolian-style body with 14th-fret neck/body joint
Steel body with antiqued nickel-plated finish
Slim, fast mahogany neck w/adjustable truss rod
Rosewood fingerboard with pearloid dot position markers
1 3/4 inch nut width
Nickel-plated hardware
Single 9 1/2 inch spun aluminum resonator cone with wooden Biscuit bridge
Vintage-style nickel-plated Chicken-Foot coverplate
Die-cast 15:1 ratio sealed tuning machines
Solid peghead with pearloid overlay
Shop adjusted

||||||||||||||||0||||||||||||||||||||regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rerdre||item.||page.||regdobandtri||||||||Regal RD-30 Review||||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||||||||||||||||0||1||0||0||||||||San Francisco, CA December 2013 - The best-selling Regal RD-30 Resonator Guitar Series has been re-designed and upgraded to include professionl features and the newest body design since the 1930's! Vintage by design with a well-proportioned shape, this new Regal is an even better instrument and represents an even greater value than ever before! Powered by the revolutionary Power Reflex� Tone Chamber- a Saga exclusive- this new Regal is not only lighter, but it's tone and carrying power is even stronger, making the instrument more responsive than ever before. The beautiful sunburst pattern truly resembles an old prewar guitar and the entire guitar is finished with a pleasing semi-gloss finish. A select mahogany body and neck give this guitar a tone that is at the same time mellow, yet bright enough to cut through any mix.

Each model in the series is also available in a traditional square neck design for Hawaiian-style or Bluegrass players, in addition on to the standard roundneck models slim, comfortable neck. The New RD-30 Series is a true innovation in design and will continue to position Regal as the benchmark for professional-quality affordable resonator guitars!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regdobguittr||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32642209||||||REGAL RD-40 Dobro - Natural Finish||RD-40N||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||319.000||495.000 ||319.000 ||Regal Roundneck Wood Body Resophonic Guitar||||||||1||1||1||0||||||||The top of the Regal dobro studio line consists of the brand new RD-40 series Dobro. The Regal RD-40 Resonator has had everything from the inside-out changed and upgraded to meet the demands of professional and student players alike. The body shape is much like those Dobros made in California during the 1930's, while the inside has been redisigned to include the exclusive "Power Reflex" sound chamber for increase volume and unsurpassed tone.
Spruce top
Mahogany back, sides, and neck
Adjustable truss rod
1930's California-style body shape
Multi-ply ivoroid binding around body, fingerboard and peghead
Rosewood peghead overlay with original peghead inlay design pattern in abalone and mother-of-pearl
Sealed die-cast tuners with 15:1 gear ratio for easy and accurate tuning
All hardware is chrome plated
Shop adjusted

||Neck: Roundneck Squareneck||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rerddogusqma||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32658978||||||Regal RD30 Dobro - Squareneck Mahogany||RD-30MS||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||269.000||395.000 ||269.000 ||Regal RD-30MS Dobro Guitar Squareneck Mahogany||||||||1||1||1||0||||||||Regal Squareneck Wood Body Resophonic Guitar

There�s a new look to the popular RD-30 series of quality dobros from Saga Musical Instruments. Upgraded features and great price.

Mahogany top, back & sides and neck
Rosewood fretboard with m.o.p. dot position makers
Ivoroid bound body and bound fingerboard
Beautiful tortoise-style peghead overlay
Spun 10 1/2� aluminum cone
Rock maple sound well
Sealed die-cast tuners with 15:1 gear ratio
Bone nut
Maple saddle
Chrome-plated parts

||||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regrddobdelb||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32675053||||||Regal RD35 Dobro Delta Blue||||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||||||||||||||||0||1||1||0||||||||
Features a Spruce top, Mahogany back and sides, Solid mahogany neck, Rosewood fingerboard, Ivoroid bound body and fingerboard, Multi-ply body binding, Chrome-plated hardware, Advanced design, sand cast spider, mated to a spun cone, Mother-of-pearl dot position markers, and Multi-ply soundwell with round tone ports.
Regal studio series dobros feature specifications and attention to detail that you would expect to see on instruments at three times the price.
Spruce top

Solid mahogany neck

Rosewood fingerboard

Ivoroid bound body and fingerboard

Multi ply body binding

Chrome plated hardware
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regrddobyukg||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32701833||||||Regal RD35 Dobro Yukon Gold||RD35G||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||219.990||299.990 ||219.990 ||||||||||0||1||1||0||||||||Regal studio series dobros feature specifications and attention to detail that you would expect to see on instruments at three times the price.
Spruce top

Solid mahogany neck

Rosewood fingerboard

Ivoroid bound body and fingerboard

Multi ply body binding

Chrome plated hardware
||Neck: Squareneck Roundneck||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regdobguittr2||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32731386||||||REGAL RD40 Dobro - Vintage Sunburst||RD-40V||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||389.000||650.000 ||389.000 ||||||||||1||1||1||0||||||||The top of the studio line consists of the brand new RD-40 series Dobro. Everything from the inside-out has been changed and upgraded to meet the demands of professional and student players alike. The body shape is much like those Dobros made in California during the 1930's, while the inside has been redisigned to include the exclusive "Power Reflex" sound chamber for increase volume and unsurpassed tone.
Spruce top
Mahogany back, sides, and neck
Adjustable truss rod
1930's California-style body shape
Multi-ply ivoroid binding around body, fingerboard and peghead
Rosewood peghead overlay with original peghead inlay design pattern in abalone and mother-of-pearl
Sealed die-cast tuners with 15:1 gear ratio for easy and accurate tuning
All hardware is chrome plated
Shop adjusted
||Neck: Roundneck Squareneck||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|regdobguittr1||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32739653||||||REGAL RD40 Dobro- Cherry Sunburst||RD-40CH||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||299.000||650.000 ||299.000 ||Regal Roundneck Wood Body Resophonic Guitar||||||||1||1||1||0||||||||The top of the studio line consists of the brand new RD-40 series Dobro. This Cherry Sunburst Dobro has been changed and upgraded to meet the demands of professional and student players alike. The body shape is much like those Dobros made in California during the 1930's, while the inside has been redisigned to include the exclusive "Power Reflex" sound chamber for increase volume and unsurpassed tone.
Spruce top
Mahogany back, sides, and neck
Adjustable truss rod
1930's California-style body shape
Multi-ply ivoroid binding around body, fingerboard and peghead
Rosewood peghead overlay with original peghead inlay design pattern in abalone and mother-of-pearl
Sealed die-cast tuners with 15:1 gear ratio for easy and accurate tuning
All hardware is chrome plated
Shop adjusted

||Neck: Roundneck Squareneck||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|retrteteapoc||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32747204||||||Regal Tricone - Texas Tea Powder Coat||RC-58TT||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||699.000||1095.000 ||699.000 ||Regal Rc-58 Tricone Metal Body Resonator Guitar RC-58TT||||||||1||1||1||0||||||||There's a new, eye-catching finish on the latest Regal Tricone metal-body guitar from Saga. A beautiful aged bronze patina with a texture that sets the RC-58TT apart from the rest! This monochromatic color scheme, which includes cover plate and tailpiece, is set off by the sparkling pearloid peghead veneer with its colorful Regal logo the same logo that has graced the world's finest guitars for over 70 years. The subtle, understated beauty of the new RC-58TT perfectly matches the beauty of tone and unsurpassed volume that has made the new Regal Tricone series the professional musician's guitar of choice.

Powder coated bell-brass body with matching cover plate and tailpiece
Saga's exclusive "Texas Tea" black powder coated finish
Rosewood fretboard with m-o-p dot position markers
Slim mahogany neck with adjustable truss rod
Traditional 12-fret neck/body joint
Traditional T-style spider with maple bridge
Chrome die-cast tuners
1 3/4" bone nut
3 spun aluminum cones
Elegant pearloid peghead overlay with tribal design and matching Regal logo
Shop adjusted
||||||||||||||||0||||||||||||||||||||Regal||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|reptub||item.||page.||elguit1||||||||Replacement Tubes||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||el34tubes 12ax7tubes 6l6tubes 6550tubes kt88tubes el84tubes||||Browse all Replacement Amp Tubes||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rhismule||item.||page.||muslesinrhod||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32769354||||||Rhode Island Music Lessons||musiclessons||onmusles muslesinrhod||Online Music Lessons > Music Lessons in Rhode Island > ||60.000||60.000 ||||In store music lessons at Chris B's Music||||||||1||0||1||0||||||||Give someone (or yourself) the gift of music. This is a special introductory offer for 4 half hour private lessons in our store. When placing the order, you can specify a shipping address if you would like the gift certificate mailed, or you can indicate in store pickup.

As always you can contact us at 401 943 2520 if you have any questions prior to ordering.

The recipient can then contact us at their leisure to schedule the lessons.

This is a great way to share the gift of music. With no long term commitment we make it easy to try some music lessons today!||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rhytbanin1||link.||||forteachers||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32776192||||||Rhythm Band Instruments||||onmusles forteachers||Online Music Lessons > For Teachers > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rickenbacker||item.||page.||electricbass||||||||Rickenbacker Bass||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||

Rickenbacker 4003 Bass Midnight Blue

Rickenbacker 4001C64 C Series Electric Bass Guitar Mapleglo

Rickenbacker 4003 Bass Jetglo

Rickenbacker 4001C64S C Series Electric Bass Guitar Mapleglo

Basslines SRB-1 Pickup For Rickenbacker Bass Neck
Improves tone and output over stock Rickenbacker bass pickups; also reduces noise and hum. Neck and bridge models sold separately.

Basslines SRB-1 Pickup For Rickenbacker Bass Bridge
Basslines SRB-1 Pickup For Rickenbacker Bass Bridge||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|riccas||item.||page.||ricguit||||||||Rickenbacker Cases||||elguit1 ricguit||Electric Guitars > Rickenbacker Guitars > ||||||||||||||||0||1||0||0||||||||

Rickenbacker Case for 330/12 ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricguit||item.||page.||elguit1||||||||Rickenbacker Guitars||||elguit1||Electric Guitars > ||||||||Rickenbacker Guitars and Basses Rickenbacker 360 Rickenbacker 325C64 Miami Rickenbacker 1993Plus 12-String||||||||0||1||0||0||||riccas||||Browse all Rickenbacker Guitars||||Guitars,guitar,electric guitars,acoustic guitars,guitar amplifiers,acoustic electric guitars,ovation guitars,applause guitars,gibson,fender,takamine,yamaha guitars,jasmine,ibanez,roundback, round back guitars,online guitar store,guitars for sale,imported guitars,Korean guitars,guitar effects,buy guitars,gibson guitar,fender guitar, ibanez guitar,affordable instruments,musical instruments,musical accessories,guitar picks,acoustic,electric acoustic guitars,dillion guitars,bass guitars,music store||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroyalclar||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32779154||||||Rico Royal Alto Clarinet Reeds #2||RDB1020||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||28.990||44.250 ||28.990 ||||||||||1||1||1||0||||||||Rico Royal Alto Clarinet Reeds are designed for a wide variety of playing situations, Rico Royal is a high-quality reed for serious saxophone and clarinet players, yet is priced affordably to meet the needs of both professionals and students. French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier.Box of 10.

Reeds are #2.||Size 2.5 3 3.5||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroyalsaxr||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32798898||||||Rico Royal Alto Sax Reeds #2.5||RJB1025||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||22.990||36.000 ||22.990 ||Box of 10||||||||1||1||1||0||||||||Designed for a wide variety of playing situations, Rico Royal� is a high-quality reed for serious saxophone and clarinet players, yet is priced affordably to meet the needs of both professionals and students. French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier.

Features & Benefits

Premium grade cane for consistent response and playability.

Select grade cane for unsurpassed response, durability and longevity.

French filed for flexibility and fast response

Box of 10 reeds, #2.5||Size: 1&1/2 2 2&1/2 3 3&1/2 4||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroybarsax||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32805339||||||Rico Royal Baritone Sax Reeds #3||RLB1030||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||44.990||79.250 ||44.990 ||Box of 10||||||||1||1||1||0||||||||Rico Royal Baritone Sax Reeds are Designed for a wide variety of playing situations, Rico Royal� is a high-quality reed for serious saxophone and clarinet players, yet is priced affordably to meet the needs of both professionals and students. French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier.

Features & Benefits

Premium grade cane for consistent response and playability.

Select grade cane for unsurpassed response, durability and longevity.

French filed for flexibility and fast response.

Box of 10, #3||Size: 1&1/2 2 2&1/2 3 3&1/2 4 5||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroybascla||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32811780||||||Rico Royal Bass Clarinet Reeds #2.5||REB1025||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||34.990||57.500 ||34.990 ||||||||||1||1||1||0||||||||Rico Royal Bass Clarinet reeds are designed for the advancing player. They are French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier. Box of 10, #2.5||Size 1.5 2 2.5 3 3.5 4||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroyclarre||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32831524||||||Rico Royal Clarinet Reeds #2||RCB1020||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||18.990||30.750 ||18.990 ||Box of 10 #2 Clarinet Reeds||||||||1||1||1||0||||||||Rico Royal Clarinet Reeds are designed for a wide variety of playing situations, Rico Royal� is a high-quality reed for serious saxophone and clarinet players, yet is priced affordably to meet the needs of both professionals and students. French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier.

Features & Benefits

Premium grade cane for consistent response and playability.

Select grade cane for unsurpassed response, durability and longevity.

French filed for flexibility and fast response

#2 Clarinet Reeds, box of ten.||||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroygrafal||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32834020||||||Rico Royal Graftonite Alto Sax Mouthpiece||rrgmpcasx||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||19.750||26.750 ||19.750 ||||||||||0||1||1||0||||||||Rico Royal alto saxophone mouthpiece. An absolutely amazing jazz piece for the price. The Rico Royal Graftonite pieces offer great projection and an even sound at a most affordable price||Facing A3 A5 B3 B5||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroygrafba||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32835626||||||Rico Royal Graftonite Bari Sax Mouthpiece||rrgmpcbsx||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||21.950||39.950 ||21.950 ||||||||||1||1||1||0||||||||Baritone sax mouthpiece by Rico. An absolutely amazing jazz piece for the price. The Rico Royal Graftonite pieces offer great projection and an even sound at a most affordable price. This baritone sax mouthpiece requires a standard tenor sax ligature.||Facing B5 B7||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroygrafcl||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32846632||||||Rico Royal Graftonite Clarinet Mouthpieces||rrgmpcbcl||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||19.950||26.250 ||19.950 ||||||||||0||1||1||0||||||||Rico Royal Graftonite Clarinet Mouthpieces offer the student clarinetist many different options at a most affordable price. Select from three different facings and chambers. Clarinet mouthpieces do not come with ligatures.||Facing A3 A5 B3 B5||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroygrafso||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32848443||||||Rico Royal Graftonite Soprano Sax Mouthpiece||rrgmpcssx||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||19.950||26.250 ||19.950 ||||||||||0||1||1||0||||||||Rico soprano saxophone mouthpiece offers excellent quality in a replacement sax mouthpiece. An absolutely amazing jazz piece for the price. The Rico Royal Graftonite pieces offer great projection and an even sound at a most affordable price.||Facing B3 B5 B7||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroygrafte||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32850092||||||Rico Royal Graftonite Tenor Sax Mouthpiece||pctsx||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||16.950||16.950 ||||||||||||0||1||1||0||||||||An absolutely amazing jazz piece for the price. The Rico Royal Graftonite pieces offer great projection and an even sound at a most affordable price.||Facing A7 B5 C5||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroysopsax||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32851601||||||Rico Royal Soprano Saxophone Reeds #2.5||RIB1025||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||21.990||37.500 ||21.990 ||Rico Royal Soprano Saxophone Reeds||||||||1||1||1||0||||||||Rico Royal Soprano Saxophone reeds are designed for the advancing player. They are French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier. Box of 10. #2.5||||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ricroytensax||item.||page.||ricoreeds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32871345||||||Rico Royal Tenor Sax Reeds #3||RKB1030||schoolbanin inren wooddep ricoreeds||School Band Instruments > School Band Instruments > Woodwind Department > Reeds > ||39.990||60.500 ||39.990 ||||||||||1||1||1||0||||||||Rico Royal Tenor Sax Reeds are designed for a wide variety of playing situations, Rico Royal� is a high-quality reed for serious saxophone and clarinet players, yet is priced affordably to meet the needs of both professionals and students. French filed for freedom of response, especially in the low register, adding clarity to the tone and making soft attacks easier.

Features & Benefits

Premium grade cane for consistent response and playability.

Select grade cane for unsurpassed response, durability and longevity.

French filed for flexibility and fast response.

Box of 10, #3 tenor sax reeds.||Size: 1&1/2 2 2&1/2 3 3&1/2 4 5||||||||||||||0||||||||||||||||||||Rico||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ridecymbals||link.||||cymbals||||||||Ride Cymbals||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rockman||item.||page.||effects||||||||Rockman||||effects||Effects > ||||||||Rockman Effects||||||||0||1||0||0||||||||Browse all Rockman Effects ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rocef||item.||page.||effects||||||||Rocktron Effects||||effects||Effects > ||||||||||||||||0||1||0||0||||||||Browse all Rocktron Effects

Rocktron X-Tune Guitar Tuner Stomp Box Standard

Rocktron Utopia Expression Guitar Effects Pedal Silver

Rocktron Utopia Wah Guitar Effects Pedal Silver

Rocktron VFS1 Single Guitar Footswitch Silver ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rolkeycasand||item.||page.||rolkey||||||||Roland Keyboard Cases and Gig Bags||||harmonicas rolkey||Keyboards/Synths > Roland Keyboards > ||||||||||||||||0||1||0||0||||||||Browse Roland Keyboard Cases and Gig Bags ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rolandbassamps||item.||page.||electricbass||||||||Roland Bass Amps||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||Browse all Roland Bass Amps ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roleldrum||item.||page.||eldrum||||||||Roland Electronic Drums||||drumsticks eldrum||Drum Kits > Electronic Drums > ||||||||Guaranteed Lowest Prices on Roland Electronic Drums
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Roland KS-88 Stand for VK-88 Standard

Roland Digital Piano Stand White

Roland KS-18Z Keyboard Stand - 88 Keys Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rolkey||item.||page.||harmonicas||||||||Roland Keyboards||||harmonicas||Keyboards/Synths > ||||||||Click Each Roland Keyboard for Roland Keyboard specs and Roland Keyboard pricing.||||||||0||1||0||0||||rolkeystan rolkeycasand||||Free Shipping on Roland Keyboards

Roland Fantom-G8 Package Standard

Roland Fantom-G8 Workstation Standard

Roland FP-4 Digital Piano White

Roland G-70 Music Workstation Standard ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rorekidi30se||item.||page.||rekigu||https://sep.yimg.com/ay/chrisbsmusicinc/ros-7-recording-king-dirty-30-s-series-7-000-guitar-8.gif||||||ROS-7 Recording King Dirty 30's Series 7 000 Guitar||ROS-7 ||acin rekigu||Acoustic Instruments > Recording King Guitars > ||149.990||199.990 ||149.990 ||||||||||1||1||1||0|||||||| Adding a must-have guitar to the Dirty 30's line, the Series 7 is now available in a 14th fret 000 body shape, with a sound that can't be believed for the cost. Chalk it up to our super clean Cross Lap bracing and top quality materials, the Series 7 packs a punch. The spruce top is striking beneath the Tobacco Sunburst finish, framed by vintage-style checkerboard binding. The bound soundhole and Harmonella stencil fretboard markers are both functional and stylistic.
Both the Tobacco Sunburst and Matte Black models include bone nuts and saddles and ivory-button tuning machines. Whether headed out on the road or matching the vibe of an intimate session, the Series 7 is sure to be a go-to-guitar.||Color: " Tobacco Sunburst" "Matte Black"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|bagpipes||item.||page.||noname4||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32877786||||||Rosewood Bagpipe Set||BAGCT||acin noname4||Acoustic Instruments > Bagpipe Shop > ||207.000||259.000 ||207.000 ||Beginner Bagpipe Set||||||||1||0||1||0||||morebagpipes leartoplayba||||Great beginner bagpipe set. Bagpipes made affordable. These bagpipes fit the needs of beginning bagpipe players who do not want to spend a fortune.
40" x 20". Royal Stewart Tartan cover, with turned nickeled ferrules & sole. Includes 2 sets of reeds, 1 set of rubber stoppers, seasoning, and hemp. Has a leather bag.

The BAGCT bagpipe set is a good choice to start playing the bagpipes.||||bagpipes, chanters, highland pipes, uilleann pipes, beginners bagpipes, inexpensive bagpipes, scotland||||||||||||0||||||||||||||||||||Roosebeck||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|robo||item.||page.||bodhrans||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32928786||||||Rosewood Bodhran ||BTN4R||drumsticks bodhrans||Drum Kits > Bodhrans > ||69.990||69.990 ||||Bodhran, 14"x3.5"||||||||1||1||1||0||||||||This Roosebeck Bodhran features double fixed crossbars. Bolt tuning is hidden on the inside of the frame. Goatskin, rosewood. Includes a tipper and a tuning wrench.

||||||||||||||||0||||||||||||||||||||Roosebeck||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rotbo||item.||page.||bodhrans||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_32980969||||||Rosewood T-Bar Bodhran ||BTN6RT||drumsticks bodhrans||Drum Kits > Bodhrans > ||59.990||79.990 ||59.990 ||||||||||1||1||1||0||||||||Roosebeck T-bar bodhran. Bolt tuning is hidden on the inside of the frame. Goatskin, rosewood. Includes a tipper and a tuning wrench.||||||||||||||||0||||||||||||||||||||Roosebeck||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rosin||item.||page.||strinin||||||||Rosin||||strinin||Stringed Instruments > ||||||||Rosin for Stringed Instruments||||||||0||1||0||0||||beviro shcero||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rototoms||item.||page.||drumsticks||||||||Roto Toms||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Browse all Roto Toms ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverrm25s||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33030946||||||Rover RM-25S Mandolin||RM-25S||acin mandolins1||Acoustic Instruments > Mandolins > ||99.990||139.950 ||99.990 ||Rover RM-25S Solid Top A-Model in Sunburst Finish||||||||1||1||1||0||||||||Everybody has to start somewhere--and every beginning mandolin player is fortunate to be able to afford the finest entry-level mandolin ever made--the Rover RM-25S! This price-leading, top-selling starter instrument has a solid spruce top--just like the expensive models. The sides and back are maple, and the elevated 20-fret fingerboard is set above the top to allow more top vibration.

The beautiful, high-gloss sunburst finish on the top immediately catches the eye--but this fine instrument only LOOKS expensive! It's priced easily within range of any student--or player of another instrument who is ready to try the mandolin. You just can't lose with a sterling value like the RM-25S from Rover!

Solid spruce top
Maple back and sides
Bound peghead and body
Bound 20-fret fingerboard
Fast, slim neck with elevated fingerboard that joins the body at the 12th-fret
Parallel tone bars
Beautiful, high gloss sunburst finish
Improved, vintage-style adjustable, compensated rosewood bridge
2-ply black pickguard
Chrome-plated geared tuners with large buttons for easy, accurate tuning

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverbanjorb35||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33045494||||||Rover Banjo RB-35||RB-35||acin banjos1||Acoustic Instruments > Banjos > ||329.950||495.000 ||329.950 ||Rover Resonator 5-string Banjo||||||||1||1||1||0||||||||When your banjo skills start to out-strip your beginner's banjo, it's time to step up to the new RB-35 by Rover! Rover engineers designed an ingenious aluminum rim with integrated bracket band--making the whole assembly simpler and lighter.

Standard 11" cast aluminum rim
Heavy duty grooved brass tension hoop
24 integrated bracket attachment points
P-13 Grooved tension hoop
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly style" tailpiece
F-2000 guitar style, geared tuners with a
P-142 Geared 5th peg
Exquisite mahogany neck with East Indian Rosewood fingerboard, inlaid dot position markers, and adjustable truss rod
Vintage-style, bound mahogany resonator
Nickel plated 2-pc flange
Standard 25 1/2" scale length
Includes a Superior C-269 Trailpak II bag

||"Case Option:" "Banjo Only" "With Superior Gig Bag(+29.99)"||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverbanjorb45||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33057057||||||Rover Banjo RB-45||RB-45||acin banjos1||Acoustic Instruments > Banjos > ||479.000||750.000 ||479.000 ||Rover Resonator 5 String Banjo||||||||1||1||1||0||||||||
The Rover RB-45 banjo has lowered the cost of getting started playing a professionally featured 5-string resonator banjo. Top quality materials and standard features make this the perfect "FIRST" banjo for any level player.
Heavy-duty, cast aluminum rim with integral tone ring in the standard 11" diameter
P-11 notched tension hoop
Standard 24 set, Nickel plated P-43 "Round hook and nut" and P-50 "hex shaped" shoes for head attachment
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly" style tailpiece
Slim comfortable Mahogany neck with Fiddle shaped peghead, adjustable truss rod, and a bound East Indian Rosewood fingerboard with Mother-of-Pearl dot position markers
P-140 Planetary tuners and a P-142 geared 5th peg
Vintage-style, bound mahogany resonator
Nickel plated 2-pc flange
Standard 25 1/2" scale length
Complete with Superior C-269 TrailPak II bag

||"Case Option:" "Banjo Only" "With Superior Gig Bag(+29.99)"||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverbanjorb30||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33063412||||||Rover Banjo RB30||RB30||acin banjos1||Acoustic Instruments > Banjos > ||249.950||395.950 ||249.950 ||Great Beginner Open-Back Banjo

Rover RB-30 Open Back Banjo Outfit||||||||1||1||1||0||||||||
The Rover RB-30 open-back banjo has all the features you've been looking for. Standard specifications including: a cast aluminum rim for improved tone and volume, to a grooved brass tension hoop... perfect!
Standard 11" cast aluminum rim
Heavy duty grooved brass tension hoop
24 integrated bracket attachment points
P-13 Grooved tension hoop
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly style" tailpiece
F-2000 guitar style, geared tuners with a
P-142 Geared 5th peg
Exquisite mahogany neck with East Indian Rosewood fingerboard, inlaid dot position markers, and adjustable truss rod
Standard 25 1/2" scale length

||"Case Option:" "Banjo Only" "With Superior Gig Bag(+29.99)"||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rovmanrm||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33075514||||||Rover Mandolin RM25||RM25||acin mandolins1||Acoustic Instruments > Mandolins > ||74.990||99.950 ||74.990 ||Rover RM-25 Student Series A Model Mandolin Maple Top||||||||1||1||1||0||||||||Rover RM-25 mandolin offers excellent sound and construction in a starter mandolin.

Sunburst top

All maple construction

Chrome plated geared tuners with large buttons for easy accurate tuning

Bound 20-fret fingerboard

Bound peghead, top and back

Adjustable compensated bridge

Parallel tone bars

Black & White pickguard

Fast, slim neck with elevated fingerboard joining body at 12th fret.
||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rorbba||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33095031||||||Rover RB-110 Banjo||RB-110||acin banjos1||Acoustic Instruments > Banjos > ||349.000||550.000 ||349.000 ||Rover RB-110 Wood Rim Open Back 5 String Banjo||||||||1||1||1||0||||||||ROVER RB-110 BANJO

Our already popular line of Rover Student Banjos has been expanded to include two new �wood rim� models. Introducing the Rover RB-110 open back banjos as part of the �Front Porch� Series and combines correct, traditional features, and the new wood rim to make a banjo that will make the learning experience that much more enjoyable.
Traditional 11" multi-ply wood rim
Mahogany neck with slim, fast and comfortable neck profile
Bound rosewood fingerboard
Rolled brass tone ring
Grooved tension hoop
24 brackets
�Vega Style� armrest
Geared Planetary Tuners
Quality maple bridge with ebony cap

||"Case Option:" "Banjo Only" "With Superior Gig Bag(+24.99)"||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rorbba1||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33101558||||||Rover RB-115 Banjo||RB-115||acin banjos1||Acoustic Instruments > Banjos > ||429.000||650.000 ||429.000 ||Rover RB-115 Wood Rim Front Porch Series Resonator 5-String Banjo||||||||1||1||1||0||||||||Our already popular line of Rover Student Banjos has been expanded to include two new �wood rim� models. Introducing the Rover RB-115 Resonator banjo. The companion to the RB-110 open back banjos, combines all the right traditional features, and the new wood rim design to make a Resonator banjo that will make the learning experience that much more enjoyable.

Traditional 11" multi-ply wood rim
Mahogany neck with slim, fast and comfortable neck profile
Bound rosewood fingerboard
Rolled brass tone ring
Grooved tension hoop
24 brackets
�Vega Style� armrest
Geared Planetary Tuners
Quality maple bridge with ebony cap

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverbanjo||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33109254||||||Rover RB-20 Banjo||rb20||acin banjos1||Acoustic Instruments > Banjos > ||199.990||295.000 ||199.990 ||Rover RB-20 Banjo||||||||1||1||1||0||||||||The Rover RB-20 banjo...this IS the ideal first banjo.

The RB-20 open back 5 string banjo offers excellent value in a beginner banjo.

Every detail has been carefully thought out to make a Rover banjo with all standard specifications, easily afforded by anyone wanting to play the banjo. There is no better gift idea for an aspiring musician than the RB-20 Banjo- Complete with padded gig bag!

Includes a free gig bag!

Standard 11" rim

Deluxe Vega type armrest

Mahogany neck

14:1 ratio geared tuners with friction fifth peg

Standard 25-2/1" scale length

Adjustable truss rod

Back to All Banjos

Add the Rover RB-20 Banjo to your cart today and be playing in no time!||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roopteba||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33127333||||||Rover RB-20T Openback Tenor Banjo||RB-20T||acin banjos1||Acoustic Instruments > Banjos > ||225.000||295.000 ||225.000 ||Rover RB-20T Banjo||||||||1||1||1||0||||||||Every Dixieland Jazz Band needs a 4-string tenor banjo--it's the foundation of the rhythm. If you're starting to learn the tenor, your best choice for a first instrument is the RB-20T by Rover.

The modern composite rim with open-back construction makes for a lightweight, easily-portable banjo that sounds great and looks even better! The neck is small and perfectly shaped. The frets are carefully rounded to ensure the lowest, easiest action. It's the perfect student instrument at the perfect price--the new RB-20T from Rover!

Standard 11" rim made of composite material in metallic gun-grey finish
Grooved tension hoop
Standard spacing using 24, P-44 "Flat hook and nut" set, for head attachment
Deluxe P-101 "Vega-style" armrest
Traditional P-115 "No knot" tailpiece
Exquisite mahogany neck with East Indian Rosewood fingerboard, inlaid dot position markers, and adjustable truss rod
F-2000 guitar style, geared tuners
Standard tuning is in fifths - CGDA

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rorbba3||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33134414||||||Rover RB-25P Banjo||RB-25P||acin banjos1||Acoustic Instruments > Banjos > ||239.000||369.000 ||239.000 ||Rover RB-25P Plectrum Resonator Banjo||||||||1||1||1||0||||||||The Rover RB-25P plectrum style four-string banjo is a moderately priced instrument with all the professional features at a price accessible to all.

We are pleased to introduce the RB-25P banjo by Rover. It features a slim, fast neck to please the most demanding artist. The strong, lightweight composite rim--combined with a professional quality resonator--offers the greatest tone and volume in a lightweight package. The Rover RB-25P can be played without apology is any orchestra or combination--and no one but you could guess the affordable price!
Standard 11" rim made of composite material in metallic gun-grey finish
Grooved tension hoop
Standard spacing using 24, P-44 "Flat hook and nut" set, for head attachment
Deluxe P-101 "Vega-style" armrest
Traditional P-115 "No knot" tailpiece
Exquisite mahogany neck with East Indian Rosewood fingerboard, inlaid dot position markers, and adjustable truss rod
Vintage-style, bound mahogany resonator
Nickel plated 2-pc flange
F-2000 guitar style, geared tuners
Standard tuning - CGBD

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rovopbanout||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33141840||||||Rover RB-40 Openback Banjo Outfit||RB40||acin banjos1||Acoustic Instruments > Banjos > ||379.000||650.000 ||379.000 ||Rover RB40 Banjo||||||||1||1||1||0||||||||
Leading the pack with sound, quality and value...the Rover RB-40 Openback Banjo has few rivals. A student banjo with professional features. Every part of this banjo spells quality! Add the Rover RB 40 banjo to your cart and you will be amazed at the quality of this instrument.

Heavy-duty, cast aluminum rim with integral tone ring in the standard 11" diameter
P-11 notched tension hoop
Standard 24 set, Nickel plated P-43 "Round hook and nut" and P-50 "hex shaped" shoes for head attachment
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly" style tailpiece
Slim comfortable Mahogany neck with Fiddle shaped peghead, adjustable truss rod, and a bound East Indian Rosewood fingerboard with Mother-of-Pearl dot position markers
P-140 Planetary tuners and a P-142 geared 5th peg
Standard 25 1/2" scale length
Complete with Superior C-269 TrailPak II bag

Back to All Banjos
||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rorebapl||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33152169||||||Rover RB-45p Resonator Banjo ||rb-45p||acin banjos1||Acoustic Instruments > Banjos > ||479.000||750.000 ||479.000 ||Rover Student Plectrum Banjo||||||||1||1||1||0||||||||The top-selling Rover banjo line is proud to introduce their finest model yet--the Rover RB-45P! Of great interest to the Traditional Jazz fraternity is the Rover RB-45P Plectrum 4-string banjo. Tuned similarly to the classic 5-string, but without the short 5th string, the plectrum tuning offers deep, rich bass tones and close harmony chords at your fingertips.

The novel aluminum rim with built-in tone-ring is a strong, lightweight assembly that is unaffected by changes in temperature and humidity--it gives you a clean, crisp tone with plenty of volume. The slim, professional neck and correct, vintage styled resonator are identical to those on the costliest professional models, and the "fiddle-shaped" headstock is right out of the 1920's--the banjo's Golden Era. Smooth, accurate geared tuning machines and a deluxe tailpiece and armrest--all in gleaming nickel plate--complete this remarkable, affordable banjo--the Rover RB-45P!

Standard 11" cast aluminum rim
Heavy duty grooved brass tension hoop
24 integrated bracket attachment points
P-13 Grooved tension hoop
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly style" tailpiece
Exquisite mahogany neck with East Indian rosewood fingerboard
Tradition fiddle-style peghead shape with P-140 Planetary tuners
Inlaid dot position markers and adjustable truss rod
Vintage-style, bound mahogany resonator
Nickel plated 2-pc flange
Standrard tuning - CGBD

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rorbba2||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33159742||||||Rover RB35P Banjo||RB35P ||acin banjos1||Acoustic Instruments > Banjos > ||329.000||495.000 ||329.000 ||Rover Resonator Plectrum Banjo||||||||1||1||1||0||||||||
Standard 11" cast aluminum rim
Heavy duty grooved brass tension hoop
24 integrated bracket attachment points
P-13 Grooved tension hoop
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly style" tailpiece
F-2000 guitar style, geared tuners
Exquisite mahogany neck with East Indian Rosewood fingerboard, inlaid dot position markers, and adjustable truss rod
Vintage-style, bound mahogany resonator
Nickel plated 2-pc flange
Standard tuning - CGBD

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roreteba||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33167370||||||Rover Resonator Tenor Banjo RB 45T||rb45t||acin banjos1||Acoustic Instruments > Banjos > ||479.000||750.000 ||479.000 ||Rover RB-45T Resonator Tenor Banjo||||||||1||1||1||0||||||||
Standard 11" cast aluminum rim
Heavy duty grooved brass tension hoop
24 integrated bracket attachment points
P-13 Grooved tension hoop
Deluxe P-100 "single-leg" 1930's style armrest
P-117 "Old Waverly style" tailpiece
F-2000 guitar style, geared tuners
Exquisite mahogany neck with East Indian rosewood fingerboard
Tradition fiddle-style peghead shap with P-140 Planetary tuners
Inlaid dot position markers and adjustable truss rod
Vintage-style, bound mahogany resonator
Nickel plated 2-pc flange
Standard tuning - CGBD

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverrm35||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33175293||||||Rover RM-35 A Model Mandolin||RM-35||acin mandolins1||Acoustic Instruments > Mandolins > ||119.950||159.000 ||119.950 ||Rover RM-35A-MODEL MANDOLIN- SUNBURST||||||||1||1||1||0||||||||
Redesigned in 2003, with its new "paddlehead" peghead design and dovetail neck joint. This is sure to be the hottest selling entry-level mandolin we sell.
Select spruce top
Select maple back and sides
Mahogany neck with bound rosewood fingerboard, topped off with a newly designed "paddle-head" style peghead adorned with a beautiful abalone "Rover" inlay
Neck is attached with a traditional "dove-tail" neck joint, unheard of in Mandolins of this price range
Unique slimmer f-holes
New and improved "vintage-style" adjustable, compensated rosewood bridge
GHS strings
Shop adjusted

FREE SUPERIOR GIG BAG INCLUDED!

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|roverrm50b||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33184741||||||Rover RM-50B||RM-50B||acin mandolins1||Acoustic Instruments > Mandolins > ||139.950||189.950 ||139.950 ||ROVER A-MODEL MANDOLIN- ALL SOLID- BLACK||||||||1||1||1||0||||||||
Hand-carved and arched, all solid spruce top
Hand-carved and arched, all solid maple back and sides
Mahogany neck with bound rosewood fingerboard, topped off with a newly designed "paddle-head" style peghead adorned with a beautiful abalone "Rover" inlay
Neck is attached with a traditional "dove-tail" neck joint, unheard of in Mandolins of this price range
Unique slimmer f-holes
New and improved "vintage-style" adjustable, compensated rosewood bridge
GHS strings
Shop adjusted
||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rovrmman||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33231565||||||Rover RM50 Mandolin||RM50||acin mandolins1||Acoustic Instruments > Mandolins > ||139.990||189.950 ||139.990 ||Rover RM-50 A Style All Solid Mandolin||||||||1||1||1||0||||||||If you are in the habit of playing with the big dogs, then the the Rover RM-50 is the mandolin for you. Its all solid construction and dovetail neck joint will make this your companion for life!

Sunburst top

All maple construction

Chrome plated geared tuners with large buttons for easy accurate tuning

Bound 20-fret fingerboard

Bound peghead, top and back

Adjustable compensated bridge

Parallel tone bars

Fast, slim neck with elevated fingerboard joining body at 12th fret.

FREE SUPERIOR GIG BAG INCLUDED!

||||||||||||||||0||||||||||||||||||||Rover||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rprekidi30se||item.||page.||rekigu||https://sep.yimg.com/ay/chrisbsmusicinc/rps-7-recording-king-dirty-30-s-series-7-acoustic-guitar-single-0-parlor-8.gif||||||RPS-7 Recording King Dirty 30's Series 7 Acoustic Guitar, Single 0 Parlor ||RPS-7||acin rekigu||Acoustic Instruments > Recording King Guitars > ||||||||||||||||0||1||1||0||||||||Adding a must-have guitar to the Dirty 30's line, the Series 7 is an acoustic Single 0 with a sound that can't be believed for the cost. Chalk it up to our super clean Cross Lap bracing and top quality materials, the Series 7 packs a punch. The spruce top is striking beneath the Tobacco Sunburst finish, framed by vintage-style checkerboard binding. The bound soundhole and Harmonella stencil fretboard markers are both functional and stylistic.
The Tobacco Sunburst, Matte Black, and Matte Gray models include bone nuts and saddles and ivory-button tuning machines. Whether headed out on the road or matching the vibe of an intimate session, the Series 7 is sure to be a go-to-guitar.

CLICK TO ORDER Recording King Dirty 30's Series 7 Single 0 RPS-7
Recording King Dirty 30'S Series 7 Single 0 Rps-7 Acoustic Guitar Black
||Color: "Tobacco Sunburst" "Matte Gray"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rubinmetbook||item.||page.||banmetbook||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33237642||||||Rubank Instrumental Method Books||rubank||schoolbanin inren banmetbook||School Band Instruments > School Band Instruments > Band Method Books > ||5.500||5.500 ||||Rubank Instrumental Method Books||||||||1||1||1||0||||||||Rubank:A Fundamental Course for Individual or Like-Instrument Class Instruction.||Instrument/Level: "Flute Elementary" "Flute Intermediate" "Flute Advanced Vol 1" "Flute Advanced Vol 2" "Clarinet Elementary" "Clarinet Intermediate" "Clarinet Advanced Vol 1" "Clarinet Advanced Vol 2" "Oboe Elementary" "Oboe Intermediate" "Oboe Advanced Vol 1" "Oboe Advanced Vol 2" "Bassoon Elementary" "Bassoon Intermediate" "Bassoon Advanced Vol 1" "Bassoon Advanced Vol 2" "Sax Elementary" "Sax Intermediate" "Sax Advanced Vol 1" "Sax Advanced Vol 2" "Cornet/Trumpet Elementary" "Cornet/Trumpet Intermediate" "Cornet/Trumpet Advanced Vol 1" "Cornet/Trumpet Advanced Vol 2" "Horn Elementary" "Horn Intermediate" "Horn Advanced Vol 1" "Horn Advanced Vol 2" "Trombone/Baritone Elementary" "Trombone/Baritone Intermediate" "Trombone/Baritone Advanced Vol 1" "Trombone/Baritone Advanced Vol 2"||Rubank, Hal Leonard, rubank method, trumpet book, flute book, rubank intermediate, rubank clarinet, rubank trumpet||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|run88seralsa||item.||page.||runmout||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33257210||||||Runyon 88 Series Alto Sax Mouthpiece||ruas||schoolbanin inren mouthpieces runmout||School Band Instruments > School Band Instruments > Mouthpieces > Runyon Mouthpieces > ||44.990||||44.990 ||Model 88 Series Alto Saxophone mouthpiece with cap and ligature||||||||0||1||1||0||||||||Model 88 Series Designed by Runyon for the advanced high school or college student where price is an important factor. The "matched bite" allows switching to different instruments without adjusting embouchures. Easy to control, smooth performance, same sturdy plastic construction. The Model 88 Series is used by many professionals as well.||Facing: 3 4 5||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|88serclarmou||item.||page.||runmout||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33269358||||||Runyon 88 Series Clarinet Mouthpiece||rucl||schoolbanin inren mouthpieces runmout||School Band Instruments > School Band Instruments > Mouthpieces > Runyon Mouthpieces > ||35.990||||35.990 ||Runyon 88 series mouthpiece||||||||0||1||1||0||||||||Model 88 Series Designed by Runyon for the advanced high school or college student where price is an important factor. The "matched bite" allows switching to different instruments without adjusting embouchures. Easy to control, smooth performance, same sturdy plastic construction. The Model 88 Series is used by many professionals as well.

Available in #3, 4 or 5 facings. Includes cap and ligature.||Facing: 3 4 5||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|run88sertens||item.||page.||runmout||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33281506||||||Runyon 88 Series Tenor Sax Mouthpiece||RUTS||schoolbanin inren mouthpieces runmout||School Band Instruments > School Band Instruments > Mouthpieces > Runyon Mouthpieces > ||49.990||49.990 ||||Model 88 Series Tenor Sax mouthpiece with cap and ligature||||||||0||1||1||0||||||||Model 88 Series Designed by Runyon for the advanced high school or college student where price is an important factor. The "matched bite" allows switching to different instruments without adjusting embouchures. Easy to control, smooth performance, same sturdy plastic construction. The Model 88 Series is used by many professionals as well.||Facing: 3 4 5||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|runmout||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33293654||||||Runyon Mouthpieces||||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||||||||Over the years Runyon Products has earned a reputation for producing mouthpieces and accessories that are beyond compare.||||||||0||1||0||0||||88serclarmou run88seralsa run88sertens spoilseralsa spoilseralsa1 spoilsertens||||FOR RUNYON MOUTHPIECE INFO AND ORDERING CALL TOLL FREE 877 712 4747 ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ryhbanforkid||link.||||forparents||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33305802||||||Ryhthm Band..Instruments for Kids||||onmusles forparents||Online Music Lessons > For Parents > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sgune||item.||page.||gurene||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_92241||||||S-Style Guitar Replacement Neck||S-93||elguit1 gurene||Electric Guitars > Guitar Replacement Necks > ||49.950||64.950 ||49.950 ||Golden Gate S-Style Guitar Replacement Neck||||||||1||1||1||0||||||||S-style guitar replacement neck. The Golden Gate S-93 neck, made from maple, is unfinished leaving you to decide whether to stain, clear-coat or color-coat. This replacement neck S-style guitar bodies with curved heel, and has an un-cut peghead shape requiring final shaping.

Each neck is made from Select Canadian Maple

Unfinished, Maple fingerboard with black dot inlays for S-style guitar (Rounded neck pocket)

Pre-fretted with truss rod installed

Headstock requires final shaping for that personal touch

Holes pre-drilled for tuner installation

Scale length: 25-1/2"

Width at nut: 1 11/16"

Width at 22nd fret position: 2 3/16"

Fretboard radius: 12"

Fret wire: .040" high x .100" wide
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|szterms||item.||page.||prterms||||||||S-Z Terms||||classicalcafe musdic dlterms moterms prterms||Classical Cafe > Musical Dictionary > D-L Terms > M-O Terms > P-R Terms > ||||||||||||||||0||1||0||0||||||||Tanto - Much, so much.

Tempo - The rate of speed in a musical work.

Tempo primo - Return to the original tempo.

Teneramente - Tenderly.

Tenor clef - The C clef falling on the fourth line of the staff.

Tenuto, ten - Hold or sustain a note longer than the indicated value, usually not as long a duration as the fermata.

Ternary form - Three-part form in which the middle section is different from the other sections. Indicated by ABA.

Terraced dynamics - The Baroque style of using sudden changes in dynamic levels, as opposed to gradual increase and decrease in volume.

Tertian harmony - A term used to describe music based on chords arranged in intervals of thirds.

Tessitura - The general pitch range of a vocal part.

Texture - The term used to describe the way in which melodic lines are combined, either with or without accompaniment. Types include monophonic, homophonic, and polyphonic, or contrapuntal.

Theme - The musical subject of a piece (usually a melody), as in sonata form or a fugue. An extramusical concept behind a piece.

Theme and variations - A statement of musical subject followed by restatements in different guises.

Theory - The study of how music is put together.

Third - The third degree of the diatonic scale. Also, the interval formed by a given tone and the third tone above or below it, e.g. c up to e, or c down to a. Intervals of the third may be major, minor, diminished, or augmented.

Through-composed - A term used to describe a song in which the music for each stanza is different. The opposite of strophic.

Ti - In solmization, the seventh degree of the major scale. Also called the leading tone.

Tie - A curved line over or below two or more notes of the same pitch. The first pitch is sung or played and held for the duration of the notes affected by the tie.

Time signature - Synonymous with meter signature.

Tonality - The term used to describe the organization of the melodic and harmonic elements to give a feeling of a key center or a tonic pitch.

Tone - A note; the basis of music.

Tone clusters - The simultaneous sounding of two or more adjacent tones.

Tonguing - On wind instruements, articulation with the tongue.

Tonic - The first note of a key. Also, the name of the chord built on the first degree of the scale, indicated by I in a major key or i in a minor key.

Tono - Tone, key, pitch.

Tosto - Quick.

Tranquillo - Tranquilly; quietly; calm.

Transposition - The process of changing the key of a composition.

Tre - Three. Used with other terms, e.g. a tre voci, in three parts.

Treble clef - The G clef falling on the second line of the staff.

Triad - A chord of three tones arranged in thirds, e.g. the C-major triad c-e-g, root-third-fifth.

Trill, tr - A musical ornament performed by the rapid alternation of a given note with a major or minor second above.

Triple meter - Meter based on three beats, or a multiple of three, in a measure.

Triplet - A group of three notes performed in the time of two of the same kind.

Troppo - Too much. Used with other terms, e.g. allegro non troppo, not too fast.

Turn - A musical ornament characterized by the rapid performance of a given note, the major or minor second above and below, and a return to the given note.

Tutti - All. A direction for the entire ensemble to sing or play simultaneously.

Twelve-tone technique - A system of composition which uses the twelve tones of the chromatic scale in an arbitrary arrangement called a tone row or series. The row may be used in its original form, its inversion, in retrograde, and in the inversion of the retrograde. The system was devised by Arnold Schoenberg in the early 20th century.

Una corda - Soft pedal.

Unison - Singing or playing the same notes by all singers or players, either at exactly the same pitch or in a different octave.

Un peu - A little. Used with other words, e.g. un peu piano.

Un poco - A little.

Upbeat - One or more notes occurring before the first bar line, as necessitated by the text for the purpose of desirable accent. The unaccented beat of a measure.

Variation - The manipulation of a theme by the use of melodic, rhythmic, and harmonic changes.

Vibrato - Repeated fluctuation of pitch.

Virtuoso - A brillant, skillful performer.

Vivace - Lively, brisk, quick, and bright.

Vivo - Lively, bright.

Volti subito - Turn [the page] quickly.

Whole note/rest - A note/rest equal to two half notes and four quarter notes.

Wind instrument family - Instruments in which sound is produced by the vibration of air, including brass and woodwind instruments.

Woodwind family - Instruments, originally made of wood, in which sound is produced by the vibration of air, including recorders, flutes, clarinets, saxophones, oboes, and bassoons.

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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|s77gu||item.||page.||ib20newmo||||||||S7320BK 7-String Guitar||||ibanez2000 ib20newmo||Ibanez 2018 > Ibanez 2007 New Models > ||||||||S7320BK 7-String Guitar||||||||0||1||0||0||||||||Asked why he wanted the 7-String Universe that ignited two very different trends in 7-string guitars, Steve Vai answered tongue-in-cheek: "More is better."

Tongue-in-cheek or not, Ibanez seems to have taken Vai's comment with complete seriousness as the company had a good number of guitars with more than 6-strings at their booth at the Anaheim NAMM musical instrument convention. On display was the long-awaited 8-string, the RG2228BK, and the slender Ibanez S 7-string, which has been absent from the Ibanez roster since 2000 and been subject to many calls for its return.

The 8-string RG2228GK lists for $1999.99. The 7-string S7320BK lists for $933.32

S7320BK Neck: 5pc Wizard II-7 Body: Mahogany Frets: Jumbo Neck Pickup: IBZ AH1-7 Bridge Pickup: IBZ AH2-7 Bridge: ZR Zero Resistance Double-Locking tremolo List Price: $933.32
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sabianapparel||item.||page.||cymbals||||||||Sabian Apparel||||cymbals||Cymbals > ||||||||||||||||0||1||0||0||||||||Browse all Sabian Apparel||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sabian||item.||page.||cymbals||||||||Sabian Cymbals||||cymbals||Cymbals > ||||||||Best selling Sabian Cymbals Sabian Value Packs||||||||0||1||0||0||||||||Browse all Sabian Cymbals

Sabian HHX Super Cymbal Pack Standard

Sabian B8 Crash Cymbal Pack Standard

Sabian AAX Performance Cymbal Pack Standard ||||cymbals, sabian, sabian cymbals, sabian hi hats, aax, sabian pro, hand hammered, splash, ride, crash, sabian fist pack, zildjian, paiste, drums, drumming, drum gear, drum sets||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sabakitrk2||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33308764||||||Saga Banjo Kit RK2||RK2||acin banjos1||Acoustic Instruments > Banjos > ||339.000||550.000 ||339.000 ||Saga RK-2 Resonator Banjo Kit||||||||1||1||1||0||||||||Saga's� RK-2 Resonator Banjo Kit offers any musician or hobbyist the thrill of accomplishment from building their very own professional quality custom banjo! All of the most difficult work has already been done for you and the clearly illustrated instructions make the process even easier.

Kit includes all parts to build a complete, playable 5 string resonator banjo
The rim is made of polished aluminum with an intergral tone ring that is pre-drilled to accomodate 24 brackets, neck and neck coordinater rod attachment
Solid mahogany neck with a fretted rosewood fingerboard and a distinct peghead design
The resonator is made from mahogony, and pre-routed for binding
Adjustable truss rod
Quality P-140 Planetary tuners and P-142 geared 5-th string peg
P-117 adjustable tailpiece
All hardware is heavily nickel plated
Complete with strings and detailed instructions

||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sagbuilyouro||item.||page.||elguit1||||||||Saga Build Your Own Guitar Kits||||elguit1||Electric Guitars > ||||||||Saga Build Your Own Guitar Kits||||||||0||1||0||0||||sagelguitkit stratstylbui telstylguitk saelgukipst saelgukilc sagukitfv saelgukitsg saelbakijb saelgukitttt saelgukitljl saelbakitjb5 saelbakitjb4 sambelbakitm||||Saga build your own guitar kits are a great way to build your own guitar. These guitar kits are available in a variety of styles and will offer a challenge to both new and experienced guitar builders.

If you have questions about Saga Build Your Own Guitar Kits - E Mail Us

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelbakijb||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33321464||||||Saga Electric Bass Kit - JB-Style||JB-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||159.000||229.950 ||159.000 ||Saga J style Build a Bass Kit||||||||1||1||1||0||||||||
This affordable, well-designed kit is a faithful reproduction of one of the most famous instruments in rock music history. The body is of Select Alder and the maple neck is perfectly shaped and complete with a fretted, rosewood fingerboard. The body is pre-shaped and all necessary routing is already done. It is sealed against humidity and ready for you to apply the finish. All electronics are mounted on the control plate, so there is no wiring or soldering required. Deluxe, 14:1 tuning machines are supplied along with all other necessary hardware. Just finish the body and neck, assemble everything and install the strings, and you'll be ready to rock!
All-solid basswood body (pre-sealed)
Solid select maple neck with blank peghead shape and tuning machine holes pre-drilled
Fretted rosewood fingerboard
Adjustable truss rod
Pickguard assembly is prewired and includes 2 humbucking pickups,
1 tone and 2 volume controls, a 3-way pickup
selector switch and input
jack
Heavily chrome-plated hardware
14:1 ratio geared machines with vintage-style buttons
Stop & Tuno-Matic-Style bridge and tailpiece assemblies
Complete with strings, amplifier cord, and easy to read assembly and finishing instructions

||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelbakitjb5||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33337954||||||Saga Electric Bass Kit JB-11 5-String||JB-11||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||159.500||229.000 ||159.500 ||||||||||1||1||1||0||||||||Saga 5 string bass kit.

Body: All-Solid select alder body. All shaping and routing complete

Control Assembly: Electronic parts are mounted on the control plate. No soldering is required. Pickups are mounted directly to body.

Fully adjustable bridge.||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelbakitjb4||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33356909||||||Saga Electric Bass Kit JB-12 4-String Fretless||JB-12||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||149.500||219.000 ||149.500 ||||||||||0||1||1||0||||||||Saga Fretless Bass Kit

Body: All-Solid select alder body. All shaping and routing complete

Control Assembly: Electronic parts are mounted on the control plate. No soldering is required. Pickups are mounted directly to body.

14"1 ratio geared machines for precise tuning.||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelgukitljl||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33375296||||||Saga Electric Guitar Kit LJ-10 LPJ-Style|| LJ-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||169.990||249.990 ||169.990 ||||||||||1||1||1||0||||||||New easy to build Saga electric guitar kits. All the most difficult tasks of shaping and routing are already done for you! Just assemble and apply your own custom finish and you're ready to rock!

Body: All-Solid, single cutaway basswood body

1 P-90 pickup with 1 volume and 1 tone control, prewired

Tailpiece: Fully adjustable stop-style tailpiece||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelgukitttt||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33402200||||||Saga Electric Guitar Kit TT-10 T-Style Thinline||TT-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||169.000||249.000 ||169.000 ||Saga Electric Guitar T-Style Thinline Kit||||||||0||1||1||0||||||||There was a rare, 1970's T-Style electric guitar with a semi hollow body and one, bass-side F-hole. This collector's guitar is perfectly reproduced in our TT-10 kit. The instructions are clear, precise and easy to follow and all essential wood parts are pre-shaped, pre-routed where necessary and pre-sanded to accept the final finish. All wiring is already done, so all you have to do is apply finish to neck and body, attach neck and assemble the parts and install the electronics and metal hardware. Two powerful humbucking pickups are supplied in this superb kit, and the finished masterpiece will be the envy of all your friends!||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelgukipst||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33427193||||||Saga Electric Guitar Kit- P-Bass Style||PB-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||169.990||249.950 ||169.990 ||Build you own Bass Kit Saga PB-10 P Style Electric Bass Kit||||||||1||1||1||0||||||||Saga P Bass Guitar Kit. Build your own electric bass kit from Saga

Saga bass guitar kits include all parts and instructions necessary to build a complete, playable bass guitar
Body is made of all-select Basswood with shaping and routing already complete
Solid select Maple neck with a fretted Rosewood fingerboard
Headstock is a blank peghead shape with tuning machine holes pre-drilled
Adjustable truss rod
All hardware is heavily nickel plated
Electronic parts are mounted to the pickguard and ready for installation- no soldering required
All holes are pre-drilled
Complete with strings and electric cord

||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelgukitsg||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33431495||||||Saga Electric Guitar Kit- SG-Style||SG-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||169.000||249.000 ||169.000 ||||||||||0||1||1||0||||||||
Creating a real Custom Shop musical instrument masterpiece is easier and less expensive than your customer would believe with a popular Saga Instrument Kit! All the contours, critical angles, and pre finishing work has been completed, eliminating any guess work and the possibility of making an unplayable instrument. So simply designed and crafted that no sophisticated woodworking tools, complicated jigs, or soldering are required. Detailed instructions are included to make the process simple.
All-solid basswood body (pre-sealed)
Solid select maple neck with blank peghead shape and tuning machine holes pre-drilled
Fretted rosewood fingerboard
Adjustable truss rod
Pickguard assembly is prewired and includes 2 humbucking pickups,
1 tone and 2 volume controls, a 3-way pickup
selector switch and input
jack
Heavily chrome-plated hardware
14:1 ratio geared machines with vintage-style buttons
Stop & Tuno-Matic-Style bridge and tailpiece assemblies
Complete with strings, amplifier cord, and easy to read assembly and finishing instructions

||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelgukilc||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33446771||||||Saga Electric Guitar Kit-LP Style||LC-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||199.000||295.000 ||199.000 ||SAGA ELECTRIC GUITAR KIT- LP-STYLE||||||||1||1||1||0||||||||Saga single-cut electric guitar kit.

Saga Les Paul kit- Here is your chance to express yourself by creating a one-of-a-kind masterpiece. The LC-10 is a single cut-away, arch-top machine that will easily accomodate any of todays music styles, design being limited only by your imagination
Kit includes all parts and instructions to build a complete, playable guitar
The body is an arched top, single cutaway design made of select basswood with a flamed maple top- all shaping and routing is complete
Classic white, black, white body binding
Solid select Maple neck with a fretted rosewood fingerboard and a paddle head design peghead, ready for final shaping
Adjustable truss rod
All hardware is heavily nickel plated Electronics are complete and ready for installation- no soldering required
All holes are pre-drilled
Complete with strings and electric cord
Available in right-handed versions only
||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saelmakit||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33488781||||||Saga Electric Mandolin Kit||MT-10||acin mandolins1||Acoustic Instruments > Mandolins > ||169.000||249.000 ||169.000 ||||||||||1||1||1||0||||||||
Creating a real Custom Shop masterpiece is easier and less expensive than your customers would believe in this popular Saga build an Electric Mandolin Kit! All the contours, critical angles, and pre-finishing work has been completed, eliminating any guess work and the possibility of making an unplayable instrument. So simply designed and crafted that no sophisticated woodworking tools, complicated jigs, or soldering are required. Detailed instructions are included to make the process simple.
Pre-shaped and routed basswood body with wood sealer applied
Solid select maple neck with blank peghead shape and pre-drilled tuning machine holes
Fretted rosewood fingerboard with adjustable truss rod
Chrome plated Hardware
14:1 ratio geared machines for precise tuning
Height adjustable, ebony bridge with compensated bone cap
Single coil pickup with volume and tone controls are pre-mounted to the pickguard
Complete with strings and electric cord.
No soldering is required.
Assembly and finishing instruction manual provided

Saga Build Your Own Guitar Kits > ||179.000||259.000 ||179.000 ||Saga Build Your Own V Kit||||||||0||1||1||0||||||||
Creating a real Custom Shop musical instrument masterpiece is easier and less expensive than your customer would believe with a popular Saga Instrument Kit! All the contours, critical angles, and pre finishing work has been completed, eliminating any guess work and the possibility of making an unplayable instrument. So simply designed and crafted that no sophisticated woodworking tools, complicated jigs, or soldering are required. Detailed instructions are included to make the process simple.
All-solid basswood body (pre-sealed)
Solid select maple neck with blank peghead shape and tuning machine holes pre-drilled
Fretted rosewood fingerboard
Adjustable truss rod
Pickguard assembly is prewired and includes 2 humbucking pickups,
1 tone and 2 volume controls, a 3-way pickup
selector switch and input
jack
Heavily chrome-plated hardware
14:1 ratio geared machines with vintage-style buttons
Stop & Tuno-Matic-Style bridge and tailpiece assemblies
Complete with strings, amplifier cord, and easy to read assembly and finishing instructions
||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sagelguitkit||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33515874||||||Saga HT-10 Electric Guitar Kit||HT-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||179.000||275.000 ||179.000 ||Saga HT-10 Electric Guitar Kit||||||||1||1||1||0||||||||
Saga HT-10 double cutaway Electric Guitar Kit - Building your own electric guitar was never easier! Here is your chance to express yourself by creating a one-of-a-kind masterpiece. The HT-10 is a double cut-away, arch-top machine that will easily accomodate any of todays music styles, being limited only by your imagination!
Kit includes all parts and instructions to build a complete, playable guitar
The body is an arched top, double cutaway design made of select basswood with a flamed maple top- all shaping and routing is complete
Solid select Maple neck with a fretted rosewood fingerboard and a paddle head design peghead, ready for final shaping
Adjustable truss rod
All hardware is heavily nickel plated Electronics are complete and ready for installation- no soldering required
All holes are pre-drilled
Complete with strings and electric cord
||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sambelbakitm||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33575325||||||Saga MB-10 Electric Bass Kit M-Style||MB-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||169.000||249.000 ||169.000 ||Saga MB-10 Electric Bass Kit||||||||1||1||1||0||||||||Saga MB-10 Modern Style 5 String Bass Kit.

All solid select basswood body. All shaping and routing complete.

Split humbucking pickup with 2 volume and 1 tone control.

14:1 ratio geared machines for precise tuning.

Fully adjustable 5-string design bridge for precise height and intonation adjustment.

Order the Saga MB-10 Electric Bass Kit today and be playing your own custom built bass in no time!||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sareba||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33598116||||||Saga Resonator Banjo||SS3||acin banjos1||Acoustic Instruments > Banjos > ||475.000||750.000 ||475.000 ||Saga SS-3 Style III Old Time 5-String Resonator Banjo||||||||1||1||1||0||||||||Introduced by Saga in the late 1970's, the Saga SS-3 Style III Old Time 5-String Resonator Banjo has that quick attack, rapid decay, and clarity of tone for the advanced student or even the working professional.
One-piece solid cast aluminum rim with an integral, buttressed tone ring
A heavy-duty, grooved, tension hoop that is machined, polished and triple nickel-plated
Two-piece resonator flange plate
A standard 13 5/8" diameter, bound Mahogany resonator
A slim, bound Mahogany neck with adjustable truss rod and pearl position markers
Golden Gate 4:1 ratio planetary tuners
Shop adjusted

FREE SHIPPING TO CONTINENTAL US

||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|sagbanolss||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33610040||||||SAGA SS10 "Old-Timey" Banjo||SS10||acin banjos1||Acoustic Instruments > Banjos > ||379.000||550.000 ||379.000 ||Saga SS10 Banjo||||||||1||1||1||0||||||||
The Saga SS-10 Old Timey Banjo is truly reminiscent of the classic banjos of the early 1900's. All of the features capture the look, feel and sound of that Golden Age. Whether you play "Claw Hammer or 3-finger style" this banjo can meet the challenge!
Open-back "Old Timey" style banjo with 3/8" maple rim
A slim fast mahogony neck with an East Indian rosewood fingerboard
M-O-P star and moon peghead inlays and Saga script logo on the headstock
M-O-P star inlays at the 5th and 12th frets
Rolled brass tone ring
4:1 ratio, Golden Gate planetay tuners
Geared 5th-string peg
Classic "No-Knot" tailpiece
Adjustable truss rod
Triple nickel-plated hardware
Shop adjusted

||"Case Option:" "Banjo Only" "With Superior Gig Bag(+24.99)"||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sagtravban||item.||page.||banjos1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33620161||||||Saga Travel Banjo||ss10p||acin banjos1||Acoustic Instruments > Banjos > ||379.990||550.000 ||379.990 ||Saga Travel Banjo SS-10P||||||||1||1||1||0||||||||The Saga Travel Banjo can be taken anywhere! The SS-10P banjo is the perfect instrument to keep in the car, in the office or even attached to your back-pack for that long weekend hike. The sound, and playability will instantly take you back a hundred years with its traditional sound and design. Just one look and you will agree its certain to become a universal favorite.

All the features of a full size banjo, in a smaller travel size. 17 fret, short scale 5 string, designed for "C" tuning.

Open back

3/8" maple rim

Rolled brass tone ring

Geared 5th string tuner

Shop adjusted

||"Case Option:" "Banjo Only" "With Superior Gig Bag(+24.99)"||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sarouk||item.||page.||acin||||||||Santa Rose Ukuleles||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||saroukepa baritoneuke ukelele||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sabare||item.||page.||savannahbanjos||||||||Savannah Banjo Review||||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||||||||||||||||0||1||0||0||||||||Savannah banjos were formerly made under the Johnson name. These instruments are excellent quality beginner to mid level instruments. Savannah banjos make 5 and 6 string models, as well as a left handed version. I would recommend the Savannah line to any beginner player or to those looking to step up from a starter instrument without breaking the bank.

Most models boast Mahogany Resonators as well as mahogany necks.

BROWSE SAVANNAH BANJOS||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|savannahbanjos||item.||page.||banjos1||||||||Savannah Banjos||||acin banjos1||Acoustic Instruments > Banjos > ||||||||Savannah Banjos||||||||0||1||0||0||||sa24brba sa246ba saopbaba salehaba sabare sasbba satrba sasbplba||||Savannah banjos bring classic acoustic instruments of the American folk tradition to players of all levels. With outstanding features and unbeatable values, Savannah banjos are a great way to explore popular acoustic instruments at a reasonable price without sacrificing quality.

With a variety of models to suit every style and level of player, Savannah instruments are the perfect match for a sunny afternoon jam, an open mic, or anywhere in between.

OUR SAVANNAH BANJO PRICES ARE TOO LOW TO SHOW! email us today for a special price quote. ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|johbaruke||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33632386||||||Savannah Baritone Uke||SU-200||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||59.990||69.990 ||59.990 ||Savannah Baritone Uke||||||||1||1||1||0||||||||The Savannah Baritone ukulele features quality construction and a value price. If you want a good starter baritone uke, the Savannah SU-200 is the instrument for you.

White Wood Body

Maple Fretboard

Geared Tuners

18 Frets

Inlaid Position Markers

Clear Nylon Strings

Carrying Bag
Savannah ukuleles are superbly built from fine woods. The clean workmanship and excellent fret dressing are the first things you might notice about our well-loved ukuleles. The necks are nicely shaped and finished in a satin lacquer to give them an excellent feel.

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|jochbl||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33641332||||||Savannah Chicago Blues Squareneck Resonator||SR-200||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||264.990||349.990 ||264.990 ||||||||||1||1||1||0||||||||Savannah is dedicated to bringing classic acoustic instruments of the American folk tradition to players of all levels. With outstanding features and unbeatable values, Savannah squareneck resonators are a great way to explore popular acoustic instruments at a reasonable price without sacrificing quality.

Spruce Top

Mahogany Back & Sides

10.5" Aluminum Cone

Cream Binding on Fretboard & Body

||Color: Black Sunburst "Matte Mahogany"||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|safmoma||item.||page.||sama||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33692751||||||Savannah F Model Mandolin ||SF-200-SN||acin mandolins1 sama||Acoustic Instruments > Mandolins > Savannah Mandolins > ||374.990||499.990 ||374.990 ||||||||||1||1||1||0||||||||The Savannah SF-200 solid mandolin features solid top, back, sides and neck. These features alone make this F model mandolin an incredible value.

Solid Hand-Carved Spruce Top

Solid Hand-Carved Maple Back & Sides

Solid Maple Neck

Rosewood Fretboard and Bridge

Nickel-Plated Hardware

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sagu||item.||page.||acin||||||||Savannah Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||sasgoooacel||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|salama||item.||page.||sama||https://sep.yimg.com/ay/chrisbsmusicinc/savannah-lafayette-mandolin-7.gif||||||Savannah Lafayette Mandolin||SF-120-SN||acin mandolins1 sama||Acoustic Instruments > Mandolins > Savannah Mandolins > ||329.990||433.990 ||329.990 ||Savannah Lafayette Mandolin||||||||1||1||1||0||||||||Savannah Lafayette Mandolin features:

Spruce Top

Maple Back, Sides, & Neck

Ebony Bridge

Nickel-Plated Tuning Machines

Sunburst Satin Finish

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|salehaba||item.||page.||savannahbanjos||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33754090||||||Savannah Left Handed Banjo||SB1-100L||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||254.990||346.990 ||254.990 ||Savannah SB-100-L Left Handed Banjo||||||||1||1||1||0||||||||Savannah SB-100-L Left Handed Banjo. With outstanding features and unbeatable values, Savannah Left Handed Banjos are a great way to explore popular acoustic instruments at a reasonable price without sacrificing quality.

With a variety of models to suit every style and level of player, Savannah instruments are the perfect match for a sunny afternoon jam, an open mic, or anywhere in between.

Mahogany Resonator with Thumb Screws

Nickel Plated Armrest

Mahogany Neck

Laminate Maple Rim

Geared 5th Peg

Individual Geared Tuners

24 Brackets

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saloma||item.||page.||sama||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33796274||||||Savannah Louisville Mandolin||SA-120||acin mandolins1 sama||Acoustic Instruments > Mandolins > Savannah Mandolins > ||169.990||226.990 ||169.990 ||Savannah Louisville SA-120 Mandolin||||||||1||1||1||0||||||||The Savannah SA-120 mandolin offers a solid carved spruce top at a price point under $200!

Solid Carved Spruce Top

Solid Maple Back, Sides & Neck

Gotoh Machine Heads

Adjustable Compensated Rosewood Bridge

Nickel-Plated Steel Tailpiece with Brass Cover

Available in Black, Natural & Sunburst

||Color: Black Sunburst||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sama||item.||page.||mandolins1||||||||Savannah Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||safmoma sasffma saloma salama saovhoma||||With a variety of models to suit every style and level of player, Savannah instruments are the perfect match for a sunny afternoon jam, an open mic, or anywhere in between.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saovhoma||item.||page.||sama||https://sep.yimg.com/ay/chrisbsmusicinc/savannah-oval-hole-mandolin-7.gif||||||Savannah Oval Hole Mandolin||SA-110||acin mandolins1 sama||Acoustic Instruments > Mandolins > Savannah Mandolins > ||99.990||133.990 ||99.990 ||Great mandolin for under $100||||||||1||1||1||0||||||||Savannah Oval Hole Mandolin:

Spruce Top

Maple Back, Sides

Hard Maple Neck

Extended 24-Fret Rosewood Fretboard

12th Fret Neck Joint

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saopbaba||item.||page.||savannahbanjos||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33848456||||||Savannah SB-070 Open Back Banjo||sb-70||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||199.990||266.990 ||199.990 ||Savannah Open Back banjo||||||||1||1||1||0||||||||With its lightweight design, this Savannah SB-070 open back banjo is easily transportable and always sounds great. This 18-bracket banjo also boasts a classic calfskin style head for superb tonal response and projection. Savannah banjo with open back features:

� Maple Rim

� Rosewood Fretboard

� Remo Fiberskyn Head

� Geared 5th Peg

� 14:1 Covered Tuners

� 18 Brackets

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|sasbba||item.||page.||savannahbanjos||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33878901||||||Savannah SB-080 Banjo||SB-080||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||229.990||306.990 ||229.990 ||Savannah SB-080 18 Bracket Banjo||||||||1||1||1||0||||||||Savannah SB-080 Banjo features:

Nato Resonator

Nato Neck

Laminate Maple Rim

Rosewood Fretboard

Inlaid M.O.P. Position Markers

18 Brackets

5/8" Hard Maple Bridge

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|sa24brba||item.||page.||savannahbanjos||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33926260||||||Savannah SB-100 Banjo||SB-100||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||264.990||346.990 ||264.990 ||Savannah 24 Bracket Banjo SB-100 with Free Shipping||||||||1||1||1||0||||||||This Savannah SB-100 24 bracket banjo features a mahogany resonator with thumb screws, and a 14:1 ratio geared 5th peg. Johnson Savannah 5 string banjo features:

� Mahogany Resonator w/Thumb Screws

� Mahogany Neck

� 3-Ply Maple Rim

� Geared 5th Peg

� Individual Geared Tuners

� 24 Brackets

� Nickel-Plated Armrest

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|sa246ba||item.||page.||savannahbanjos||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33952384||||||Savannah SB-106 6-String Banjo||SB-106||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||269.990||373.990 ||269.990 ||Savannah SB-106 6 String Banjo||||||||1||1||1||0||||||||The Savannah SB-106 6-string banjo brings the down-home tone of the banjo and the playability of the guitar together into one great instrument. This Savannah 24 bracket banjo is tuned like a guitar, and features a short scale length and jumbo frets for very easy playability.

� Mahogany Resonator with Thumb Screws

� Mahogany Neck

� 3-Ply Maple Rim

� 24 Brackets

� Individual Geared Tuners

� Adjustable Truss Rod

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~0~~|^^|sasbplba||item.||page.||savannahbanjos||https://sep.yimg.com/ay/chrisbsmusicinc/savannah-sb-110-planetary-banjo-8.gif||||||Savannah SB-110 Planetary Banjo||SB-110||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||349.990||466.990 ||349.990 ||Savannah SB-110

Geared 5th Peg 30 Brackets||||||||1||1||1||0||||||||Savannah SB-110 Planetary Banjo

Mahogany Resonator with Thumb Screws

Mahogany Neck

Cast Aluminum Rim

Planetary Tuners

Inlaid M.O.P. Headstock Design

Bound Rosewood Fretboard
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sasffma||item.||page.||sama||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_33978803||||||Savannah SF-100 F-Model Mandolin||SF-100||acin mandolins1 sama||Acoustic Instruments > Mandolins > Savannah Mandolins > ||224.990||299.990 ||224.990 ||||||||||1||1||1||0||||||||Savannah SF-100 F model mandolin with case.

Spruce Top

Maple Back & Sides

Extended 24-Fret Fingerboard

Ebony Bridge

Nickel Tuners

Includes Featherweight Case

Available in Sunburst or Black

||Color: Sunburst Black||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sasgoooacel||item.||page.||sagu||https://sep.yimg.com/ay/chrisbsmusicinc/savannah-sgo-16-ooo-acoustic-electric-7.gif||||||Savannah SGO-16 OOO Acoustic Electric||SGO-16CE||acin sagu||Acoustic Instruments > Savannah Guitars > ||159.990||213.990 ||159.990 ||Savannah SGO-16 OOO Acoustic Electric Guitar w Cutaway||||||||1||1||1||0||||||||
OOO Body

Mahogany Top, Back, Sides & Neck

Thin C Neck

25.4" Scale

1-11/16" Nut Width

Bound Rosewood Fretboard

Tortoise Shell Binding

Natural Gloss Finish

3-Band EQ & LCD Tuner Including Phase Control
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sasusouk||item.||page.||johuk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34040114||||||Savannah SU-100 Soprano Ukulele||SU-100||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||39.990||49.990 ||39.990 ||Savannah Soprano Uke||||||||1||1||1||0||||||||The Savannah soprano ukulele is a good quality soprano ukulele. The Savannah soprano uke makes a great first ukulele at a reasonable price.

White Wood Body

Maple Neck & Fretboard

Friction Peg Tuners

12 Frets

Inlaid Position Markers

Matte Finish

Includes Carrying Bag

||||||||||||||||0||||||||||||||||||||Savannah||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|satrba||item.||page.||savannahbanjos||https://sep.yimg.com/ay/chrisbsmusicinc/savannah-travel-banjo-6.gif||||||Savannah Travel Banjo||SB-60||acin banjos1 savannahbanjos||Acoustic Instruments > Banjos > Savannah Banjos > ||249.990||333.990 ||249.990 ||Savannah SB-60 Travel Banjo||||||||1||1||1||0||||||||This travel banjo offers quality construction at a great price. Details on Savannah Travel banjo

Maple Rim

Rosewood Fretboard

14:1 Covered Tuners

24 Brackets

11" Head Diameter

Scale Length of 19-3/4"
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saukre||item.||page.||johuk||||||||Savannah Ukulele Reviews||||acin johuk||Acoustic Instruments > Johnson Ukuleles > ||||||||Savannah Ukulele Reviews||||||||0||1||0||0||||||||Savannah makes a nice quality beginner ukulele. These instruments hold tune well, have good intonation and a nice sound. They each come with gig bags, which makes transportation of the instrument easy and secure.

Savannah ukes were previously named the Johnson ukulele line. The company makes ukes in soprano, baritone and pineapple styles as well as a player package.

The colored soprano models are unique.

Browse Savannah Ukuleles||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saxdepartment||item.||page.||inren||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34106927||||||Sax Department||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||img amsax jupsax keilsax selsax yasa yasa1 moutforsax stanforsax casesforsax saxreeds saxbuyguid||||
FOR SAXOPHONE PRICING CALL
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Shop All Saxophones||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saxguide||item.||page.||wooddep||||||||Sax Guide||||schoolbanin inren wooddep||School Band Instruments > School Band Instruments > Woodwind Department > ||||||||Saxophone!||||||||0||1||0||0||||saxmusic||||

Setting out to purchase a saxophone can be a daunting process. This guide will help you sort out the possibilities and find an instrument that meets your needs.

How To Select Your Saxophone First, a little overview and history
Since its invention by Adolphe Sax in 1841, the saxophone has gone on to become perhaps the most featured wind instrument in pop and jazz. Modern saxophones come in a range of voicings. The most popular from high to low are the soprano, alto, tenor, and baritone. The soprano and tenor are tuned in Bb while the alto and baritone are pitched to Eb. Though advanced students may learn to play all four instruments, typically saxophonists settle on one instrument with which they will develop their own distinct solo voice.

Musical from the get-go
Unlike neophyte flautists and clarinetists, the beginning saxophonist usually can produce a credible, musical tone during the earliest learning stages. Within the standard ranges of the various saxophones, notes can be produced relatively easily, even before the student has developed his or her embouchure (the optimal lip position required to produce the best tone) and breathing technique.

Buying the first instrument
The alto saxophone is far and away the most common starter instrument. Its smaller key layout and need for a little less air make it a solid choice for the younger student. Other factors making the alto a popular first saxophone are its generally lower cost as well as the wealth of classical repertoire written for the instrument. Most of the skills that will be learned on the alto are readily transferable to other saxophones. In elementary and high schools, altos typically represent the largest share of the saxophone section.

Regardless of which type of saxophone you and your student settle on, you will need to choose among three instrument quality levels: student, intermediate, and professional.

The student saxophone
Manufacturers have put a lot of attention into producing starter instruments that are affordable while offering the musicality that will keep a neophyte committed to developing his or her skills. Most student horns feel comfortable to beginners and are capable of producing pleasing tone quite easily. If your child's commitment to the saxophone is uncertain, a student model makes sense. In three years or so you will be ready to trade up to an intermediate instrument, and provided the student horn is still in decent shape, its sale or trade will help to underwrite the cost of the new sax.

Intermediate saxophones
As the name implies, intermediate models straddle the area between student and professional instruments. Though the key work and action may feel similar to a professional instrument, the intermediate horns usually do not produce the full tone of pro models. They typically evidence less hand work than professional instruments and usually lack the deluxe cosmetic detailing of their higher-end brethren.

Going pro
Professional saxophones offer a significant step-up in tone, response, and intonation. There is usually a lot of hand work such as hand-hammered keys and elaborate hand-engraving on the bell. The metal alloys, solders, and other materials used are of the highest quality resulting in advanced playability and full expressiveness.

Body construction
Saxophones have either ribbed or non-ribbed construction with most modern instruments being ribbed. This refers to how the posts (the knobs that protrude from the body to hold the keys) attach to the body. Individual posts are attached to plates or sheets of brass with high-temperature solder or brazing material. These rib assemblies are then attached to the saxophone body with lower-temperature solder. Ribs strengthen the bond between the posts and the body helping to keep the instrument in adjustment longer.

Student saxes and vintage U.S.-made horns are traditionally non-ribbed. This isn't necessarily a negative as the instrument is a little lighter and may be easier for the student to blow.

Materials and finishes
Most saxes are made with yellow brass bodies. Some instruments are available with bodies, bells, and/or necks made of bronze, copper, or sterling silver. These alternate materials darken the tone, add cost, require careful handling, and are geared towards the professional player seeking a distinctive tone and look.

The standard finish for most saxophones is a clear lacquer. Today, the saxophonist can choose from an array of alternate finishes including colored or pigmented lacquers, silver plate, "antiqued" or "vintage" finishes, nickel-plate, or black nickel-plate.

Additional keys
Most modern saxophones have a high F# key, though it is possible to play the note without the key. A growing number of soprano saxophones offer a high G key, though again, the note is playable without the key. Selmer Paris Series III altos include a C# resonance key for improved clarity of middle C#. Low A keys are now seen on most baritone saxophones.

When you purchase a new saxophone from Musician's Friend you are protected by our 45-Day Lowest Price and Complete Satisfaction Guarantees. Take a full 45 days at home to decide if your purchase is exactly right and to confirm that you have paid the lowest possible price.||||saxophone, sax links, sax playing resources, saxophone tips||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saxmusic||link.||||saxguide||||||||Sax Music||||schoolbanin inren wooddep saxguide||School Band Instruments > School Band Instruments > Woodwind Department > Sax Guide > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saxpadsaver||item.||page.||hwpadsavers||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34110889||||||Sax Pad Saver||6097||schoolbanin inren wooddep hwpadsavers||School Band Instruments > School Band Instruments > Woodwind Department > H.W Pad Savers > ||15.990||21.500 ||15.990 ||||||||||0||1||1||0||||||||The original H.W. Pad Saver. This de-moisturizer is left inside the instrument when not in use to absorb all the moisture including the damaging moisture that causes pads to rot and deteriorate. Significantly reduces the need for expensive re-pad jobs. If you care about your instrument, you want the pad saver. Availability: Usually ships in 24 hours.||Type: Tenor Alto Soprano||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saxreeds||item.||page.||saxdepartment||||||||Sax Reeds||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||||||||||0||1||0||0||||ricroysopsax ricroyalsaxr ricroytensax ricroybarsax||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|saxbuyguid||item.||page.||saxdepartment||||||||Saxophone Buying Guide||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||How to Buy a Sax||||||||0||1||0||0||||||||The saxophone is a member of the woodwind family and was invented by Adolphe Sax in 1841. It�s probably the most featured solo instrument in pop and jazz and there are many opportunities for beginner saxophonists to perform in concert, jazz and marching bands.

While there are many different instruments in the saxophone family from the soprano to the bass, the alto sax is traditionally the most common instrument for beginners.

It requires less air than a tenor and its smaller key layout makes it more comfortable for younger players hands. In time, with proper study, the technique and skills can easily be transferred to all the members of the sax family as well as clarinet and flute.

Most saxophones are made of yellow brass with a clear lacquer finish. Some instruments are available with bodies made of silver, bronze or gold. These higher-end instruments are more expensive and require special care.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|scalegenerator||item.||page.||guiten||||||||Scale Generator||||guiten||Guitar Encyclopedia > ||||||||||||||||0||1||0||0||||||||

Scale generator

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|scales||item.||page.||fremustheorl||||||||Scales||||onmusles fremustheorl||Online Music Lessons > Free Music Theory Lessons > ||||||||||||||||0||1||0||0||||||||

Major Dorian Phrygian Lydian Mixolydian Minor Locrian

- C D E F G A B

7/5 D E F G A B C

2 D E F G A B C

3 E F G A B C D

4 E F G A B C D

1 F G A B C D E

6/6 F G A B C D E

1 G A B C D E F

4 A B C D E F G

3 A B C D E F G

2 B C D E F G A

5/7 B C D E F G A

In the first row all the scales that are related are listed Major, Dorian, Phrygian, Lydian, Mixolydian, Minor and Locrian. In all the next rows below the first one all the Major scales are listed. For example in the fourth row the D Major scale is listed:

D E F# G A B C#

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schec00ser||item.||page.||schecguit||||||||Schecter 00 Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Schecter 00 Series Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schecbasguit||item.||page.||electricbass||||||||Schecter Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||Browse all Schecter Bass Guitars

Schecter Guitar Research Stiletto Studio-5 Bass Honey Satin

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Schecter Blackjack ATX C1 FR Electric Guitar

Schecter BlackJack ATX C-7 Electric Guitar Aged White ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|scheccser||item.||page.||schecguit||||||||Schecter C Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Schecter C Series Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schecdamser||item.||page.||schecguit||||||||Schecter Damien Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Schecter Damien Series Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schecguit||item.||page.||elguit1||||||||Schecter Guitars||||elguit1||Electric Guitars > ||||||||Schecter Guitars Schecter Guitar Research Banshee Elite-6 Schecter Guitar Research C-1 Classic Schecter Guitar Research Blackjack ATX C-1||||||||0||1||0||0||||scheccser schecsser schectemser schec00ser schecptser schecblacser schecomser schecdamser usscgu||||Low prices and free shipping on Schecter Guitars
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Schecter Guitar Research Hellraiser C-1 Electric Guitar Black
||||Schecter Guitars, Schecter C-1, Semi-Hollow Electric Guitars, Schecter Guitars & Basses, more Schecter guitars||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schecomser||item.||page.||schecguit||||||||Schecter Omen Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Schecter Omen Series Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schecptser||item.||page.||schecguit||||||||Schecter PT Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||
Schecter PT-Standard Electric Guitar Black ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schecsser||item.||page.||schecguit||||||||Schecter S Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schectemser||item.||page.||schecguit||||||||Schecter Tempest Series||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Schecter Tempest Series Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|inren||item.||page.||schoolbanin||||||||School Band Instruments||||schoolbanin||School Band Instruments > ||||||||Pay Monthly On The Instrument of Your Choice!||||||||0||1||0||0||||newinforsal brasdep saxdepartment wooddep trumpets trombones flutes clarinets oboes bassoons1 prelbycon yambanin perguid whenshoulist mouthpieces tipforstudan incarkit kmstanforban banincasandg banmetbook yamsilbrassy emwinbanin inreinrhis panpipes pabain||||We offer rent to own on most guitars, basses and drum sets. We also offer what we believe are among the lowest prices on school band instrument rentals in the nation. Flutes, clarinets, trumpets..even hard to find rentals such as cello and bass.

We are always happy to answer any questions you may have regarding music and your child

Some Examples:
Flutes, Clarinet Trumpets, Trombones, Violins, Violas..$23 per month.

Alto Saxophones, Cello, Oboe, Piccolo $35 per month.
Tenor and Bari Sax, French Horn $40.00 per month.
All rental payments work toward ownership of the instrument and all instruments are fully covered against theft or needed repairs.

||||music instrument rentals, school band instruments, flutes for sale, clarinets, tubas, euphoniums, marching band, oboe, sax, trumpet, trombone, how to rent a flute, tips for clarinet, buying a trombone,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schoolbanin||item.||page.||||||||||School Band Instruments||||||||||||||||||||||0||1||0||0||||inren||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|schoolbanin1||item.||page.||index||||||||School Band Instruments||||||||||||||Enter our School band HQ||||||||0||1||0||0||||||||SCHOOL BAND HQ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|seagullguitars||item.||page.||acin||||||||Seagull Guitars||||acin||Acoustic Instruments > ||||||||Low prices and fast shipping on Seagull Guitars
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Seagull Maritime Sws Semi-Gloss Qi Acoustic-Electric Guitar Natural

Solid mahogany and spruce construction lends this guitar warm, rich tone.

The Maritime SWS Folk acoustic-electric guitar is made with a solid mahogany body. The guitar's mahogany body produces a strong sound with an emphasis on a mellow, round midrange. The Maritime SWS Folk also features a solid spruce top, integrated set mahogany neck, chrome hardware, and an Indian rosewood bridge and fretboard. The guitar's high-gloss finish provides excellent protection but at the same time is extremely light and elastic. This is a crucial point in both the sound of the guitar and its ability to age�a thick finish muffles a guitar's vibration and blocks aging. The Seagull Maritime SWS guitar also features the Godin Quantum I onboard electronics for a great plugged-in experience.

Seagull Coastline S6 Gt Dreadnought Acoustic Guitar Sunburst
The Seagull Coastline S6 GT is a dreadnought acoustic guitar with a burst finish that exudes the flash of some other acoustic guitars but with earthy colors that retain the natural look of wood. There's just something classic about a sunburst finish on an acoustic guitar, and it has always been a popular choice.

Seagull Slim Dreadnought Qi Eq Natural
Seagull acoustic guitars put this idea into motion after realizing that certain players love the S6 Original but prefer a more traditional feeling nut width. The New S6 Original Slim features a comfortable, slimmer than traditional 1.72" (4,37 cm) nut width. The same nut width as its parlor sized little brother with the big sound, the Seagull Grand. The Slims cream binding also helps differentiate this model from its S6 Original counterpart. The combination of the solid cedar top and wild cherry back & sides gives this guitar a full, warm contoured sound, further accentuated by the comfort of the silver leaf maple neck with rosewood fingerboard and double function truss rod. Another key characteristic to these guitars, as with all Seagull guitars, is the use of genuine lacquer finish, which enables the top to breathe and vibrate freely. This in turn promotes the aging process of the guitar, meaning that your instrument will actually sound better the more it is played over time. The S6 Original Slim keeps with the same Seagull high standards of quality and Musicality.

Seagull Entourage Grand Parlor Acoustic-Electric Parlor Guitar Rustic

Seagull Entourage Cw Black Gt Qit Acoustic-Electric Guitar Black||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|nsearch||search.||searchpage.||||||||||Search||||||||||||||Product Search||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|selmeroboes||item.||page.||oboes||||||||Selmer Oboes||||schoolbanin inren oboes||School Band Instruments > School Band Instruments > Oboes > ||||||||||||||||0||1||0||0||||||||Browse Selmer Oboes||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|selparclar||item.||page.||clarinets||||||||Selmer Paris Clarinets||||schoolbanin inren clarinets||School Band Instruments > School Band Instruments > Clarinets > ||||||||||||||||0||1||0||0||||||||

Selmer Paris Saint Louis Bb Clarinet 889406502963

Selmer Paris Recital Model Bb Clarinet 889406873124

Selmer Paris Recital Model A Clarinet 889406856332

Selmer Paris Recital Model Bb Clarinet Regular 886830366338

Selmer Paris Recital Model A Clarinet 889406351295

Selmer Paris Recital Model A Clarinet||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|selmertrumpets||item.||page.||trumpets||||||||Selmer Trumpets||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||||||||||0||1||0||0||||||||Browse all Selmer Trumpets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|selsax||item.||page.||saxdepartment||||||||Selmer-Paris Saxophones||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||Low prices and free shipping on Selmer-Paris Saxophones
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Shop All Selmer-Paris Saxophones ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|setupwirsys||item.||page.||219mormic||||||||Setting Up Wireless Systems||||accessories 219mormic||Accessories > Microphone Home Page > ||||||||||||||||0||1||0||0||||||||A Useful Guide That Helps You Produce the Best Sound From Your Wireless System

Incorrect adjustment of gain and output controls is a common cause of audio quality problems when using wireless microphones. Distorted and choppy audio, or weak and noisy audio, can result if these controls are not properly set.

Here is the recommended procedure - Install a fresh battery in the transmitter, turn on the system, verify that it is working properly, and make certain that there is no noticeable interference.

- Position (or hold) the microphone in the same location that will be used during the performance or presentation.

- Speak or sing loudly into the microphone, matching the loudness of the actual event as closely as possible.

- Watch the audio level indicator ("AF," "AF Peak" or "AF Level") on the receiver. If the indicator LED or highest AF Level LED is not flashing at least occasionally, increase the transmitter audio gain.

- If the receiver audio level indicator flashes frequently or continuously, turn down the transmitter audio gain.

- Make certain that the indicator flashes momentarily from time to time on voice peaks, but not frequently or for more than a fraction of a second.

- Set the input level control on the mixer or amplifier to a convenient reference position. The exact setting is not critical.

- Adjust the receiver output level control until the system audio level is as desired.

- Do not readjust the transmitter gain control to change the audio level; use the receiver output level control or the mixer (or amplifier) input gain control.

- Readjust the transmitter control only if the audio indicator on the receiver does not flash occasionally or flashes too frequently.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sevstringuit||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34119093||||||Seven String Guitars||||elguit1||Electric Guitars > ||||||||Low prices and free shipping on Seven String Guitars
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Dean Razorback 7 255 7-String Electric Guitar Metallic White/Black

Music Man John Petrucci Jpxi-7 7-String Electric Guitar Onyx

Jackson Slatxmgq3-7 Soloist 7-String Electric Guitar Transparent Red||||seven string guitar, 7 string, rg7620, jem, universe, ibanezuv777, esp seven string guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sgseries||link.||||gibson||||||||SG Series||||elguit1 gibson||Electric Guitars > Gibson Guitars > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sheetmusicplus6||link.||||noname2||||||||Sheet Music Plus||||noname2||Free Guitar Strings > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sheetmusbook||item.||page.||index||||||||Sheet Music/Music Books||||||||||||||||||||||0||1||0||0||||||||
Want Sheet Music? Try Sheet Music Plus. They have over a quarter million titles to choose from, and you can order online.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|shcero||item.||page.||rosin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34120430||||||Sherman Cello Rosin||VP-01C||strinin rosin||Stringed Instruments > Rosin > ||2.990||2.990 ||||||||||||1||1||1||0||||||||
Popular and Economical, Sherman Rosin has long been the choice of many in the industry
2" Cake In Wood Holder
Dark color
For Cello
||||||||||||||||0||||||||||||||||||||Sherman||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|shurmic||item.||page.||219mormic||||||||Shure Microphones||||accessories 219mormic||Accessories > Microphone Home Page > ||||||||||||||||0||1||0||0||||||||Browse all Shure Microphones
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|silvertone||item.||page.||elguit1||||||||Silvertone||||elguit1||Electric Guitars > ||||||||Silvertone Guitars||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|silbasguit||item.||page.||electricbass||||||||Silvertone Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sieldrse||item.||page.||eldrum||||||||Simmons Electronic Drum Sets||||drumsticks eldrum||Drum Kits > Electronic Drums > ||||||||||||||||0||1||0||0||||||||Browse all Simmons Electronic Drum Sets

Simmons SD9K Electronic Drum Set

Simmons SD7PK Electronic Drum Set

Simmons SDMK4 Digital Multi Pad Electronic Drum Set||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sinstomboxor||item.||page.||eftectip||||||||Single-effect stomp boxes or multi-effects pedals?||||effects eftectip||Effects > Effects Tech Tips > ||||||||Which guitar effects are better: Single-effect stomp boxes or multi-effects pedals?||||||||0||1||0||0||||||||

Which guitar effects are better: Single-effect stomp boxes or multi-effects pedals?

Multi-effects devices offer several effects in one package and blend usually blend effects into presets or patches. There are a lot of cool multi-effects pedals out there that give you a bigger bang for your buck...if you're looking at a dollar-per-effect ratio. After all, some sacrifices have to be made to squeeze all those multi-effects into a small box and keep the price low.

Individual, dedicated effect pedals often deliver superior effects with a wider rage of adjustability�but they cost more on a per/effect basis. In other words, you can typically get more sonic quality and more variations on a single- effect pedal. Some little multi-effects pedals deliver some very nifty, high-quality sounds and some editing ability. It really comes down to personal taste, and which types of effects sound best with your music.

Here's the bottom line: If your music requires multi-effects, then you need a whopping multi-effects pedal. But if you're only going to use a few effects, you may be better served by dedicated stomp boxes. In the end, the music will tell you exactly what it needs.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|si34sisitowc||item.||page.||sitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34136196||||||Sitar, 3/4 Size, Single Toomba, w Case ||STRM||acin sitars||Acoustic Instruments > Sitars > ||374.250||499.000 ||374.250 ||3/4 sized Sitar

CALL TOLL FREE TO ORDER THIS SITAR
877 712 4747||||||||1||1||1||0||||||||This 3/4 sized sitar features 5 main, 2 chikari and 11 sympathetic strings, approximately 42 inches in length. No rear toomba.

Includes extra string set, mizrabs, information and tuning guide (Book or CD-Rom as stock allows), and hard case. Decorations and colors will vary. These are all individually made and will be unique.||||||||||||||||0||||||||||||||||||||Mid-East||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sitarhalfsize||item.||page.||sitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34179281||||||Sitar, Halfsize ||STRHN||acin sitars||Acoustic Instruments > Sitars > ||279.000||399.000 ||279.000 ||Half sized Sitar||||||||1||1||1||0||||||||5 main, 2 chikari and 9 sympathetic strings and rear toomba, approximately 36 inches in length. Toomba colors may vary. Decorations and colors will vary. These are all individually made and will be unique. Includes extra string set, mizrabs, information and tuning guide (Book or CD-Rom as stock allows)

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sitars||item.||page.||acin||||||||Sitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||si34sisitowc sitarhalfsize||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbaltosaxcase||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34211887||||||SKB Alto Sax Case||1SKB-140||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||93.990||149.950 ||93.990 ||SKB Alto Sax Case||||||||1||1||1||0||||||||SKB Contoured alto sax cases are everywhere, and for good reason. They're U. S. made of high-impact ABS polyethylene that's 25% smaller and much lighter than traditional wood cases, and offer the same hard-shell protection.

Lightweight, highly protective and virtually indestructible, this contoured alto case carries a lifetime warranty to the original purchaser. This case is stronger than standard molded designs because all rivets and hardware are backed with steel washers; it's nearly impossible to make them pull through. It features heavy-duty latches, handle, and hardware - including built in "D" rings for attaching a shoulder strap (not included). The form-fitting interior is plush lined and has an accessory compartment.

� Perfect fit valances with D-Ring for strap � Hardware reinforced with backplates - these latches are mounted forever. � Neck and mouthpiece bags||||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbcecawiwh||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34215399||||||SKB Cello Case with Wheels||SKB-544||strinin||Stringed Instruments > ||329.990||519.990 ||329.990 ||SKB Cello Shell||||||||1||1||1||0||||||||SKB proudly introduces the Cello Shell. A 4/4 case designed with the student cellist in mind. The rotationally molded case has a scratch resistant granite finish and sports built-in wheels and hi-tech Sure-grip handles. Two interior pockets hold strings and rosin separately and the case will hold two bows.

Exterior Length 52.75 in

Instrument Body Length 37.00 in

Instrument Body Depth 6.00 in

Instrument Lower Bout 18.50 in

Instrument Upper Bout 14.50 in

Product Weight 16.50 lb

||||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbclarcas||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34273423||||||SKB Clarinet Case||1SKB-320||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||54.990||79.990 ||54.990 ||SKB Clarinet Case||||||||1||1||1||0||||||||SKB clarinet cases are made of high-impact ABS polyethylene that's 25% smaller and much lighter than traditional wood cases, and offer the same hard-shell protection. Made in the USA.

This SKB clarinet case is stronger than standard molded designs because all rivets and hardware are backed with steel washers; it's nearly impossible to make them pull through. It features heavy-duty latches, handle, and hardware - including built in "D" rings for attaching a shoulder strap (not included). The form-fitting interior is plush lined and has an accessory compartment.||||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbflutcarba||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34294565||||||SKB Flute Carry Bag||1SKB-1706P||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||32.950||49.950 ||32.950 ||||||||||1||1||1||0||||||||Flute cases slip conveniently into our newly designed padded carry bag. This stylish bag offers added protection with extra space for sheet music and accessories. You�ll love the adjustable padded shoulder straps and the built-in piccolo pouch! Interior Dimensions: 17"L x 6"W x 2 1/2" D||||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbflutecase||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34303258||||||SKB Flute Case||1SKB-312||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||39.990||64.990 ||39.990 ||SKB Flute Case||||||||1||1||1||0||||||||Lightweight and indestructible SKB flute cases offer a lifetime warranty to the original purchaser. Features include hardware that is riveted with steel backup plates.||Flute Type "C foot joint" "B foot joint"||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbtromcas||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34314686||||||SKB Trombone Case||1SKB-360||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||99.990||164.990 ||99.990 ||SKB Trombone Case||||||||1||1||1||0||||||||SKB Trombone Case; Fits small bore straight tenors with up to an 8 inch bell, all brands.

Perfect fit valances with D-Ring for strap � Hardware reinforced with backplates - these latches are mounted forever � Interior compartment for storing accessories||||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|skbtrumpetcase||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34320526||||||SKB Trumpet Case||1SKB-330||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||89.990||124.990 ||89.990 ||SKB Trumpet Case Shaped or Rectangular||||||||1||1||1||0||||||||SKB Trumpet Case; Fits B-flat trumpets, all brands. Lifetime warranty to the original purchaser.

The instrument experts at SKB have painstakingly addressed every issue that is important to musicians and band directors: Fit, portability, durability, and style. The SKB Trumpet Case provides excellent protection at a remarkable price and features: accessory storage room for a straight mute, backing plates on all hardware, and stackable. EPS foam plush interior

Interior Dimensions 19-1/2" L x 6" W x 5-3/4" D||Style: Shaped Rectangular||||||||||||||0||||||||||||||||||||SKB||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|slammerguitars||item.||page.||elguit1||||||||Slammer Guitars||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||slampacpac slampacwmapf||||Slammer is the radical son of Hamer USA. That's right, Hamer. Known for producing some of the finest custom shop guitars the world has ever seen, played or heard. Browse our 6-String or Bass Guitar galleries to find the perfect Slammer for you.

Slammer Guitars were discontinued...check out the AXL Guitar Line||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|slampacpac||item.||page.||slammerguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34326354||||||Slammer Pacer - PAC3||PAC3||elguit1 slammerguitars||Electric Guitars > Slammer Guitars > ||139.000||259.000 ||139.000 ||||||||||0||1||1||0||||||||Whether you want a sound that's clean or downright nasty, this guitar will put a smile on your face especially when you hear the price. A highly resonant hardwood body meets a 25 1/2" scale length and a 1 piece Maple neck with Rosewood fingerboard.
||Color: Black Sunburst Red||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|slampacwmapf||item.||page.||slammerguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34343650||||||Slammer Pacer w/ Maple Fingerboard||PAC 3M||elguit1 slammerguitars||Electric Guitars > Slammer Guitars > ||179.000||309.000 ||179.000 ||||||||||0||1||1||0||||||||Whether you want a sound that's clean or downright nasty, this guitar will put a smile on your face especially when you hear the price. A highly resonant hardwood body meets a 25 1/2" scale length and a 1 piece Maple neck with maple fingerboard.
||Color: "2 Tone Sunburst" Black||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|snaredrums||item.||page.||drumsticks||||||||Snare Drums||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||mapsnardrum pearsnardrum premsnardrum yamsnardrum tamasnaredrums||||Browse all Snare Drums

||||snare drums,a snare, pearl snares, free floating snare, drums, drum sets, drum heads||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|snclchguandb||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34364383||||||Snark Clip-On Chromatic Guitar and Bass Tuner SN-1||SN-1||accessories||Accessories > ||11.990||29.000 ||11.990 ||Snark SN-1 Guitar and Bass Tuner||||||||1||1||1||0||||||||Snark chromatic guitar and bass tuner features:

Full color display that rotates 360 degrees

Stay put clip

Tap tempo metronome

Goes on front or back of headstock-can be used for right and left handed guitars
||||||||||||||||0||||||||||||||||||||Rowin ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|snsngubaandv||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34373574||||||Snark SN-5 Guitar, Bass and Violin Tuner||SN-5||accessories||Accessories > ||11.990||19.000 ||11.990 ||Snark SN-5 Tuner||||||||1||1||1||0||||||||Snark SN-5 Guitar, Bass and Violin Tuner features:

Full color display that rotates 360 degrees

Stay put clip

Tap tempo metronome

Features frequency range tailored to guitar, bass and violin

Snark tuner offers easy, fast and very accurate tuning.||||||||||||||0611820001728||0||||||||||||||||||||evets||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|soldanoamps||item.||page.||elguit1||||||||Soldano Amps||||elguit1||Electric Guitars > ||||||||Soldano Amps like Astroverb, Avenger, SLO100||||||||0||1||0||0||||||||

Soldano Hot Rod 100 Avenger 100W Tube Guitar Amp Head Black

Soldano Avenger 50W Tube Guitar Amp Head Black

Soldano Astroverb 112 1X12 Tube Guitar Combo Amp Black

Soldano Reverb-O-Sonic 50-Watt Dual Channel 2x12 Combo Standard
The Soldano Reverb-O-Sonic 50-Watt Dual Channel 2x12 Combo is a streamlined amp with 2 independent preamp channels, Clean and Crunch, plus borrowed circuitry from the SLO-100. Clean delivers plenty of vintage American tone with a tight bottom end and a shimmering top. The Crunch mode is an aggressive voice, everything from old blues and rock, to ultra-hot modern lead tones. All of this tone is enhanced by a tube-driven 6-spring reverb with a shared level control. A 3-band EQ with presence control on each channel provides uncompromised sound. Back panel features include a tube buffered effects loop, reverb footswitch jacks, and speaker outs.

Soldano Hot Rod 50 Plus 50W Tube Guitar Amp Head Black
The Hot Rod 50 Plus is a 50 watt 2-channel guitar amp head, with independent preamp and master volume controls for each channel. The normal channel is similar to the SLO's Crunch mode, with clean sounds available at lower gain settings. The Overdrive channel is identical to the SLO circuit and gives awesome sustain even at moderate settings. The tone controls shape the sound of both channels and are interactive � meaning each control will effect the others. This gives you the flexibility to dial in all the unique and subtle tones you've been searching for. The Soldano Hot Rod 50 amp head also has a global presence control that lets you add high end sparkle to both channels. Other features include a line level series effects loop, a slave output with a level control, a speaker impedance switch, and a channel footswitch.

Soldano Hot Rod 50 Avenger 50W Tube Guitar Amp Head Black
This Avenger 50 tube guitar amp gives you pure distilled Soldano overdrive tone, and if that's the sound you gotta have, this is the amp for you�a 50-watt amplifier head with the SOL 100 overdrive circuit and no channel switching or effects loop to complicate things. Stripped to the bone, this simplified signal path also improves dynamic response for a punchier sound.

The Soldano Avenger's High and Low gain input jacks provide the option of using the full SLO lead circuit or skipping the first gain stage for a darker crunch. In addition to the preamp Gain, Bass, Middle, Treble, Master Volume and Presence controls, a Depth control is included for boosting low end, and a rotary impedance selector switch allows the use of 4-, 8-, or 16-ohm speaker cabinets. The amp head uses 5881/6L6 power tubes, like the SLO.

Soldano Slo100 Super Lead Overdrive Head

Soldano Avenger Amplifier Head

Used Soldano 44 1X12 Tube Guitar Combo Amp Black 886830351624||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|somguithis||link.||||||||||||Some Guitar History||||||||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|songspoems||item.||page.||forteachers||||||||Songs/Poems||||onmusles forteachers||Online Music Lessons > For Teachers > ||||||||Great for Elementary Students||||||||0||1||0||0||||25titofsheet4||||
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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sonormallets||item.||page.||drumsticks||||||||Sonor Mallets||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Browse all Sonor Mallets ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sopranoukecase||item.||||ukelele||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34380060||||||Soprano Uke Case||UC101ES||acin sarouk ukelele||Acoustic Instruments > Santa Rose Ukuleles > Ukelele > ||29.990||39.990 ||29.990 ||||||||||1||1||1||0||||||||This black chipboard standard soprano size ukulele case is covered with imitation leather and lined with velour. Keratolin-bound edges, brass-plated clasps, and a plastic handle add the finishing touches.||||||||||||||||0||||||||||||||||||||Performance Plus||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|soukegigbag||item.||page.||ukuleles||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34387866||||||Soprano Uke Gig Bag||CG-164||acin ukuleles||Acoustic Instruments > Mahalo Ukuleles > ||16.950||16.950 ||||||||||||0||1||1||0||||||||Gig bag for soprano ukuleles. This Golden Gate uke gig bag offers excellent protection for your instrument

Luggage-grade 420-denier black nylon
12mm foam bonded to nylon lining
Adjustable shoulder strap and/or
nylon handle
Full-size zippered accessory pocket
||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|specefcym||link.||||cymbals||||||||Special Effects Cymbals||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|splashcymbals||link.||||cymbals||||||||Splash Cymbals||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|spoilseralsa1||item.||page.||runmout||||||||Spoiler Series Alto Sax Mouthpiece||spas||schoolbanin inren mouthpieces runmout||School Band Instruments > School Band Instruments > Mouthpieces > Runyon Mouthpieces > ||59.990||89.000 ||59.990 ||||||||||0||1||1||0||||||||||Facing/Color: "# 4 Blk" "# 4 Red" "# 4 Blu" "# 4 Ambr" "# 4 White" "# 5 Blk" "# 5 Red" "# 5 Blu" "# 5 Ambr" "# 5 White" "# 6 Blk" "# 6 Red" "# 6 Blu" "# 6 Ambr" "# 6 White" "# 7 Blk" "# 7 Red" "# 7 Blu" "# 7 Ambr" "# 7 White" "# 8 Blk" "# 8 Red" "# 8 Blu" "# 8 Ambr" "# 8 White" "# 9 Blk" "# 9 Red" "# 9 Blu" "# 9 Ambr" "# 9 White"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|spoilseralsa||item.||page.||runmout||||||||Spoiler Series Clarinet Mouthpiece||spas||schoolbanin inren mouthpieces runmout||School Band Instruments > School Band Instruments > Mouthpieces > Runyon Mouthpieces > ||54.990||78.000 ||54.990 ||Spoiler Series Clarinet Mouthpiece Available in Black, Red, Blue, Amber, and White||||||||0||1||1||0||||||||Introducing The Spoiler, the latest in state of the art technology for reed instrument mouthpieces. The spoiler is a Runyon innovation that allows the musician to produce the following qualities from a mouthpiece:

Greater Intensity and Character of Tone Greater Volume with less effort Greater Playing Ease Extreme Dynamics Fantastic Altissimo notes Beautiful Subtones with ease Superb Intonation Allows the player to more easily create the fantastic new Modern Sound All this is accomplished by placing an independently-mounted secondary reed inside the hollow mouthpiece chamber. This causes the secondary reed to vibrate sympathetically when the primary reed is placed in motion. The spoiler makes it possible to produce a wide range of tone qualities, expanding the artistic effects obtainable with reed-type musical instruments.

The air within the mouthpiece tone chamber oscillates to form a wave characteristic of the musical instrument, with its tone holes opened as desired by the musician to generate the various tones. It is this oscillatory motion of the air within the tone chamber of the mouthpiece which sets the secondary reed into sympathetic vibration and causes an improvement in the tone quality.

This new discovery is the result of Santy's ongoing research in the area of tone quality. This has allowed Runyun to produce incredible inventions and innovations such as this, where all the patents for this exclusive design are held by Santy himself.||Facing/Color: "# 3 Blk" "# 3 Red" "# 3 Blu" "# 3 Ambr" "# 3 White" "# 4 Blk" "# 4 Red" "# 4 Blu" "# 4 Ambr" "# 4 White" "# 5 Blk" "# 5 Red" "# 5 Blu" "# 5 Ambr" "# 5 White" "# 6 Blk" "# 6 Red" "# 6 Blu" "# 6 Ambr" "# 6 White" "# 7 Blk" "# 7 Red" "# 7 Blu" "# 7 Ambr" "# 7 White"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|spoilsertens||item.||page.||runmout||||||||Spoiler Series Tenor Sax Mouthpiece||spts||schoolbanin inren mouthpieces runmout||School Band Instruments > School Band Instruments > Mouthpieces > Runyon Mouthpieces > ||69.990||95.000 ||69.990 ||||||||||0||1||1||0||||||||||"# 4 Blk" "# 4 Red" "# 4 Blu" "# 4 Ambr" "# 4 White" "# 5 Blk" "# 5 Red" "# 5 Blu" "# 5 Ambr" "# 5 White" "# 6 Blk" "# 6 Red" "# 6 Blu" "# 6 Ambr" "# 6 White" "# 7 Blk" "# 7 Red" "# 7 Blu" "# 7 Ambr" "# 7 White" "# 8 Blk" "# 8 Red" "# 8 Blu" "# 8 Ambr" "# 8 White" "# 9 Blk" "# 9 Red" "# 9 Blu" "# 9 Ambr" "# 9 White" "# 10 Blk" "# 10 Red" "# 10 Blu" "# 10 Ambr" "# 10 White" "# 11 Blk" "# 11 Red" "# 11 Blu" "# 11 Ambr" "# 11 White" "# 12 Blk" "# 12 Red" "# 12 Blu" "# 12 Ambr" "# 12 White"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sr405||item.||page.||ibanezbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34405889||||||SR 405||sr405||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez SR 405 Five Stringed Bass||||||||0||0||1||0||||||||
Ibanez SR405QM Soundgear 5-String Electric Bass Charcoal Brown Burst

Just what a bass player does has expanded exponentially over the last several decades. No longer content to just walk behind, bassist are often taking the lead with the extended range of the six string's high C. And making sure the bottom is securely underpinned with the added low B on both the five string and six string (and putting keyboard synthbass players back in their place).The Soundgear design is perfect for five or six string. Since Soundgear the necks are already sleek, slim and fast, transition from four to five or six string playing techniques requires the absolute, least possible effort. And with Soundgear's electronics versatility and pickups that were designed specifically to handle the extended range, you can handle every king of gig that comes your way, whether it's R&B, metal, or contemporary jazz. The very affordable SR405 basses available in BK (Black) and LA(Light Amber) and feature Ibanez DXH series pickups and the Ibanez EQBIII three band EQ.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|srxseries||item.||page.||ibanezbass||||||||SRX Series||||electricbass ibanezbass||Electric Bass > Ibanez Bass > ||||||||Ibanez SRX Series Bass Guitars||||||||0||1||0||0||||||||
Ibanez SRX470 Bass Guitar Royal Blue

Ibanez SRX2EX1 4-String Bass Guitar Black

Ibanez SRX550 Electric Bass Guitar Blue Arctic Frost

Ibanez SRX590 Electric Bass Guitar Trans Gray Flat¹

Ibanez SRX3EXQM1 4-String Bass Guitar with Quilt Maple Top Transparent Gray

Ibanez SRX650 Soundgear Electric Bass Guitar Bright Blue¹

Ibanez SRX695DX Soundgear 5-String Bass Guitar Transparent Gray

Ibanez SRX475 5-String Bass Guitar Metallic Black ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stanofexbanm||item.||page.||banmetbook||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34426828||||||Standard of Excellence Band Method||soe||schoolbanin inren banmetbook||School Band Instruments > School Band Instruments > Band Method Books > ||6.450||6.450 ||||||||||||0||1||1||0||||||||The Standard of Excellence Comprehensive Band Method Books 1 & 2 combine a strong performance-centered approach with music theory, music history, ear training, listening composition, improvisation, and interdisciplinary and multicultural studies. The result is the most complete band method available anywhere.

Full color drawings and color-coding of important text and music motivate and inform.

Three starting systems help ensure positive results in any beginning situation.

FOR ... ONLY exercises (i.e. FOR FLUTES ONLY) offer idiomatic solutions to the unique challenges of each instrument.

Excellerators (advanced supplemental exercises) reinforce and enrich performance basics.

A nine page FOR OBOES ONLY starting system gives beginners a solid foundation for learning in the full band setting.

||Level/Instrument "BK 1 Flute" "BK 1 Oboe" "BK 1 Bassoon" "BK 1 B flat clarinet" "BK 1 E flat alto clarinet" "BK 1 B flat bass clarinet" "BK 1 E flat alto sax" "BK 1 B flat tenor sax" "BK 1 E flat bari sax" "BK 1 B flat trumpet" "BK 1 French Horn" "BK 1 Trombone" "BK 1 Baritone" "BK1 Tuba" "BK 1 Drums/Mallets" "BK 1 Timpani" "BK 2 Flute" "BK 2 Oboe" "BK 2 Bassoon" "BK 2 B flat clarinet" "BK 2 E flat alto clarinet" "BK 2 B flat bass clarinet" "BK 2 E flat alto sax" "BK 2 B flat tenor sax" "BK 2 E flat bari sax" "BK 2 B flat trumpet" "BK 2 French Horn" "BK 2 Trombone" "BK 2 Baritone" "BK 2 Tuba" "BK 2 Drums/Mallets" "BK 2 Timpani"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|kmstanforban||item.||page.||inren||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34444555||||||Stands for Band Instruments||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||alsaxstan clarinetstand flutestand trumpetstand trombonestand packstands konandmeysax konandmeybar konandmeybas kmflst kmfrhost||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stanforsax||item.||page.||saxdepartment||||||||Stands for Saxophone||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||||||||||0||1||0||0||||||||FOR SAXOPHONE STAND PRICING CALL
877 712 4747 ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stantur||item.||page.||geminidj1||||||||Stanton Turntables||||musicsoftware1 geminidj1||Recording/PA/Software > DJ Gear > ||||||||||||||||0||1||0||0||||||||Browse all Stanton Turntables ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stacgu1||item.||page.||stacgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34450813||||||Starcaster� Acoustic Guitar Pack||091-0315-021||acin stacgu||Acoustic Instruments > Starcaster� Acoustic Guitars > ||99.990||169.000 ||99.990 ||Starcaster� Acoustic Guitar Pack

Call Toll Free to Order 877 712 4747||||||||0||1||1||0||||||||The Starcaster� Acoustic Guitar Pack offers great features in a starter acoustic guitar. This guitar package includes strap, picks and extra strings.

Features: Laminated Spruce top, Laminated Nato back and sides, Dreadnought body shape, 20 frets, Rosewood fingerboard, 42mm nut width, Black pickguard, Die-Cast Chrome tuners, 25.5� scale length, Rosewood bridge. Available in Natural Gloss finish.

||||||||||||||||0||||||||||||||||||||Fender||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stacgu||item.||page.||acin||||||||Starcaster� Acoustic Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||stacpa stacgu1||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stacpa||item.||page.||stacgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34517113||||||Starcaster� Acoustic-Electric Pack||091-0104-124||acin stacgu||Acoustic Instruments > Starcaster� Acoustic Guitars > ||199.950||299.950 ||199.950 ||Starcaster� by Fender� Acoustic-Electric Pack||||||||0||1||1||0||||||||The Starcaster by Fender acoustic electric guitar package has all you need to start playing guitar.

Full-size Dreadnought acoustic guitar with built-in pickup and preamp. Rosewood fingerboard and bridge. Fishman� preamp offers volume, bass, mid, and treble controls, plus phase-switch, low-battery indicator light and built-in tuner. Includes strap, gig-bag, instructional DVD, picks and strings. High Gloss 2-Tone Sunburst finish.||Starcaster� Acoustic-Electric Guitar Package|^|Call Toll Free to Order 877 712 4747||||||||||||||0||||||||||||||||||||Fender||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ststiviou||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34595886||||||Stentor Student I Violin Outfit||1400||strinin||Stringed Instruments > ||139.000||195.000 ||139.000 ||||||||||0||1||1||0||||||||Stentor Student I Violin Outfit

The ideal entry level instruments suitable for intermediate grades.

All are hand carved from solid tonewoods with good quality rosewood pegs and fingerboard and alloy tailpiece with four integral adjusters.

The outfit includes a reliable student wood bow and well designed lightweight case with accessory pockets and carrying straps.||Size 4/4 3/4 1/2 1/4 1/8||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stevvaiefset||item.||page.||eftectip||||||||Steve Vai Effects Setup||||effects eftectip||Effects > Effects Tech Tips > ||||||||||||||||0||1||0||0||||||||

Morley Steve Vai Bad Horsie Wah Pedal

Boss DS-1 Distortion Pedal||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stevrayvauge||item.||page.||eftectip||||||||Stevie Ray Vaughan Effects Setup||||effects eftectip||Effects > Effects Tech Tips > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stickbags||link.||||cymbals||||||||Stick Bags||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stratstylbui||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34605545||||||Strat Style Guitar Kit||ST-10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||149.000||199.950 ||149.000 ||Strat Style Guitar Kit Build your own Strat Style Guitar||||||||1||1||1||0||||||||Saga ST-10 Stratocaster Guitar Kit.

This is your chance to make your own masterpiece. Never before has it been so affordable to make your own, fully playable and professional guitar. Follow the easy to read instructions and you are well on your way to making a one-of-a-kind!
Kit includes all parts and instructions necessary to build a complete, playable guitar
Body is made of all-select Basswood with shaping and routing already complete
Solid select Maple neck with a fretted Rosewood fingerboard
Headstock is a blank peghead shape with tuning machine holes pre-drilled
Adjustable truss rod
All hardware is heavily nickel plated
Electronic parts are mounted to the pickguard and ready for installation- no soldering required
All holes are pre-drilled
Complete with strings and electric cord

Browse All Guitar Builder Kits||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ststrenema||item.||page.||gurene||https://sep.yimg.com/ay/chrisbsmusicinc/strat-style-replacement-neck-finished-maple-6.gif||||||Strat Style Replacement Neck--Finished Maple||S-93FV||elguit1 gurene||Electric Guitars > Guitar Replacement Necks > ||64.950||79.950 ||64.950 ||Strat Style Replacement Neck--Finished Maple||||||||1||1||1||0||||||||Top your next project guitar off with a Saga electric guitar neck. The S-93FV is made from maple and is pre-finished with a high-gloss vintage toner. Fits S-style guitar bodies with curved heel. The peghead is uncut and requires final shaping.
Each neck is made from Select Canadian Maple
Aged finish, Maple fingerboard with black dot inlays for S-style guitar (Rounded neck pocket)
Pre-fretted with truss rod installed
Headstock requires final shaping for that personal touch
Holes pre-drilled for tuner installation
Scale length: 25 1/2"
Width at nut: 1 11/16"
Width at 22nd fret position: 2 3/16"
Fretboard radius: 12"
Fret wire: .040" high x .100" wide
Nut slot: 1/8" wide
Dimension / Size 25 1/2"
Finish Vintage
Material Maple
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stringaugten||item.||page.||acguittipand||||||||String Gauge, Tension and Tuning||||acin acguittipand||Acoustic Instruments > Acoustic Guitar Tips and Tricks > ||||||||||||||||0||1||0||0||||||||

Will switching string gauges create any problems for my guitar?

Generally, there should be no problem in switching from one string gauge to the next, although truss rod adjustments may be needed to accommodate the new string tension. Problems can arise in making a more drastic switch, such as changing from extra-light strings to mediums. In a case like this, the slots in the nut may not fit properly, making precise tuning difficult if not impossible. In some cases, the guitar�s intonation also suffers and needs to be adjusted by a qualified luthier.

Please note, however, that certain vintage and smaller-bodied guitars should not be strung with anything heavier than a light-gauge set. The use of alternate tunings can also affect how much tension the strings put on the guitar. For example, open-E tuning will stress the instrument more than D A D G A D. If there is any doubt about the guitar�s ability to withstand the tension of heavier strings, it should be checked out by a qualified luthier or repairperson.

�Teja Gerken

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TUNINGS AND TENSION

Will going back and forth between standard tuning and open D or open E harm my guitar�s neck? Is open E likely to cause more damage than open D?

In most cases, you�ll be OK tuning up to E, especially if you�re using light-gauge strings and it�s only for a couple of tunes. An option that is easier on the guitar is to use D tuning and add a capo at the second fret to bring the guitar�s pitch up to match your vocal range or to be in tune with a recording. In any case, it�s a good idea to put the guitar back in standard tuning when you�re done playing.

�Dale Miller

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NASHVILLE TUNING

What is Nashville tuning?

Nashville tuning, also known as "high-strung guitar," is often used to create a 12-string effect when layering guitars in a multi-track studio. Essentially, it uses the octave strings of a 12-string set on a six-string guitar. The first two strings (high E and B) remain unchanged, while the lowest four strings (G through low E) are tuned an octave above standard tuning. To my knowledge, there is no ready-made set for this tuning available, so you either have to rob a 12-string set or assemble your own from your music store�s single-string bin. The gauges for a medium set would be as follows (high to low): .012, .016, .010, .014, .020, .030. All strings are unwound, except for the low E.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stinmebo||item.||page.||strinin||||||||String Instrument Method Books||||strinin||Stringed Instruments > ||||||||Learn to play violin, viola, cello books||||||||0||1||0||0||||esel20forstp esel20forstp1 esel20forstp2 esel20forstb esel20forstb1 esel20forstb2 orexboonvi orexbotwvi suviscvipavo suviscvipavo1 suviscvipavo2 sucesccepavo sucesccepavo1||||Essential Elements 2000 for Strings - available for violin, viola or cello.

These titles are among the best selling stringed instrument instruction books in the world. For help with choosing the proper method, simply e-mail or call.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|strinincaran||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34660855||||||Stringed Instrument Care and Maintenance||||strinin||Stringed Instruments > ||||||||How to Maintain a Stringed Instrument||||||||0||1||0||0||||||||Stringed Instrument Care and Maintenance for violins, violas, cello and upright bass. Learn how to take care of your stringed instrument

There are many things you can do to keep your instrument playing properly.
First, try to keep your instrument clean. This sounds simple enough, yet many people do not perform this routine maintenance step. Rosin dust and fingerprints will be your main problem. You should rub your instrument down with a lint-free cloth after each playing session. About once a month you should polish your instrument to remove oil and other dirt. Only use string instrument polish, never furniture polish or polish for non-wooden instruments.
Next, keep your instrument in good tune. If your pegs are constantly slipping and your instrument is always out of tune you run the risk of breaking the strings from continual peg tuning. Peg slipping can be remedied by application of "peg dope" which you can buy at Chris B's Music or your local strings store. If your pegs stick peg dope may also help. However, slipping and sticking both mean that your pegs are improperly fit on your instrument, and you should take it in to a shop to have it repaired.
About once a week you should unscrew all of you fine tuners (if you have them) to their top position. Remember to unscrew them until they are loose and then tighten them one or two turns so that they do not rattle. After loosening your fine tuners you will need to tune your instrument with pegs. Don't try to use your pegs if you don't know how, as it is very easy to break a string by turning the pegs too far.Occasionally you should check the angle of your bridge. Look at your bridge from the side, along the thin edge. The back of the bridge (towards the tailpiece) should make a right angle with the top of your instrument. Sometimes, if you use your pegs a lot, your bridge will lean toward the fingerboard. If this happens, you should reallign it. If you've never done this before, don't try it! Take it into a shop or to a teacher and they will do it for you and show you how to do it. It is extremely easy to break your bridge by moving it incorrectly.
Another important preventitive maintenance measure, especially for children:keep your instrument in its case when not playing. An accident can leave your instrument seriously damaged, or even beyond repair.
Lastly, loosen the bow when you are finished playing. Simply turn the screw until the bow is no longer stressed. This easy step can add years to the life of your bow.
Chris B's Music is always happy to provide assistance with your instrument..simply e mail us your questions/problems Here! or call 401 943 2520 during business hours, Monday through Friday 11-9 and Saturday 9-5 EST. You can even fax your inquiry to 401 946 9685.
||||violins for sale, cellos for sale, violas, cremona, upright basses, violin tuning, stringed instrument maintenance, double bass, cellos for sale||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|strininen||item.||page.||strinin||||||||Stringed Instrument Encyclopedia||||strinin||Stringed Instruments > ||||||||Some Great Links!||||||||0||1||0||0||||cellohistory||||
Cremona student violin outfit, complete...$99
Regular price: $189.99
Size:

For more Cremona Violins and Violas

This was a very smooth purchase. I received my violin in much less time than expected. I am very pleased with the experience and with my new violin, which was excellent value for money. I will come to Chris B's store for any music needs I may have in the future. Thanks

Internet Cello Society
A society for cellists, featuring articles, interviews, forums and more.

Jazz Strings
A site about jazz string players, focusing on violinists.
American Viola Society

'Tutti Celli': The Internet Cello Society Newsletter

ponticello.com
Viola Web Site||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|strinin||item.||page.||index||||||||Stringed Instruments||||||||||||||Chris B's Music carries a full line of violins, violas, celli and basses. We guarantee you will enjoy the quality of these stringed instruments as much as we do. The experience of our store owner as a music educator and string instructor guarantees you that we will offer unlimited support as you experience the joy of stringed instrument playing, before, during and after your purchase.
||||||||0||1||0||0||||ourstintrinp studentviolins inviol proviolins cerviniviolins cremsv75viol cremviolouts crsvvi begviolpac crsvviou cremsv150vio cremsvviolou cremsvviolou1 cremsvviol cremonasv360 crsvprarviou crsvprstviou crprarvious crsvarviou1 cremmaessers cremmaessv cremmaessers1 crsvviou1 cremmaesprin cremarservio cremonasv1500 cremonasv1600 cremspecviol crblvi crpuvi crvire anbrstviou anbretab anbretabviol anbretabviol1 anbretab5vio beckerviolins hanschusviol nagsuzviol pavnviou pavnvi ststiviou leartoplayvi studcelout incelout anbrstceou beprceou besysece crsc1ceou cremsccelpri cremsccelout crscce cremsccel2 cremsccel cremsccelout3 cremsccelout2 cremsccel1 cremcelsc cercelhc enecmodcelou enschoolmodc pavcceou pavcalceou padoceou travcelcas supcelgigbag haceca skbcecawiwh cerepe studentviolas beckerviolas cremsv100vio cremsva150vi cremsva2viol cremsva3viol crsvarviou pacaouvavi paalouvavi inviol1 conviolstrin1 cremsb1upbas jlasallebows glasviolbow violstrinsen conviolstrin dadprelviols thomdomservi elviol defevica featviolcas noname7 travcasshapv gudeprvica dovica guvimaca celstrinsens concelstrin domcelstrin profcel strinincaran violbuyandsi faq strininen whatourcusha tuningaids rosin kratviolpitp kratviolpitp1 matvioltun kootortu inittun kunviolshoul kunviolshoul1 violinstand cellostand upbasstan bretvioltail violreppeg anbretshoulr cremcelbrid jlasdelocbow1 jlasdelperbo violinstrings stinmebo violinbridges||||Violins, violas, cello and upright bass for sale at Chris B's Music.
We are committed to helping you select the right violin for yourself or your student musician. We are a family business owned by a music educator with over 20 years of teaching experience. We can help to provide the right sized string instrument, offering the best value for your budget and provide advice before, during and after purchase.
||||violins for sale, student violins, cremona, sv75, suzuki violin, 1/16th violin, stringed instruments, where can i buy a violin, bows, fine tuners, rosin, palatino, cellos, violas, upright basses, sizing violins||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|strinforaban||link.||||acin||||||||Strings for about anything||||acin||Acoustic Instruments > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|cremsv75viol||item.||page.||studentviolins||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34674192||||||Student Violin Outfit...Cremona SV 75||sv75||strinin studentviolins||Stringed Instruments > Student Violins > ||||||||Cremona sv-75 premier novice violin||||||||0||0||1||0||Music > Instruments and Equipment > Stringed Instruments > Violin||violinfaq||||
Cremona SV75 violin outfit-the reviews are in... it is a great violin for the beginning player.
The Cremona SV-75 violin outfit is ideal for players of any age.
Includes guaranteed trade in.
This violin is made by Cremona..a leading maker of fine stringed instruments. Feature include hand carved solid spruce top and hand carved maple back, neck and scroll. The bow is a H. Siegler wooden bow with genuine unbleached white horsehair. They are available in all sizes 1/16th through full, and come complete with case, bow, rosin and four fine tuners. We even offer a trade up to the next size when you are ready. These violins meet or exceed all Music Educator's National Conference specifications for stringed instruments. You will not find a better violin for the price.

WHAT YOU GET

Unlimited phone/e mail support after purchase

Full one year warranty

Excellent trade in program for next size or higher

Hand-carved solid Spruce top
Hand-carved solid Maple neck, back and sides
Warm Brown finish
Dyed Rosewood fingerboard and fittings
Dyed hardwood chinrest
Painted purfling
VP-61 tailpiece with (4) built-in fine tuners
VP-71 bow: wood stick, rosewood frog, and unbleached horsehair
C-3907 Featherweight arched-top, shaped case with blue exterior and light grey interior

CLICK TO ORDER CREMONA SV-75 VIOLIN OUTFIT
Cremona SV-75 Premier Novice Series Violin Outfit

Hi There,

I just wanted to leave a message of "Thanks" for all of your help in answering all my questions before purchasing a student violin for my daughter. At first I was totally confused on what to buy, but your music store was very professional, and Melanie, your sales rep. was a pleasure to work with. Your prices are fantastic, and the shipping is incredible. We have many music stores in our local area, but from now on, I will purchase all of my musical needs from Chris B's. Thank You Once Again!

Sincerely, Debbie (MI)||Size 1/16th 1/10th 1/8th 1/4 1/2 3/4 Full||violin outfit, student violin, cremona violin, sv75,cremona sv75 violin, beginning violins, violin store, music store, violas, cellos, upright basses,||||||||||||0||||||||||||||||||||Cremona||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|studcelout||item.||page.||strinin||||||||Student Cello Outfits||||strinin||Stringed Instruments > ||||||||Student Cello Outfits||||||||0||1||0||0||||cremsccelpri cremsccelout cremsccel2 howtosizecello whdoinetostp||||The student cello outfits offered include all you need to begin playing cello.

Beginner cello packages include cello, bow, gig bag and rosin.

All beginning cello outfits include a free e mail lesson and guaranteed trade in plan.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|studentviolas||item.||page.||strinin||||||||Student Violas||||strinin||Stringed Instruments > ||||||||Cremona Student Violas||||||||0||1||0||0||||cremsv100vio cremsva150vi cremsva2viol||||All Cremona student violas come with bow, case and rosin. We also include a free e mail lesson and our guaranteed trade in program||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|studentviolins||item.||page.||strinin||||||||Student Violins||||strinin||Stringed Instruments > ||||||||Student Violins||||||||0||1||0||0||||cremsv75viol cremviolouts cremsv150vio begviolpac cremstudviol bretstudviol||||Student violins at Chrisbsmusic.com

Buy a Cremona student violin at Chris B's Music.

Our student violin outfits include violin, bow, case and rosin.

We include a free e mail lesson with each student violin, as well as our guaranteed trade in plan.

If you have questions about Student Violins - E Mail Us||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|stmobugu||item.||page.||studiomonitors||||||||Studio Monitor Buying Guide||||musicsoftware1 studiomonitors||Recording/PA/Software > Studio Monitors > ||||||||||||||||0||1||0||0||||||||Studio Monitor Buying Guide

Whether you�re recording and mixing a big project or simply want to record your band at home, a set of studio reference monitors will be a big help. A good set of monitors will let you hear what you record with precise and accurate detail. But what makes a good monitor? And how does a precise, accurate monitor sound? For reference, every time we talk about monitors in this guide, we�re referring to near-field monitors, an increasingly popular and accurate monitoring option for big and small recording studios. What makes a good monitor?

What makes a monitor good can vary from person to person and application to application. In other words, what works for you might not work for other musicians and vice versa, so finding a monitor that works for you isn�t as easy as simply asking your friends and fellow musicians what they use and purchasing the same model. In general, a good monitor is a monitor that you can trust, that your ears know very well, and that you can listen to for extended periods of time without fatigue. The circuitry and speakers should also be very solid; capable of handling your volume and frequency-handling requirements along with peaks, pops, and raw recorded audio without blinking. The last bit is especially important. You can�t just grab any old pair of stereo speakers and start mixing because they aren�t built to handle the same type of sonic material as a near-field monitor. And with all things in life, you get what you pay for. That doesn�t mean you have to get the biggest and best monitors available, but to get the most bang-for-your-buck, carefully think about how you�re going to be using your monitors. Professional-level use warrants professional-level dollars, but hobbyists and recording musicians can stay within their budget and get what they need.

A speaker described as accurate, uncolored, or flat will re-create a signal without significantly increasing or reducing the response of any of the frequencies in the recording. The treble, midrange, and bass will all be represented as they are in the mix. The funny thing is that the first time you hear audio played through a speaker with a truly flat response, it will probably sound wrong because your ears are used to consumer-market stereo speakers. Standard stereo speakers are designed to make whatever audio is played through them sound good but aren�t usually accurate in the recording-engineer sense of the word. Standard consumer stereo speakers use tuning tricks to artificially create bigger, punchier bass and more pleasant, friendly highs, among other things. So part of buying monitors is preparing yourself to hear things in a different way. A good monitor will also give you reliable, consistent response no matter the level; whether you turn the volume way up or way down. This allows you to listen critically to how certain elements of the mix sound at different volumes.

By themselves monitors aren�t going to transform your mixes into George Martin-level masterpieces. Just like a guitar or keyboard, you have to learn how to use monitors. You do this with a lot of critical and casual listening through your monitors to create a clear sonic picture for your ears. Knowing your monitors and being comfortable with them will pay off when recording or mixing new music because you�ll have a built-in reference for how different frequencies and sounds reproduce on them. You�ll also get better at placing instruments exactly where you want them in the stereo sound field and at balancing the complex interplay between the dynamics of competing sounds. Hard cones and soft domes: What are your monitors made of?

The modern near-field monitor is made of three primary parts: the drivers, the cabinet, and the circuitry. These components are specially designed and optimized to reproduce audio with clarity and accuracy. Manufacturers develop their own components to operate to their own specifications using different materials and designs. You can�t really single out any one component as being more important. Every part is designed to work in conjunction with one another. Having a great driver doesn�t do much good if the cabinet isn�t properly designed for use with that driver. Woofer & Tweeter Diagram Drivers

There are two types of drivers in the typical near-field monitor: woofers and tweeters. If you�re using a (rare) three-way near-field then you will also have a midrange driver. 2.1, 5.1, and 7.1 surround-sound monitor setups will have a separate subwoofer, the .1 in such configurations. In a two-way monitor the woofer handles the low, low mids, and midrange frequencies while the tweeter handles the high mids and high frequencies. With a three-way monitor a midrange driver is added to handle the midrange frequencies. When you add a subwoofer to your monitoring array, the sub takes over a portion of the low frequencies and all of the very low frequencies.

Different monitor manufacturers use different materials to construct their drivers. Silk, mylar, glass, carbon, titanium, and metal alloys are all used to make tweeters. Silk is thought to have an especially smooth, airy, transparent response. Mylar is a synthetic polymer developed in the �50s that mimics silk, but is unaffected by humidity and weather changes. Glass and carbon are similar, very tough materials used for applications where very high power handling is needed and produces a very accurate, extended high-frequency (HF) response. The same is true of metal tweeters made of titanium and other metal alloys, which produce an incredibly precise and extended HF response with the highest power ratings.

Woofers, midrange drivers, and subwoofers are constructed of a cone with a dust cap at the center and a flexible-but-tough surround that allows the cone and voice coil to move. The cone is usually made from treated paper or cloth, polypropylene, aramid fibers, fiberglass, or Kevlar. Paper and cloth are traditional cone materials used for their silk-like performance at a lower cost. Polypropylene, aramid fibers, fiberglass, and Kevlar are all alternative cone-building materials developed in a search to build the ultimate durable, rigid, and lightweight speaker cone. A lighter cone can have a faster transient response which results in more accurate sound. Cabinets

The studio monitor cabinet strives to get maximum performance from its drivers. Engineers design the cabinet around the driver. It should be as nonresonant as possible so the cabinet doesn�t alter or color the output in any way. For that reason, monitor cabinets are usually built from sturdy, stiff materials such as medium-density fiberboard (MDF) or plywood with special internal bracing and specially designed joints. The cabinet design will also often include ports or passive radiators, elements which aid the monitor in low-end reproduction, improving clarity and handling of bass frequencies. Radiused edges on driver openings and monitor corners improve sound clarity and sound imaging by cutting down on sound wave diffraction. Circuitry

The main thing to know about the circuitry of a studio monitor is whether it�s an active or passive monitor. Active monitors come with their own power amplifiers and controls built into the cabinet and are often biamplified. Active monitors have become popular because you don't need a separate power amp and the amp is matched to the speaker by the manufacturer. Biamplification helps each speaker driver (woofer and tweeter) work within its frequency range for optimal performance. Passive monitors require a separate, external power amp, that gives you some flexibility in choosing your components and setting up multispeaker arrays. Passive monitors usually have crossover circuitry for splitting of high and low frequencies. You should check the inputs and outputs offered by the monitor to make sure it will work with your existing equipment. For connections, monitors usually have 1/4", TRS, XLR, RCA, and S/PDIF jacks. Some offer only unbalanced or balanced inputs, and some have both. Numbers and specifications

You�ll see a lot of numbers when you�re shopping for monitors, usually attached to words like THD, SPL, frequency response, and more familiar terms like watts and driver size. These numbers will usually give you a thumbnail sketch of how the monitor will perform during recording, mixing, and mastering. These specifications are the results of tests conducted by the manufacturer to determine the performance of its products. Unfortunately specifications and the tests that determine specifications have not been standardized, so one manufacturer�s 0.01% THD may be another�s 0.3% THD. The information is still useful to you as a prospective buyer as long as you know what to look for and why. The two specifications that nearly all manufacturers supply and you should pay most attention to are frequency response and THD.

The spec for frequency response should let you know how accurate your monitor will be at various frequency ranges. For good, clean bass response look for monitors that offer flat response down to 55Hz with bonus points awarded to monitors that go past that mark. Most monitors don�t have any issue with reproducing high frequency content, but make sure the frequency response extends to at least 18-20kHz. The �(numeral)dB qualifier that follows is part of the spec, and indicates the relative flatness of the response at a given output. Look for this number to be low�such as �1dB-�3dB�because higher numbers indicate inaccuracy.

The spec for THD (Total Harmonic Distortion) is also an indicator of general accuracy, but in a different way than frequency response. THD lets you know how cleanly a monitor can reproduce whatever audio you feed it. Most of the time the term THD really refers to THD+N, (Total Harmonic Distortion plus Noise) so when you see THD, you can usually include noise in the equation. Every audio circuit adds some noise and distortion, the question is how much. A good, clean audio circuit should be very close to zero in the amount of distortion and noise it adds, i.e. � 0.001%. A poorly designed audio circuit will add quite a bit of distortion, in the range of anywhere from 0.3-1%. While you aren�t likely to see these types of numbers on a set of near-field reference monitors, you will often see numbers this high and higher on consumer audio speakers and headphones; another reason why you shouldn�t use them for recording. How do I select my monitors?

If you mostly record yourself singing and playing acoustic guitar a medium-size set of desktop monitors will fit you pretty well. If you�re producing hip-hop tracks to freestyle over or club-inspired pop songs, you may want to get a subwoofer-assisted 2.1 system. Producing songs and soundtracks for video games, videos, movies, or television? A 5.1 or 7.1 surround sound system is the way to go. If you�re recording rock bands or working with a wide variety of talent, consider monitors with 8" woofers and plenty of power so your system will always be up to the task.

Buy the best monitors you can afford and then learn to use them really well. It might not be as easy or as glamorous as getting the latest, greatest, biggest, and best set of near-field monitors available, but if they work for you, who cares? Nearly any decent near-field monitor on the market today is going to blow your stereo or computer speakers out of the water, so you can�t lose.

How do you learn to use your monitors? Good question. It shows you�re paying attention. Start by listening to your monitors a lot. Not just when you�re recording, but with a selection of your favorite recordings, too, ones that you know really well. As mentioned at the outset, be prepared for your monitors to sound different than stereo speakers. Keep listening, get past the flatness, and with time you�ll learn how your monitors react to different sounds. This will help you to understand not only what your monitors are good at but also what they�re not good at and how you compensate for those shortcomings so your mixes still sound like you bought monitors on a rock-star budget.

Also be forewarned that whatever your monitors are good at (e.g., bass, treble, clarity), your mixes will be bad at. If you�re using a 2.1 system, its abundance of bass output will trick you into believing your mixes have adequate bass, but when you transfer your audio to a smaller, non-2.1 consumer system, the bass will disappear. So be prepared to check your mixes on several systems and mix against your system�s strengths.

One final thing to note about your new monitors. You can�t just put them up on a bookshelf behind your recording setup, crank 'em up, and call it good. Near-field monitors are designed to be placed close, generally within 3-5 feet of the listener, without obstacles that might impede the clear sound waves from the drivers. That includes the walls, as reflected sound waves from behind or beside your monitors can color the way you hear. Monitor pads are good for decoupling your monitors from whatever surface you have them sitting on. You�ll also want to set them up so you�re automatically positioned in the sweet spot of your monitors when you sit down to record.

You can find a wide selection of near-field monitors here at Musician�s Friend. We carry active and passive monitors; 2.1, 5.1, and 7.1 monitor systems; and studio subwoofers from brands like TASCAM, Fostex, Alesis, KRK, Tannoy, Roland, Yamaha, M-Audio, E-MU, Behringer, ART, Event, JBL, Dynaudio, Nady, and Mackie.

In the Books and Video section of the Musician�s Friend website you�ll find lots of help for getting your home studio up and running. You�ll also find lots of exclusive Hands-On Product Reviews, customer reviews, Tech Tips, and other articles that will help guide you in selecting the right gear.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|studiomonitors||item.||page.||musicsoftware1||||||||Studio Monitors||||musicsoftware1||Recording/PA/Software > ||||||||Buy Studio Monitors at Guaranteed Lowest Prices
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||||||||0||1||0||0||||||||Browse all Studio Processors ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|subwoofers||item.||page.||studiomonitors||||||||Subwoofers||||musicsoftware1 studiomonitors||Recording/PA/Software > Studio Monitors > ||||||||||||||||0||1||0||0||||||||Free Shipping on Subwoofers ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|celstrinsens||item.||page.||strinin||||||||Super Sensitive Cello Strings-Full Set||6107||strinin||Stringed Instruments > ||59.950||98.620 ||59.950 ||Red Label Cello Strings||||||||0||1||1||0||||||||Super Sensitive Red Label Cello Strings are an excellent choice for replacement strings

Full core, nickel-wound string

Favored and recommended by Suzuki Method instructors, school and private music teachers, students and professionals

Provides excellent tonal quality and dependability

Popular-priced and durable

Designed with the student in mind

Available for all fractional and full size instruments
||Size: Full 3/4 1/2 1/4 1/8||cello strings, red label, cello, stringing a cello, cello accessories, thomastik, dominant||||||||||||0||||||||||||||||||||Super Sensitive||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|supcelgigbag||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34692891||||||Superior Cello Gig Bag||c-3918||strinin||Stringed Instruments > ||54.950||74.950 ||54.950 ||Superior Tralpak II Cello Gig Bag||||||||1||1||1||0||||||||Superior TrailPak cello and bass bags are designed for the working professional yet are priced for the student or institutional buyer. No other cello carrying bag we've found comes close to offering the quality, durability and overall protection at a comparable price.

Adjustable padded nylon shoulder straps

Large bow and accessory pockets

Large music pocket

Extra-strong zippers

Reinforced seams and linings

Multiple reinforced handles

||Size 4/4 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||Superior||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sudebaca||item.||page.||banjocases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34702145||||||Superior Deluxe Banjo Case||CD-1535||acin banjos1 banjocases||Acoustic Instruments > Banjos > More Banjo Cases > ||109.950||149.950 ||109.950 ||||||||||1||1||1||0||||||||
Exclusively from Saga Musical Instruments, Golden Gate musical instrument cases continue the tradition of making high-quality, durable, and affordable cases by offering a new line of Deluxe Vintage� cases designed for the professional player, but with the beginner�s budget in mind. Every feature has been hand-selected to assure that these cases are as beautiful to look at�as they excel at effectively at protecting even the most expensive vintage instruments. Available for Dreadnaught, Dobro/Classic, Gitane-style, F-model mandolin, 5-string resonator banjo, and open-back banjo with the characteristic �bump� design. Look to Golden Gate for all your instrument transport and protection needs.
Quality 5-Ply, all wood construction throughout
Arched top
The exterior is covered with the highest-quality black tolex for a high-end look and a lifetime protection against of wear and tear
Top-quality gold-plated hardware that closes securely time after time
Smooth working hinges with one lockable latch
An instrument cavity that is protected by a thick layer of foam padding of varying densities carefully positioned where it matters most
The shaped interior is lined in Green crushed velvet to complete the deluxe vintage look
||Type "Resonator" "Openback 11inch" "Openback 12inch"||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|supharbancas||item.||page.||banjocases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34716527||||||Superior Hardshell Banjo Case||c-2903f||acin banjos1 banjocases||Acoustic Instruments > Banjos > More Banjo Cases > ||109.990||149.950 ||109.990 ||Hardshell Banjo Case||||||||0||1||1||0||||||||Superior hardshell case for 5 string resonator banjos.

Sturdy multi ply hardshell case

Black leather look exterior

Well padded plush interior

Quality hinges, handles and feet

Standard size fits most 5 string banjos
||||||||||||||||0||||||||||||||||||||Superior||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|mangigbag||item.||page.||mandolincases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34728481||||||Superior Mandolin Gig Bag||C-3760||acin mandolins1 mandolincases||Acoustic Instruments > Mandolins > Mandolin Cases > ||29.950||29.950 ||||Superior Mandolin Gig Bag||||||||1||1||1||0||||||||Carefully designed for better instrument fit and comfortable carrying. Multi stacked accessory pockets for convenience.
Fits most standard and vintage model mandolins.||||||||||||||||0||||||||||||||||||||Superior||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|suupbabag||item.||page.||cremsb1upbas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34757880||||||Superior Upright Bass Bag||C-3910||strinin cremsb1upbas||Stringed Instruments > Upright Bass > ||119.950||159.950 ||119.950 ||Superior C-3910 Upright Bass Bag, 3/4 Size||||||||1||1||1||0||||||||This Superior Tralpak I Bass Gig Bag is an excellent choice for your bass.

Luggage-grade 420-denier black ballistic nylon exterior with 10mm padding
Reinforced no-scratch black nylon lining
TrailPak multi-stacked accessory pockets
Adjustable, backpack-style padded webbed nylon shoulder straps
Back-mounted music folder pocket
Webbed nylon handles

||Size 3/4||||||||||||||0||||||||||||||||||||Superior||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|sucesccepavo||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34767802||||||Suzuki Cello School Cello Part, Volume 1 ||00-0479S||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||6.990||6.990 ||||||||||||1||1||1||0||||||||Suzuki Cello Method Revised Edition.

Contents are: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach).||||||||||||||||0||||||||||||||||0874874793||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~0874874793~~|^^|sucesccepavo1||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34789951||||||Suzuki Cello School Cello Part, Volume 2||00-0481S||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||6.990||6.990 ||||||||||||1||1||1||0||||||||Contents are: Long, Long Ago (T.H. Bayly) * May Time, Komm Lieber Mai (Longing for Spring) from Sehnsucht nach dem Fr�hlinge, K. 96 (W.A. Mozart) * Minuet No. 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Minuet No. 3, Minuet in C, BWV Anh. II (J.S. Bach) * Chorus from Judas Maccabaeus (G.F. Handel) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Musette in G, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach) * March in G (J.S. Bach) * Theme from Witches' Dance (N. Paganini) * Tonalization: The Moon over the Ruined Castle (R. Taki) * The Two Grenadiers, Die Beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Gavotte (F.J. Gossec) * Bourr�e from Sonata in F Major for Oboe and Basso Continuo, HHA IV/18, No. 8-EZ (G.F. Handel).||||||||||||||||0||||||||||||||||0874874815||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~0874874815~~|^^|suviscvipavo2||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34806864||||||Suzuki Violin Book 3 ||00-0148S||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||7.950||7.950 ||||||||||||1||1||1||0||||||||Book 3 Suzuki Violin method.

Contents are: Study Points * Tonalization * Vibrato Exercises * Gavotte (P. Martini) * Minuet (J. S. Bach) * Gavotte in G Minor (J. S. Bach) * Humoresque (A. Dvor�k) * Gavotte (J. Becker) * Gavotte in D Major (J. S. Bach) * Bourr�e (J. S. Bach).||||||||||||||||0||||||||||||||||0739048155||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~0739048155~~|^^|suviscvipavo||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34824112||||||Suzuki Violin Part 1||00-0144S||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||7.990||7.990 ||||||||||||1||1||1||0||||||||Suzuki Book One for Violin is a great beginner violin method book.

Contents are: Principles of Study and Guidance * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T.H. Bayly) * Allegro (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Minuet 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Minuet 2, Minuet, BWV Anh. II 116 from Notebook for Anna Magdalena Bach (J.S. Bach) * Minuet 3, Minuet BWV Anh. II 114/Anh. III 183 (J.S. Bach) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Gavotte (F.J. Gossec).

Revised edition features:
New engravings in a 9" x 12" format
New editing of pieces, including bowings and fingerings
16 additional pages
Additional exercises, some from Dr. Suzuki, plus additional insight and suggestions for teachers
Glossary of terms in English, French, German and Spanish
Musical notation guide
Fingerboard position
New photos||||||||||||||||0||||||||||||||||0757900615||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~0757900615~~|^^|suviscvipavo1||item.||page.||stinmebo||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34865469||||||Suzuki Violin School Part 2 ||00-0146S||strinin stinmebo||Stringed Instruments > String Instrument Method Books > ||7.990||7.990 ||||Suzuki Violin Method Book 2 Revised||||||||1||1||1||0||||||||Suzuki Violin School Volume 2 is for the advancing beginner.

Contents are: Study Points for Volume 2 * Chorus from Judas Maccabaeus (G.F. Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Long, Long Ago (T.H. Bayly) * Waltz, Op. 39, No. 15 for Piano (J. Brahms) * Bourr�e from Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel) * The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J.B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini).||||||||||||||||0||||||||||||||||0739048120||||Alfred||||0||~~minimum-quantity~~1~~need-ship~~1~~isbn~~0739048120~~|^^|swrbassamps||item.||page.||electricbass||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34882740||||||SWR Bass Amps||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||swrspeakcab swrbassheads swrbascomam||||Browse all SWR Bass Amps||||swr, swr bass amps, swr workingman, bass amps, 4X10 cabs, bass stack||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|swrbascomam||item.||page.||swrbassamps||||||||SWR Bass Combo Amps||||electricbass swrbassamps||Electric Bass > SWR Bass Amps > ||||||||||||||||0||1||0||0||||||||Browse all SWR Bass Amps||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|swrbassheads||item.||page.||swrbassamps||||||||SWR Bass Heads||||electricbass swrbassamps||Electric Bass > SWR Bass Amps > ||||||||||||||||0||1||0||0||||||||Browse all SWR Bass Amps||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|swrspeakcab||item.||page.||swrbassamps||||||||SWR Speaker Cabinets||||electricbass swrbassamps||Electric Bass > SWR Bass Amps > ||||||||||||||||0||1||0||0||||||||Browse all SWR Bass Amps||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|synprogstyld||item.||page.||harmonicas||||||||Synth Program / Style Disks||||harmonicas||Keyboards/Synths > ||||||||Roland Music Style Disk Korg T-Series Disk||||||||0||1||0||0||||||||Buy Keyboard Program Disks by Sony
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Browse all Synth Program / Style Disks ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|szscscaseries||item.||page.||ibelguit||||||||SZ/SC/SCA Series||||elguit1 ibelguit||Electric Guitars > Ibanez Electric Guitars > ||||||||Ibanez SZ Ibanez SC Ibanez SCA||||||||0||1||0||0||||ibanezsc420||||Browse all Ibanez SZR Series Guitars

Ibanez S5470 Prestige Electric Guitar Transparent Black Sunburst

Ibanez S5470 Prestige Electric Guitar Satin Oil
Ibanez S5470 Prestige Electric Guitar Red Viking ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tgune||item.||page.||gurene||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_178810||||||T-Style Guitar Neck||S-94||elguit1 gurene||Electric Guitars > Guitar Replacement Necks > ||49.950||64.950 ||49.950 ||Golden Gate T-Style Guitar Necks||||||||1||1||1||0||||||||T-style guitar replacement neck. The Golden Gate S-94 neck is made from maple and is unfinished. Fits T-style guitar bodies with flat heel. The peghead is uncut and requires final shaping.

Each neck is made from Select Canadian Maple

Unfinished, Maple fingerboard with black dot inlays for T-style guitar (Flat neck pocket)

Pre-fretted with truss rod installed

Headstock requires final shaping for that personal touch

Holes pre-drilled for tuner installation

Scale length: 25-1/2"

Width at nut: 1 11/16"

Width at 22nd fret position: 2 3/16"

Fretboard radius: 12"

Fret wire: .040" high x .100" wide
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tabvintage1||link.||||comgearrevge||||||||Tab, Vintage||||guiten comgearrevge||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tabvintage2||link.||||lesmagphot||||||||Tab, Vintage||||guiten comgearrevge lesmagphot||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > Lessons, Magazines, Photos > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tabvintage||item.||page.||recschoolson||||||||Tab, Vintage||||guiten comgearrevge lesmagphot recschoolson||Guitar Encyclopedia > Companies, Gear Reviews, Getting Started... > Lessons, Magazines, Photos > Recording, Schools, Songwriting > ||||||||Guitar Tab||||||||0||1||0||0||||acaucbas3 comgearrevge4 lesmagphot2 recschoolson3 chrisbsfrere4||||
GUITAR TAB
Acoustic Guitar Song Collection
Website that focuses on a few specific acoustic artists and offers multiple tabs of each, along with bio information, interviews, and more.

Oh Canada Tab Archive
A vast collection of tabs from many of Canada's most prominent performers.

OLGA Search Engine at GuitarNotes
Although not an official mirror site, you can search the OLGA archives and access tab through Guitarnotes. OLGA is by far the most comprehensive tab archive on the web.

Xclusive Guitar Tabs
Another tablature site. A relatively small archive.

Validity of Tab
Lightweight but interesting editorial written by Bob Patterson concerning the use of tablature by many guitarists in place of standard notation. There was a follow up article written, which you can read here.

BASS TAB
Bass Tab Archive
Created from the OLGA bass archive, this site offers tab search functions, and more. A very large collection of tablature.

VINTAGE
Antique Vintage Guitars Info
An incredible, all-encompassing site. Offers tips on how to buy vintage, info on hundreds of specific vintage guitars, and more.

Dr. Duck's Dating Service
A no-frills site that allows you to date many different types of guitars with ease.

Fender Custom Colors
A good feature that helps to sort out the ambiguous documentation of the custom colors and finishes of vintage Fender guitars.

Guitar Base Guitarmall
A huge vintage guitar site, featuring a search engine to allow you to look for specific models of vintage gear.

Classical Guitar Tablature
A collection of works by some of history's great composers, tabbed out for guitar in a format easy for novices to read.

The Daily Tab
A fresh tab presented every day, on this new site. Visitors are encouraged to submit their tabs to beef up the archive.

Dave's Awesome Guitar Page
An archive of about 200 tabs, organized by band. Many of the tabs created by Dave, the site owner.

Elephant Talk: Robert Fripp Tablature
Various tabs of the eclectic guitarist's recordings. Many are rather difficult, and make excellent technical exercises.

Latest Guitar Tablature
A variety of very recent tabs. Includes a forum which allows visitors to request tablature.

Metal Tabs
Tabs of quite a few heavy metal bands are featured on this page. Site is no longer updated.

Michael's Kitchen
High concentration of classic rock tabs, with a smaller number of tabs by new artists.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tabvinguit||link.||||guiten||||||||Tab, Vintage Guitar||||guiten||Guitar Encyclopedia > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tasealba||item.||page.||tablas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2842840||||||Tabla Set, Aluminum Bayan||TBSS||drumsticks tablas||Drum Kits > Tablas > ||199.990||199.990 ||||Tabla Set||||||||1||1||1||0||||||||Standard rosewood (or similar hardwood) dayan is paired with an aluminum bayan. Both are strap tuned. Includes cushions, covers, tuning hammer and economy soft case. Cushion colors and patterns may vary.||||||||||||||||0||||||||||||||||||||banjira||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tablas||item.||page.||drumsticks||||||||Tablas||||drumsticks||Drum Kits > ||||||||Tabla sets||||||||0||1||0||0||||tasealba prset||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tak12strinac||item.||page.||12stringuit||||||||Takamine 12 String Acoustic Guitars||||acin 12stringuit||Acoustic Instruments > 12 String Guitars > ||||||||||||||||0||1||0||0||||||||Free Shipping on Takamine 12 String Acoustic Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|takclasguit||item.||page.||takguit||||||||Takamine Classical Guitars||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||Takamine Classical Guitars||||||||0||1||0||0|||||||| Takamine Tc135sc Classical 24-Fret Cutaway Acoustic-Electric Guitar Natural

Takamine G Series EG128SC Electric Classical Guitar Natural 888365054384

Takamine TC135SC Classical 24-Fret Cutaway Acoustic-Electric Guitar Natural 886830880155

Takamine Ec-132C Classical Guitar||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|takefser||item.||page.||takguit||||||||Takamine EF Series||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||Takamine EF Series Guitars||||||||0||1||0||0||||||||

Takamine Ef-381C 12-String Acoustic-Electric Cutaway Guitar

Takamine Ef-261 San Acoustic Guitar Antique Satin||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|takegser||item.||page.||takguit||||||||Takamine EG Series||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||||||||||0||1||0||0|||||||| Takamine G Series Gf30ce Cutaway Acoustic Guitar Satin Natural
Takamine G Series Gn71ce Nex Cutaway Acoustic-Electric Guitar Natural
Takamine G Series Gn30 Nex Cutaway Acoustic Guitar Gloss Natural
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|takguitcas||item.||page.||takguit||||||||Takamine Guitar Cases||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||Takamine Guitar Cases||||||||0||1||0||0||||||||Free Shipping on Takamine Guitar Cases

Takamine G-Series Dreadnought Guitar Case

Takamine G-Series Jumbo Guitar Case

Takamine Hardshell Case For Eg512c Acoustic Electric Bass

Takamine G-Series Jumbo Guitar Case

Takamine Gc1164 Hardshell Case For Artist/Fxc Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|takguit||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34893674||||||Takamine Guitars||||acin||Acoustic Instruments > ||||||||Takamine Acoustic Guitars Takamine Acoustic-Electric Guitars Takamine Classical Guitars||||||||0||1||0||0||||takefser takecser takegser takguitcas taksigser taknasser taksupser takclasguit hisoftakguit taprose7||||Browse all Takamine Guitars

Takamine G Series Dreadnought Solid Top Acoustic Guitar Gloss Natural
Takamine G Series New Yorker Acoustic Guitar Natural

Takamine Ef508kc Nex All Koa Acoustic-Electric Guitar Natural

Takamine Nashville Series TF360SBG Dreadnought Acoustic Electric Guitar Natural

Takamine Supernatural TAN16KOA Dreadnaught Acoustic-Electric Guitar Gloss Natural

Takamine Cutaway Dreadnought Acoustic-Electric Guitar Satin Natural

Takamine TF450SMSB Pro Series NEX Acoustic-Electric Guitar Sunburst

Takamine EG523SC Acoustic-Electric Guitar Black

Takamine EF740SGN Acoustic-Electric Guitar Standard

Takamine G Series EG5403S-VFT NEX Flame Maple Acoustic-Electric Guitar Violin Burst ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taknasser||item.||page.||takguit||||||||Takamine Nashville Series||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||||||||||0||1||0||0||||||||
Takamine TNV460SC Acoustic-Electric Guitar with CTP-1 Cool Tube Preamp Gloss Natural ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taprose7||item.||page.||takguit||||||||Takamine PRO Series 7||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||||||||||0||1||0||0|||||||| Takamine Pro Series 7 Dreadnought Acoustic-Electric Guitar Natural

Takamine Pro Series 7 NEX Cutaway Acoustic-Electric Guitar Natural
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taksigser||item.||page.||takguit||||||||Takamine Signature Series||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||TAKAMINE SIGNATURE SERIES||||||||0||1||0||0||||||||

Takamine John Jorgenson Signature Acoustic-Electric

Takamine Glenn Frey Signature Acoustic-Electric Guitar||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taksupser||item.||page.||takguit||||||||Takamine Supernatural Series||||acin takguit||Acoustic Instruments > Takamine Guitars > ||||||||||||||||0||1||0||0||||||||
Takamine TAN15C Supernatural Series Acoustic-Electric Guitar with Cool Tube Preamp Gloss Natural

Takamine Supernatural TAN16KOA Dreadnaught Acoustic-Electric Guitar Gloss Natural ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|talmanseries||item.||page.||noname5||||||||Talman Series||||acin noname5||Acoustic Instruments > Ibanez Acoustic Guitars > ||||||||||||||||0||1||0||0||||ibaneztcy10bk ibtaltcy1 ibtaltc ibaneztcy20||||
Ibanez Talman TCM50 Cutaway Acoustic-Electric Guitar Vintage Brown Sunburst
Figured ash top. Mahogany neck, back, and sides. AP2 magnetic soundhole pickup. Chrome hardware. Die-cast tuners.

Ibanez Talman TCM60 Cutaway Acoustic-Electric Guitar Lilac
Our double-cutaway Talmans are perfect for the electric guitarist who wants to gain the full tones of an acoustic guitar without losing the comfort and playability of an electric. TCY models feature the clarity of a bridge pickup combined with a spruce top. TCM models feature the warm sound of a magnetic soundhole pickup combined with an ash top.

Ibanez Talman TCY20 Cutaway Acoustic-Electric Guitar Vintage Violin

Ibanez Talman TCM60 Cutaway Acoustic-Electric Guitar Trans Pink ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tamadrums||link.||||cymbals||||||||Tama Drums||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tamadrumsets||item.||page.||drumsticks||||||||Tama Drumsets||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Browse all Tama Drumsets

Tama Silverstar 6-Piece Accel-Driver Shell Pack Brushed Metallic Black

Tama Rockstar 5-Piece Shell Pack Box A Vintage Red

Tama Stagestar 5-piece Drum Set with Cymbals Dark Red||||Tama Imperialstar Drum Set, Toms and bass drum, Tama Superstar SK 5-Piece Standard Drum Set, Tama Superstar SK, 5-Piece Drum Set||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tamasnaredrums||item.||page.||snaredrums||||||||Tama Snare Drums||||drumsticks snaredrums||Drum Kits > Snare Drums > ||||||||||||||||0||1||0||0||||||||Browse all Tama Snare Drums

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tarchilguit||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34895850||||||Tara Children's Guitar||2000||acin||Acoustic Instruments > ||49.990||79.990 ||49.990 ||A Great Way to Start Free guitar strap included. Type strap color choice into order form. (Black, red, blue)||||||||1||1||1||0||||chipcasforch guitforsmalf||||Tara guitars are the best quality acoustic guitars for young guitarists that we have found. Don't let the low price fool you... the construction, playability and sound of these guitars are superior.

A proper sized guitar is essential for children to begin learning correctly. This guitar is not a toy, it has the same quality features found on full sized guitars, only scaled down to fit a child. Important things to consider when buying a child's guitar include the ability to hold tune, the action of the instrument and the overall sound quality. These instruments hold tune very well, their action (ease of play) is good and overall have a pleasing tone.

We offer 1/2 size guitars, 30" overall, for children ages 4-6.

The 3/4 size guitars, 34" overall, are appropriate for children ages 7 through 9.

As always, we are available toll free to answer any sizing questions you may have.

||Size: "1/2 Steel String" "1/2 Nylon String" "3/4 Steel String" "3/4 Steel String (Sunburst)" "3/4 Nylon String"||student guitars, half sized guitars, guitars for kids, 30"guitars, tara guitars||||||||||||0||||||||||||||||||||Tara||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tascam||item.||page.||effects||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34901818||||||Tascam||||effects||Effects > ||||||||Pro Recording CD Recorders Portastudio||||||||0||1||0||0|||||||| ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tayedrums||item.||page.||drumsticks||||||||Taye Drums||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Browse all Taye Drums

Taye Drums Studiomaple Sm522sd 5-Piece Shell Pack Green Black Burst

Taye Drums Studiobirch Sb520j 5-Piece Shell Pack Pack Galaxy Ice

Taye Drums Gokit Fusion 5-Piece Drum Set With Rack Antique Honey||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tay12strinac||item.||page.||12stringuit||||||||Taylor 12 String Acoustic Guitars||||acin 12stringuit||Acoustic Instruments > 12 String Guitars > ||||||||||||||||0||1||0||0||||||||Free Shipping on Taylor 12 String Acoustic Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taylor310||item.||page.||taylorguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34905069||||||Taylor 310||||acin taylorguitars||Acoustic Instruments > Taylor Guitars > ||||||||||||||||0||1||0||0||||||||
Taylor 310ce Dreadnought Cutaway Acoustic-Electric Guitar Natural
Offering the complete Taylor experience and a great value, this Dreadnought sports an impressive sound, impeccable construction, and signature Taylor playability. Classic simplicity makes the 300 Series the best value in American-made, solid-wood guitars. Includes Hardshell case.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tay414granau||item.||page.||taylorguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34923770||||||Taylor 414 Grand Auditorium||||acin taylorguitars||Acoustic Instruments > Taylor Guitars > ||||||||||||||||0||1||0||0||||||||
Taylor 414-CE Left-Handed Grand Auditorium Acoustic-Electric Guitar Natural
Modest appointments and world-class tone make the 414 ideal accompaniment for any situation. With warm lows, balanced mids and highs, and that certain zing that is all ovangkol, these guitars are ideally suited for fingerstyle playing or medium strumming. Includes hardshell case.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tay810cedrea||item.||page.||taylorguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34941840||||||Taylor 810CE Dreadnought||||acin taylorguitars||Acoustic Instruments > Taylor Guitars > ||||||||||||||||0||1||0||0||||||||
Taylor 810ce Cutaway Dreadnought Acoustic-Electric Guitar Natural
Theres only one way to turbo-charge the classic 810 add a cutaway for upper-neck access and the Expression System for the ultimate in crowd-pleasing tone. Includes deluxe hardshell case.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taylor815ce||item.||page.||taylorguitars||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34960413||||||Taylor 815CE||||acin taylorguitars||Acoustic Instruments > Taylor Guitars > ||||||||||||||||0||1||0||0||||||||

Taylor 815Ce Cutaway Jumbo Acoustic-Electric Guitar Natural
With a cutaway blazing a path to the upper registers and the Expression System opening all the tonal gates, the 815ces potential for music-making is almost limitless. Includes deluxe hardshell case.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|taylorguitars||item.||page.||acin||||||||Taylor Guitars||||acin||Acoustic Instruments > ||||||||Taylor Guitars||||||||0||1||0||0||||taylor815ce taylor310 tay414granau tay810cedrea||||Browse all Taylor Guitars

Taylor 816 Rosewood/Spruce Grand Symphony Acoutic Guitar Natural

Taylor 312 Sapele/Spruce Grand Concert Acoustic Guitar Natural

Taylor Gs-K Koa/Spruce Grand Symphony Acoustic Guitar Natural
Taylor 914-CE Left-Handed Grand Auditorium Acoustic-Electric Guitar Natural

Taylor 614-CE Grand Auditorium Cutaway Acoustic-Electric Guitar Natural
Controlled, balanced overtones and even responses are hallmarks of the 600 Series, making them a must-have for studio and live performances. The 614ce Grand Auditorium has a comfortable feel that's similar to a Grand Concert, but delivers the volume of a bigger Dreadnought. Includes Deluxe Hardshell Case.

Taylor 200 Series 214ce Grand Auditorium Acoustic-Electric Guitar Natural

Taylor 314ce Grand Auditorium Cutaway Acoustic-Electric Guitar Natural

Taylor 210ce Dreadnought Acoustic-Electric Guitar Natural
The Taylor 210ce is a full-size dreadnought acoustic-electric guitar that features a glossy solid Sitka spruce top, gorgeous Indian rosewood laminate back and sides, and a venetian cutaway for full fingerboard access. Plug in with the Taylor ES-T under-saddle transducer pickup and take your performance to the stage with confidence. The 210ce guitar has an extremely rich and versatile voice and delivers an experience of sight, sound and touch that's unmistakably Taylor.

Taylor NS72ce Grand Concert Cutaway Nylon-String Acoustic Electric Guitar Natural
The Taylor NS72ce Grand Concert Nylon-String Acoustic-Electric Guitar has increased power, projection, and sustain with exceptionally smooth tone. Taylor's top-of-the-line nylon-string Grand Concert boasts the magical tonewood combination of Indian rosewood complemented by a western red cedar top.

Taylor 310 Sapele/Spruce Dreadnought Acoustic Guitar Natural||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tectur||item.||page.||geminidj1||||||||Technics Turntables||||musicsoftware1 geminidj1||Recording/PA/Software > DJ Gear > ||||||||||||||||0||1||0||0||||||||Browse all Technics Turntables ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|teensandmusic||item.||page.||forparents||||||||Teens and Music||||onmusles forparents||Online Music Lessons > For Parents > ||||||||||||||||0||1||0||0||||||||Encouraging Your Teen's Musical Talents

Ardene Shafer and Christine Stinson��

Brought to you by MENC: The National Association for Music Education. Is your teen a music buff? Encourage his interests and talents with the following tips.

1. Expose your teen to all kinds of music. Try listening to music that's outside your usual range: classical (opera, symphonic, chamber music), pop, country, folk, ethnic music of other cultures, jazz -- you name it!

2. Seek out live music. Ask your son or daughter to attend a concert with you -- let her choose the event. Also consider visiting local clubs and churches noted for gospel, baroque, or contemporary music.

3. Participate, participate, participate! Encourage your child to be in the school chorus or band. Have her invite friends over to play together. She can also share her talents in the community through your church, in talent shows and youth orchestras, or by volunteering to play at nursing homes.

4. Have your child play D.J. Your teen can prepare tapes for you to listen to in the car or on a walk. Have him include some favorite music that he's currently listening to, or maybe a piece that he's performed on his instrument.

5. Help your child reach out to younger musicians. This is a great opportunity for your child to try his hand at teaching. Summer music programs such as band camps, community center classes, and vacation church schools often need helpers.

6. Visit a museum. Investigate any museums in your area that have collections of musical instruments -- ancient, medieval, baroque, and modern. Invite your teen to spend a leisurely afternoon with you or friends at the museum.

7. Check in on your child's music teacher. Make sure that your teen's comfortable with her teacher. There needs to be a good personality fit between the two in order for the teacher to understand and motivate your child.

8. Ask your teen's opinion. Encourage your teen to read reviews of concerts and newly released CDs in the newspaper or magazines. Help her think about what musical elements the reviewer focuses on and the criteria the reviewer uses to judge the performance or recording. If she attended the concert or has listened to the CD, ask her if she agrees with the review.

9. Work with your school. Make certain that your child's school has a program that meets your teen's need to develop skills and knowledge in music. Students get more excited when they experience the full range of what's possible in their studies -- and you can get an idea of what's possible by taking a look at the National Standards for Music Education.
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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|telstylguitk||item.||page.||sagbuilyouro||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_34978982||||||Tele Style Guitar Kit||tc10||elguit1 sagbuilyouro||Electric Guitars > Saga Build Your Own Guitar Kits > ||149.000||199.000 ||149.000 ||Saga TC-10 Telecaster Style Guitar Kit||||||||1||1||1||0||||||||Saga Telecaster build Kit.
If you enjoy expressing yourself through the process of making music, you are sure to love the chance to express yourself by making your own custom guitar. By using the easy to follow instructions provided and a few simple tools, the Saga� TC-10 Electric Guitar Kit makes it simple. Because all of the most difficult procedures have already been done for you, all that's left to do is to choose the color or design, assemble the parts, and you are well on your way to the creation of a masterpiece.

Kit includes all parts and instructions to build a complete, playable guitar
Body is made of all-select Basswood- shaping and routing is complete
Solid select Maple neck with a fretted rosewood fingerboard
Adjustable truss rod
All hardware is heavily nickel plated Electronics are complete and ready for installation- no soldering required
All holes are pre-drilled
Complete with strings and electric cord

Order the Tele Style Guitar Kit today and you will have a custom guitar of your own making!

||||||||||||||||0||||||||||||||||||||Saga||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|golstarbanis||item.||page.||banjos1||||||||The Gold Star Banjo is Back and Better Than Ever!||||acin banjos1||Acoustic Instruments > Banjos > ||||||||||||||||0||1||0||0||||||||The Gold Star Banjo is Back and Better Than Ever!
San Francisco, CA / March 22, 2004 � After a ten-year hiatus, SAGA re-introduces the Gold Star GF-85 Flathead Banjo.

The Gold Star GF-85 banjo was originally introduced by Saga Musical Instruments in the late 1970's by replicating, and in most cases, improving upon features generally found only in the
most highly regarded and collected Prewar originals. In fact, Gold Star banjos produced during the 1980's and 1990's have become the collector's banjo for the current crop of pickers, being
one of only two brands of 5-string banjos that have consistently increased in value after purchase.
The new GF-85 is no exception to SAGA's high quality and definitely lives up to its brand name's honorable legacy. Reentering the market at a fraction of the price of comparable
instruments, the cost to get a professional level instrument has never been lower. To make a banjo of this caliber it is necessary for only the best materials be used including: choice
mahogany for both the neck and resonator, a bound rosewood fingerboard with "leaves and bows" inlays, a 3-ply rock maple for the rim, and reformulated flange, tension hoop, and tone
ring, and nickel plated hardware � all of which are carefully fitted together resulting in a banjo that has that elusive Prewar sound.

So, if you are looking for the best possible banjo you can buy � and that will be talked about for years to come � be sure to get your Gold Star GF-85 and start your collection off right!
SPECIFICATIONS
. Three-ply rock maple rim .
Traditional Mahogany neck with adjustable truss rod and double cut headstock .
Rosewood fingerboard with medium nickel-silver frets .
Beautiful mother-of-pearl, Gold Star script and style 3 inlay pattern .
Single piece die-cast resonator flange .
20-hole flathead-style tone ring .
Deluxe mahogany resonator .
P-140 Planetary tuners (4) .
P-142 Geared fifth-peg (1) .
P-118 Old Presto tailpiece .
P-104 armrest .
Deluxe maple bridge .
All hardware is triple-nickel plated .
Shop adjusted

Order Gold Star Banjo||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|je20anstvais||item.||page.||ib20newmo||||||||The JEM20TH 20th Anniversary Steve Vai Signature Guitar||||ibanez2000 ib20newmo||Ibanez 2018 > Ibanez 2007 New Models > ||||||||The JEM20TH 20th Anniversary Steve Vai Signature Guitar||||||||0||1||0||0||||||||To celebrate the 20th Anniversary of the Ibanez JEM, Steve Vai will personally unveil his new JEM20TH signature model at the NAMM musical instrument convention in Anaheim. While the first Ibanez JEM's were lightweight basswood and later the more traditional alder, the new JEM20TH body is fashioned of hand-crafted premium grade clear acrylic with a 3-D interior design which can actually be illuminated by internal green LED's.

The JEM20TH lists for $6,666.65. Only 500 will be available worldwide with just 200 being available in the United States.

The first Steve Vai Signature models, the JEM Series, debuted at the Chicago NAMM show in 1987. The JEM's were the spearhead of the rebirth of Ibanez that year and the eventual status of Ibanez as one of the top three electric guitar companies in the world.

DiMarzio Pickups for the JEM20TH The density of the TransJem body is greater than that of traditional wood guitars. To work best with this construction, DiMarzio designed the TransJem pickups to have greater transient response than standard humbuckers, and the neck and bridge pickups each have individual coils tuned to different frequencies. This combination produces a sound that is both powerful and open. The middle pickup design is based on the DiMarzio Virtual Vintage Heavy Blues 2. This design works well with the dense TransJem body, and balances very well in split mode with the neck and bridge pickups. All five TransJem switch positions are hum canceling.

Acrylic Body The JEM20TH's beautiful acrylic body is made by a Japanese company that fabricates the clear tank walls for the more prestigious aquariums in the world. The actual process is a closely guarded trade secret. Each body is gone over by hand extensively by a highly skilled veteran of acrylic arts.

JEM20TH List: $6,666.65 Body Material: Hand-made premium acrylic resin with 3D multi-color design inside illuminated by green LED's Neck Material: Maple/ Walnut 5ply Neck Scale/Type: 25.5in/JEM No. Frets/Type: 24/ 6105 Fingerboard: Rosewood Inlay: Tree of Life Bridge: Edge Pro tremolo H/W Color: Chrome Neck Pickup: Trans JEM Humbucker Middle Pickup: Trans JEM Single Bridge Pickup: Trans JEM Humbucker Controls: 1 Volume, 1 Tone, 5-way pickup selector switch(Split-5) Case: Special JEM20TH Hardshell Case Case List: Included
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|loar||item.||page.||acin||||||||The Loar||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||loarlh600 loarculh||||

Inspired by the pioneering designs of the Golden Age, guitars and mandolins by The Loar combine expert craftsmanship and classic designs with upgraded features to appeal to today�s players. From premium hand-carved tonewoods to original inlay detailing, each instrument is made for the best sound, playability and timeless beauty.

The Loar pays homage to instruments from the 1920�s and 30�s, an age of outstanding craftsmanship and innovative design. We revive this tradition in order to bring you some of the best-sounding, most beautifully crafted instruments available today.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|loarculh||item.||page.||loar||https://sep.yimg.com/ay/chrisbsmusicinc/the-loar-archtop-cutaway-lh-650-vs-6.gif||||||The Loar Archtop Cutaway LH-650-VS || LH-650-VS ||acin loar||Acoustic Instruments > The Loar > ||1399.990||1866.990 ||1399.990 ||||||||||1||1||1||0||||||||The LH-650 hand carved archtop cutaway guitar offers an excellent option for traditional jazz guitarists who want to amplify the classic archtop sound for ensemble playing. The Kent Armstrong floating pickup amplifies the sweet natural tone of the hand-carved spruce top, while the Florentine cutaway allows unrestricted access to the upper frets, making the LH-650 perfect for either soloing or accompaniment.

The LH-650 is assembled with a solid hand carved spruce top, solid figured maple back and sides and a one-piece mahogany neck with a "C" profile. The bone nut and compensated adjustable ebony bridge let the sound of the select tonewoods resonate clearly, and the bound pickguard with a single volume knob adds to the vintage look and feel. The archtop is finished with a meticulously inlaid mother-of-pearl �Fleur-de-Lys� headstock design and a hand-buffed nitrocellulose lacquer tobacco sunburst finish to stay true to classic design and style.

The LH-650 comes standard with a Loar logo-embroidered featherweight case.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|loarlh600||item.||page.||loar||https://sep.yimg.com/ay/chrisbsmusicinc/the-loar-lh-600-7.gif||||||The Loar LH-600||LH-600||acin loar||Acoustic Instruments > The Loar > ||999.990||1333.990 ||999.990 ||||||||||1||1||1||0||||||||Modeled after American designs from the early 20th century, The Loar�s LH-600 archtop guitar is carved from select, graduated woods for unparalleled acoustic projection.

The LH-600 is a replica of the original archtop acoustic guitars from the 1920�s. This guitar features a top carved from graduated spruce, and hand-carved figured maple back and sides.

With its classic archtop, carved body and vintage design, we've built a great-sounding guitar that jazz players and archtop enthusiasts will love.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lomalm1||item.||page.||loarmandolins||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35058883||||||The Loar Mandolin LM-500||LM-500-VS||acin mandolins1 loarmandolins||Acoustic Instruments > Mandolins > The Loar Mandolins > ||659.990||879.990 ||659.990 ||The Loar Contemporary F-style Mandolin||||||||1||1||1||0||||||||The Loar LM-500-VS is hand-assembled in The Loar design studios. We've carefully crafted the LM-500 with a hand-carved solid spruce top and hand-carved figured maple back and sides.

The LM-500's fretboard extension has also been scooped, allowing players to position the pick closer to the neck joint, so they can find the mandolin's �sweet spot� without fear of the pick hitting against the higher frets.

The LM-500's aesthetics have been modernized, including an all-new �Fleur-de-Lys� style headstock inlay for a more contemporary look. A one-piece figured maple neck, bound ebony fretboard, Grover tuning machines and an ebony bridge round out the list of impressive features on this beautiful mandolin.

Top: Solid Spruce

Back & Sides: Solid, Highly-Flamed Maple

Neck: Hard Rock Figured Maple

Fretboard: Ebony

Headstock Inlay: Fleur-de-Lys

||||||||||||||840246021625||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|lomalm||item.||page.||loarmandolins||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35118653||||||The Loar Mandolin LM-520||LM-520||acin mandolins1 loarmandolins||Acoustic Instruments > Mandolins > The Loar Mandolins > ||499.990||667.990 ||499.990 ||||||||||1||1||1||0||||||||The new hand-carved LM-520 F-model mandolin is our response to players� requests for a value priced mandolin with more stripped down appointments yet a similar sound to our best-selling Loar LM-600 and LM-400 mandolins.

The new 520 is carefully assembled in the same hand-carved workshop that gave birth to the LM-400 and 700, and have similar hand-carved, fully graduated spruce tops. �The solid maple back of each instrument is also hand carved, and the solid maple sides complete the package. �The maple neck has a comfortable rounded �V� profile finished with a rosewood fretboard. �The compensated adjustable ebony bridge and high quality vintage-style Grover tuning machines insure that these mandolins have great intonation and stay in tune no matter how hard they are played.

Perfect for players who want a high-quality, great-sounding hand-carved mandolin but don�t need all of the bells and whistles, these minimally appointed instruments deliver the high-end tone, chop and projection the music community has come to expect from The Loar.

||||||||||||||||0||||||||||||||||||||The Loar||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|loarmandolins||item.||page.||mandolins1||||||||The Loar Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||The Loar Mandolins at Chris B's Music||||||||0||1||0||0||||lomalm lomalm1 lmloprmaf||||Designed by Greg Rich and inspired by the pioneering designs of the Golden Age, guitars and mandolins by The Loar combine expert craftsmanship and classic designs with upgraded features to appeal to today�s players. From premium tonewoods to original inlay detailing, each instrument is made for the best sound, playability and timeless beauty.

The Loar pays homage to instruments from the 1920�s and 30�s, an age of outstanding craftsmanship and innovative design. The Loar revives this tradition to bring you the best-sounding, most beautifully crafted instruments available today.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|rg8gu||item.||page.||ib20newmo||||||||The RG2228GK 8-String Guitar||||ibanez2000 ib20newmo||Ibanez 2018 > Ibanez 2007 New Models > ||||||||The RG2228GK 8-String Guitar||||||||0||1||0||0||||||||Asked why he wanted the 7-String Universe that ignited two very different trends in 7-string guitars, Steve Vai answered tongue-in-cheek: "More is better."

Tongue-in-cheek or not, Ibanez seems to have taken Vai's comment with complete seriousness as the company had a good number of guitars with more than 6-strings at their booth at the Anaheim NAMM musical instrument convention. On display was the long-awaited 8-string, the RG2228BK, and the slender Ibanez S 7-string, which has been absent from the Ibanez roster since 2000 and been subject to many calls for its return.

The 8-string RG2228GK lists for $1999.99. The 7-string S7320BK lists for $933.32

Background Steve Vai and Ibanez introduced the first wave of 7-string guitars in 1990 with the Universe model. There was nothing new about 7-string guitars, jazzers had used hollow body 7-strings since the '40s, but a solid-body 7-string with a double-locking tremolo and thin neck designed for rock was very close to revolutionary. At the time the Universe guitars were used as "shred machines," and when shred, metal, and progressive rock forms were swept from the scene by grunge and alternative, interest in the 7-string guitar plummeted, and the Universe was discontinued for several years.

RG2228GK Neck: 5pc Wizard 8 Prestige Neck Body: Basswood Frets: Jumbo Neck Pickup: EMG 808 Bridge Pickup: EMG 808 Bridge: Fixed Edge III-8 List Price: $1,999.99 Including Hardshell Case
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|thomdomservi||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35176457||||||Thomastik Dominant Series Violin Strings||135MS||strinin||Stringed Instruments > ||54.990||96.990 ||54.990 ||Thomastik Dominant Series Violin Strings Full sets||||||||0||1||1||0||||||||Dominant series violin strings are one of the most widely-used synthetic strings, Thomastik Dominant strings have a highly flexible, multi-strand nylon core that is comparable in sound and feel to natural gut.||Size/Type: "4/4 ball end" "4/4 loop end" "3/4 ball end" "1/2 ball end" "1/4 ball end" "1/8 ball end"||||||||||||||0||||||||||||||||||||Thomastik||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|timbales||item.||page.||drumsticks||||||||Timbales||||drumsticks||Drum Kits > ||||||||LP Timbales||||||||0||1||0||0||||||||Browse all Timbales||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tipformulrec||item.||page.||recordingfaq||||||||Tips for Multi-Track Recording||||musicsoftware1 recordingfaq||Recording/PA/Software > Recording FAQ > ||||||||Tips for Multi-Track Recording||||||||0||1||0||0||||||||

Tips for Multi-Track Recording

There are many things to consider when you are in the market for a recorder. First, what sound quality do you need? Are you making recordings for friends or to submit to the music industry? Another thing to consider is the number of tracks you need and the number of simultaneous recording tracks available. If you are only recording one person and don't intend to submit your tape, you don't need anything fancy...perhaps just a small multi-track tape machine for building songs track by track will do. These little tape machines generally use cassettes, which also makes them easy and affordable. But it's good to have certain features, such as a pitch control for changing the speed of the tape, and a high speed mode that provides more tape for the sounds being put there and hence better quality recording.

With this type of recorder, there are tricks that the digital machines are just now becoming able to do, like being able to have a song recorded with an instrument track in reverse. This is easily achieved by ejecting the cassette and reinstalling it upside down, then recording the track while all the other instruments are playing in reverse, then just flip the tape and listen back.

Besides the great little tricks you can do with tape machines, some say they are preferable to digital recorders simply because they have tape, which lets you get a hotter signal and greater frequency response than you get with digital machines.

When selecting a cassette tape for your recorder, you want the best sound quality you can possibly achieve, so, a cassette not over 45 minutes, and normal to high bias is going to work the best. One generally thinks longer is better, but a shorter cassette will have an advantage often overlooked -- the tape is shorter, but it is also thicker, and has more available material to more securely hold the magnetic fields created by the tape heads. Thicker tape, moving across the heads faster, is the ideal situation.

Have you ever noticed that sound quality that is lost when listening back to bounced or "ping-ponged" tracks? Every time you re-record a track, since you're recording your recording, you lose a little. Here's a simple way ping-pong your analog tracks and keep the quality up. All you need is a digital VCR (most are digital after the mid 90's). The tracks you decide you'd like to bounce to another track can be mixed and sent to the inputs on the VCR. It will digitally record them to the VCR. Then just send them back into the tape recorder onto a single track. They may not be quite as good as your original tracks were, but they will be better than if bounced from one tape machine to another.

One of the most important things to know about recording to tape is that you want to saturate the tape to give the recorded tracks their best possible quality. That's why tape machines generally have meters with a red area at the peak end. When recording, you want the needle as near or just into the red zone as possible, without pinning at the top. In other words, you want to be as close to distortion level as possible, without actually getting distortion. If you run it too safely, keeping it below the red zone completely, you'll avoid distortion, but not have as rich a recording as you could have. The trick is to get familiar with your machines, so you know how high the needles can run without getting distortion.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tipforstudan||item.||page.||inren||||||||Tips for Students and Parents||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0|||||||| Tips For Band Students, Parents, Teachers

by BRUCE BOWRING Whole Note Music

The simplest suggestion may make a big difference! Read the suggestions below and see if there is something that you might have overlooked or forgotten. Do not be afraid to try something new!

Flute

1. Flute parallel with lips

2. Flute to head, not head to flute

3. Relaxed embouchure, slight frown

4. Flat fingers, do not over reach!

5. Open mouth and throat. Create a full tone

6. To raise pitch, adjust jaw forward, or roll flute out

7. To lower pitch, drop jaw, or roll in flute

8. Tuning problem? Double check position of head cork.

Clarinet

1. Head up

2. Chin down flat, corners back

3. Do not overwrap bottom lip

4. Fingers flat, angled down

5. Tongue light, quick

6. Teeth on mouthpiece

7. Embouchure firm, clarinet in center of mouth

8. Squeaks? Try less mouthpiece, check reed for chips, cracks, warped

Saxophone

1. Lower jaw, somewhat relaxed

2. Tongue lightly

3. Fill horn with air, practice extreme dynamics

4. Sax to mouth, not mouth to sax-adjust sax strap to bring the horn to correct position

5. Sit up straight, head up, not sideways

Oboe

1. Reed placed between lips which are slightly rolled in over the teeth

2. Lips close around the reed, no leaks

3. Lips firm, do not pinch, allow the reed to vibrate

4. Tip of the tongue touches reed when tonguing

Bassoon

1. Lips are pushed forward, not rolled over teeth

2. Do not pinch!

3. Allow lower jaw to recede, upper teeth forward-overbite position

4. Sit upright, bring bassoon to mouth

5. Use strap that works best for you-Seat strap or neck strap

Trumpet/Cornet

1. Head up

2. Position mouthpiece 50/50 (half upper lip, half lower)

3. Light pressure, do not pinch

4. Chin flat

5. Tongue lightly

6. Open throat, horn parallel with floor

7. Fill horn with air, do not overblow!

8. Trumpet supported by the left hand

9. Finger tips on valve buttons for best fingering technique

French Horn

1. Two thirds, upper lip, one third, lower

2. Pressure more on lower lip

3. Do not suck in lower lip

4. Head up, BLOW!

5. Sit forward in the chair, face director

6. Back of right hand against bell

7. Use right hand to help regulate pitch (intermediate/advanced level)

Trombone/Tuba/Baritone

1. Open lips-Space between

2. Blow!

3. Trombone-relaxed wrist, quick

4. Do not puff cheeks!

5. Open throat

Excellent Suggestions for Everyone

1. Be patient! Success takes time

2. Practice, Practice, Practice

3. Due diligence-if something doesn't come right away, move on and come back to it later

4. Experiment-if something doesn't work for you, try a new technique, position, mouthpiece, reed, instrument, vocal

5. Question experts-can't figure it out? Consult a recognized professional

6. Practice dynamics regularly (softs & louds) The best musicians can play any selection at any volume with ease

7. Take lessons! One lesson is better than none. Get someone who can help you start correctly. Bad habits will limit your success, and they are hard to break!

8. Practice all tempos. Many people can play notes quickly. A professional can also play it slowly with expression

9. Practice different styles of music. Jazz, classical, rock, pop, folk, religious. It will make you a better, well-rounded musician and improve your technique.

10. Proficiency with scales will improve your technique
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tklalsaxgigb||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35206094||||||TKL Alto Sax Gig Bag||4793||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||44.990||69.990 ||44.990 ||TKL Alto Sax Gig Bag||||||||1||1||1||0||||||||This TKL Black Belt Deluxe Alto Sax gig bag is made with a durable woven nylon on the outside and a well padded velour lining on the inside. The bag has a detachable shoulder strap and an accessory pocket.||||||||||||||||0||||||||||||||||||||TKL||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tkltrumgigba||item.||page.||banincasandg||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35276234||||||TKL Trumpet Gig Bag||4792||schoolbanin inren banincasandg||School Band Instruments > School Band Instruments > Band Instrument Cases and Gig Bags > ||39.990||59.950 ||39.990 ||TKL Gig Bag offers great protection for your trumpet||||||||0||1||1||0||||||||This trumpet gig bag is made with a durable woven nylon on the outside and a well padded velour lining on the inside. The bag has a detachable shoulder strap and an accessory pocket. TKL Black Belt Deluxe Trumpet Bag offers excellent protection for your instrument.||||||||||||||||0||||||||||||||||||||TKL||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tobagu||item.||page.||electricbass||||||||Tobias Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tomtoms||item.||page.||drumsticks||||||||Tom Toms||||drumsticks||Drum Kits > ||||||||||||||||0||1||0||0||||||||Browse all Tom Toms ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|topse12stgu||item.||page.||howtotun12st||||||||Top Selling 12 String Guitars||||guiten howtotune howtotun12st||Guitar Encyclopedia > How to Tune a Guitar > How to Tune a 12 String guitar > ||||||||||||||||0||1||0||0|||||||| Rogue Herringbone 12-String Acoustic Guitar Natural

Seagull Coastline Series S12 Dreadnought 12-String Acoustic Guitar Natural

Epiphone Dr-212 12-String Acoustic Guitar Natural Chrome Hardware
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|toybagpipes||item.||page.||noname4||||||||Toy Bagpipes||BAGV||acin noname4||Acoustic Instruments > Bagpipe Shop > ||39.990||39.990 ||||Fully Functional Pipes||||||||0||1||1||0||||||||Bagpipes, toy bagpipes, highland pipes.
Fully functional set of miniature pipes.
A great way to introduce the instrument
to children, also a unique item
for adults
NOTE:PER HEALTH DEPT REGULATIONS, THIS ITEM IS NON RETURNABLE
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trbagu||item.||page.||electricbass||||||||Traben Bass Guitars||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||
Traben Neo Limited Electric Bass Guitar Spaltedburst

Traben Array Special Black Out Electric Bass Guitar Black Out

Traben Array NT 4 Electric Bass Guitar Black Fade¹ ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trdosp||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35397495||||||Traditional Dobro Spider||DP-125||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||29.950||29.950 ||||||||||||0||1||1||0||||||||* Traditional sand-cast dobro spider||||||||||||||||0||||||||||||||||||||Golden Gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trgrbo||item.||page.||bouzoukis||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35405737||||||Traditional Greek Bouzouki||BOUZV||acin bouzoukis||Acoustic Instruments > Bouzoukis > ||449.000||620.000 ||449.000 ||||||||||1||1||1||0||||||||Our four course, eight string, Greek Bouzouki is a beautiful instrument with a rich history. The fingering is the same as the higher four strings on a guitar, and the same as the fingering on a ukulele. The tuning, however, is different, the recommended being Cc Ff aa dd.

The Roosebeck Bouzouki has a European spruce soundboard, rosewood fingerboard, and mahogany neck. The soundboard, fingerboard, and headstock have beautifully designed custom lacewood inlays. The bowl shaped back options are rosewood, lacewood, or a variegated mix of both. The scale length is 26.25" (667mm).

The Bouzouki dates back to Byzantine times, and in Greece, was known as a pandura. It later became known as a tambouras, and around the 19th century evolved into the modern day bouzouki. In the 1960's, the Irish Bouzouki became popular in traditional Celtic music. The Irish Bouzouki looks a little more like a mandolin, and it is tuned differently than this traditional Greek counterpart.||||||||||||||||0||||||||||||||||||||Roosebeck||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trailtravgui||item.||page.||johacguit||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35467764||||||Trailblazer Travel Guitar||JG-TR2||acin johacguit||Acoustic Instruments > Johnson Acoustic Guitars > ||119.990||159.990 ||119.990 ||Johnson Travel Guitar||||||||1||1||1||0||||||||The Johnson Trailblazer travel guitar is truly the traveler's dream with its small-scale design and great look! It features a spruce top and mahogany back, sides, and neck.

The Trailblazer also boasts other features you wouldn't expect to find on a travel guitar, like neck and body binding and full size nickel/silver frets. Built with great materials at a low cost, the Trailblazer always delivers when on the go. Whether you're camping, hiking, or just taking a quick road trip, the new Johnson Trailblazer is the perfect companion. It's a sure-fire hit for players on the run!

Small Scale Design

Spruce Top

White Wood Back, Sides & Neck

Rosewood fretboard and bridge

22 full sized frets

Includes Bag

Scale Length: 24 3/4"

||||||||||||||||0||||||||||||||||||||Johnson||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|travcelcas||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35491700||||||Travelite Cello Case||tl20||strinin||Stringed Instruments > ||||||||Excellent quality hard shell cello case.||||||||0||1||1||0||Music > Instruments and Equipment > Stringed Instruments > Cello|||||| This is great protection for your instrument. Weight is just 10 and 1/2 pounds.
Precision-engineered instrument cavity made of high-grade lightweight material
Arched-top construction
Full suspension top and body
Roomy exterior and interior accessory compartments
Includes two internal bow holders
Neck support with velcro strap
Padded, heavy-duty ballistic nylon exterior cover
Plush blue-grey velour interior
Luggage-grade nylon zipper
Velcro strap closure
Removable back-pack straps with metal hooks
Sturdy hinges
Underhandle latch with key
Durable metal feet on horizontal and vertical axis for versitile storage possibilites
Only 4/4 and 3/4 sizes have luggage-grade wheels located on the bottom for easy transport

The Travelite cello case was invented by Saga Musical Instruments to fill a long-felt need by cellists for a light, strong and portable case. The TL-20 was carefully designed to be the ideal cello travel case. It is extremely light--being made of a high-grade, modern material that not only protects but insulates the instrument as well. The exterior is durable ballistic nylon and includes detachable, padded shoulder straps for ease of transport. Cellists who spend a lot of time in airports will appreciate the attached wheels. The interior is plush-lined and fully padded with a full suspension feature to cradle the instrument.

The fully-arched top and wood reinforcements around the case ensure the ultimate protection for the instrument and peace of mind for the player. We urge you to try the Travelite TL-20 Cello case--it's the lightest, the strongest and the most affordable!

CLICK TO ORDER Travelite Cello Case
Travelite Deluxe Cello Case 4/4 Size Black Exterior, Blue Interior
||Size: Full 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||Travelite||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|travdobcas||item.||page.||regdobandtri||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35520754||||||Travelite Dobro Case||tl60||acin regdobandtri||Acoustic Instruments > Regal Dobros and Triolians > ||99.990||99.990 ||||Travelite Deluxe Resophonic Guitar Case||||||||0||1||1||0||||||||Lightweight dobro case.

Many people who own a wood-frame, hard-shell guitar case also own a lighter case which is perfectly suited for carrying on one's back on a bicycle or walking the length and breadth of a festival. To all who desire a light, strong case, we offer the Travelite TL-60--perfectly suited for smaller models such as the classic guitar and the dobro. Its rigid foam construction provides the ideal combination of lightness, strength and insulating qualities. It has wood reinforcement all around, arched-top construction and a durable, padded black ballistic nylon outer covering. The interior is lined with plush velour and features a roomy accessory pocket and built-in hygrometer. A padded, detachable and adjustable shoulder strap is included. We think your precious instrument deserves the protection of a Travelite TL-60 case--and your arm will thank you for it!
Precision-engineered instrument cavity made of high-grade lightweight material
Arched-top construction
Full suspension top and body
Roomy exterior and interior accessory compartments
Neck support and velcro strap
Padded, heavy-duty ballistic nylon exterior cover
Plush velour interior
Luggage grade nylon zipper
Velcro strap closure
Back-pack straps
Sturdy hinges
Underhandle latch with keyDurable metal feet on horizontal and vertical axis for versitile storage
||||||||||||||||0||||||||||||||||||||Travelite||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|travmancas||item.||page.||mandolincases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35552410||||||Travelite Mandolin Case||TL45||acin mandolins1 mandolincases||Acoustic Instruments > Mandolins > Mandolin Cases > ||79.990||79.990 ||||Travelite Deluxe F-model Mandolin Case||||||||1||1||1||0||||||||Travelite Mandolin Case

It's absolutely the lightest - and it protects like no other. The exterior cover is made of 6000-denier ballistic nylon and comes with removable, adjustable backpack straps. The padded interior is velvet-lined and has a roomy interior pocket.
For F style mandolins

Precision-engineered instrument cavity made of high-grade lightweight material
Arched-top construction
Full suspension top and body
Roomy interior accessory compartment
Neck support and velcro strap
Padded, heavy-duty ballistic nylon exterior cover
Plush velour interior
Luggage grade nylon zipper
Velcro strap closure
Back-pack straps
Sturdy hinges
Under handle latch with key Durable metal feet on horizontal and vertical axis for versatile storage

||||||||||||||||0||||||||||||||||||||Travelite||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|noname7||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35561741||||||Travelite Oblong Violin Case||TL-35||strinin||Stringed Instruments > ||74.950||74.950 ||||Travelite Deluxe Violin Case||||||||1||1||1||0||||||||Tavelite Deluxe Oblong Violin Case

Precision-engineered instrument cavity made of high-grade lightweight material
Arched-top construction
Full suspension top and body
Roomy exterior and interior accessory compartments
Neck support and velcro strap
Padded, heavy-duty ballistic nylon exterior cover
Plush velour interior
Luggage grade nylon zipper
Velcro strap closure
Back-pack straps
Sturdy hinges
Underhandle latch with keyDurable metal feet on horizontal and vertical axis for versitile storage
||Size 4/4 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||Travelite||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|travcasshapv||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35585731||||||Travelite Shaped Violin Case||TL-30||strinin||Stringed Instruments > ||59.950||79.950 ||59.950 ||Travelite Deluxe Semi-shaped Violin Case||||||||1||1||1||0||||||||Lightweight shaped violin case. This case offers durable protection for your instrument while at the same time being lightweight and easy to carry.

Precision-engineered instrument cavity made of high-grade lightweight material
Arched-top construction
Full suspension top and body
Roomy exterior and interior accessory compartments
Neck support and velcro strap
Padded, heavy-duty ballistic nylon exterior cover
Plush velour interior
Luggage grade nylon zipper
Velcro strap closure
Back-pack straps
Sturdy hinges
Underhandle latch with keyDurable metal feet on horizontal and vertical axis for versitile storage
||||||||||||||||0||||||||||||||||||||Travelite||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trfoinst||item.||page.||mandolins1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35608105||||||TravLite Folk Instrument Stand||GS303B||acin mandolins1||Acoustic Instruments > Mandolins > ||22.950||33.990 ||22.950 ||Folk instrument stand holds banjos, mandolins, violins.||||||||1||1||1||0||||||||TravLite� folk instrument stand

Holds banjos, mandolins, violins and ukuleles securely with adjustable foam pads

Easy to set up and pack up

Sturdy steel construction

Specially Formulated Foam on all possible contact points to protect your instrument

Weight: 0.9kg (1.9lbs)

Folded size: 270x260mm (10.6x10.2")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|konandmeysax||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35647501||||||TravLite In-Bell Alto Saxophone Stand||DS431B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||43.950||63.990 ||43.950 ||In-Bell Alto Saxophone Stand||||||||1||1||1||0||||||||TravLite� In-Bell Alto Saxophone stand folds up compactly to fit inside the bell of your instrument

Takes up no extra space in your instrument case

Compact and Stable

Velvet bag included for better protection and easier access

Height: 290mm (11.4")

Weight: 0.37kg (0.8lbs)

Base radius: 220mm (8.7")

Folded size: 275x75mm (10.8x2.9")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trumpetstand||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35692769||||||TravLite In-Bell Trumpet Stand||DS410B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||22.950||31.950 ||22.950 ||||||||||1||1||1||0||||||||TravLite� In-Bell Trumpet/Cornet stand folds up compactly to fit inside the bell of your instrument

Takes up no extra space in your instrument case

Compact and stable

Velvet base secures snugly inside your instrument

Velvet bag included for better protection and easier access

Weight: 0.3kg (0.7lbs)

Base radius: 170mm (6.7")

Folded size: 180x70mm (7x2.7")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|flutestand||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35764065||||||TravLite In-Footjoint Flute Stand||DS460B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||22.950||32.990 ||22.950 ||In-Footjoint Flute Stand||||||||1||1||1||0||||||||TravLite� In-Footjoint Flute stand folds up compactly to fit perfectly inside the footjoint of your instrument

Takes up no extra space in your instrument case

Fits standard C Flute but subject to different brand sizes, peg diameter 18.8mm

Compact and Stable

Height: 148mm (5.8")

Weight: 0.1kg (0.2lbs)

Base radius: 165mm (6.5")

Folded size: 128X19mm (5x0.7")||||||||||||||||0||||||||||||||||||||TravLite||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|traynoramps||item.||page.||elguit1||||||||Traynor Amps||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Traynor Amps||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|bodhran||item.||page.||bodhrans||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_20128842||||||Trinity College Irish Bodhran||tb2||drumsticks bodhrans||Drum Kits > Bodhrans > ||54.950||54.950 ||||Trinity College Bodhran||||||||1||1||1||0||||||||Trinity College 18" diameter bodhran, laminated wood rim with skin head. Tipper included. Rim is painted dark green; crossbars also dark green . Head secured with double row of tacks and a reinforcing ring under the head.||||||||||||||||0||||||||||||||||||||TrinityCollege||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trincollonbo||item.||page.||trincolman||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35798500||||||Trinity College Long-Scale Bouzouki with Case||TM-375||acin mandolins1 trincolman||Acoustic Instruments > Mandolins > Trinity College Mandolins > ||649.000||1050.000 ||649.000 ||TRINITY COLLEGE LONG-SCALE BOUZOUKI OUTFIT||||||||1||1||1||0||||||||
Solid Spruce top
Solid Maple back and sides
Slim mahogany neck with bound rosewood fingerboard
Bound body and peghead
Mother-of-pearl snowflake position markers
Oval soundhole with inlaid rosette
High-gloss natural finishElegant abalone Celtic knot peghead inlay
26 3/4" scale length
Adjustable truss rod
Hardshell case included
Shop adjusted

||||||||||||||||0||||||||||||||||||||Trinity College ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trincolmanwc||item.||page.||trincolman||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35811648||||||Trinity College Mandola with Case||TM-275||acin mandolins1 trincolman||Acoustic Instruments > Mandolins > Trinity College Mandolins > ||649.000||1050.000 ||649.000 ||TRINITY COLLEGE MANDOLA W/CASE||||||||1||1||1||0||||||||
Solid Spruce top
Solid Maple back and sides
Slim mahogany neck with bound rosewood fingerboard
Bound body and peghead
Mother-of-pearl snowflake position markers
Oval soundhole with inlaid rosette
High-gloss natural finishElegant abalone Celtic knot peghead inlay
Adjustable truss rod
17" scale length
Hardshell case included
Shop adjusted

||||||||||||||||0||||||||||||||||||||Trinity College ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trincolman||item.||page.||mandolins1||||||||Trinity College Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||trincollonbo trincolmanwc trincolmanwc1 trincolocman||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trincolocman||item.||page.||trincolman||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35835489||||||Trinity College Octave Mandolin with Case||TM-325||acin mandolins1 trincolman||Acoustic Instruments > Mandolins > Trinity College Mandolins > ||649.000||1050.000 ||649.000 ||TRINITY COLLEGE OCTAVE MANDOLIN OUTFIT||||||||1||1||1||0||||||||
Solid Spruce top
Solid Maple back and sides
Slim mahogany neck with bound rosewood fingerboard
Bound body and peghead
Mother-of-pearl snowflake position markers
Oval soundhole with inlaid rosette
High-gloss natural finishElegant abalone Celtic knot peghead inlay
20 3/8" scale length
Adjustable truss rod
Hardshell case included
Shop adjusted

||||||||||||||||0||||||||||||||||||||Trinity College ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trincolmanwc1||item.||page.||trincolman||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35821411||||||Trinity College Standard Celtic Mandolin||TM-250||acin mandolins1 trincolman||Acoustic Instruments > Mandolins > Trinity College Mandolins > ||599.000||950.000 ||599.000 ||TRINITY COLLEGE MANDOLIN OUTFIT||||||||1||1||1||0||||||||
All traditional, flat body construction
Solid Spruce top
Solid Maple back and sides
Slim mahogany neck with bound rosewood fingerboard
Bound body and peghead
Mother-of-pearl snowflake position markers
Oval soundhole with inlaid rosette
High-gloss natural finishElegant abalone Celtic knot peghead inlay
Adjustable truss rod
Hardshell case included
Shop adjusted

||||||||||||||||0||||||||||||||||||||Trinity College ||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trtrgigbag||item.||page.||trumpetcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35848559||||||Triple Trumpet Gig Bag||CW-603||schoolbanin inren trumpets trumpetcases||School Band Instruments > School Band Instruments > Trumpets > Trumpet Cases > ||59.990||79.990 ||59.990 ||||||||||1||1||1||0||||||||Guardian Triple Trumpet Gig Bag offers excellent protection for your instrument. This bag holds three trumpets.

600 DENIER DURAGUARD NYLON

20MM FOAM PADDING

NO-SCRATCH NYLON INTERIOR

LEATHER HANDLES

ACCESSORY POCKETS
||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gutrca||item.||page.||trombonecases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35874987||||||Trombone Case||CW-012||schoolbanin inren trombones trombonecases||School Band Instruments > School Band Instruments > Trombones > Trombone Cases > ||59.990||75.990 ||59.990 ||Guardian Trombone Case||||||||1||1||1||0||||||||Guardian featherweight trombone case offers excellent protection for your instrument.

High-Density Foam Padding

Nylon DuraGuard Cover with Zipper

Black Plush Lining

||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trombonecases||item.||page.||trombones||||||||Trombone Cases||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||1||0||0||||gutrgigbag gutrca||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gutrgigbag||item.||page.||trombonecases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35884153||||||Trombone Gig Bag||CW-600-TB||schoolbanin inren trombones trombonecases||School Band Instruments > School Band Instruments > Trombones > Trombone Cases > ||69.490||93.990 ||69.490 ||Guardian Trombone Gig Bag||||||||1||1||1||0||||||||Guardian Trombone gig bag offers excellent protection for your instrument.

600 DENIER DURAGUARD NYLON

20MM FOAM PADDING

NO-SCRATCH NYLON INTERIOR

LEATHER HANDLES

ACCESSORY POCKETS

||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trombonestand||item.||page.||kmstanforban||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35916413||||||Trombone Stand||DS520B||schoolbanin inren kmstanforban||School Band Instruments > School Band Instruments > Stands for Band Instruments > ||53.950||76.990 ||53.950 ||Hercules Trombone Stand||||||||1||1||1||0||||||||Hercules trombone stand is designed to protect your valuable instrument.

EZ Top Bracket adjusts to fit the width of your side braces

Tripod legs provide stability and fold up compactly

Vertical distance between the two slide-brace supports: 60mm

Height: 860mm (3.38")

Weight: 1.6kg (3.5lbs)

Folded size: 785x120mm (30.9x4.7")||||||||||||||||0||||||||||||||||||||Hercules||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trombonestands||item.||page.||trombones||||||||Trombone Stands||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||1||0||0||||||||Browse all Trombone Stands||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trombones||item.||page.||inren||||||||Trombones||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||bachtrombones blestrom conntrombones holtrom juptrom kingtrombones yamtrom trombonestands trombonecases howtobuytrom1||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trumpetcases||item.||page.||trumpets||||||||Trumpet Cases||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||||||||||0||1||0||0||||gutrbag trtrgigbag||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|gutrbag||item.||page.||trumpetcases||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35922887||||||Trumpet Gig Bag||CW-600||schoolbanin inren trumpets trumpetcases||School Band Instruments > School Band Instruments > Trumpets > Trumpet Cases > ||35.990||47.990 ||35.990 ||||||||||1||1||1||0||||||||Guardian Trumpet gig bag offers excellent protection for your instrument.

600 DENIER DURAGUARD NYLON

20MM FOAM PADDING

NO-SCRATCH NYLON INTERIOR

LEATHER HANDLES

ACCESSORY POCKETS
||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trummout||item.||page.||trumpets||||||||Trumpet Mouthpieces||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||||||||||0||1||0||0||||||||Browse all Trumpet Mouthpieces||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trumpetmutes||item.||page.||trumpets||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35955147||||||Trumpet Mutes||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||Freetone, Harmon, Triple-play...||||||||0||1||0||0||||trummut freettrummut harwowwowmut hartripplaym||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|cymbalstands||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35962562||||||Trumpet Stand, Sax Stand, Trombone Stand||band stand||accessories||Accessories > ||21.990||21.990 ||||Heavy duty, black tubular steel construction.||||||||0||0||1||0||||||||(Sax stand shown)||Type: "Trumpet Stand" "Trombone Stand" "Alto/Tenor Stand"||trumpet stands, k+M, sax stand, double sax stand, trombone stand, clarinet stand||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|trumpets||item.||page.||inren||||||||Trumpets||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||bachtrumpets bessontrumpets bltr conntrumpets holtontrumpets jutr kingtrumpets1 selmertrumpets yamahatrumpets trumpetmutes trumpetcases trummout howtobuytrum1 elstbbtr||||Shop All Trumpets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|emwintrum||item.||page.||newinforsal||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35964511||||||Trumpets||||schoolbanin inren newinforsal||School Band Instruments > School Band Instruments > Brass and Winds by Holton, Jupiter, Armstrong, Selmer... > ||||||||Amati Bach Blessing Conn Getzen Holton Jupiter LeBlanc Stomvi Yamaha||||||||0||1||0||0||||emwisttr emwisitr||||E.M. Winston Trumpets
Toll Free 877 712 4747
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Browse all Trumpets||||trumpets, yamaha trumpets, bach trumpet, getzen, student trumpets, trumpet rental, silver trumpet, conn, besson||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tubvssolstat||item.||page.||whatsizeamp||||||||Tube vs. Solid State||||elguit1 ibanezamps whatsizeamp||Electric Guitars > Ibanez Amps > What Size Amp? > ||||||||||||||||0||1||0||0||||||||Buy Guitar Amps

What's the difference between a tube amp and a solid-state amp?

The simple answer is that a tube amp uses one or more vacuum tubes to amplify the signal, while a solid-state amp uses solid-state electronics (diodes, transistors, etc.) to amplify the signal. On paper and in theory these two implementations should yield identical result, but in actuality the difference is usually noticeable.

But the simple answer fails to answer to the complexity of the issue. Many amps are not simply tube or solid-state, but mixes of both kinds, called "hybrids." This usually means that they have a tube preamp stage, employing vacuum tubes in the tone shaping circuitry, but use solid-state circuitry for the power section. The hybrids are closer to full tube amps in response and tonal warmth, but purists will still find a difference between the two. Tube amps are generally more expensive in initial cost and to operate (because you need to replace the tubes occasionally), and solid-state amps are generally less delicate and more reliable. Many players, however, feel that tube amps yield a warmer, more musical tone and better distortion.

Yet another wrinkle is tube emulation circuitry. Many amps and preamps have sophisticated circuits designed to act like tubes, and as in all things, some are better than others. The newest develop in amps are the modeling amps, which not only emulate the tone and response of tubes, but of specific tube amps. These are in general pretty exciting amps, but again, some are better than others at getting specific models, and in maintaining the sounds through a range of volume levels.

Another point to make about tube amps is that bigger is not always better. You get the distinctive tube sound most when the amp is cranked up enough that the tubes are saturated or nearly saturated. For this reason, it is often better to choose a lower wattage amp over a higher wattage amp, depending on how and where you play. By the time you crank up your 60 watt amp enough to saturate the tubes to get just the right level of distortion, you could be blowing your audience out the back door. It might have been better to choose a 20W amp that lets you get your saturated tone without the ear-killing decibels.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tuningaids||item.||page.||strinin||||||||Tuning Aids||||strinin||Stringed Instruments > ||||||||Violin Tuners, Pitch Pipes...||||||||0||1||0||0||||||||
Matrix SR1000V Violin/Viola/Cello Tuner

Farley's Pocket Tones Mandolin/Violin Tuner
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|tuoudwisoca||item.||page.||ouds||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_35969363||||||Turkish Oud with Soft Case||OUDRT||acin ouds||Acoustic Instruments > Ouds > ||359.250||449.000 ||359.250 ||Turkish Oud||||||||1||1||1||0||||||||Turkish Oud with Soft Case has 11 strings and is 14 1/2" x 30" x 8".

The soundboard is European spruce (Picea abies) and has three wooden rosette sound holes each accented with b/w/b circular rings. The body is constructed of 21 alternating staves of African padauk (Pterocarpus soyauxii) and African sapele (Entandrophragma cylindricum) separated with a thin line of holly. The neck has a core of beechwood which has been overlaid with alternating strips of padauk and sapele veneer to match the body. The peg box is outfitted with 11 olivewood pegs and a bone nut. The fingerboard is unfinished sapele with a border of holly and ebony lines with a scale length of 580mm. Includes soft case and pick.

Suggested Turkish Oud tunings (from low to high): C#, F#, B, E, A, D or E, A, B, E, A, D

||||||||||||||||0||||||||||||||||||||Mid-East||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|turrepstyl||item.||page.||djturntables||||||||Turntable Replacement Stylus||||harmonicas djturntables||Keyboards/Synths > DJ Turntables > ||||||||||||||||0||1||0||0||||||||Browse all Turntable Replacement Stylus ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|twoarcusjazg||item.||page.||20winnamnewr||||||||Two Artcore Custom Jazz Guitars Debut at NAMM||||ibanez2000 20winnamnewr||Ibanez 2018 > 2005 Winter NAMM New Releases > ||||||||||||||||0||1||0||0||||||||January 23, 2005

Ibanez introduced two Artcore Custom jazz guitars at the Winter NAMM Show in Anaheim, CA. The full-acoustic electric guitars, which feature all-flame maple bodies and classic "jazz box" appointments, listed at just $929.99, case included.

The AF105FNT Artcore Custom features one floating humbucking pickup to resist feedback with controls mounted on the matching finish pickguard. The AF105NT features the tradition two humbucking pickup configuration with two volume and two tone controls.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|twonewicguit||item.||page.||20sumnamibre||||||||Two New Iceman Guitars||||ibanez2000 20sumnamibre||Ibanez 2018 > 2003 Summer NAMM Ibanez Releases > ||||||||||||||||0||1||0||0||||||||
Two New Iceman Guitars from Ibanez

IC200BS
IC400BK

July 21, 2003
The Summer NAMM Show saw the debut of two Ibanez Iceman guitars fashioned in the '70s style. "The new Iceman models represent a response by Ibanez to the growing interest in classic designs," said Shogo Hayashi of the Ibanez Electric Guitar Division in Bensalem, PA. "The deluxe version, the Iceman IC400, has a 3 pc maple set-neck with the great 70s feel of the original Iceman guitars, plus the same great mahogany body sound and sustain. In addition, you've got the original parallelogram shaped inlays to complement the whole '70s vibe. The bolt-neck IC200 also features a mahogany body and an even more affordable price."

The IC400 lists for $699.99, the IC200 for $499.99.

The Iceman, one of the most recognizable guitar shapes in rock and roll history, was first introduced in 1975. Some of the most famous versions were the black and chrome PS10's played by Paul Stanley of KISS in the 70s and 90s. Other players who have been associated with the Iceman have been Al Jourgensen of Ministry, J. of White Zombie and Daron Malakian of System of a Down.

IC400 Specs:

List - $699.99

Available Finish - BK Black

Body Material - Mahogany

Neck Material - 3 pc Maple

Neck Scale - 24 3/4"

No. Frets/Type - 22/Medium

Fingerboard - Bound Rosewood

Inlay - Iceman Parallelogram

Bridge - Full Tune II

H/W Color - Chrome

Neck Pickup - AH1 Axis Humbucker

Middle Pickup - N/A

Bridge Pickup - AH2 Axis Humbucker

Controls - 2V, 2T with three way toggle

Other Special Features - 1-ply cr me binding on body, neck and headstock

Case - IC1000C

Case List - $169.99

IC200 Specs

List - $499.99

Available Finish - BK Black and BS Brown Sunburst

Body Material - Mahogany

Neck Material - Maple

Neck Scale - 24 3/4"

No. Frets/Type - 22/Medium

Fingerboard - Rosewood

Inlay - Pearl Dot

Bridge - Full Tune II

H/W Color - Chrome

Neck Pickup - PSND 1 Powersound Humbucker

Middle Pickup - N/A

Bridge Pickup - PSND 2 Powersound Humbucker

Controls - 1V, 1T with three-way toggle

Case - IC1000C

List - $169.99

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|uiprchro||item.||page.||noname4||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36003087||||||Uilleann Practice Chanter, Rosewood||UILP||acin noname4||Acoustic Instruments > Bagpipe Shop > ||68.990||85.000 ||68.990 ||||||||||0||1||1||0||||||||Solid rosewood construction includes reed and adjustable plastic tube which you can cut to the length that is comfortable for you. This chanter will fit on our starter set; no need to buy an expensive chanter to get started.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ukeen||item.||page.||colweatwarfo||||||||Uke Encyclopedia||||acin colweatwarfo||Acoustic Instruments > Cold Weather Warning for Acoustic Instruments/Instrument Guides > ||||||||All Ukes!||||||||0||1||0||0||||||||
Flea Market Music - Jumpin' Jim Beloff's on-line community for ukulele players, informative books on the ukulele, musical CD's, and ukulele songbooks. "Stop on by for a strum!"
UKE.EXE - Download site for IBM compatible program which reads ASCII files of lyrics and chords for guitar and generates uke chords.
The Ukulele Diner - "Serving the freshest Ukes in town." A whole menu of articles, links, and photos.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ukelele||item.||page.||sarouk||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36022051||||||Ukelele||U2P||acin sarouk||Acoustic Instruments > Santa Rose Ukuleles > ||29.990||49.990 ||29.990 ||Soprano Ukelele||||||||1||0||1||0||||moreukes sopranoukecase||||Ukelele is bigger than ever...this uke features all wood construction, geared machine tuners.
This makes a great gift for the ukelele fan of any age!

(Usually ships within 24 hours)
The ukelele, a string instrument traditionally associated with Hawaii, finds its roots in music from indigenous Hawaiian communities as well as Portugal, Spain, South America, Africa and European band music! Originating in Hawaii around 1880, this portable instrument has a distinctively small guitar-like body, a relatively short neck and gut (later nylon) strings.

Geared tuners
Metal frets
Position markers||||ukelele, stringed instruments, uke, don ho, hawaii music, ukelele tuning, bari uke||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|uldoubguitst||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36040754||||||Ultra Double Guitar Stand||2460BK||accessories||Accessories > ||39.990||60.950 ||39.990 ||||||||||1||1||1||0||||||||The Ultra double guitar stand is today's most popular choice among guitar players. Rock-solid tubular construction with tri-leg base. Cradle arms instantly balance to accommodate any shaped instrument. To ensure the instrument's safety, the top neck hook locks into position. Neck hook and cradle are rubber

Similar to model #2447 but with double neck hooks and double cradles for holding two guitars on the same stand. Top neck hooks are fixed and do not fold. Black finish.||||||||||||||||0||||||||||||||||||||Ultra||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|guitarstand||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36058061||||||Ultra Guitar Stand||2445bk||accessories||Accessories > ||12.990||27.950 ||12.990 2.000 20.980 ||Lightweight, available in Black. Secure stand for all electric and acoustic guitars and basses.||||||||0||0||1||0||Music > Instruments and Equipment > Guitar and Bass > Parts and Accessories > Stands||||||
Ultra single guitar stand offers tubular steel construction for your electric, acoustic or bass guitar....
Usually ships within 24 hours||||guitar stands, guitar accessories, ibanez, guitar products, guitar wall hangers, stands, music stands||||||||||||0||||||||||||||||||||Ultra||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ultripguitst||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36060997||||||Ultra Triple Guitar Stand||2458bk||accessories||Accessories > ||44.950||79.650 ||44.950 ||Black Finish Triple Guitar Stand||||||||1||1||1||0||||||||Triple Hanging Guitar Stand "Must have" for those guitars with unique body shapes that don�t fit in the traditional cradle stands. The Ultra exclusive "Security Lock" mechanism suspends the guitar by the neck. Folding tripod legs with adjustable height. Tubular construction. For 1, 2, or 3 guitars.||||||||||||||||0||||||||||||||||||||Ultra||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ulguam||item.||page.||elguit1||||||||UltraSound Guitar Amps||||elguit1||Electric Guitars > ||||||||||||||||0||1||0||0||||||||Browse all UltraSound Guitar Amps

Ultrasound Dean Markley Cp100 100W 1X8 Compact Acoustic Combo Amp
The Ultrasound CP-100 is a compact, powerful 2-channel amp that keeps your amplified acoustic guitar sounding acoustic. It has an 8" LF driver and HF horn powered by 100W. 2 channels each have combo XLR/1/4" inputs so they can be used for either guitar or microphone, and the inputs also have phantom power for condenser mics. Each channel has 2-band EQ, and channel 2 has a notch filter for eliminating feedback, as well as a shape switch that scoops the mids. A bank of 16 digital footswitchable effects (reverbs, delays, flanges, choruses, auto wah, and rotary) can be assigned to either or both channels. Other features include effects send/return, an unbalanced line out for connection to a mixer or slave amp, and a balanced DI output for connection to a recorder or sound reinforcement system.

Ultrasound Dean Markley Ag30 30W 1X8 Acoustic Combo Amp
Optimized for piezo pickups. Active bass and treble EQ, mid-dip shape control, sweepable notch filter to eliminate acoustic feedback, EFX loop, headphone out, line out, and XLR out for DI. 5-year warranty.

Ultrasound Dsx Acoustic Guitar Combo Amp And Xtc Acoustic Guitar Speaker Cab Powerstack

Used Ultrasound Pro-250 250W Triamped Acoustic Guitar Amp Palomino 886830932427||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|unstylatpopp||item.||page.||bluerguitrev||||||||Unique Style At A Popular Price The BR-343 Gospel Blueridge!||||acin bluerguit bluerguitrev||Acoustic Instruments > Blueridge Guitars > Blueridge Guitar Reviews > ||||||||||||||||0||1||0||0||||||||July 2003 FOR IMMEDIATE RELEASE

Unique Style At A Popular Price The BR-343 Gospel Blueridge!
There's never been another guitar like it and Saga has it first! ! It s the new BR-343 Gospel model with beautiful original designs of white pearl and abalone in the
peghead and beautiful trinity inlayed pearl position marks on the rosewood fingerboard. . This stunning collector s piece has a vintage sunburst finish on body and neck and black
binding with multiple black/ white purfling accents.
The BR-343 is in the popular 000 size and features a solid Sitka Spruce top with scalloped bracing in the forward X pattern. Back and sides are solid mahogany and the
slim, low profile mahogany neck has an adjustable truss rod and the traditional dovetail neck/ body joint. This fine guitar features a bone nut and saddle. Vintage butterbean style
tuners complete the distinguished look of the new Blueridge BR-343 Gospel guitar.
The unique beauty of this unusual guitar will shine through on any stage or music store display it s sure to be another runaway sales success from Saga!

BLUERIDGE BR-343 GOSPEL GUITAR
Solid select Sitka Spruce top
Solid mahogany back & sides
Vintage two color sunburst
Dovetail neck joint
Scalloped forward shifted X-brace pattern
Butterbean style tuners
Mahogany neck with rosewood fretboard
Rosewood bridge
Original pearl & abalone Gospel headstock design
Pearl Trinity fretboard inlay

Buy Blueridge Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|cremsb1upbas||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36065688||||||Upright Bass||||strinin||Stringed Instruments > ||||||||Great Values by Cremona,Hermann Beyer, Engelhardt and more...||||||||0||1||0||0||||crsbupba crempremstud crempremdelo jlastbowwieb jlastbowgest cr3babr34 cr4babr34 suupbabag pabeba pabiba paelupba||||Cremona Upright Bass
As shipping cost varies by location, please e mail or call toll free free(877-712-4747) for shipping price
Upon order we will contact you with shipping prices before we process the order.||||upright bass, saga bass, 3/4 upright, stand up bass, cremona bass, bass fiddle||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|usblgu||item.||page.||bluerguit||||||||Used Blueridge Guitars||||acin bluerguit||Acoustic Instruments > Blueridge Guitars > ||||||||||||||||0||1||0||0||||||||Browse all Used Blueridge Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|usedgear1||item.||page.||accessories||||||||Used Gear||||accessories||Accessories > ||||||||||||||||0||1||0||0||||||||

The Used Instrument Store at Chris B's

All Instruments Are Shipped To You Ready To Play. Fully Returnable For Any Reason. All Are Fully Warrantied New or Used! 30 day money back guarantee if not satisfied.
Updated 10/05/06
*hsc=Hard Shell Case

Ibanez PF5 Acoustic used/like new $169

Ibanez S540..Red used/good cond/w hsc $299

Fender Squire used/like new/with hsc $249

Ibanez RG470..Jewel Blue used/like new/never played/with hsc $359

Peavey Raptor..Red used/like new/gig bag $175

Aria AW 75 Acoustic..Black used/like new $259

Ibanez Talman TC420 used/like new $299

Bentley Acoustic Dreadnaught used/like new $125

Yamaha Electric..gig bag and amp used/good cond. $249

Arianna Strat Copy used/good cond. $149

Carerra Fretless Bass used/fair $99

Lady Luck Bass used/excellent $149

Tanara P Style Bass used/like new $129

Zildjian Med Thin Crash 17" used/like new $129

Zildjian Med Crash 19" used/like new $129

Sabian Pro 20" Ride used/like new $149

Sabian AAX Stage Ride 20" Ride used/like new $159

Tama Swingstar..Five Piece with Cymbals/Hardware/Throne..Black used/good cond. $399

CB Drums..Maxx Five Piece..cymbals and hardware..Wine Red used/like new $349

Cremona Violins..All Sizes..Complete Kits used/excellent $49

Used Clarinets/Case used/good cond. $150

Takamine Acoustic G330 new $275

Samick Acoustic used $100

Takamine Acoustic/electric EG140SC used $599

Bentley Strat Copy used $100

Memphis Electric used $100

King Trumpet..Silver used/good/hsc $259
All instruments available for $25.00 per month..Rent to Own! Includes Amp and Case!

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||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|usedgear||item.||page.||elguit1||||||||Used Gear/New Closeouts||||elguit1||Electric Guitars > ||||||||Used Guitars Used Amps Used Music Gear||||||||0||1||0||0||||||||If you are looking for a USED GUITAR - E Mail Us

The Used Store at Chris B's

Scratch and Dent, Open Box, Closeouts,
up to half off!
Shop our $25,052,205 Clearance Center inventory for once-in-a-lifetime deals.

We've just added 2,200 clearance items with savings up to a jaw-dropping 96% off MSRP! And for a limited time, grab EXTRA savings up to 90% off MSRP on a huge selection of slightly scuffed Scratch 'N' Dent gear!

* Price Cuts: Extra savings on already discounted gear * Factory B-Stocks: Guaranteed to function perfectly & backed by manufacturers� warranties PLUS our 45-Day Total Satisfaction Guarantee

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|usmagu||item.||page.||martinguitars||||||||Used Martin Guitars||||acin martinguitars||Acoustic Instruments > Martin Guitars > ||||||||Buy Used Martin Guitars||||||||0||1||0||0||||||||Browse all Used Martin Guitars||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|usscgu||item.||page.||schecguit||||||||Used Schecter Guitars||||elguit1 schecguit||Electric Guitars > Schecter Guitars > ||||||||||||||||0||1||0||0||||||||

Used Schecter Guitar Research Omen Solo-6 Electric Guitar Gloss Black

Used Schecter Guitar Research Zacky Vengeance Mirror Electric Guitar Mirror 886830031755

Used Schecter Guitar Research Solo-6 Custom Electric Guitar Black 886830172335

Used Schecter Guitar Research Dan Donegan Ultra Signature Electric Guitar See Thru Blue 889406693609||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vaclgu||item.||page.||acin||||||||Valencia Classical Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||vavgclgu cuacelclgu||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|cuacelclgu||item.||page.||vaclgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36083488||||||Valencia Cutaway Acoustic Electric Classical Guitar||VG-180CE||acin vaclgu||Acoustic Instruments > Valencia Classical Guitars > ||169.000||229.000 ||169.000 ||Valencia Cutaway Acoustic Electric Classical Guitar

Call Toll Free to Order 877 712 4747||||||||0||1||1||0||||||||The new VG-180CE by Valencia is the perfect blend of traditional form, value, and modern styling. Top-end German electronics by Shadow, comes standard. The properly proportioned cutaway makes this guitar perfect for the player looking to add a modern flavor to their style of play!

* Spruce top in a high-gloss amber finish * Mahogany back and sides * Mahogany neck with ebonite fingerboard and bridge * Rosewood peghead overlay and heal cap * 5-ply body binding and single center stripe * High quality 14:1 geared tuners with perloid buttons * Comes standard with Graph Tech nut and saddle * Shadow under-saddle transducer factory installed * Silkscreen logo on peghead||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vavgclgu||item.||page.||vaclgu||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36094512||||||Valencia VG160 Clasical Guitar||vg160||acin vaclgu||Acoustic Instruments > Valencia Classical Guitars > ||74.990||99.990 ||74.990 ||Valencia VG160 Clasical Guitar

Call Toll Free to Order 877 712 4747||||||||0||1||1||0||||||||
Valencia student sized classical guitar. It has been proven time and again that music study actually makes children smarter. In fact, the earlier you expose children to music, the better. Now its easy with he new VG-160 Classical guitar from Valencia. This represents the highest quality and most affordable classical guitar we make. Better yet it comes in fractional sizes to 1/4!
Basswood top back and sides in a high-gloss amber finish
Mahogany neck with ebonite fingerboard and bridge
Black body binding
High quality 14:1 geared tuners with perloid buttons
Comes standard with Graph Tech nut and saddle
Silkscreen logo on peghead
||Size Full 3/4 1/2 1/4||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|van5rvserbbc||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36103544||||||Vandoren 5RV Series Bb Clarinet Mouthpieces||cm301||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||89.990||162.990 ||89.990 ||||||||||0||1||1||0||||||||Vandoren 5RV Series Bb Clarinet Mouthpieces are considered the industry standard, the 5RV represents one of the world's most popular mouthpieces. Clarinet mouthpieces do not come with ligatures.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vanjavalsaxm||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36106272||||||Vandoren Java Alto Sax Mouthpiece A35||A35||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||104.950||198.000 ||104.950 ||||||||||0||1||1||0||||||||The Vandoren JAVA series for alto saxophone features a combination of facing, opening and chamber particularly suited for be-bop playing. It provides a good edge to the sound without sacrificing the tonal core.

A35 A jazz mouthpiece with edge. Tip: 206 / Facing: Med Long||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vanjavalsaxm1||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36110730||||||Vandoren Java Alto Sax Mouthpiece A45||A45||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||104.950||198.000 ||104.950 ||||||||||0||1||1||0||||||||Vandoren JAVA Series Alto Sax Mouthpiece

A45 Its balanced sound will satisfy the most demanding needs. Tip: 220 / Facing: Med Long||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vanm13clarmo||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36115188||||||Vandoren M13 Clarinet Mouthpiece||cm4138||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||99.990||163.950 ||99.990 ||||||||||0||1||1||0||||||||Designed for the Buffet R13, the M13 mouthpiece is based on the famous Chedeville blanks and produces a wonderfully compact sound rich in overtones.||Type: "M13 Profile 88" "M13 lyre Profile 88"||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vanv5alsaxmo||item.||page.||mouthpieces||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36120334||||||Vandoren V5 Alto Sax Mouthpiece||SM416||schoolbanin inren mouthpieces||School Band Instruments > School Band Instruments > Mouthpieces > ||109.990||189.990 ||109.990 ||||||||||0||1||1||0||||||||Vandoren V5 series ebonite mouthpieces feature a flat baffle, small round bore, normal and jazz chambers. They are available in a variety of styles suitable for classical and jazz musicians as well as students.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtvdrivepedal||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2911269||||||VHT V-Drive Pedal||AV-VD1||elguit1 vhtamps||Electric Guitars > VHT Amps > ||99.990||133.990 ||99.990 ||VHT V-Drive Pedal||||||||1||1||1||0|||||||| From clean boost to creamy-smooth sustain to raging harmonic complexity, the new VHT V-Drive overdrive pedal's unique controls offer an amazingly wide range of tones and textures at an awesome value. In addition to standard Drive and Volume controls, the VHT V-Drive offers four more unique controls: Select

The V-Drive's 11-position Select switch provides ten different clipping diode configurations plus a clean-boost diode-bypass mode. (Clipping diodes are the heart and soul of nearly every classic overdrive pedal design, and the type and configuration of these diodes defines the overdrive texture and dynamic response character.) The V-Drive's Select switch replicates the diode type and configuration of the most popular overdrive pedals of the '80s and '90s as well as some of today's most sought-after boutique designs. The V-Drive also offers several new diode types and configurations for some fresh tones for the future, enabling players to make their own unique contributions to the advancement of the art of overdrive. Texture

The V-Drive's Texture control adjusts the overdrive texture and harmonic content. Working in conjunction with the Select switch, these two controls provide an unprecedented range of fine-tunable overdrive choices. Warm and smooth or bristling with harmonic activity, the choice � and voice � is yours. Depth

The V-Drive's unique 11-position Depth control fine-tunes the low-end response to perfectly voice the overdrive depth to suit a wide range of guitars, pickups, and musical styles. Tone

The V-Drive's Tone knob is voiced higher than is commonly expected. Unlike most overdrive pedals, it adjusts the treble content without altering the midrange. The V-Drive's Tone control works in conjunction with the Depth control to provide a wider and more useful EQ-shaping range than conventional overdrive tone controls. Voltage

The unique Voltage control uses a special voltage multiplying integrated circuit to increase the pedal's operating voltage for a tighter, punchier, crisper, quicker-responding and more authoritative tone � ordinary 9-volt pedals can't match this new level of dynamic response. The Voltage control can also reduce the V-Drive's operating voltage to as low as 5 volts for a softer and spongier attack.

Like a box full of pedals in one, the innovative, revolutionary � and surprisingly affordable � VHT V-Drive introduces the next chapter in the quest for the ultimate overdrive.

Model: AV-VD1||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtamps||item.||page.||elguit1||||||||VHT Amps||||elguit1||Electric Guitars > ||||||||Guaranteed Lowest Prices on VHT Amps||||||||0||1||0||0||||vhtclassic6 av18 vhtavhw112 vhtsp6opca vhtsp6co vhtsp6he vhtsp12 vhtsp12he vhtvdrivepedal||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|av18||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36127575||||||VHT AV-18||AV-GT1-18||elguit1 vhtamps||Electric Guitars > VHT Amps > ||599.990||799.990 ||599.990 ||||||||||0||1||1||0||||||||
The Classic 18 is a vintage-style single channel Class A/B amplifier assembled with a Celestion Greenback. Full of classic character and amazingly touch-sensitive, this amp can go from soft to loud with a simple adjustment from your guitar�s volume.

18 Watts RMS from 2 EL84s

2 12AX7 Preamp Tubes

12" Celestion Greenback Speaker

Accutronics Spring Reverb

High Grade 11-ply Finger-Jointed Birch Plywood Cabinet Covered in Black Tolex

||||||||||||||||0||||||||||||||||||||VHT||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtavhw112||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36278896||||||VHT AV-HW1-12||AV-HW1-12||elguit1 vhtamps||Electric Guitars > VHT Amps > ||824.990||1106.990 ||824.990 ||VHT AV-HW1-12 Amp Handwired in the US||||||||0||1||1||0||||||||
The VHT Standard 12 amplifier is handwired in our workshop just outside of San Francisco. It is put through a rigorous process of testing and tuning to insure exceptional quality in design and assembly. It was specifically designed with simplicity in mind, for players who want to just plug in and sound great.
The Standard 12 has that classic American amp sound with a warm tone and strong mid-range that really sings.

12 Watts RMS

2x 6V6 Power Tubes

1x 5Y3GT Rectifier Tube

2x 12AX7 preamp tubes for Dual Inputs

12" Celestion G12H30 Speaker

High Grade Finger-Jointed Birch Cabinet

Handwired in the US

||||||||||||||||0||||||||||||||||||||VHT||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtsp12||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_2964412||||||VHT Special 12/20RT||AV-SP1-12/20RT||elguit1 vhtamps||Electric Guitars > VHT Amps > ||749.990||999.990 ||749.990 ||VHT Special 12/20RT||||||||1||1||1||0||||||||The VHT Special 12/20RT adds tube-driven spring reverb and tube tremolo to the Special 12/20 platform. The 12/20RT features two power ranges with an adjustable Watts control plus a Pentode/Triode switch, a unique preamp designed to excel with pedals and multi-effects units, and an all-tube buffered effects loop with send and return level controls. It also features VHT�s unique Depth and Texture controls, a convenient built-in 9-volt DC pedal power supply, and an international mains voltage selector switch.

To optimize the amp for a wide variety of output tubes, the VHT Special 12/20RT offers two output-power ranges; a special voltage range switch provides the proper voltages for 6V6 or EL84 output tubes (in 12-watt low-voltage/low-power mode). The high voltage 20-watt setting provides the ideal voltages for higher-power 6L6 or EL34 output tubes. The Special 12/20RT ships with a pair of 6V6 output tubes (VHT 6V6-to-EL84 socket adapters are required for operation with EL84 tubes). In addition, the Special 12/20RT�s variable Watts control can reduce the maximum output power to less than one watt for whisper-quiet volume levels.

The Special 12/20RT�s preamp was designed to bring the most out of every effects pedal and multi-effects unit with enhanced clarity, detail, and controlled tube compression. Its low-impedance buffered effects-loop send can effortlessly drive the most difficult pedals without tone or signal loss. Thanks to its variable send and return level controls, the 12/20RT�s effects loop can accommodate a wide range of pedal or rack effects. The 12/20RT�s Reverb, Tremolo, Depth and Texture controls are post effects loop, so multi-effects users can plug directly into the effect return and still benefit from the post-effects tube reverb and tremolo, while also fine-tuning the output stage characteristics with the Depth and Texture controls.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtsp12he||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2271_3040068||||||VHT Special 12/20RT Head||AV-SP-12/2ORTH||elguit1 vhtamps||Electric Guitars > VHT Amps > ||649.990||866.990 ||649.990 ||VHT Special 12/20RT Head||||||||1||1||1||0||||||||The VHT Special 12/20RT adds tube-driven spring reverb and tube tremolo to the Special 12/20 platform. The 12/20RT features two power ranges with an adjustable Watts control plus a Pentode/Triode switch, a unique preamp designed to excel with pedals and multi-effects units, and an all-tube buffered effects loop with send and return level controls. It also features VHT�s unique Depth and Texture controls, a convenient built-in 9-volt DC pedal power supply, and an international mains voltage selector switch.

To optimize the amp for a wide variety of output tubes, the VHT Special 12/20RT offers two output-power ranges; a special voltage range switch provides the proper voltages for 6V6 or EL84 output tubes (in 12-watt low-voltage/low-power mode). The high voltage 20-watt setting provides the ideal voltages for higher-power 6L6 or EL34 output tubes. The Special 12/20RT ships with a pair of 6V6 output tubes (VHT 6V6-to-EL84 socket adapters are required for operation with EL84 tubes). In addition, the Special 12/20RT�s variable Watts control can reduce the maximum output power to less than one watt for whisper-quiet volume levels.

The Special 12/20RT�s preamp was designed to bring the most out of every effects pedal and multi-effects unit with enhanced clarity, detail, and controlled tube compression. Its low-impedance buffered effects-loop send can effortlessly drive the most difficult pedals without tone or signal loss. Thanks to its variable send and return level controls, the 12/20RT�s effects loop can accommodate a wide range of pedal or rack effects. The 12/20RT�s Reverb, Tremolo, Depth and Texture controls are post effects loop, so multi-effects users can plug directly into the effect return and still benefit from the post-effects tube reverb and tremolo, while also fine-tuning the output stage characteristics with the Depth and Texture controls.

The Special 12/20RT head shares the same chassis, circuit, layout design and configuration as the 12/20RT combo.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtsp6co||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36430217||||||VHT Special 6 Combo||AV-SP1-6||elguit1 vhtamps||Electric Guitars > VHT Amps > ||229.990||339.990 ||229.990 ||VHT Special 6 Combo Amp||||||||1||1||1||0||||||||VHT Special 6 Combo

Boutique amp players will love the VHT Special 6�s combination of handwired tube goodness, unique features and unparalleled value. The mod-friendly VHT Special 6 is easy to customize for home amp builders and tube amp enthusiasts.

The Special 6 gets its powerful tube sound from one 12AX7 preamp tube and one 6V6 output tube. It boasts a footswitchable Gain Boost feature that significantly expands its range of tones -- it's the only amp in its class that excels at both clean and overdriven tones, and it's the only amp in its class to offer a footswitchable boost. With the Gain Boost, players can instantly toggle between clean rhythm tones and overdriven leads, essentially duplicating the footswitchable functions of a 2-channel amp in an all-tube, handwired, simple, 2-knob package.

To further expand its range of tones, the Special 6 also features a High/Low power switch that enhances low-volume tones with extra-smooth richness (when in half-power mode). It's a great feature for recording, or for low-volume "bedroom" players. In high-power mode, it's one of the few amps in its class that is loud enough to compete with a strong drummer. The Special 6 combo is outfitted with a special high sensitivity 10" VHT Special Design speaker.

6 Watts

One 6V6 Output Tube

One 12AX7 Preamp Tube

Volume and Tone Controls

Footswitchable Boost Mode

High/Low Power Switch

10� VHT High-Sensitivity Speaker

4, 8, and 16 Ohm Speaker Jacks

Mod-Friendly Eyelet-Type Board

Hand-wired In China

||||||||||||||||0||||||||||||||||||||VHT||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtsp6he||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36568391||||||VHT Special 6 Head||AV-SP1-6H||elguit1 vhtamps||Electric Guitars > VHT Amps > ||199.990||306.990 ||199.990 ||||||||||1||1||1||0||||||||Boutique amp players will love the Special 6�s combination of handwired tube goodness, unique features and unparalleled value. The mod-friendly Special 6 is easy to customize for home amp builders and tube amp enthusiasts.

The Special 6 gets its powerful tube sound from one 12AX7 preamp tube and one 6V6 output tube. It boasts a footswitchable Gain Boost feature that significantly expands its range of tones -- it's the only amp in its class that excels at both clean and overdriven tones, and it's the only amp in its class to offer a footswitchable boost. With the Gain Boost, players can instantly toggle between clean rhythm tones and overdriven leads, essentially duplicating the footswitchable functions of a 2-channel amp in an all-tube, handwired, simple, 2-knob package.

To further expand its range of tones, the Special 6 also features a High/Low power switch that enhances low-volume tones with extra-smooth richness (when in half-power mode). It's a great feature for recording, or for low-volume "bedroom" players. In high-power mode, it's one of the few amps in its class that is loud enough to compete with a strong drummer.

6 Watts

One 6V6 Output Tube

One 12AX7 Preamp Tube

Volume and Tone Controls

Footswitchable Boost Mode

High/Low Power Switch

4, 8, and 16 Ohm Speaker Jacks

Mod-Friendly Eyelet-type Board

Hand-wired In China

||||||||||||||||0||||||||||||||||||||VHT||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtsp6opca||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36702140||||||VHT Special 6 Open-Back Cabinet||AV-SP-112CEL||elguit1 vhtamps||Electric Guitars > VHT Amps > ||299.990||399.990 ||299.990 ||||||||||0||1||1||0||||||||The VHT Special 6 Open-Back Cabinet is assembled from high-grade birch ply that is finger-jointed at the seams for optimal resonance. Available with your choice of an open-back cabinet with a 12" Celestion G12H30 speaker, or a closed-back cabinet with our VHT Chrome-Back speaker, the cabinet is covered in black tolex with a VHT faceplate.

1 Celestion G12H 30 Speaker

30 watts

16 Ohms

Open-Back Cabinet Design

2 Speaker Jacks

Finger-Jointed Birch Plywood Construction

||||||||||||||||0||||||||||||||||||||VHT||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vhtclassic6||item.||page.||vhtamps||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36859128||||||VHT The Classic 6||AV-GT1-6||elguit1 vhtamps||Electric Guitars > VHT Amps > ||299.990||399.990 ||299.990 ||VHT Classic 6 Guitar Amp||||||||0||1||1||0||||||||
The VHT classic 6 amp is a single-ended Class A amp with a ton of character, punchy mids and just enough shimmering top end for chiming clean tones and searing tube saturation.

6 Watts RMS from 1 6V6 Tube

1 12AX7 Preamp Tube

12" VHT Special Design Speaker

High Grade 11-ply Finger-Jointed Birch Plywood Cabinet Covered in Black Tolex

||||||||||||||||0||||||||||||||||||||VHT||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vitwbagforel||item.||page.||accessories||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_36979102||||||Vintage Tweed Bag for Electric Guitar||CG-455||accessories||Accessories > ||52.990||69.990 ||52.990 ||||||||||0||1||1||0||||||||Guardian Vintage Tweed Bag for Electric Guitar

VINTAGE TWEED EXTERIOR

25MM HIGH-DENSITY PADDING

NO-SCRATCH INTERIOR

TWO ACCESSORY POCKETS

TWO SHOULDER STRAPS

Total length-43"

Body length 22"

Lower bout 16"

Upper bout 14"||||||||||||||||0||||||||||||||||||||Guardian||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violaresources||link.||||cremsv100vio||||||||Viola Resources||||strinin studentviolas cremsv100vio||Stringed Instruments > Student Violas > Cremona SVA 100 Viola Outfit > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violinbridges||item.||page.||strinin||||||||Violin Bridges||||strinin||Stringed Instruments > ||||||||||||||||0||1||0||0||||audevibrtr44 aubviolbrid auoldmavibr auvbsevibr||||Replacement Violin Bridges||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violbuyandsi||item.||page.||strinin||||||||Violin Buying and Sizing Info||||strinin||Stringed Instruments > ||||||||This article explains how to buy and size a violin.

Choosing the right sized violin can make a great difference in an individual's success!||||||||0||1||0||0||||whisgobevi||||
Student Violins
CHOOSING A VIOLIN
Because size is very important in choosing a violin, it is advisable to seek out someone that is familiar with violin sizing. A violin that is too large for the student can be very uncomfortable to hold, and in extreme cases excess stretching of the shoulder and arm can cause painful tendonitis. As a general rule, the instrument should be held in proper playing poistion with the player's hand extended to the scroll (the farthest point of the instrument). If the reach is so great that the arm is extended fully, the violin is too large. Thus, if the arm is too bent at the elbow while holding, it is too small.
General age guidelines are as follows: ages 3-6 use 1/16th size, ages 7-9 use a 1/4 size, ages 10-12 use 3/4 size and those twelve and up use a full size (4/4). Again, these guidelines are general. To accomodate growing children, we offer up to a 100% trade in toward the next larger size when a student is ready.

If you have any questions about Sizing or Purchasing Violins - E Mail Us
A violin teacher, orchestra director or music store dealer can be of great help in determining the size you will need in relation to the arm length and hand size of the student. Violin shops that deal exclusively with orchestral instruments and music stores with string instrument departments can be good sources of education, and instrument sizing is an important part of their work. Some music stores have a very well developed violin department where children can be sized accurately, but unless this is the case, you should rely on the advice of a teacher. Often teachers or orchestra directors want to be involved in helping their students choose an instrument. It is helpful if they can accompany you to the violin shop or music store. If this is not possible, most violin shops will allow you to take an instrument for a few days on approval so your teacher can advise you on your purchase. Chris B's will always exchange an instrument if it is not the proper size for your child.

PLANNING YOUR BUDGET
Violins come in a great array of price ranges. As a public school string teacher as well as owner of Chris B's Music I realize that it is not always possible, nor is it wise to spend a thousand dollars on a violin for a student. We encourage parents to purchase a good quality violin for a reasonable price. Our Cremona line fills this need. Once your child has shown a committment to playing, then you can step up into a more expensive, higher quality violin. While it is true that some inexpensive violins are not worth their price, regardless of how low, the Cremona package meets or exceeds the Music Educator's National Conference guidelines for stringed instruments, in short it is a good place to start.
If you choose to purchase a used instrument, you should seriously consider getting it from a reputable dealer. Repairs can be very costly, and are often necessary on old instruments that are found in flea markets, Grandma's attic, etc. If an individual is offering an instrument for sale, you should have someone who is familiar with violins look at it before you buy. Violin shops will most likely charge a small fee for this service, but it will save you a lot of problems to get some expert advice. Expect to spend some money on refurbishing a used violin. Replacing the strings, bridge, and bow hair and making other minor adjustments can cost $100 or more. repairs can be very expensive.
Support
We offer e mail, phone and fax support from the time you purchase from us for as long as you own the instrument. We can help with technical problems, provide playing and learning advice and overall support to insure you or your child's success on this wonderful instrument.
Student Violins||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violinfaq||link.||||cremsv75viol||||||||Violin FAQ||||strinin studentviolins cremsv75viol||Stringed Instruments > Student Violins > Student Violin Outfit...Cremona SV 75 > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|faq||item.||page.||strinin||||||||Violin Frequently Asked Questions||||strinin||Stringed Instruments > ||||||||Questions about Buying a Violin||||||||0||1||0||0||||whdoinetoplv||||What should I look for in a quality violin?
While many factors must be considered in violin construction, we suggest solid woods rather than laminate, a horsehair bow rather than a synthetic one and the inclusion of fine tuners(4). These factors influence sound, playability and resale value.

What size violin should I order?
If you are an adult, full size. For children, we ask you to e mail us their measurements from (left) shoulder to tip of first (pointer) finger. Proper violin sizing is essential to progress and we are more than happy to assist.

How does the guaranteed trade in plan work?

When you/your child are ready for a larger violin, we guarantee we will offer fair market value for your trade (based on condition). This makes it easy on the budget while assuring your child is using the correct size violin.

What is the difference between violin and viola?

Violas are slightly larger, deeper sounding and read music from a different set of notes on the staff. Most violists begin on the violin.

I am an adult who has never played the violin, can I really learn this?

Simply put, yes. While violin is certainly a challenging instrument, with patience, regular practice and the proper teacher/materials, it is quite possible that you can play this instrument.

Introduction to Violin Video
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violreppeg||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37017562||||||Violin Replacement Pegs||VP140||strinin||Stringed Instruments > ||9.990||9.990 ||||Complete set of pegs for violin||||||||1||1||1||0||||||||Polished well select woods, pre cut ready for shaping and fitting.
Classic ebony pegs

Artistically cut head with turned rings

Best wood for friction pegs
||Size 4/4 3/4 1/2 1/4 1/8 1/16||||||||||||||0||||||||||||||||||||Golden gate||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violinstrings||item.||page.||strinin||||||||Violin Strings||||strinin||Stringed Instruments > ||||||||||||||||0||1||0||0||||conviolstrin dadprelviols thomdomservi violstrinsen||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|violstrinsen||item.||page.||strinin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37032821||||||Violin Strings..Super Sensitive||2108||strinin||Stringed Instruments > ||19.990||31.130 ||19.990 ||Full set, red label. For all violins.||||||||1||1||1||0||Music > Instruments and Equipment > Stringed Instruments > Violin||||||Red Label Violin strings are an excellent choice for replacement violin strings. This full set is available in popular sizes.

Full core, nickel-wound string

Favored and recommended by Suzuki Method instructors, school and private music teachers, students and professionals

Provides excellent tonal quality and dependability

Popular-priced and durable

Designed with the student in mind

Available for all fractional and full size instruments
||Size: "4/4 Orchestra" "4/4 Medium" "4/4 Soft" 3/4 1/2 1/4 1/8 1/16||violin strings, super sensitive, dominant strings, thomastick, violin accessories, tuning the violin, fine tuners, cellos, violas, basses, red label||||||||||||0||||||||||||||||||||Super Sensitive||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|vitr||item.||page.||elviol||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37036637||||||Violin Transducer||SH-3000||strinin elviol||Stringed Instruments > Electric Violins > ||119.950||149.950 ||119.950 ||Transducer with Volume and Tone Control||||||||0||1||1||0||||||||The transducer of SH 3000 mounts easily directly to the bridge. The volume and tone control unit mounts with "chin rest" style to the violin.

Includes a shielded 12' (4m) instrument cable. Easy and quick installation.

Violin transducer with volume and tone control,

Incl. a 12 foot (4m) shielded instrument cable,

Easy installation

Diameter pickup: 2.2 cm

Measurement tone control unit: length: 4.5 cm; width: 2.2 cm; height: 1.6 cm

||||||||||||||||0||||||||||||||||||||Shadow||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|voxamps||item.||page.||elguit1||||||||Vox Amps||||elguit1||Electric Guitars > ||||||||Guaranteed Lowest Prices on Vox Amps||||||||0||1||0||0||||voxbrianmays||||Browse all Vox Amps

Vox Ac4tvh 4W Tube Guitar Amp Head Cream

"Vox V112tv 1X12"" Guitar Speaker Cabinet Cream" The soulmate of the AC4TVH head.

The V112TV speaker cabinet from Vox is fitted with a custom-made Celestion 12" speaker. Its sophisticated sound is unmistakably Vox, delivering that distinctively British top-end tone. As part of the modern classic guitar series, this cabinet was designed to compliment the AC4TVH head for a powerful, vintage Vox tone. Vox rolled out the AC4 amplifier back in 1961. Nearly fifty years later, Vox reissued the V112TV guitar speaker cabinet which will get that classic cutting sound that's retro, chic, and all Vox. Vox V112TV 1X12" Guitar Speaker Cabinet Features:

* Quality vintage Vox styling * 12" Celestion VX12 custom speaker

Vox Vox Mini5 Rhythm Modeling Guitar Combo Amplifier

Vox Vox Ac15c2 15W Guitar Combo Black

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|voxbrianmays||item.||page.||voxamps||||||||Vox Brian May Special Review||||elguit1 voxamps||Electric Guitars > Vox Amps > ||||||||||||||||0||1||0||0||||||||Brian May is the master of a distinct guitar tone thick and sweet with singing midrange and treble harmonics. His gear setup has been thoroughly studied by May aficionados in pursuit of majestic guitar sounds. Besides his homemade Red Special guitar and trademark wall of AC30 combos, there are two other pieces of lesser-known equipment integral to May's array. Together, they are known as a Deacy Setup.

Super tone for everyone A Deacy Setup is a match-up between two other pieces of gear, the Deacy amplifier and Treble Booster. They are responsible for some of Brian's most noted sounds and orchestrations on record.

Deacy is a little amplifier literally assembled from spare parts. This .45W powered pet amp is named after Queen bassist John Deacon, who built it for May. Put together from parts salvaged out of a garbage bin, the amplifier circuit board was almost definitely rescued from what was once a car radio. This board was mounted in a small '60s bookshelf HiFi speaker, and in combination with a lantern battery, brought Deacy to life.

With just one input and no controls, Deacy has to be used with another device to control it. For May, that controller is his Treble Booster pedal, another homemade guitar delicacy which actually boosts the upper midrange frequencies, to be exact, and is the second part of this legendary pair. The Treble Booster is also used to provide a signal boost running into the front of his AC30, driving the amplifier's tubes past their limits for super-saturated overdrive.

Which is where Vox and the Brian May Special come in. Guitarists and fans yearning for an outfit that does the same thing as Brian's Deacy Setup now have it. Specified as a recording amp, the VBM-1 boasts multiple uses and comes complete with a modern control layout.

A nice meet and greet While the controls are mostly of the common sense variety, a short guided tour will reveal some of the niftier advantages the VBM-1 offers.

Input: Plug in here. That wasn't so hard, was it?

Gain: This adjusts the gain of the VBM-1 Booster section, which is an exact replica of Brian May's Treble Booster pedal. It can control the VBM-1, but can also drive the preamp of another amplifier using the Booster Output. Turn the gain control up to produce sweet, upper midrange-heavy overdrive tones that range from round, light fuzz to thick and hard tones soaked in distortion. Conversely, turn it down and you can achieve warm clean sounds.

Booster Output: As stated above, this output allows you to boost the input of another amplifier, just as Brian May does with his Treble Booster pedal and an AC30. You can use this to blissfully drive any amplifier into sonic ecstasy. The only two controls that have an effect on the Booster's output to another amp are the Gain and Gain Switch. Plugging into this output also cuts the output to the VBM-1.

Gain Switch: This two-setting button pushes the Booster into rip-roaring-fun output stage. The High setting produces heavy sounds with a thick midrange and luscious treble. Select the Low setting and you'll hear a smooth and mellow distortion that's responsive to playing dynamics. This switch is very interactive with the Gain knob, so experiment to discover the sound you want. If, however, you're going straight for the Brian May sound, just crank the Gain knob over to 10 (sorry, no 11) and then push in the Gain switch.

Tone: This control is placed after the overdrive circuitry of the Treble Booster and adjusts the overall tone of the amp. It goes from - to +, with 0 being the noon setting. The + side of things adds in high frequencies to deliver a brighter sound with lots of aggression. The - range of the knob dials in the bass frequencies for a rounder sound that's colorful and warm. Setting it to 0 nullifies this circuit. There's a wide variety of sounds to be found here, so play around a while before you settle on just one tone or you'll be sorry.

Volume: Yup, it's a volume pot.

Recording/Headphone: This output jack gives you the ability to direct record or plug a pair of headphones in for private practice sessions.

Ext. Speaker: The ability to plug into an exterior speaker or guitar cabinet is nice, but probably wouldn't do much if you wanted to use it as your main stage amp. Remember, though, this is a 10W amp intended for the inside of a studio or bedroom. Besides, it's covered in white vinyl. You'd never get it clean again if you carried it anywhere near a bar or club.

The dirt Brian May was adamant that the VBM-1 would achieve at least three things before he would allow it to go into production. He wanted it to sound exactly like his homemade Deacy Setup. Vox 100% achieved this goal. The second thing was that he wanted the amp to have a little more power, control, and flexibility. With the incredible boost, recording, and practice features, they achieved this as well. The third thing was that the combo would be as affordable as possible, and they did that too. For Queen and Brian May enthusiasts, this amp is the ticket. Its purchase will put you in possession of the completely unique Treble Booster sound (which makes the deal worth it all by itself), and a practice and recording partner that's bred for rock 'n' roll.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|warbascas||item.||page.||warwickbasses||||||||Warwick Bass Cases||||electricbass warwickbasses||Electric Bass > Warwick Basses > ||||||||||||||||0||1||0||0||||||||Browse all Warwick Bass Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|warwickbasses||item.||page.||electricbass||||||||Warwick Basses||||electricbass||Electric Bass > ||||||||Warwick Bass||||||||0||1||0||0||||warbascas||||Browse all Warwick Bass Guitars

Warwick Streamer Rockbass Standard 5-String Electric Bass Guitar Burgundy Red

Warwick Corvette $$ Double Buck 5-String Bass Guitar Burgundy Red

Warwick Thumb Bass 5-String Bass

Warwick Rock Bass Corvette Basic Passive 5-String Electric Bass Guitar Natural||||warwick bass, rockbass, warwick rock bass, warwick thumb bass, Warwick Corvette Basic, Warwick Corvette special edition||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|was12strinac||item.||page.||12stringuit||||||||Washburn 12 String Acoustic Guitars||||acin 12stringuit||Acoustic Instruments > 12 String Guitars > ||||||||||||||||0||1||0||0||||||||Free Shipping on Washburn 12 String Acoustic Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|washburn||item.||page.||acin||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37050294||||||Washburn Acoustic Guitars||||acin||Acoustic Instruments > ||||||||Washburn Acoustic Guitars||||||||0||1||0||0|||||||| Browse all Washburn Acoustic Guitars
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|washburnbanjos||item.||page.||banjos1||||||||Washburn Banjos||||acin banjos1||Acoustic Instruments > Banjos > ||||||||||||||||0||1||0||0|||||||| Browse all Washburn Banjos ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|washburnbass||item.||page.||electricbass||||||||Washburn Bass||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||wasbascas||||Browse all Washburn Bass Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wasbascas||item.||page.||washburnbass||||||||Washburn Bass Cases||||electricbass washburnbass||Electric Bass > Washburn Bass > ||||||||||||||||0||1||0||0||||||||Browse all Washburn Bass Guitars ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|washburncases1||item.||page.||wasguit||||||||Washburn Cases||||elguit1 wasguit||Electric Guitars > Washburn Guitars > ||||||||||||||||0||1||0||0||||||||
GC75 Hardshell Acoustic Guitar Case
GC75 Hardshell Acoustic Guitar Case Washburn's GC75 is designed to fit their EA20 or 26 acoustic guitars.

GC40 Case For Washburn Idol Electric Guitars
GC40 Case For Washburn Idol Electric Guitars This hard shell case will protect your Washburn axe for years to come.

GC70 Hardshell Acoustic Guitar Case
GC70 Hardshell Acoustic Guitar Case Washburn's GC70 is designed to fit a Dreadnought size acoustic guitar.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wasguit||item.||page.||elguit1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37065505||||||Washburn Guitars||||elguit1||Electric Guitars > ||||||||Washburn Guitars. Washburn J600 Jazz Washburn Original Idol Washburn PXL20E Parallaxe||||||||0||1||0||0||||washburncases1 wasxserguit wasnxserguit wassigsergui washolguit||||
Over one hundred years, Washburn has built more than just great guitars, we've built a history, The Washburn tradition of craftsmanship and innovation has withstood the tests of economics, brand competition and fashion. Since our birth in Chicago in 1883, the name Washburn has been branded into the world's finest stringed instruments. If your interest in guitars borders on passion, you will settle for nothing less than a Washburn.
Browse all Washburn Guitars

Washburn Nuno Series N4 Vintage Electric Guitar VINTAGE
Designed by guitar ace Nuno Bettencourt and built in Washburn's USA custom shop, it has an aged solid alder body and hardware for a thoroughly broken-in look. The 22-fret maple neck with ebony fingerboard is fast and comfortable. The Duncan '59 neck humbucker and Bill Lawrence L-500 in the bridge help make this reverse headstock marvel wail. The Grover 18:1 tuners and Floyd Rose Original trem with locknut keep this machine within the intonation specs of the advanced Buzz Feiten Tuning System.

Washburn PS7000 Paul Stanley Signature Series Electric Guitar Honey Burst
Paul Stanley from Kiss has collaborated with Washburn to create a signature series of electric and acoustic guitars designed by Paul himself. The Washburn PS7000 electric guitar features a mahogany set neck and mahogany body, a rosewood fingerboard with trapezoid inlays, 2 Egnater humbucker pickups a tune-o-matic bridge and stop tailpiece. With an eye-catching body shape and killer gloss finish, this baby's gonna rock and roll all night.

The Paul Stanley Collection includes everything from entry level to U.S.A. built solid body and acoustic guitars along with a variety of music instrument accessories.

Washburn Paul Stanley Signature Electric Guitar with Cracked Mirror Top Cracked Mirror||||washburn, dimebag darrell, paul stanley washburn, washburn guitar||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|washolguit||item.||page.||wasguit||||||||Washburn Hollowbody Guitars||||elguit1 wasguit||Electric Guitars > Washburn Guitars > ||||||||Washburn J4 ||||||||0||1||0||0||||||||
J3 Hollow Body Electric Guitar
This popular jazz model uses a rosewood bridge with a Washburn jazz tailpiece, and a maple body with a spruce top. Block inlays adorn the fully bound rosewood fretboard. Case not included.

J4 Hollow Body Electric Guitar
This jazz model has an adjustable rosewood bridge with a Washburn jazz tailpiece, and a maple body with a flamed top and oval sound hole. Dot inlays adorn the fully bound rosewood fretboard. Honey Burst finish.Gig bagincluded.

J5 Hollow Body Electric Guitar
This popular jazz model uses a rosewood bridge with a Washburn jazz tailpiece, and a flamed maple body and top. Split block inlays adorn the fully bound rosewood fretboard. Gig bag included.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wasman||item.||page.||mandolins1||||||||Washburn Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||Washburn Mandolins||||||||0||1||0||0||||||||Browse all Washburn Mandolins||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wasnxserguit||item.||page.||wasguit||||||||Washburn NX Series Guitars||||elguit1 wasguit||Electric Guitars > Washburn Guitars > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wassigsergui||item.||page.||wasguit||||||||Washburn Signature Series Guitars||||elguit1 wasguit||Electric Guitars > Washburn Guitars > ||||||||||||||||0||1||0||0||||||||
N2 Nuno Electric Guitar
Nuno and the folks at Washburn took a classic design and gave it a new twist to develop a no-nonsense Rock 'N' Roll machine. This dual humbucker axe comes with a Bill Lawrence L500 in the bridge position for a tone that is second to none. A 22-fret rosewood fingerboard sits on a natural finish maple neck. The alder body features a generous cutaway for total access to the upper frets and it comes with a Washburn 600S Floyd Rose tremolo system. Controls are simple - 3-way toggle and a single volume knob, period! The oversized reverse headstock adds to the distinct look of this guitar. Additional features include die-cast tuners, chrome hardware and jumbo frets. Case not included.

N4EANM N4 Alder Nuno Bettencourt Electric Guitar
Nuno Bettencourt is respected as one of the world&aposs top guitarists. Nuno used his extensive knowledge of the guitar to blueprint each of the N Series guitars w/ an extremely fast neck w/ easy access to the higher frets. A Duncan &apos59 and a Lawrencetrade L 500 in the bridge make this reverse headstock marvel wail. The Floyd Rose w/ locknut keeps this machine within Feiten intonation specs. The Stephen&aposs Cutaway allows for unsurpassed access. Includes hardshell case.

N4VINTAGE N4 Vintage Nuno Bettencourt Signature Electric Guitar
Washburn N4VINTAGE Description Nuno Bettencourt is respected as one of the world&aposs top guitarists. Nuno used his extensive knowledge of the guitar to blueprint each of the N Series guitars w/ an extremely fast neck w/ easy access to the higher frets. A Duncan &apos59 and a Lawrencetrade L 500 in the bridge make this reverse headstock marvel wail. The Floyd Rose w/ locknut keeps this machine within Feiten intonation specs. The Stephen&aposs Cutaway allows for unsurpassed access. Includes case.

PS7000H Paul Stanley Signature Model Electric Guitar (Honeyburst)
Paul Stanley has collaborated with Washburn to create a whole new series of electric and acoustic guitars designed by Paul himself. The Paul Stanley Collection includes everything from entry level to U.S.A. built solid body and acoustic guitars along with a variety of music instrument accessories.Features:Mahogany bodyGloss finishTune-o-matic BridgeStop TailpieceEgnater pickups3-way toggle switch2 volume, 2 tone controlsMahogany set neckRosewood fingerboard with trapezoid inlays22 jumbo frets24.75" scale12" fingerboard radius18:1 Grover tunersBuzz Feiten Tuning SystemAbout the Buzz Feiten Tuning System The Buzz Feiten Tuning System is a tempered tuning formula, which uses a compensated nut and saddle to correct the inherent intonation problems of the Western tuning formula. The system that Buzz devised has been a godsend to guitarists. Fans of the system include Eddie Van Halen, Steve Vai, Joe Satriani, Liona Boyd and Andy Summers. The Buzz Feiten Tuning System is standard on all USA made Washburn guitars and basses and is featured on select imported models. Washburn is the only major guitar manufacturer to incorporate the system as a standard feature on production guitars.Washburn guitars are protected by a limited lifetime warranty.

WI26 Joe Trohman Signature Electric Guitar
The Joe Trohman Washburn Idol is a modern electric single cutaway style guitar. Tones ranging from punishing to pristine spring from dual humbuckers and the innovative Voice Contour Control. VCC is a unique coil splitting system that allows players to incrementally blend humbucking and single-coil pickup sounds without the hum normally associated with single-coils. The solid basswood body has a wide-yet-thin profile that is lightweight but balances well. The set maple neck has a fast profile, comfortable neck joint, rosewood fretboard, and 22 medium-jumbo frets and Grover tuners to keep you in tune. Case not included. "I spent a long time putting this guitar together, making it something that really represented me as a guitar player. This is the result and I&aposm so pleased with it. The fact that Washburn presented this opportunity in the first place means the world to me, and now I got to work with great people to create something I truly love. I&aposm a guitar player, and I&aposm obsessed with every inch, every nook, every aspect of guitars in general. I put my stamp whole heartily on this guitar...I&aposm excited to make it available to everyone out there. Enjoy it, it will bring you riffs galore." - Joe Joe Trohman Bio The four members of Chicago&aposs Fall Out Boy came together in suburban Wilmette around 2001. Vocalist/guitarist Patrick Stump, bassist/lyricist Pete Wentz, drummer Andrew Hurley, and guitarist Joe Trohman had all been in and out of various units connected to Chicago&aposs underground hardcore scene. Most notably, Hurley drummed for Racetraitor, the furiously political metalcore outfit whose brief output was both a rallying point and sticking point within the hardcore community. As Fall Out Boy, the quartet used the unbridled intensity of hardcore as a foundation for melody-drenched pop-punk with a heavy debt to the emo scene.

WV40 HM Series V Murder Weapon Scott Ian Signature Electric Guitar
The Art of shred is not lost - it&aposs just taken a right turn! Washburn is proud to introduce a new line of guitars specifically aimed at the shredder. It boasts a fast rosewood fingerboard and mahogany neck with star fretboard inlays. The stop tail bridge design works great with your guitar&aposs natural resonant sustain. It features Randall humbucking pickups, which have been specifically created to sonically match and strengthen the performance of any guitar amp tone. The engineers at Randall developed the humbucking pickups to further enhance the experience of playing a solid-body guitar in tandem with a premium amplifier. Includes gig bag.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wasxserguit||item.||page.||wasguit||||||||Washburn X Series Guitars||||elguit1 wasguit||Electric Guitars > Washburn Guitars > ||||||||||||||||0||1||0||0||||||||
X12 Electric Guitar (Quilted Vintage Sunburst)
The Washburn X Series guitars are rock-n-roll guitars pure & simple. Washburn has taken the best of the traditional and combined it with the best of the contemporary to provide the working musician with tools that inspire. Night after night, whether you&aposre playing to 20 or 20,000, you can count on the X Series to be your workhorse guitar. They keep the serious player in mind when they take a great guitar like the "X" and offer it configured to your taste and playing style. The X12QVS is one of the best values in the Washburn line. The Washburn "X" guitar... they&aposve designed it for you. Features include a Quilted Maple Top w/Basswood Body, Rosewood fingerboard w/24 frets and Washburn H-H pickups. Case not included.

X29E Electric Guitar (Black)
The Washburn X29E is one hard rocking axe! Loaded wth EMG pickups, it delivers hard-edged tone without the big price tag. The hardtail bridge transfers resonance between the strings and body for solid attack and ringing sustain. They&aposve combined the best of the traditional and contemporary worlds to create a truly inspired instrument. From the studio to the stage, count on the X29E to be your workhorse guitar. Washburn guitars are the weapons of choice for some of todays top players, including members of Disturbed, Anthrax, Drowning Pool, Puddle of Mudd and Arch Enemy. Grab one today and see for yourself what all the fuss is about! Case not included.

X5MDB 3/4 Size Electric Guitar (Metallic Deep Blue)
The little brother to the X10, this half sized monster rocks! Perfect for the young beginner or as a travel guitar. Features: Solid wood body Bolt on maple neck Rosewood fingerboard with dot inlay Gloss finish 5-way switch Flushtrem bridge Washburn SSH pickups Die cast tuners||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|webermandolins||item.||page.||mandolins1||||||||Weber Mandolins||||acin mandolins1||Acoustic Instruments > Mandolins > ||||||||||||||||0||1||0||0||||||||Browse Weber Mandolins ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wechterguitars||item.||page.||acin||||||||Wechter Guitars||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|weetotsbagpipe||item.||page.||noname4||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37129081||||||Wee Tot's Bagpipe||BAGVC||acin noname4||Acoustic Instruments > Bagpipe Shop > ||37.500||37.500 ||||||||||||0||1||1||0||||||||12"x14", Functional cocus wood chanter, three non functioning drones, synthetic bag, green cover. Great for a child or decor item.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatarephass||item.||page.||eftectip||||||||What are Phase Shifters & Flangers?||||effects eftectip||Effects > Effects Tech Tips > ||||||||What are Phase Shifters & Flangers?||||||||0||1||0||0||||||||What are Phase Shifters & Flangers?

Phase shifters (or phasers) and flangers get their sound by creating one or more notches in the signal's frequency. The notches are created by filtering the signal, and mixing the filter output with the input signal. The filters can control the location, number of notches, and width of the notches.

Most phase shifters start with a simple filter, then add more filter stages to create more notches. A stereo phaser uses two filters with notches at different frequencies. You can also create more complex sounds by mixing the outputs of the two filters. This can give you virtually endless sonic possibilities. From subtle rotating-speaker effects, to swirling, edge-city sounds from classic 60's guitar solos, phasers can be a very useful addition to any player's arsenal.

Flangers produce the unmistakable jet-engine "whooshing" sound. Basically a type of phasing, a flanger creates a set of equally spaced notches in the audio spectrum. Phasing also uses notches, but multiple filters and user controls create random spacing.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whdoinetoplv||item.||page.||faq||||||||What do I Need to Play the Violin?||||strinin faq||Stringed Instruments > Violin Frequently Asked Questions > ||||||||What do I need to start playing violin?||||||||0||1||0||0||||||||Chris B's music hears from people every day and one common question is: what items do I need to begin learning the violin?

All of our beginner violin outfits come with violin, case, bow and rosin. Once your violin arrives, you only need to place the bridge under the strings, rosin the bow and start playing. Placing the bridge on a violin is a simple task which takes less than a minute. Of course, we are always here to assist if need be.

To help you tune the instrument, you might consider a digital violin tuner.

Lastly, a good violin method book will assist a beginner to get off on the right foot.

In Rhode Island, call 943 2520 for lessons. Out of state customers are always welcome to call or email us if they need any help selecting a violin or starting to learn to play.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whdoinetostp||item.||page.||studcelout||||||||What do I need to start playing the cello?||||strinin studcelout||Stringed Instruments > Student Cello Outfits > ||||||||What items do I need to learn cello?||||||||0||1||0||0||||||||Chris B's music hears from people every day and one common question is: what items do I need to begin learning the cello?

All of our beginner cello outfits come with cello, gig bag, bow and rosin. Once your cello arrives, you only need to place the bridge under the strings, rosin the bow and start playing. Placing the bridge on a cello is a simple task which takes less than a minute. Of course, we are always here to assist if need be.

To help you tune the instrument, you might consider a cello pitch pipe.

Lastly, a good cello method book will get you off to a good start.

In Rhode Island, call 943 2520 for lessons. Out of state customers are always welcome to call or email us if they need any help selecting a cello or starting to learn to play.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatischoref||item.||page.||eftectip||||||||What is a Chorus effect?||||effects eftectip||Effects > Effects Tech Tips > ||||||||What is a Chorus effect?||||||||0||1||0||0||||||||

What is a Chorus effect?

Chorus effects can make a single instrument sound like a group of players. It adds a rich, lush, shimmering quality to your sound.

Here's how it works: when 2 people play the same song together, there is naturally some delay between the sounds they produce. The pitch of the instruments can also differ a bit. This is exactly what the chorus effect does. A delay line is used to get the slight delay, and by varying that delay, the pitch is slightly detuned. The result is the rich, shining sound of two instruments playing at almost the same time.

Chorus is commonly used with acoustic electric guitars to fatten up the sound and give it extra sparkle. There are a variety of cool chorus units available as dedicated stomp boxes, multi-effects units, or studio processors||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatisdelay||item.||page.||eftectip||||||||What is a Delay?||||effects eftectip||Effects > Effects Tech Tips > ||||||||What is a Delay?||||||||0||1||0||0||||||||

What is a Delay?

Delay is one of the simplest effects out there and one of the most valuable. A little delay can bring life to dull mixes, widen your instrument's sound, and even allow you to solo over yourself. Delay is the also a cornerstone of other effects, such as reverb, chorus, and flanging.

Delay is created by taking an audio signal and playing it back after the delay time. The delay time can range from several milliseconds to several seconds. Most delays have a control that allows you to repeat the sound over and over, and it becomes quieter each time it plays back.

Long delay times can open up some cool possibilities. Once you get over a second, you can virtually loop on the fly. Just pay a riff, then play over that riff while its repeating. You can actually solo over yourself when you don't have a rhythm player.

A slapback delay has a very short delay time, usually between 30 and 100 milliseconds. Most folks consider a longer delay an echo.

Multi-tap delays allow you to create more complex patterns. Taking outputs from points within the delay line is called 'tapping'. The amount of delay between the various taps can be different. You can set the multi-tap delay to follow the rhythm of a song, or create amazing textures.

Ping-Pong delay bounces between the left and right channels of a stereo signal. It uses two distinct delay lines, each driven by an input. This produces two output signals, that create the classic 'bouncing' sound when panned hard left and right.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whisgobevi||item.||page.||violbuyandsi||||||||What is a Good Beginner Violin||||strinin violbuyandsi||Stringed Instruments > Violin Buying and Sizing Info > ||||||||How to Buy a Good Beginner Violin Outfit||||||||0||1||0||0||||||||Two things to consider when buying a beginner violin are cost and size. We recommend beginner students find a violin that is within their budget and will last them the longest amount of time. If a child is needing a half sized violin, it is probably better to buy something less expensive and reserve spending more until the child reaches full size. If you are buying a full sized violin for an adult or an older child, you may want to spend a little bit more money and buy an instrument for the long term.

Either way, a good start is to purchase a complete violin package, which includes the violin, a case, rosin and the bow. Two models to consider are the Cremona SV-75 and the Palatino VN150 Violin Outfit. Both are complete outfits and will certainly afford the beginner the quality in an instrument to get them off to a good start. When ready for the next size, or a more advanced model, use our violin trade in plan.

If buying without the intent of ever trading in, consider a more advanced beginner model like the Palatino VN450 Violin or the Cremona SV-175 Violin.

Any of the above models will provide excellent playing quality at affordable prices.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatisdigrec||item.||page.||recordingfaq||||||||What IS Digital Recording?||||musicsoftware1 recordingfaq||Recording/PA/Software > Recording FAQ > ||||||||||||||||0||1||0||0||||||||

What IS Digital Recording?

Every recording process converts audio to something.

Analog tape Recording on analog tape converts audio to constantly changing magnetic fluctuations.

Although this process has been in use for many years, it has some inherent problems:

Hiss on original tape and more in each copy Wow and flutter of tape media Degradation of tape over time Maintenance: regular cleaning and adjustment Linear access: to get from Introduction to the Ending, you must go through all of your verses and choruses Digital Recording Just like music on an audio CD, digital recording changes sound to numbers.

This process has some distinct advantages over analog recording:

No hiss, no wow, no flutter: virtually no noise at all Copying with no degradation: you�re only copying numbers Lots of processing options (reverb, delay, etc.) with no loss of sound quality Some have random access locating: to get from the Introduction to the Ending, just jump there instantly! HDR�s have extremely high quality audio 011101111 HDR�s have extremely high quality audio

Different Forms of Digital Recording

There are several forms of digital recording:

Digital Tape Recorders (such as Alesis ADAT � & Tascam DA-88 � ) MiniDisk Recorders Hard Disk Recorders Digital Tape Recorders Digital Tape Recorders

Record digitally onto tape.

Advantages:

Cheap media

Disadvantages:

Linear access: to get from Introduction to the Ending, you must go through all of your verses and choruses Destructive recording: lose the originals when you record over a track No UNDOS Impossible to copy from one section to another using one unit Limited editing without multiple units No virtual tracks Require you to buy external mixer and effects processors Basically, they are very high quality �typewriters� (more on this later). MiniDisk Based Systems Record onto a data-type MiniDisk.

Advantages:

Low cost

Disadvantages:

Most are limited to 4 tracks Destructive recording without multiple levels of undo Use analog mixers so there is degradation when bouncing tracks No on board digital FX Track level copying or editing is either impossible or takes additional time or disk space. See page 10 - 12 for more details. Can�t lock multiple units to increase the number of tracks Types of Hard Disk Recorders

Hard Disk Recorders (HDRs) Record digitally onto a Hard Disk. Recording to hard disk has many advantages over the other types of digital recorders. For the remainder of this booklet we will focus on HDRs. These recorders really open the doors to your creativity.

Types of HDRs There are two basic types of Hard Disk Recorders: Computer Based Recorders, and Dedicated (Stand-alone) Hard Disk Recorders.

Computer Based Recorders

Advantages:

Graphics

Disadvantages:

Expensive Require advanced computer knowledge Usually require a powerful computer, cards, cables, and external hardware Often less stable than dedicated units Not portable Dedicated Hard Disk Recorders Stand alone systems designed specifically for audio recording and editing. Dedicated HDRs range from units that are basically recorders alone, to workstations (all-in-one boxes with mixers with faders and knobs and digital effects).

Advantages:

Great dollar value Familiar layout and controls Easy to learn and use Extremely stable Portable Exceptional sound qualit Multiple units can be easily sync�d to increase the number of tracks

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatourcusha||item.||page.||strinin||||||||What our Customers Have to Say...||||strinin||Stringed Instruments > ||||||||Your Satisfaction is our Number 1 Concern (and 2..3..4....)||||||||0||1||0||0||||||||Dear Melanie, I received the violin today and am very happy with it. Thank you for your help and prompt shipping! Marilene
Thanks for the violin. Just what we were looking for. We gave you a rating of 10/10 for service and delivery on the cheapestdeals.com website.

Mark

I just wanted to leave a message of "Thanks" for all of your help in answering all my questions before purchasing a student violin for my daughter. At first I was totally confused on what to buy, but your music store was very professional, and Melanie, your sales rep. was a pleasure to work with. Your prices are fantastic, and the shipping is incredible. We have many music stores in our local area, but from now on, I will purchase all of my musical needs from Chris B's. Thank You Once Again!

Sincerely, Debbie (MI)
Hello Melanie, the bow came today, as well as the rosin, all in good shape, and right to the front door. Thank you so much again for all your help. I very much appreciate your courteous and friendly concern. I hope you have a good summer!

Cedrus

Got the tracking # today. My daughter cannot wait to get her violin. Would you please give Chris a message for me? I left him an e-mail message last week before I spoke to you, and he called me on the phone yesterday, but I was'nt home. Just let him know that I did purchase the violin from you, and that you were a GREAT help. I'll let you know when I receive it. Thanks Again!
Hi! Just wanted to let you know that I received my violin today!!!! Yeah!!! Thank you so much. Colleen

Melanie,

I received the violin and it's in great shape. Thanks a lot. My son's music teacher inquired for your address and ordering information so I gave your business card for referrals. Appreciate the quick shipment of the item.

ROY||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatsizeamp||item.||page.||ibanezamps||||||||What Size Amp?||||elguit1 ibanezamps||Electric Guitars > Ibanez Amps > ||||||||What's a Good Amp for Starts!||||||||0||1||0||0||||tubvssolstat||||

What's a good guitar amp for a beginner?

In choosing an amp, you have to first consider how much you have to spend, the style of music you like to play, and what kind of tone you like best. It is perhaps best to start with something small. You might feel that a Marshall stack is the way to go, especially if you have the money, but from home use, big amps are hard to work with because they get too loud too fast. They also take up a lot of space. Anything over 20W is overkill for a home practice or friendly jam session amp. Remember, even a 15W amp is loud when cranked. What you sacrifice with lower wattage is clean volume. But if you primarily use a dirty tone, small will work just fine. For tone and and price issues, you can also choose between tube amps, hybrids, or solid staters. The first are generally viewed as the grooviest. The latter are cheaper, more reliable, and require less maintenance. And the hybrids are often a practical compromise.
Buy Guitar Amps||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatsbeswayt||item.||page.||eftectip||||||||What�s the best way to hook effects pedals together?||||effects eftectip||Effects > Effects Tech Tips > ||||||||What�s the best way to hook effects pedals together?||||||||0||1||0||0||||||||
What�s the best way to hook effects pedals together?

There is no absolute rule for the order effects can be linked, but there is a tried-and-true method that is a really good place to start. First, plug your guitar into your compressor to give the rest of the effects a smooth, even signal. The preamp/distortion is next because you want to put high-gain devices on a clean signal, not a processed one. Likewise, your EQ should come before your coloring effects. Wah, chorus, flange, and other coloring effects are next. The order doesn�t really matter that much. The delay comes after these effects, so you can have the chorus or flanging effects on repeats. The last effect in your chain is reverb. This way, your active effects can be heard in the decaying reverb. The noise gate (which is not an effect) comes after the reverb to extinguish any noise created by other pedals. Again, this is not the only way to link your effects but we suggest you start with this setup, and experiment until you feel comfortable with your sound.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whatsbigdeal||item.||page.||recordingfaq||||||||What�s the Big Deal About Hard Disk Recording?||||musicsoftware1 recordingfaq||Recording/PA/Software > Recording FAQ > ||||||||What�s the Big Deal About Hard Disk Recording?||||||||0||1||0||0||||||||

What�s the Big Deal About Hard Disk Recording?

Let�s answer this question with an analogy:

What�s the big difference between a typewriter and a word processor?

When you write something on a piece of paper with a typewriter, it�s there to stay. If you want to change the order of the words, add a paragraph in the middle of the page, or correct a mistake, you are out of luck. You have to start all over again. This is similar to analog or digital tape.

Word processors give you the creative freedom to move paragraphs, copy sections, insert new material, easily fix mistakes, or save several versions of a document.

That�s one of the biggest differences between hard disk recorders and linear recording, either digital or analog tape.

HDRs enhance your creativity. They allow you to re-organize your material, fix mistakes and try different ideas to see how they might sound.

Read on to find out about some of the great features HDRs give you, including:

Random Access Virtual Tracks Non destructive, pointer based editing Digital mixing Digital effects SMPTE, MIDI, and extensive syncing options HDRs allow you to try many ideas with your music.

How Do I Record Music With an HDR?

Dedicated HDRs with digital mixers are easier to use than any type of tape recorder and mixer combination.

Just plug in and start recording, just as you would on an old fashioned tape recorder.

You record right onto tracks just like a tape recorder. When you are finished recording, you can listen to what you recorded and record more material on other tracks.

This process is quite simple because the HDR takes care of all of the work without you having to worry about it!

Recording is as easy as 1, 2, 3!

Recording music with HDRs is very easy

Recording to an HDR is similar to any tape recorder!

It is also easy to integrate HDRs with:

Drum Machines (using MIDI) Keyboard sequencers Computer sequencers Video Other forms of recorders, such as Digital Tape recorders Where Does the Audio Go in Hard Disk Recording?

Just as a tape recorder stores your music on tape, a hard disk recorder stores your recordings on a hard drive. The hard drive can be inside your HDR, or your HDR may be connected to an external Hard Drive with a SCSI connector.

The great part: the HDR takes care of the details for you. You really don�t have to think about it any more than you would with an old style tape recorder.

HDRs record audio onto a hard disk.

What Do I Do When the Disk Gets Full?

A large hard disk can hold many songs. Just as a tape gets full, a hard disk also gets full. What do I do then?

Some hard disk recorders have removable media built-in. When you want to start a new song, you just pop out the removable cartridge and put in a new one. The cartridges are very inexpensive and as easy to find and buy as tape.

On other systems, to store your songs and free up space for new recordings, all you need to do is �backup� your recordings onto some form of removable media. Removable media types include Zip drives, Audio DAT, Magneto Optical drives, and even CD-R (Recordable CD). You can backup songs onto media for future use, or to free up disk space for more recordings.

It's Easy and economical to back up a Hard Disk Recorder to removable media

HDR�s can backup a LOT more than audio!

This type of digital backup has some distinct advantages. Unlike analog tape, which only stores your recorded takes, some HDRs can also store all of your mixer settings, effects settings, virtual tracks, edits, different versions of your song, and even all of your Undos! This gets you going very quickly and accurately when you want to work on the song again.

Backing up an HDR to removable media stores lots more information than an analog or digital tape.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|whenshoulist||item.||page.||inren||||||||When Should I Start?||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||Good Ages to Start Instruments||||||||0||1||0||0||||howtobuytrum howtobuyflute howtobuytrom howtobuysax||||One of the most common questions I run into as a public school music teacher/store owner is "what is a good age for my child to begin learning instrumental music"? There is more to this than you may think.

Our philosophy is to never deny a child access to musical enjoyment, but at the same time not allow them to experience such a degree frustration trying to learn an instrument they are not ready for, that they are turned off to music instruction forever.

For children under 3, we suggest child safe bells, shakers, anything where the child can produce a sound using their large muscle groups. Obviously, a two year old is not usually ready for piano lessons. That is not to say banging on a toy piano is not a good thing, just that formal lessons would not be. There are some good pointers to remember in order to get the most out of your child's musical experiences.

Some things to keep in mind

Violin..can start as young as three in a Suzuki class, since violins come in smaller sizes this makes it possible for children under five to begin their study.

Viola...usually suggest a year of violin first.

Cello...ages 10 and up...one year of violin first.

Guitar..We rec. age 8 and up. While smaller guitars do exist, many children younger than this lack the hand coordination to be sucessful. We also suggest using nylon strings, rather than steel ones for delicate young fingers. Another big debate is whether to start on a acoustic or an electric guitar. To dispel the widely held belief, there is no educational reason not to let a child begin on electric guitar. It is no more difficult to learn to play than acoustic.

You may, for budget purposes, start with an acoustic, which is usually much less money.

Flute, clarinet, trumpet, trombone

Ages nine and up, or fourth grade and up. The reason for this is that fingers may not be large enough to cover sound holes on these instruments. Also, the breath supply may not be strong enough to produce a good sound.

Saxophone...ages 10 and up with a year of clarinet study first. Another note, many children want to be the next Kenny G. He plays the soprano sax, it is one of the most difficult to learn. We suggest starting on the alto sax.

Drums..aah..everybody wants the drums. We suggest starting on a snare kit, which includes a snare drum, stand and sticks,as a good way to start. This should be fine for a year before moving to a drum set.

Piano Ages 5 and up can have varying degrees of achievement. Many methods exist which use finger numbers and colored symbols rather than traditional music notation. Remember, music reading ability occurs around the same age as reading in general does.

I am happy to answer any of your specific questions regarding music and your child. E mail..info@chrisbsmusic.com

More info on music for teens available: Teens Page

and Our kid's music page

By Christopher Brelsford
M.M. University of Rhode Island
Owner/chrisbsmusic.com
Music Teacher
Cranston, RI Public Schools||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|win306rainse||item.||page.||emwinsax||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37174229||||||Winston 306 Rainbow Series Sax||306vg||schoolbanin inren emwinbanin emwinsax||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Saxophones > ||||||||||||||||0||1||1||0||||||||

306 Rainbow Series

Key of Eb, High F# Key, Power Forged Nickel Keys, Premium Pads, Detachable Bell, Professional Key Configuration, Complete Outfit

Available in several finishes:

306JB: Jet Black Body with Gold Plated Keys
306HP: Hot Pink Body with Gold Plated Keys
306AB: Aqua Blue Body with Gold Plated Keys
306VG: Vintage Matte Gold Body and Keys
306VS: Vintage Matte Silver Body and Keys||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|win45alsax||item.||page.||emwinsax||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37201143||||||Winston 455LX Alto Sax||455lx||schoolbanin inren emwinbanin emwinsax||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Saxophones > ||899.000||1195.000 ||899.000 ||||||||||0||1||1||0||||||||The 455LX is ruggedly constructed of a fairly heavy gauge brass with power-forged keys whose resistance to bending keeps the sax adjusted longer. Despite its entry-level position in the Winston line, this sax does offer a high-F# key - an advanced feature generally not found on student instruments. The body and neck of the 455LX are finished with gold lacquer while the keys feature a corrosion-resistant nickel plate. This complete outfit includes a Winston stock mouthpiece with ligature and cap, neckstrap, cork grease, and a hard-shell case.||||em winston sax, 455lx alto sax, winston saxophone, 455lx winston||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|win47trum||item.||page.||emwintrum1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37211202||||||Winston 475S Trumpet||475s||schoolbanin inren emwinbanin emwintrum1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Trumpets & Flugelhorns > ||299.990||520.000 ||299.990 ||||||||||0||1||1||0||||||||This instrument's 460" bore is the size most often recommended for beginners, while tuning adjusters provide accuracy of intonation. The 475's nickel alloy pistons and nickel-silver outer slides provide the durability so essential for beginners. The 475 series of student trumpets meet the specifications that band directors demand and are available in a variety of finishes to fit any performance situation. There's the traditional elegance of lacquered brass or silver plating, as well as dynamic new finishes like black, red, and green. Choose whichever suits your personality and you'll still save a bundle.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winalclar||item.||page.||emwinclar1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37219655||||||Winston Alto Clarinet||CN780||schoolbanin inren emwinbanin emwinclar1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Clarinets > ||2499.000||3390.000 ||2499.000 ||Winston E flat alto clarinet||||||||0||1||1||0||||||||CN780 � Key of Eb � Undercut Tone Holes � Power Forged Keys and Rings � Nickel Silver Keys, Neck, & Bell � Grenallida Wood body||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winbasclar||item.||page.||emwinclar1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37225063||||||Winston Bass Clarinet||cn790||schoolbanin inren emwinbanin emwinclar1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Clarinets > ||3499.000||5200.000 ||3499.000 ||Winston Wooden Bass Clarinet||||||||0||1||1||0||||||||CN790 � Key of Bb � Undercut Tone Holes � Power Forged Keys and Rings � Nickel Silver Keys, Neck, & Bell � Grenallida Wood body � Adjustable Floor Peg � Keys To Low Eb||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wincnclar||item.||page.||emwinclar1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37230907||||||Winston CN210 Clarinet||cn210||schoolbanin inren emwinbanin emwinclar1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Clarinets > ||||||||||||||||0||1||1||0||||||||

B flat clarinet

Wood grained ABS Plastic Body

Nickel Silver Keys

Young beginners, as well as players looking for an instrument for outdoor use, will appreciate the low-maintenance and durability of the CN210's ABS plastic construction, as well as its brushed wood-like finish.

Although a relative newcomer to the band instrument market, Boston-based E. M. Winston has quickly acquired a reputation for producing solidly-constructed instruments at unbelievably low prices. For example, the CN210 boasts many of the features of the best-selling student clarinets, at a substantially lower cost.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winflug||item.||page.||emwintrum1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37235543||||||Winston Flugelhorn||639lwc||schoolbanin inren emwinbanin emwintrum1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Trumpets & Flugelhorns > ||599.000||895.000 ||599.000 ||EM Winston Flugelhorn||||||||0||1||1||0||||||||
Key of Bb

.437� Bore

5 and 3/4� Bell

Adjustable Leadpipe

3rd Valve Trigger

Excellent Response

Pro Padded Bag Included

Gold Lacquer Finish
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winpictrum||item.||page.||emwintrum1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37241697||||||Winston Piccolo Trumpet||920L||schoolbanin inren emwinbanin emwintrum1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Trumpets & Flugelhorns > ||||||||||||||||0||1||1||0||||||||

This is Winston's gold lacquer new piccolo trumpet outfit that professional musicians, music educators and serious trumept students are all talking about. This unit is finished in beautiful gold lacquer. It comes complete with a hardshell case, valve oil and mouthpiece. Bb/A Model 4 Valve, 3 1/2" Bell||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winpoctrum||item.||page.||emwintrum1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37263273||||||Winston Pocket Trumpet||tp400l||schoolbanin inren emwinbanin emwintrum1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Trumpets & Flugelhorns > ||||||||||||||||0||1||1||0||||||||
EM Winston Pocket Trumpet

Only 9" long, the cool, compact Winston TP400 has a standard .460" bore, but a slightly darker tone and enhanced resistance due to the greater number of bends in the tubing. Only 9" long, the cool, compact Winston TP400 has a standard .460" bore, but a slightly darker tone and enhanced resistance due to the greater number of bends in the tubing. Nevertheless, it has excellent response and surprisingly open feel. It's a welcome addition to any trumpeter's arsenal for its unique visual presence or as a travel instrument. Use it at impromptu jams or wherever the spirit of Don Cherry is being channeled.

The TP400 features plated nickel-alloy pistons and a traditional lacquer finish. Includes a mouthpiece and case.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winsopsax||item.||page.||emwinsax||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37299477||||||Winston Soprano Sax||350GL||schoolbanin inren emwinbanin emwinsax||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Saxophones > ||699.000||995.000 ||699.000 ||EM Winston Soprano Saxophones||||||||0||1||1||0||||||||350 Series Soprano Saxophones

Key of Bb. Straight & curved necks. Metal domed resonator pads.

Case and mouthpiece included.

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wintensax||item.||page.||emwinsax||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37308130||||||Winston Tenor Sax 457LX||457lx||schoolbanin inren emwinbanin emwinsax||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Saxophones > ||999.000||1495.000 ||999.000 ||||||||||0||1||1||0||||||||EM Winston Tenor Saxophone

Key of Bb. Clear lacquered body. Nickel-plated keys. High F# key. Partial ribbed construction.

G# key and low B key adjustment screws. Metal domed resonator pads.

Case and mouthpiece included||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wintrum47||item.||page.||emwintrum1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37318301||||||Winston Trumpet 475L||475L||schoolbanin inren emwinbanin emwintrum1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Trumpets & Flugelhorns > ||379.990||495.000 ||379.990 ||||||||||0||1||1||0||||||||Gold laquer trumpet outfit complete with case, mouthpiece, valve oil. Model NO. 475L. Excellent response, good intonation, nickel silver slides.A really great student to intermediate instrument!!! Smooth valves, very comfortable to hold!! Bb model .460" bore 5" bell||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winwoodclar||item.||page.||emwinclar1||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37333116||||||Winston Wooden Clarinet||cn320||schoolbanin inren emwinbanin emwinclar1||School Band Instruments > School Band Instruments > EM Winston Band Instruments > EM Winston Clarinets > ||475.990||825.000 ||475.990 ||||||||||0||1||1||0||||||||
B flat clarinet

Grenadilla wood body

Nickel silver keys

The CN320 is perfect for beginners whose teachers prefer a wooden clarinet - or for amateurs on a budget. Even while saving money, they'll get desirable features like precision undercut tone holes, mounted G# and A keys, and quality fish-skin pads. Includes a hard-shell case, mouthpiece, ligature, and cap.

E.M. Winston is THE brand to look for if you're looking for a wind instrument bargain. For example, this CN320 is made from real aged grenadilla wood but has a price that's closer to the competition's plastic models.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|winternamm2004||item.||page.||ibanez2000||||||||Winter NAMM 2004||||ibanez2000||Ibanez 2018 > ||||||||New Ibanez Releases 2004||||||||0||1||0||0||||||||
Semi-Hollow Basses Join Artcore Line

Ibanez unveiled two new Artcore semi-acoustic basses at the Winter NAMM Show in Anaheim, California. "The new Artcore basses have quite a few features that make them stand out among other semi-acoustic electric bass guitars in this price range," said Pete Chiavarou of the Ibanez Bass Division in Bensalem, PA. "You have a set-in neck instead of bolt on, which results in more sustain and easier upper fret access. You have a 34" scale instead of a shorter scale, so you have better articulations. The pickup is much powerful, and the bridge and tailpiece combination offer more playing comfort and sustain. When you add it all up the ASB140 and AGB140 simply have an unbeatable combination of features."

The AGB140 semi-acoustic bass is single-cutaway and is available in Transparent Brown finish. The ASB140 is double-cutaway and is available in Brown Sunburst finish. Both basses list for $529.99.

DT200 Destroyer Debuts at Winter NAMM
By popular demand, Ibanez returns the famous Destroyer to the line as a regular model after a nearly 20 year hiatus. Like the first Destroyer versions first introduced in the '70s, the DT200 features a mahogany body for thick tone and sustain.
Ibanez Introduces DWB35 Doug Wimbish Signature 5-String
Ibanez launched a new Doug Wimbish signature bass, the 5-string DWB35 at Winter NAMM. According to Ibanez, the new bass has "the wide range of tones needed by the first call N.Y. session artist who's played with everyone from Living Colour to the Rolling Stones." The DWB35 5-string joins the Wimbish signature 4-string, the DWB3.

The DWB35 features a thru-body 5 pc maple/bubinga neck for superior strength tone and easy upper-fret access. The body wings are ash. As per Wimbish's preference, the DW35 features EMG pickups. A two-band EQ customized for Doug Wimbish provides quick and wide variations in tone.

Ibanez Offers Second Retro-Style Jet King

Ibanez introduced a second Jet King guitar model at the 2004 NAMM show. "Like the first Jet King, the Jet King II offers retro looks that hearken back to the funky-looking guitars Ibanez offered in the '60s," commented Bill Reim, president of Ibanez USA, "but with today's playability, tonal versatility and stability. However, instead of the thinner neck and the basswood body of the 1st Jet King, the Jet King II features a mahogany body and a thicker neck for even more tone and sustain. Plus it's got even more funky-looking pickguards."

Originally called the "Pawnshop Project," the Jet King concept was to combine the funky looks that were associated with the old '60s found hanging is pawnshops, with the versatility, playability and good intonation that the old guitars were not associated with.

SRP400 Soundgear Bass Offers Traditional and Modern Sounds

Combining the sleek ultra-modern look of Ibanez Soundgear with aspects of a traditional bass sounds like an unlikely formula. But the new Ibanez Soundgear "ProActive" bass makes the combination work. The SRP offers the expected Soundgear features of a 2-octave fast, narrow neck and active bass boost, but the pickguard, passive P-style pickup and traditional ash body definitely hearken to an earlier era. The new Mono-Rail III bridge with isolated saddles not only complements the SRP's modern meets traditional look, it also allows increased transfer of vibrations from string to body.

The SRP400 Soundgear ProActive is available in TFB Tri-Fade Burst and WB White Blond finishes. The list price is $529.99
Ibanez RG1520GK Prestige Model Offers Roland GK Compatibility
Ibanez debuted the RG1520GK at NAMM, compatible with Roland's GK technology. The GK system allows guitars with special split pickups to access Roland's line of GK effects as well as GK devices for controlling synthesizers via MIDI. According to Ibanez, the piezo pickups in their GK-compatible Edge-Pro double-locking tremolo "provide the ultimate in accuracy for triggering GK-connected synth systems."

The Ibanez RG (the series name is derived from the '80s "Roadstar II Guitars") has been one of the most featured guitars in metal and heavy rock since its introduction at the Chicago NAMM Show in 1987. RG's are available in available in a wide assortment of models including 7-string and fixed bridge as well as double locking trem, but the basic formula is described as, according to Ibanez, "thin, flat and fast two-octave necks, and powerful pickups that slice through the room."

The RG1520GK is Ibanez's first Prestige model to feature GK-compatibility. The guitar lists for $1099.99.
Ibanez Upgrades Soundgear Basses and Adds New SR900 Series
Every series in the Ibanez Soundgear line has received upgrades in 2004. At the top of the line, the 5-string Prestige SR3005 now features a D-Tuner. At the beginning of the line, the SR300 gets a 2-band active EQ and theSR400 receives a new Style Sweeper EQ, which promises to quickly take players "from warm 50's thump to today's slap, pop and funk.

However, the most significant Soundgear "upgrade" may be the addition of an entirely new the SR900. Both the 4- and 5-string versions of the SR900 list for under a grand, but they are loaded with must-have features for the pro-player: Bartolini MK1 pickups, the Bartolini MK1 3-Band EQ, Accu-Cast B20 bridge and an arched topped body of figured maple fitted with a 5pc maple/bubinga thru-body neck.

"Soundgear's thin neck and active electronics are what put Ibanez on the map in basses in 1987," commented Pete Chiavarou of Ibanez. "What has kept the Soundgear in the forefront has been the fact that it has evolved as bass playing has evolved. The SR900 and the entire 2004 Soundgear line still have what Soundgear a radically different bass in 1987--but they have new appointments and electronics that keep the Soundgear line on the cutting edge 17 years later."
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wirmicbas||item.||page.||219mormic||||||||Wireless Microphones - The Basics||||accessories 219mormic||Accessories > Microphone Home Page > ||||||||||||||||0||1||0||0||||||||
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Boss Equalizer new $60

Zildjian Med Thin Crash 17" used/like new $129

Zildjian Med Crash 19" used/like new $129

Sabian Pro 20" Ride used/like new $149

Sabian AAX Stage Ride 20" Ride used/like new $159

Tama Swingstar..Five Piece with Cymbals/Hardware/Throne..Black used/good cond. $399

CB Drums..Maxx Five Piece..cymbals and hardware..Wine Red used/like new $349

Cremona Violins..All Sizes..Complete Kits used/excellent $49

Used Clarinets/Case used/good cond. $150

Peavey Bandit 112 used/good $250

Ibanez Flanger new in box $35

Takamine Acoustic/electric EG140SC used $599

Bentley Strat Copy used $100

Memphis Electric used $100

King Trumpet..Silver used/good/hsc $259

Wireless Microphones - The Basics
Some Quick Tips on How Wireless Microphones Work
courtesy of: www.audio-technica.com
Frequencies
Every wireless microphone system must operate on a specific frequency.

The government dictates which frequency ranges can be used by wireless.

By government policy, all frequencies are shared by a large number of users across the country.

Wireless frequencies are shared with TV stations, communications equipment and a large number of wireless microphone systems.

Because of frequency sharing, there is always at least a small chance that someone else in the area might be using the same frequency as your wireless system.

Government regulations also set strict technical requirements for wireless, including limits on maximum transmitter power.
Transmitter and Receiver
There must be one transmitter and one receiver to make a complete wireless system, and they both must be on the same frequency.

If any two transmitters are operating on the same frequency, severe interference will result and the wireless system will be unusable. Two transmitters cannot be used with one receiver at the same time. You can "use" a handheld and a body-pack transmitter with one receiver - one at a time!

If the frequencies of any two wireless systems are too close together, interference is likely, and one or both systems will probably be unusable.

The practical maximum operating range of a wireless system will vary from as little as 100 feet (30 m) in heavily crowded indoor situations to approximately 1,000 feet (300 m) under open outdoor conditions.

Diversity wireless systems will almost always have better operating range than similar non-diversity systems.
Common Problems
Wireless receivers must have either one or two external antennas, and there should be a clear open-air path between these antennas and the transmitter.

Weak or worn-out transmitter batteries are a common cause of wireless problems, including complete failure, poor range, distorted audio and interference.

High-quality alkaline batteries will provide 8 to 16 hours of transmitter operation. Most other types of batteries will have much shorter life, and some may cause other problems.
||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|wolammoz||item.||page.||classicalcafe||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37337171||||||Wolfgang Amadeus Mozart||||classicalcafe||Classical Cafe > ||||||||Perhaps the greatest ever...||||||||0||1||0||0||||bach1 beethoven1||||WOLFGANG AMADEUS MOZART

Born: January 27, 1756. Salzburg, Austria
Died: December 15, 1791. Vienna, Austria

In his own words...

"People make a mistake who think that my art has come easily to me. Nobody has devoted so much time and thought to composition as I. There is not a famous master whose music I have not studied over and over." Austrian composer. One of the leading composers of the Classical era, and a master in all genres.

Our picture of Mozart depends upon where we focus. Was he a brilliant, successful composer or a child prodigy who never grew up? Was he a facile composer who created nothing original or a composer of great emotional depth? He was all of these and more. For many of us, our focus is guided by our exposure to Mozart's personality in the film Amadeus, but is that an accurate picture?

Mozart's life remains a complicated puzzle. As a child, he seemed gifted beyond all measure, playing at age six before the empress, and composing at an even earlier age. By twelve he had written an opera, and his talents seemed to know no bounds. From this auspicious beginning, one would have predicted a future filled with prestigious royal appointments, the brilliant composer and performer constantly sought out by emperors and kings. But his career, which ended tragically with his death at age thirty-five, was a constant disappointment. When once asked about a meager court appointment he held, Mozart replied: "I get paid far too much for what I do, and far too little for what I could do." His music did not always please those in power: "Too many notes," Emperor Joseph II was reported to have said. And Mozart himself, who always felt that his talents were never adequately recognized, was often difficult.

The difficulties of Mozart the man, however, are eclipsed by the enormous power of Mozart the musician. His music was often joyous and almost raucous, and yet he could also write melodies of simple and haunting beauty. Like Haydn and Beethoven, Mozart was just as comfortable writing simple, direct melodies as he was writing complicated contrapuntal works. There seems to have been no genre in which he was not comfortable, and we can rightly point to his best work in any of them as the epitome of that genre.

Works:
Orchestral music, including some 40 symphonies (late symphonies: No.35 "Haffner", 1782; No.36 "Linz", 1783; No.38 "Prague", 1786; Nos.39, 40 and 41 "Jupiter", all from 1788); cassations, divertimentos, serenades, marches and dances
Concertos, including 27 for piano, 5 for violin, concertos for clarinet, oboe, French horn, bassoon, flute, and flute and harp
Operas, including Idomeneo (1781), The Abduction from the Seraglio (Die Entf�hrung aus dem Serail, 1782), The Marriage of Figaro (Le nozze di Figaro, 1786), Don Giovanni (1787), Women are Like That (Cos� fan tutte, 1790) and The Magic Flute (Die Zauberfl�te, 1791)
Choral music, including 18 Masses, the Requiem K.626 (incomplete, 1791), and other liturgical music
Chamber music, including 23 string quartets, string quintets, clarinet quintet, oboe quartet, flute quartet, piano trios and quartets, sonatas for violin and piano, and divertimentos and serenades (Eine kleine Nachtmusik K.525, 1787)
Keyboard music, including 17 piano sonatas and Fantasia in C minor K.475 (1785)
Secular vocal music

Books on Mozart
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Yamaha YCL-250 Bb Student Clarinet

Yamaha YCL-221II Student Bass Clarinet with Low Eb 886830236754

Yamaha YCL-SEVA Custom A Clarinet 886830107887

Yamaha YCL-221II Student Bass Clarinet with Low Eb||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yael5vi||item.||page.||elviol||||||||Yamaha Electric 5-String Violin||||strinin elviol||Stringed Instruments > Electric Violins > ||||||||||||||||0||1||0||0||||||||
Amazing tonal capabilities and futuristic looks with familiar feel.

A revolutionary pickup system in the Yamaha EV-205 Electric 5-String Violin uses sensors under each string that resonate 3-dimensionally producing incredible tone. The onboard mixer includes level controls for each string plus a master level control. A headphone jack and Silent Practice technology can also be used onstage with an in-ear personal monitor. The violin body/frame and soundboard are made of carved, solid maple providing acoustic-like resonance. The 5th C string adds immense versatility to this revolutionary Yamaha Electric Violin and combined with the pickup system it gives you searing tone that lends itself to jazz and rock repertoires.

Yamaha EV-205 Electric 5-String Violin Features:

* Sensors under each string resonate 3-dimensionally producing incredible tone * Onboard mixer includes level controls for each string plus a master level control * Headphone jack and Silent Practice technology can also be used onstage with in-ear personal monitor * Body/frame and soundboard are made of carved, solid maple for acoustic-like resonance * 5th C string adds immense versatility

Take your artistry to new heights with this revolutionary instrument.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamelguit||item.||page.||elguit1||||||||Yamaha Electric Guitars||||elguit1||Electric Guitars > ||||||||Solid Body Guitar Synth Accessories Bass Guitars Acoustic Electric Guitars Classical Guitars||||||||0||1||0||0||||||||Browse all Yamaha Electric Guitars ||||yamaha guitars, yamaha acoustic guitars, yamaha acoustics, yamaha electric guitars, yamaha bass, acoustic, yamaha fg412, FGX412SC, fgx412sc, yamaha acoustic electric, yamaha cs40, fs340, apxt1, fx310 yamaha, fx36s, yamaha cpx8-12, fpx300n||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yameldrum||item.||page.||eldrum||||||||Yamaha Electronic Drums||||drumsticks eldrum||Drum Kits > Electronic Drums > ||||||||Guaranteed Lowest Prices on Yamaha Electronic Drums
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Yamaha DTXPRESS III Silver Electric Drum Rack System Standard
8 clamp mounts (module, hi-hat pad, snare pad, three tom pads, two cymbal pads). 2 straight cymbal arms, approx. 24" long. 2 vertical tubes. 2 front horizontal tubes. 1 right-side horizontal tube. 1 module-mounting tube.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamezserkey||item.||page.||yamkey||||||||Yamaha EZ Series Keyboards||||classicalcafe yamkey||Classical Cafe > Yamaha Keyboards > ||||||||||||||||0||1||0||0||||||||Free Shipping on Yamaha Keyboards and Accessories ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamflutcas||item.||page.||yamahaflutes||||||||Yamaha Flute Cases||||schoolbanin inren flutes yamahaflutes||School Band Instruments > School Band Instruments > Flutes > Yamaha Flutes > ||||||||||||||||0||1||0||0||||||||Browse all Yamaha Flute Cases||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamahaflutes||item.||page.||flutes||||||||Yamaha Flutes||||schoolbanin inren flutes||School Band Instruments > School Band Instruments > Flutes > ||||||||||||||||0||1||0||0||||yamflutcas||||Browse all Yamaha Flutes||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamkeybag||item.||page.||yamkey||||||||Yamaha Keyboard Bags||||classicalcafe yamkey||Classical Cafe > Yamaha Keyboards > ||||||||||||||||0||1||0||0||||||||Free Shipping on Yamaha Keyboards and Accessories ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamkeycasand||item.||page.||yamkey1||||||||Yamaha Keyboard Cases and Gig Bags||||harmonicas yamkey1||Keyboards/Synths > Yamaha Keyboards > ||||||||||||||||0||1||0||0||||||||Browse all Yamaha Keyboard Cases and Gig Bags ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamkey1||item.||page.||harmonicas||||||||Yamaha Keyboards||||harmonicas||Keyboards/Synths > ||||||||Click Each Yamaha Keyboard for Yamaha Keyboard Pricing||||||||0||1||0||0||||yamkeycasand|||| Browse all Yamaha Keyboards||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamkey||item.||page.||classicalcafe||||||||Yamaha Keyboards||||classicalcafe||Classical Cafe > ||||||||Yamaha Keyboards and Accessories||||||||0||1||0||0||||yampsrserkey yamezserkey yamkeybag||||Free Shipping on Yamaha Keyboards and Accessories ||||yamaha keyboard, p80, yamaha digital piano, sequencers||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamahaoboes||item.||page.||oboes||||||||Yamaha Oboes||||schoolbanin inren oboes||School Band Instruments > School Band Instruments > Oboes > ||||||||||||||||0||1||0||0|||||||| Browse all Yamaha Oboes

YOB241 Oboe

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YOB841 Custom Oboe||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yap2pi||item.||page.||yamahapianicas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37397371||||||Yamaha P25F Pianica||P25F||acin yamahapianicas||Acoustic Instruments > Yamaha Pianicas > ||54.990||62.990 ||54.990 ||||||||||1||1||1||0||||||||Yamaha P25F Pianica is the top choice for many educators and professional musicians, Yamaha Pianicas produce clear, full tones with solid projection and feature anti-corrosive reeds, providing stable intonation.

Each includes a shock-resistant, double walled, blow-molded case, along with a mouthpiece and blowing pipe.||||||||||||||||0||||||||||||||||||||Yamaha||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yap3pi||item.||page.||yamahapianicas||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37409788||||||Yamaha P32D Pianica ||P32D||acin yamahapianicas||Acoustic Instruments > Yamaha Pianicas > ||63.950||69.990 ||63.950 ||||||||||1||1||1||0||||||||Yamaha P32D Pianica produces clear, full tones with solid projection. It features anti-corrosive reeds, providing stable intonation. The P32D pianica has 32 keys.||||||||||||||||0||||||||||||||||||||yamaha||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yampaen||item.||page.||pagearsoun||||||||Yamaha PA Enclosures||||musicsoftware1 pagearsoun||Recording/PA/Software > PA Gear/Live Sound > ||||||||||||||||0||1||0||0||||||||Browse all Yamaha PA Enclosures ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamahapianicas||item.||page.||acin||||||||Yamaha Pianicas||||acin||Acoustic Instruments > ||||||||||||||||0||1||0||0||||yap3pi yap2pi||||Yamaha Band and Orchestral Division announces its new line of Pianicas. Available for the first time in the U.S., Pianicas are free-reed instruments similar to accordions and harmonicas.

Pianicas are used primarily for general music education. The top choice for many educators and professional musicians, Yamaha Pianicas produce clear, full tones with solid projection and feature anti-corrosive reeds, providing stable intonation.

Each includes a shock-resistant, double walled, blow-molded case, along with a mouthpiece and blowing pipe.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yampsrserkey||item.||page.||yamkey||||||||Yamaha PSR Series Keyboards||||classicalcafe yamkey||Classical Cafe > Yamaha Keyboards > ||||||||||||||||0||1||0||0||||||||Free Shipping on Yamaha Keyboards and Accessories||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yasa||item.||page.||saxdepartment||||||||Yamaha Saxophones||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||||||||||0||1||0||0||||||||
Shop All Yamaha Saxophones ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamsilbrassy2||item.||page.||yamsilbrassy||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37423349||||||Yamaha Silent Brass System for French Horn||SB39||schoolbanin inren yamsilbrassy||School Band Instruments > School Band Instruments > Yamaha Silent Brass Systems > ||149.950||199.950 ||149.950 ||||||||||0||1||1||0||||||||The Yamaha Silent Brass System for French Horn includes the ST9 Control Module and PM-3 Horn Mute. The Silent Brass system control module is small and light while still maintaining the quietness and pitch accuracy that Silent Brass has become known for.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamsilbrassy1||item.||page.||yamsilbrassy||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37439505||||||Yamaha Silent Brass System for Trombone||SB59||schoolbanin inren yamsilbrassy||School Band Instruments > School Band Instruments > Yamaha Silent Brass Systems > ||139.950||177.950 ||139.950 ||||||||||0||1||1||0||||||||The Yamaha Silent Brass System for Trombone includes the ST9 Control Module and PM-5 Trombone Mute. The Silent Brass system control module is small and light while still maintaining the quietness and pitch accuracy that Silent Brass has become known for.||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamsilbrassy||item.||page.||inren||||||||Yamaha Silent Brass Systems||||schoolbanin inren||School Band Instruments > School Band Instruments > ||||||||||||||||0||1||0||0||||yamtrumsilbr yamsilbrassy1 yamsilbrassy2||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamsnardrum||item.||page.||snaredrums||||||||Yamaha Snare Drums||||drumsticks snaredrums||Drum Kits > Snare Drums > ||||||||||||||||0||1||0||0||||||||Browse all Yamaha Snare Drums

||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yasore||item.||page.||recorders||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37448002||||||Yamaha Soprano Recorder||YRS302B||acin recorders||Acoustic Instruments > Recorders > ||19.990||39.990 ||19.990 ||||||||||0||1||1||0||||||||Quality Yamaha recorder. Baroque/English fingering. ABS resin. Soprano 3 piece. Key of C.||||||||||||||||0||||||||||||||||||||Yamaha||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamtrom||link.||||trombones||||||||Yamaha Trombones||||schoolbanin inren trombones||School Band Instruments > School Band Instruments > Trombones > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamtrumsilbr||item.||page.||yamsilbrassy||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37471295||||||Yamaha Trumpet Silent Brass System||SB79||schoolbanin inren yamsilbrassy||School Band Instruments > School Band Instruments > Yamaha Silent Brass Systems > ||119.000||159.950 ||119.000 ||||||||||0||1||1||0||||||||"The Yamaha Silent Brass System for trumpet includes everything a player needs for silent, worry free practicing. The trumpet Silent Brass system features the ST9 control module, now smaller and lighter while maintaining the quietness and pitch accuracy that Silent Brass has become known for. The Silent Brass trumpet system also includes the PM-7 mute plus patch cord and headphones"||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yamahatrumpets||item.||page.||trumpets||||||||Yamaha Trumpets||||schoolbanin inren trumpets||School Band Instruments > School Band Instruments > Trumpets > ||||||||||||||||0||1||0||0||||||||Browse all Yamaha Trumpets||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|yasa1||item.||page.||saxdepartment||||||||Yanagisawa Saxophones||||schoolbanin inren saxdepartment||School Band Instruments > School Band Instruments > Sax Department > ||||||||||||||||0||1||0||0||||||||
Shop All Yanagisawa Saxophones ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|ynmaefse||item.||page.||eftectip||||||||Yngwie Malmsteen Effects Setup||||effects eftectip||Effects > Effects Tech Tips > ||||||||||||||||0||1||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|zilap||item.||page.||cymbals||||||||Zildjian Apparel||||cymbals||Cymbals > ||||||||||||||||0||1||0||0||||||||Browse all Zildjian Apparel||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|zilcym||link.||||cymbals||||||||Zildjian Cymbals||||cymbals||Cymbals > ||||||||||||||||0||0||0||0||||||||||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|zonbass||item.||page.||electricbass||||||||Zon Bass||||electricbass||Electric Bass > ||||||||||||||||0||1||0||0||||||||Browse all Zon Bass Guitars

Zon Sonus RT5 5-String Bass Guitar Transparent Red Chrome Hardware ||||||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|zoompedals||item.||page.||effects||https://sep.yimg.com/ca/I/chrisbsmusicinc_2270_37488940||||||Zoom Pedals||||effects||Effects > ||||||||Zoom Multi Effects||||||||0||1||0||0||||||||
Zoom GFX5 Guitar Multi Effects Pedalboard
ZOOM Continues To Present The Most Exciting & Innovative Products In The World. The GFX-5 Effects Console Features 75 Different Guitar Effects With Up To 10 Simultaneously. 60 Preset Patches, 60 Programmable, A Built-In Drum Machine Along With A 6 Second Sampler Encased In A Metal Chassis Make The GFX-5 A Great Addition To Any Live Or Studio Performance Setup.
Zoom 606 Multi Effects Guitar Pedal
It's Hard To Believe The Power "ZOOM" Managed To Pack Into The 606. This Pedal Features 35 Effects Types, 42 Patch Locations, A Specific Drive Knob Selecting 11 Drive Types (Including 5 Modeling Effects and 3 Types Of Amp Simulation), Up/Down Gain Buttons and An Expression Pedal Assign Button Complete With LED Status. Yet With All This Power The 606 Is Uncomplicated, Easy To Use and A Great Price.
Zoom 504IId
The 504II Is Compact and Easy To Program. Acoustic Effects Such As De-Amp Restores Your Natural Acoustic Sound When Using An Amplifier. The Air Effect Recreates The Ambient Sound Of A Acoustic Amplified Guitar. The 504II Is A Must Have For Any Acoustic / Electric Guitar Situation. If You Are An Electric Guitar Player, Don't Feel Left Out: The 504II's Built-In Simulator Transforms Electric Guitar Into A Rich Acoustic Sound.||||Zoom 505 Compact Multi-Effects Guitar (505),|^||^|Multi-effects pedal effect, FS01 footswitch, FP01 expression pedal, & AD0006D adapter.|^| Zoom guitar effects,flanger, EQ, 2-octave pitch bend, auto-chromatic tuner,||||||||||||0||||||||||||||||||||||||0||~~minimum-quantity~~1~~need-ship~~1~~|^^|||dts-data-end||
Feedback
Because it is easier to accidentally walk near speakers, feedback problems are slightly more common with wireless microphones than with wired microphones.

The power output of wireless microphone transmitters is very low, only about 10% of that of a typical cellular phone, and they are completely safe to use. However, any source of RF energy may interfere with the normal functioning of implanted cardiac pacemakers or AICD devices. A body-pack transmitter should not be worn where it is immediately adjacent to such a medical device. Note also that any medical-device disruption will cease when the RF transmitting source is turned off.

Guitars and Basses
Mayhem Series	5 years
Bloodsport Series	5 years
Marquee Series	Limited Lifetime
Badwater Series	Limited Lifetime

Amplifiers
Solid State Amps (unless specified)	2 years
Akita Series	5 years (90-day tube warranty)
Medway Special Series	5 years (90-day tube warranty)
Rapture Series	5 years
Tyrant Bass Series	5 years
Faultline Bass Series	5 years

Accessories
Effects Pedals	1 year
Hardshell Cases	Limited Lifetime

Interval	Name
G - Ab	half-step
G - A	whole-step
G - Bb	minor third
G - B	major third

G Chord	Notes of Chord	Order of Intervals
G Major	G B D	Maj-3rd Min-3rd
G Minor	G Bb D	Min-3rd Maj-3rd
G Augmented	G B D#	Maj-3rd Maj-3rd
G Diminished	G Bb Db	Min-3rd Min-3rd

G 7th Chord	Notes of Chord	Order of Intervals
G Major 7	G B D F#	Maj-3rd Min-3rd Maj-3rd
G Dominant 7	G B D F	Maj-3rd Min-3rd Min-3rd
G Minor 7	G Bb D F	Min-3rd Maj-3rd Min-3rd
G Half-Diminished 7	G Bb Db F	Min-3rd Min- 3rd Maj-3rd
G Diminished 7	G Bb Db E	Min-3rd Min-3rd Min-3rd

Number of notes	Name
1 3 5	Triad
1 3 5 7	Seventh
1 3 5 7 9	Ninth
1 3 5 7 9 11	Eleventh
1 3 5 7 9 11 13	Thirteenth

	7	6	5	4	3	2	1
Steve Vai	B	E	A	D	G	B	E
Brian "Head" Welch	A	D	G	C	F	A	D
Howard Alden	A	E	A	D	G	B	E

C Chord Triad	Notes of Chord	Numbers of Chord
C Major	C E G	1 3 5
C Minor	C Eb G	1 b3 5
C Augmented	C E G#	1 #3 #5
C Diminished	C Eb Gb	1 b3 b5

Notes of Chord	Chord Name
C E G	C Major
C Eb G	C Minor
C E G#	C Augmented
C Eb Gb	C Diminished
C Eb Gb B	C Half-diminished
C Eb Gb Bb	C Diminished 7
C F G	C Suspended 4
C D G	C Suspended 2
C F G Bb	C Suspended 7
C F G Bb D	C Suspended 9
C F G Bb D F	C Suspended 11
C F G Bb D F A	C Suspended 13
C E G B	C Major 7
C E G Bb	C Dominant 7
C Eb G Bb	C Minor 7
C E G A	C Major 6
C Eb G A	C Minor 6
C E G A D	C 6/9
C Eb G A D	C Min 6/9
C Eb G B	C Minor/Major 7
C E G# B	C Maj 7 Sharp 5
C E G# Bb	C Dom 7 Sharp 5
C E Gb B	C Maj 7 Flat 5
C E Gb Bb	C Dom 7 Flat 5
C Eb G# Bb	C Min 7 Sharp 5
C E G Bb D#	C Dom 7 Sharp 9
C E G Bb Db	C Dom 7 Flat 9
C E G B D	C Maj 9
C E G Bb D	C Dom 9
C Eb G Bb D	C Minor 9
C E G# B D	C Maj 9 Sharp 5
C E G# Bb D	C Dom 9 Sharp 5
C Eb G Bb Db	C Min 7 Flat 9
C E Gb B D	C Maj 9 Flat 5
C E Gb Bb D	C Dom 9 Flat 5
C Eb G Bb D	C Min 9
C Eb Gb Bb D	C Min 9 Flat 5
C Eb G B D	C Min/Maj 9
C E G B D#	C Maj 9 Sharp 5
C E G B Db	C Maj 9 Flat 5
C E G Bb D#	C Dom 9 Sharp 5
C E G B Db	C Dom 9 Flat 5
C E G# B D#	C Maj 7 Sharp 5 Sharp 9
C E G# Bb D#	C Dom 7 Sharp 5 Sharp 9
C E G# B D#	C Maj 7 Sharp 5 Flat 9
C E G# Bb D#	C Dom 7 Sharp 5 Flat 9
C E Gb B D#	C Maj 7 Flat 5 Sharp 9
C E Gb Bb D#	C Dom 7 Flat 5 Sharp 9
C E G B D F	C Maj 11
C E G# B D F	C Maj 11 Sharp 5
C E G B D# F	C Maj 11 Sharp 9
C E G# B D# F	C Maj 11 Sharp 5 Sharp 9
C E Gb B D F	C Maj 11 Flat 5
C E G B Db F	C Maj 11 Flat 9
C E Gb B Db F	C Maj 11 Flat 5 Flat 9
C E G Bb D F	C Dom 11
C E G# Bb D F	C Dom 11 Sharp 5
C E G Bb D# F	C Dom 11 Sharp 9
C E G# Bb D# F	C Dom 11 Sharp 5 Sharp 9
C E Gb Bb D F	C Dom 11 Flat 5
C E G Bb Db F	C Dom 11 Flat 9
C E Gb Bb Db F	C Dom 11 Flat 5 Flat 9
C E G Bb D F A	C Dom 13
C E G B D F A	C Maj 13
C E G Bb Db F A	C 13 Flat 9
C E G Bb D# F A	C 13 Sharp 9
C E G Bb D# F A	C 13 Sharp 9

Notes of Chord	Chord name
D F# A E	D major add 9
Eb G Bb Db F C	Eb Dom 7 add 11 add 13
G B D C E	G major add e11 add 13

Notes of Augmented Chord	Chord Name
C E G#	C Augmented
E G# C	E Augmented
G# C E	G# Augmented

Notes of polychord	Polychord	"Real" name
B D# F# A	B Major/D# Dim	B Dom 7
D F# A C E	D Major/A Minor	D Dom 9
E G B D F#	E Minor/B Minor	E Min 9
C E G Bb Eb	C Major/Eb Major	C Dom 7 Sharp 9

Notes of power chord	Chord Name
C G	C 5 (or C power chord)
G D	G 5 (or G power chord)
E B E	E 5 (or E power chord)

Notes of power chord	Chord Name
C G	C 5 (or C power chord)
G D	G 5 (or G power chord)
E B E	E 5 (or E power chord)

Model	RG2027X 7-string	RG2020X	S2020X
List	$1699.99	$1499.99	$1599.99
Available Finish	VV Vintage Violin	TB Transparent Blue	AV Antique Violin
Body Material	Mahogany	Mahogany	Mahogany
Neck Material	3 pc Maple	3 pc Maple	3 pc Maple
Neck Scale	25 1/2"	25 1/2"	25 1/2"
No. Frets/Type	24/Large	24/Jumbo	22/Jumbo
Fingerboard	Rosewood	Rosewood	Rosewood
Inlay	Abalone Offset Dot	Abalone Offset Dot	Abalone Offset Dot
Bridge	Double Edge 7	Double Edge	Double Edge
H/W Color	CK	CK	CK
Neck Pickup	V7-7H	V7 Hum	QM1 Hum
Middle Pickup	N/A	N/A	N/A
Bridge Pickup	V8-7H	V8 Hum	QM12
Case	UV1000C	UV1000C	UV1000C
Case List	$169.99	$169.99	$169.99

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15th Anniversary JEM Floral Guitar Shown at NAMM

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